“There is a smudge where my memory is supposed to be.” Claire wakes in a hospital room in the Florida Keys. She has no idea how she got there or why. The loss of so many memories is paralyzing. Some things she can piece together by looking at old photos saved by her husband, Charlie, and her best friend, Rachel, and by combing through boxes of letters and casual jottings. But she senses a mystery at the center of all these fragments of her past, a feeling that something is not complete. Is Charlie still her husband? Is Rachel still her friend? Told from alternating points of view that pull the reader into the minds of the three characters, the story unfolds as the smudge that covers Claire’s memory is gradually, steadily wiped away, until finally she can understand the why and the how of her life. And then maybe she and Charlie and Rachel can move forward, but with their lives forever changed. In Remind Me Again What Happened, debut novelist Joanna Luloff has written a moving and beautifully nuanced story of transience, the ebb and flow of time, and how relationships shift and are reconfigured by each day, hour, and minute.
“There is a smudge where my memory is supposed to be.” Claire wakes in a hospital room in the Florida Keys. She has no idea how she got there or why. The loss of so many memories is paralyzing. Some things she can piece together by looking at old photos saved by her husband, Charlie, and her best friend, Rachel, and by combing through boxes of letters and casual jottings. But she senses a mystery at the center of all these fragments of her past, a feeling that something is not complete. Is Charlie still her husband? Is Rachel still her friend? Told from alternating points of view that pull the reader into the minds of the three characters, the story unfolds as the smudge that covers Claire’s memory is gradually, steadily wiped away, until finally she can understand the why and the how of her life. And then maybe she and Charlie and Rachel can move forward, but with their lives forever changed. In Remind Me Again What Happened, debut novelist Joanna Luloff has written a moving and beautifully nuanced story of transience, the ebb and flow of time, and how relationships shift and are reconfigured by each day, hour, and minute.
When rumors of civil war between the ruling Sinhalese and the Tamils in the northern sector of Sri Lanka reach those who live in the south, somehow it seems not to be happening in their own country. At least not until Janaki’s sister, Lakshmi—now a refugee whose husband, a Tamil, has disappeared—comes back to live with her family. And when Sam, an American Peace Corps worker who boards with Janaki’s family, falls in love with one of his students, a young girl from the north, he, too, becomes acutely aware of the dangers that exist for any- one who gets drawn into the conflict, however marginally. Skillfully weaving together the stories of these and other intersecting lives, The Beach at Galle Road explores themes of memory and identity amid the consequences of the Sri Lankan civil war. From different points of view, across generations and geographies, it pits the destructive power of war against the resilient power of family, individual will, and the act of storytelling itself.
When rumors of civil war between the ruling Sinhalese and the Tamils in the northern sector of Sri Lanka reach those who live in the south, somehow it seems not to be happening in their own country. At least not until Janaki’s sister, Lakshmi—now a refugee whose husband, a Tamil, has disappeared—comes back to live with her family. And when Sam, an American Peace Corps worker who boards with Janaki’s family, falls in love with one of his students, a young girl from the north, he, too, becomes acutely aware of the dangers that exist for any- one who gets drawn into the conflict, however marginally. Skillfully weaving together the stories of these and other intersecting lives, The Beach at Galle Road explores themes of memory and identity amid the consequences of the Sri Lankan civil war. From different points of view, across generations and geographies, it pits the destructive power of war against the resilient power of family, individual will, and the act of storytelling itself.
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