It’s bad enough to lose a child to suicide, but what do you do if you discover that the depression was caused by an underlying medical condition, and that a million others are at risk because vital medical information is being suppressed? Joanna Lane tells the story of her 31-year-old son’s death, her grief and her search for the reason behind his suicide. When she finds that a rarely diagnosed but far from rare condition probably lay behind his despair she tries to raise the alarm to save others. However, her unsuspecting attempts are met with obstruction after obstruction. Gradually she confronts the truth that the organisations set up to protect the public are not doing their job, and we are all at risk. A must-read for anyone who has ever had a head injury, or been diagnosed with ME, Chronic Fatigue Syndrome or Fibromyalgia. And a must-read for anybody who still believes that important health decisions are made with the patient’s welfare in mind. In this heartfelt, heartrending, angry and yet uplifting book, Joanna Lane charts her journey through grief and on to a fight that saw her set against the entrenched world of the medical establishment. A world that still in large part turns away from the truth which she uncovered.
Eugenia Mae Spotswood, the daughter of a failed aristocrat, longs to regain the life she lost. The slave Tom wants one thing: freedom. After becoming the property of Eugenia Mae, a dangerous affection grows. But he learns freedom is not something she can give him - he must fight for it himself. Clyde Bricket, the farm boy responsible for Tom's capture, has always believed in the South. But he soon learns that sometimes the only way to redeem yourself is to fight against everything he thought he believed in.
When a mother's love meets a father's instinct… Ex-marine Adam Dalton once dreamed of a life with Hadley O'Sullivan, but war and a near-fatal injury cost him dearly. Now he returns to Dallas to discover the unthinkable—Hadley is the prime suspect in the disappearance of her twin baby girls…the daughters he never knew he had. Beyond Hadley's terror of having her children kidnapped is the shock of seeing Adam. Yes, she had kept him from his daughters, but now, when he insists they work together as a united front, she knows she is still in love with him. Despite their past, finding their children is their only hope to finally becoming a family—if time doesn't run out first.
From the superb storyteller and quintessential women's fiction author Joanna Trollope comes a moving and wonderfully observed new novel about two families who must confront love and loss as an inheritance hangs in the balance. The trouble with dying is that you're not around anymore to explain what you meant to the people who love you… Richie Rossiter, a crooner and piano man still popular with his loyal fans, is anyone's idea of a lucky man. In his forties, he abandoned his first wife and son in Newcastle for a young woman who believed she could bring him stardom in the south. Not only does Chrissie rejuvenate his career, she gives him twenty-three years of happy domestic life and three lovely daughters. But then he dies suddenly, and at his funeral Chrissie and her daughters cross paths with Richie's other family for the very first time. And the uneasy truce that has held over the years between Richie's past and his present loves breaks down into open animosities, fanned by certain bequests he has made and certain secret loyalties he has kept. Grief, loss, jealousy and love rewrite the relationships of both families in ways Richie never could have imagined.
Ruth Patterson couldn’t remember her parents who, when she was a small child were killed in a raid at Fort Malden in Amherstburg during the War of 1812. Fortunately, her parents had left her with her paternal Uncle Samuel and Aunt Elizabeth for safety. She was raised in a loving, Christian, and abolitionist home. When she married Martin Logan, a stranger from out of town, her Uncle let them farm one of his tracts of land in nearby Sandwich Towne. At that time many refugees from slavery were landing along the Canadian side of the Detroit River in the Amherstburg and Sandwich Towne areas. Martin’s short temper with Uncle Samuel’s reluctance to let him handle other business deals and sign over the property to him, and his own disagreement with the abolitionist movement, as well as the locals enthusiasm for helping the refugees finally prompted him to leave Ruth and their young son Daniel after a heated argument. At the time, Ruth was expecting their second child. Then things really started happening in Olde Sandwich Towne.
Baillie’s eminently readable dramas stand at the crossroads of the Scottish Enlightenment and early Romanticism, and compellingly engage with questions of women’s rights. Her exploration of the passions, first published in 1798, is here reissued with a wealth of contextual materials including “The Introductory Discourse,” Baillie’s own brand of feminist literary criticism. The three plays included here are “Count Basil: A Tragedy,” and “The Tryal: A Comedy,” which show love from opposing perspectives; and “De Monfort: A Tragedy,” which explores the drama of hate. Among other appendices, the Broadview edition includes materials on the contemporary philosophical understanding of the passions, and contemporary reviews. Baillie’s work is enjoying a revival of interest. She lived a long life, (1762-1851), and had a wide circle of literary friends including Maria Edgeworth and Sir Walter Scott (who termed her a “female Shakespeare”). Scottish born, she moved to England in her twenties where she then resided. Her Plays on the Passions, alternatively known as A Series of Plays in which it is Attempted to Delineate the Stronger Passions of the Mind—Each Passion being the Subject of a Tragedy and Comedy was produced in three volumes between 1798 and 1812. The first volume created quite a stir amongst the literary circles of London and Edinburgh when introduced anonymously. The speculation into the authorship concluded two years later when Baillie came forward as the writer of the collection, thereby causing a subsequent sensation since no one had considered the shy spinster a candidate in the mystery.
This book explores the interface between speech perception and production through a longitudinal acoustic analysis of the speech of postlingually deaf adults with cochlear implants (electrode and computer prostheses for the inner ear in cases of nerve deafness). The methodology is based on the work of Joseph Perkell at MIT, replicating and extending analysis to subjects with modern digital cochlear implants and processor technology. Lowenstein also examines how cochlear implants are portrayed in dramatic and documentary television programs, the scientific accuracy of those portrayals, and what expectations might be taken away by viewers, particularly given modern society's view that technology can overcome the frailties of the human body.
A daring beauty will risk everything for love in this thrilling romance in Joanna Bourne's Spymaster series. Raised as a poor but cunning pickpocket, Jess Whitby may have grown into a wealthy young woman, but now she must rely once again on her guile. Her father’s been wrongly accused of selling secrets to Napoleon, and he’s going to hang—unless Jess finds the real traitor in the London underworld. She never dreamed her search would begin by waking up naked in the bed of a rude merchant captain. Or how little she’d mind… When Captain Sebastian Kennett averts a kidnapping on the London docks, he takes the headstrong would-be victim home. He’s infatuated with her courageous spirit. She’s enthralled by his commanding strength and the sexy spark in his eyes. Then she discovers something else about the spellbinding seaman: He could be the traitor she’s hunting, the man whose next move could determine her father’s fate—and her future as well.
When Rosa Lane, a promising young journalist, impulsively hits the send button on an email to her boss saying "I quit," so begins her pursuit of enlightenment in the jungles of cutthroat London. As she embarks upon her quest for a sense of purpose, she is deceived by her lover, surprised by her friends, turned out by her roommate, threatened by her bank manager, picked over by prospective employers, and tormented by all the bizarre expectations of the modern world. An erudite and darkly comic novel, brimming with lacerating wit and compassion, Inglorious is a truly engrossing character study of a woman walking the edge between self-destruction and self-discovery.
TRB's National Cooperative Highway Research Program (NCHRP) Synthesis 339: Centerline Rumble Strips (CLRS) examines current design, installation, configuration, dimension, and visibility issues associated with CLRS. The report addresses the need for guidance on warrants, benefits, successful practices, and concerns such as external noise and the reduced visibility of centerline striping material. Also addressed are pavement deterioration, ice buildup in the grooves, adverse impact on emergency vehicles, and the effect of CLRS on bicyclists. Particular attention was paid to available before-and-after CLRS installation crash data to document the safety aspects of CLRS and the availability of policies, guidelines, warrants, and costs regarding their use and design.
From a rediscovered collection of autobiographical accounts written by hundreds of Kansas pioneer women in the early twentieth century, Joanna Stratton has created a collection hailed by Newsweek as “uncommonly interesting” and “a remarkable distillation of primary sources.” Never before has there been such a detailed record of women’s courage, such a living portrait of the women who civilized the American frontier. Here are their stories: wilderness mothers, schoolmarms, Indian squaws, immigrants, homesteaders, and circuit riders. Their personal recollections of prairie fires, locust plagues, cowboy shootouts, Indian raids, and blizzards on the plains vividly reveal the drama, danger and excitement of the pioneer experience. These were women of relentless determination, whose tenacity helped them to conquer loneliness and privation. Their work was the work of survival, it demanded as much from them as from their men—and at last that partnership has been recognized. “These voices are haunting” (The New York Times Book Review), and they reveal the special heroism and industriousness of pioneer women as never before.
When a mother's love meets a father's instinct… Ex-marine Adam Dalton once dreamed of a life with Hadley O'Sullivan, but war and a near-fatal injury cost him dearly. Now he returns to Dallas to discover the unthinkable—Hadley is the prime suspect in the disappearance of her twin baby girls…the daughters he never knew he had. Beyond Hadley's terror of having her children kidnapped is the shock of seeing Adam. Yes, she had kept him from his daughters, but now, when he insists they work together as a united front, she knows she is still in love with him. Despite their past, finding their children is their only hope to finally becoming a family—if time doesn't run out first.
The career of Claude Rains is often, and unfairly, overshadowed by the careers of the ever-popular Karloff, Lugosi, Chaney and Rathbone, but few can dispute that he was truly one of the world's foremost character actors. The Invisible Man, ironically, made him quite the visible star. In his own inimitable way, Rains later became John Jasper (in Mystery of Edwin Drood), Louis Renault (Casablanca), Julius Caesar (Caesar and Cleopatra), and Mr. Dryden (Lawrence of Arabia). While concentrating on Rains' more than fifty films, this book also comprehensively examines his work in other media: the stage, radio, television and recordings. His only child, Jessica, in the foreword, provides a brief biography of her father. There are many rare photographs.
Antiwar protest has long been an under-reported component of the Civil War story. "Heaven Will Frown on Such a Cause as This" traces the life stories of six men in northern states who denounced the war against the Confederacy. These men were called "copperheads" by their opponents, but they labeled themselves "Peace Democrats.
This timely book investigates the interactions of multiple ethnic groups in the contemporary inner city. Focusing in particular on Muslim communities, and the discrimination they have faced, it addresses difficult issues of integration and identity, while offering a detailed exploration of the politics and practice of multicultural coexistence. It will be essential reading for urban policy scholars and those studying ethnic diversity and the politics of space and place.
Nature isn't only in a park or wilderness. It’s right outside our door. Sometimes it’s on the door or comes inside to find us. Nature is the jumping spider on the screen, the assassin bug in the shower, and the cluster of ladybugs at the lamp. It is the moss on brick where gutters spill, a sycamore sprout in the storm drain, and the trash can lid turned into a bird bath. Joanna Brichetto is a neurodiverse, late-blooming naturalist with a sharp eye. Despite having chronic illnesses, she spends much of her time exploring nature and has an infectious, almost zealous love for the flora and fauna near and in her Nashville home. In This Is How a Robin Drinks, Brichetto weaves observation, reflection, and commentary with unsentimental wit and an earthy humor into an urban almanac of fifty-two short lyrical essays. Each piece offers a sketch of everyday wonders in everyday habitat loss. Nature is the dead sparrow in the pickup line at the elementary school, a full moon over the electric substation, and the cicada chorus that doesn’t make a days-long migraine any better (but doesn’t make it any worse either). Nature is under our feet, over our heads, and beside us—the very places we need to know first. Arranged by season, the pieces in this collection celebrate nature—just as it is—on the sidewalk and in the backyard, the park, and the parking lot.
The Social Context of Technology explores non-ferrous metalworking in Britain and Ireland during the Bronze and Iron Ages (c. 2500 BC to 1st century AD). Bronze-working dominates the evidence, though the crafting of other non-ferrous metals – including gold, silver, tin and lead – is also considered. Metalwork has long played a central role in accounts of European later prehistory. Metals were important for making functional tools, and elaborate decorated objects that were symbols of prestige. Metalwork could be treated in special or ritualised ways, by being accumulated in large hoards or placed in rivers or bogs. But who made these objects? Prehistoric smiths have been portrayed by some as prosaic technicians, and by others as mystical figures akin to magicians. They have been seen both as independent, travelling ‘entrepreneurs’, and as the dependents of elite patrons. Hitherto, these competing models have not been tested through a comprehensive assessment of the archaeological evidence for metalworking. This volume fills that gap, with analysis focused on metalworking tools and waste, such as crucibles, moulds, casting debris and smithing implements. The find contexts of these objects are examined, both to identify places where metalworking occurred, and to investigate the cultural practices behind the deposition of metalworking debris. The key questions are: what was the social context of this craft, and what was its ideological significance? How did this vary regionally and change over time? As well as elucidating a key aspect of later prehistoric life in Britain and Ireland, this important examination by leading scholars contributes to broader debates on material culture and the social role of craft.
Joanna Scott's "smart, sensitive book about independence, identity and survival"--"The New York Times Book Review, " tells the haunting tale of three fatherless Korean children--and the mother who gave them away.
The Zarbo brothers are seasoned outlaws with a reputation for killing. Already wanted in two states, they set their sights on Colorado and a string of bank robberies. They don’t count on running into Chief U.S. Marshal John Brockman. John arrests Lee Zarbo, but his brothers remain in hiding. Lee’s sentence to death by hanging incites them to desperate measures. They’ll do anything to get him out alive. Even kidnap the Chief U.S. Marshal’s daughter. When John learns of his young daughter’s captivity and the conditions for her release, he must turn to the Lord for direction. It takes all the faith he can muster to wait for the answer. Without freeing a dangerous criminal, can John find Ginny before they kill her?
He is her enemy. He is her lover. He is her only hope... Someone is stalking French agent Justine DeCabrillac through London's gray streets. Under cover of the rain, the assassin strikes−and Justine staggers to the door of the one man who can save her. The man she once loved. The man she hated. Adrian Hawkhurst. Adrian wanted the treacherous beauty known as "Owl" back in his bed, but not wounded and clinging to life. Now, as he helps her heal, the two must learn to trust each other to confront the hidden menace that's trying to kill them—and survive long enough to explore the passion simmering between them once again.
In 1872, a woman known only as "An Earnest Englishwoman" published a letter titled "Are Women Animals?" in which she protested against the fact that women were not treated as fully human. In fact, their status was worse than that of animals: regulations prohibiting cruelty against dogs, horses, and cattle were significantly more punitive than laws against cruelty to women. The Earnest Englishwoman's heartfelt cry was for women to "become–animal" in order to gain the status that they were denied on the grounds that they were not part of "mankind." In this fascinating account, Joanna Bourke addresses the profound question of what it means to be "human" rather than "animal." How are people excluded from political personhood? How does one become entitled to rights? The distinction between the two concepts is a blurred line, permanently under construction. If the Earnest Englishwoman had been capable of looking 100 years into the future, she might have wondered about the human status of chimeras, or the ethics of stem cell research. Political disclosures and scientific advances have been re–locating the human–animal border at an alarming speed. In this meticulously researched, illuminating book, Bourke explores the legacy of more than two centuries, and looks forward into what the future might hold for humans, women, and animals.
A woman lies face down in the kitchen of a Bucks County home belonging to her friend and coworker Maureen Doherty. A knife is embedded in her back. She is discovered by Maureen's niece, Shannon Mulcahy. Shannon is frantic believing the victim is her adored aunt until she sees the woman is a stranger. But who is she? Why is she in her aunt's home? Who killed her and why? Maureen had found the woman's body earlier and fears that she knows the killer. Though once lovers, her court testimony helped to convict him of an earlier crime and send him to prison for life. But has he escaped? If so, has he come back to even the score.? Fearing for her life she disappears. Shannon is drawn into the drama of the woman's death and her aunt's disappearance. The police believe Maureen is guilty but Shannon thinks not. She has a retiring personality besides which she is plagued by grand mal panic attacks. Nevertheless, she decides to find her aunt. But how do you find someone who doesn't want to be found? She is overwhelmed as circumstances spin crazily around her. In over her head, she asks her friend Kelly, who has assisted police in the past, to help her. They learn a bed and breakfast in upper Bucks County may serve as Maureen's hiding place. Although driving the River Road is challenging, Shannon goes in hunt for the B&B unaware she is being watched. Shannon's deepest fears are realized when she is harassed, threatened, hounded — and eventually placed in harm's way—all because the culprit believes she knows her aunt's whereabouts. Storm clouds dot the horizon. On the road, she is overtaken and kidnapped. Bound in the back seat of a car, she knows her life and death are up for grabs. She has grown from her encounters. But is it enough to diffuse this turn of events that threaten to escalate out of control?
Never Mind the Botox is a series about four professional women all working on the sale of a high profile cosmetic surgery business. Each book reveals how the women cope with one of the most glamorous but challenging deals of their careers, and the dramatic impact it has on their personal lives.
Alice's world is blown apart when her husband Rob dies suddenly of a heart attack - in another woman's bed. Only 40, Rob was an energetic, opinionated, handsome local GP. This wasn't supposed to happen. Left to manage their home, three teenage children and a recalcitrant parrot, Alice struggles to hold it all together.Working herself at Rob's old surgery as a GP, she finds herself caught up in the designs of Rob's old partner, who owns the premises and wants to sell. And distracted by the good looks of locum Tom x. Her best friend Martha claims all she needs is a new man - but Alice knows it goes deeper than that. She's got to find a way to make her children happy, and work out a future for all of them ...
These annotated letters present the first personal glimpse of this Scottish playwright as she wrote and lived. It documents her problems with publishers, describes her encounters with Wordsworth, Byron, Southey, Berry and other literary figures, outlines a long relationship with Scott and places an active literary woman in the historical and social setting of early to mid-nineteenth century Britain.
An emotional journey portraying the multiple frustrations, pressures and hidden agonies of four women. City of Friends is the number one bestselling novel from the highly acclaimed author, Joanna Trollope. The day Stacey Grant loses her job feels like the last day of her life. Or at least, the only life she'd ever known. For who was she if not a City high-flyer, Senior Partner at one of the top private equity firms in London? As Stacey starts to reconcile her old life with the new – one without professional achievements or meetings, but instead, long days at home with her dog and ailing mother, waiting for her successful husband to come home – she at least has The Girls to fall back on. Beth, Melissa and Gaby. The girls, now women, had been best friends from the early days of university right through their working lives, and for all the happiness and heartbreaks in between. But these career women all have personal problems of their own, and when Stacey's redundancy forces a betrayal to emerge that was supposed to remain secret, their long cherished friendships will be pushed to their limits . . . 'It's fiendishly well plotted and, with its glittering London settings, full of urban glamour' - Daily Mail
Marina Velarde is long disheartened by the violence consuming her southwestern community but is driven to action when her brother, Rudolfo, and three other men are brutally executed in the barrio of Los Volcanes. After he charges a powerful Mexican drug lord with the murders, local district attorney Calvin Dusan immediately manipulates the media to support a quick trial. But Marina believes the wrong man has been charged, and when Judge Margaret Morrigan is assigned the case, she agrees that the evidence is questionable. Judge Morrigan knows the truth won't be revealed unless she can fight Dusan's determination to maneuver a premature conviction. Both Margaret and Marina soon face radical changes in their lives. Margaret endures threats on her life and her reputation and becomes a virtual prisoner in her own home. Marina evolves from timid onlooker to confident combatant as she fights to uncover all she can about her brother and his death. But both women realize there can be no end to their turmoil until they finally resolve the horrible murders that have overshadowed their world.
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