For those looking for a smart, no-bullshit, effective guide to finding love, look no further."—Esther Perel, author of Mating in Captivity "While I’m not sure what Carrie Bradshaw would have made of today’s new world of dating, I do know this: armed with Love Rules, she would have figured it all out in one season."—Sarah Jessica Parker SHERYL SANDBERG EMPOWERED WOMEN TO LEAN IN ARIANNA HUFFINGTON ENCOURAGED THEM TO THRIVE NOW, JOANNA COLES GUIDES THEM ON THEIR MOST IMPORTANT JOURNEY: FINDING LOVE Just as there is junk food, there is junk love. And like junk food, junk love is fast, convenient, attractively packaged, widely available, superficially tasty—and leaves you hungering for more. And both junk food and junk love require enormous amounts of willpower to resist. Social media and online dating sites have become the supermarkets of our relationship lives. You have to wade through rows of cupcakes and potato chips to find the produce aisle, where those relationships grounded in intimacy and trust live—the ones worth your investment. A diet book for romantic relationships, Love Rules first asks women to re-assess the way they think about their relationships, and then helps them use that newfound awareness to navigate their love lives more successfully in this very modern, fast-paced—and often lonely—digital age. In these pages leading media exec and former Editor in Chief of Cosmopolitan and Marie Claire Joanna Coles provides a series of simple guidelines for finding worthwhile love: fifteen rules—love "hacks." She also explains how to use dating apps effectively to expand real world connections and how to avoid DADD—dating attention—deficit disorder, where the tantalizing promise of someone better appears to be only the next swipe away. Love Rules will enable you to identify what you want in a relationship, when you should pursue it, and how to find it.
There are guides to every aspect and every angle of parenthood-from prenatal to post-college-yet none tells us what couples really and truly feel once confronted with the awesome power of Nature's Course. The Three of Us does. Seasoned travelers, successful professionals, Joanna Coles and Peter Godwin arrived in Manhattan ready to make it their oyster-she to be the New York correspondent for a major British newspaper, he to pursue his prize-winning career as a writer and journalist. Of course they were self-absorbed; why come to New York, if not to explore every avenue of self-interest? The news that Joanna is pregnant, however, causes a massive shift in paradigm. Suddenly they are launched unsteadily but irrevocably toward an altogether new New World. Like a series of mental ultrasounds, The Three of Us consists of alternating diary entries in which, day by day and month by month, Peter and Joanna navigate the uncharted waters of impending parenthood. There is much to discuss-the pros and cons of raising a child in a neighborhood frequented by transvestite prostitutes, for example-yet their reactions are not always on the same page; male and female panic about the Joyous Event, as we learn, can differ sharply. But every parent-to-be, every parent-that-is, will recognize and rejoice in the wonderful, terrible, and sometimes hilarious anxieties that attend the building of a nest. The Three of Us is a candid, refreshing, and reaffirming memoir about coming to terms with a new life.
As a follow-up to the successful Politics of Usability, this book deals with the ways in which HCI experts apply their knowledge within the pressured environment of the modern organisation. Quite apart from the need to provide a good usability service with little time or money, most HCI practitioners also have to deal with the day-to-day concerns of funding, budgets, project and people management, teamwork, communication and the promotion of HCI ideas. How to achieve this and still find new ways to make modern technology more usable is the central message of this book. The text offers a unique perspective on usability by concentrating on real situations and focuses on practical, workable approaches to professional duties rather than complicated systems of rules.
There are guides to every aspect and every angle of parenthood-from prenatal to post-college-yet none tells us what couples really and truly feel once confronted with the awesome power of Nature's Course. The Three of Us does. Seasoned travelers, successful professionals, Joanna Coles and Peter Godwin arrived in Manhattan ready to make it their oyster-she to be the New York correspondent for a major British newspaper, he to pursue his prize-winning career as a writer and journalist. Of course they were self-absorbed; why come to New York, if not to explore every avenue of self-interest? The news that Joanna is pregnant, however, causes a massive shift in paradigm. Suddenly they are launched unsteadily but irrevocably toward an altogether new New World. Like a series of mental ultrasounds, The Three of Us consists of alternating diary entries in which, day by day and month by month, Peter and Joanna navigate the uncharted waters of impending parenthood. There is much to discuss-the pros and cons of raising a child in a neighborhood frequented by transvestite prostitutes, for example-yet their reactions are not always on the same page; male and female panic about the Joyous Event, as we learn, can differ sharply. But every parent-to-be, every parent-that-is, will recognize and rejoice in the wonderful, terrible, and sometimes hilarious anxieties that attend the building of a nest. The Three of Us is a candid, refreshing, and reaffirming memoir about coming to terms with a new life.
When Captain Edgar Drummond learns he is to serve his first commission in the Crimean war, he brings with him his two sisters, Blanche, the beauty, and Sarah, the bright, eager intelligent one. It will, after all, only be a skirmish. Slowly, as the horrors of the Crimea begin to pervade their lives, the sisters true qualities begin to emerge. Blanche discovers her physical beauty and unabashed frivolity have no place in the harsh world of war and she behaves disgracefully. Edgar, stiff and conventional, finds his obsession with reason and order ineffectual amidst the chaos of war. He cannot cope with his job, not looking after his sisters. Only Sarah finds the courage to take an active role in the war, to protest against the horrors to which the common soldiers are subjected. Her love for the unconventional newspaper man who opens her to reality is thwarted first by her wicked, winsome sister, then by the vagaries of war, but eventually they are brought together in a dirty, slum like room on the quayside at Scutari.
Tort law is a dynamic area of Australian law, offering individuals the opportunity to seek legal remedies when their interests are infringed. Contemporary Australian Tort Law introduces the fundamentals of tort law in Australia today in an accessible, student-friendly way.
Does psychoanalysis have anything to say about the emotional landscapes of class? How can class-inclusive psychoanalytic projects, historic and contemporary, inform theory and practice? Class and psychoanalysis are unusual bedfellows, but this original book shows how much is to be gained by exploring their relationship. Joanna Ryan provides a comprehensively researched and challenging overview in which she holds the tension between the radical and progressive potential of psychoanalysis, in its unique understandings of the unconscious, with its status as a mainly expensive and exclusive profession. Class and Psychoanalysis draws on existing historical scholarship, as well as on the experiences of the author and other writers in free or low-cost projects, to show what has been learned from transposing psychoanalysis into different social contexts. The book describes how class, although descriptively present, was excluded from the founding theories of psychoanalysis, leaving a problematic conceptual legacy that the book attempts to remedy. Joanna Ryan argues for an interdisciplinary approach, drawing on modern sociological and psychosocial research to understand the injuries of class, the complexities of social mobility, and the defenses of privilege. She brings together contemporary clinical writings with her own research about class within therapy relationships to illustrate the anxieties, ambivalences and inhibitions surrounding class, and the unconsciousness with which it may be enacted. Class and Psychoanalysis breaks new ground in providing frameworks for a critical psychoanalysis that includes class. It will be of interest to anyone who wishes to think psychoanalytically about how we are intimately formed by class, or who is concerned with the inequalities of access to psychoanalytic therapies, or with the future of psychoanalysis.
The Bronze Age is frequently framed in social evolutionary terms. Viewed as the period which saw the emergence of social differentiation, the development of long-distance trade, and the intensification of agricultural production, it is seen as the precursor and origin-point for significant aspects of the modern world. This book presents a very different image of Bronze Age Britain and Ireland. Drawing on the wealth of material from recent excavations, as well as a long history of research, it explores the impact of the post-Enlightenment 'othering' of the non-human on our understanding of Bronze Age society. There is much to suggest that the conceptual boundary between the active human subject and the passive world of objects, so familiar from our own cultural context, was not drawn in this categorical way in the Bronze Age; the self was constructed in relational rather than individualistic terms, and aspects of the non-human world such as pots, houses, and mountains were considered animate entities with their own spirit or soul. In a series of thematic chapters on the human body, artefacts, settlements, and landscapes, this book considers the character of Bronze Age personhood, the relationship between individual and society, and ideas around agency and social power. The treatment and deposition of things such as querns, axes, and human remains provides insights into the meanings and values ascribed to objects and places, and the ways in which such items acted as social agents in the Bronze Age world.
Bodies intrigue us. They promise windows into the past that other archaeological finds cannot by bringing us literally face to face with history. Yet 'the body' is also highly contested. Archaeological bodies are studied through two contrasting perspectives that sit on different sides of a disciplinary divide. On one hand lie science-based osteoarchaeological approaches. On the other lie understandings derived from recent developments in social theory that increasingly view the body as a social construction. Through a close examination of disciplinary practice, Joanna Sofaer highlights the tensions and possibilities offered by one particular kind of archaeological body, the human skeleton, with particular regard to the study of gender and age. Using a range of examples, she argues for reassessment of the role of the skeletal body in archaeological practice, and develops a theoretical framework for bioarchaeology based on the materiality and historicity of human remains.
This volume is a collection of essays, which exemplify the range and diversity of work currently being undertaken on the regional landscapes of the British Bronze Age and the progress which has been made in both theoretical and interpretive debate. Together these papers reflect the vibrancy of current research and promote a closer marriage of landscape, site and material culture studies. CONTENTS: Settlement in Scotland during the Second Millennium BC (P Ashmore) ; Place and Space in the Cambridgeshire Bronze Age (T Malim) ; Exploring Bronze Age Norfolk: Longham and Bittering (T Ashwin) ; Ritual Activity at the Foot of the Gog Magog Hills, Cambridge (M Hinman) ; The Bronze Age of Manchester Airport: Runway 2 (D Garner) ; Place and Memory in Bronze Age Wessex (D Field) ; Bronze Age Agricultural Intensification in the Thames Valley and Estuary (D Yates) ; The 'Community of Builders': The Barleycroft Post Alignments (C Evans and M Knight) ; 'Breaking New Ground': Land Tenure and Fieldstone Clearance during the Bronze Age (R Johnston) ; Tenure and Territoriality in the British Bronze Age: A Question of Varying Social and Geographical Scales (W Kitchen) ; A Later Bronze Age Landscape on the Avon Levels: Settlement: Settlement, Shelters and Saltmarsh at Cabot Park (M Locock) ; Reading Business Park: The Results of Phases 1 and 2 (A Brossler) ; Leaving Home in the Cornish Bronze Age: Insights into Planned Abandonment Processes (J A Nowakowski) ; Body Metaphors and Technologies of Transformation in the English Middle and Late Bronze Age (J Bruck) ; A Time and a Place for Bronze (M Barber) ; Firstly, Let's get Rid of Ritual (C Pendleton) ; Mining and Prospection for Metals in Early Bronze Age Britain - Making Claims within the Archaeological Landscape (S Timberlake) ; The Times, They are a Changin': Experiencing Continuity and Development in the Early Bronze Age Funerary Rituals of Southwestern Britain (M A Owoc) ; Round Barrows in a Circular World: Monumentalising Landscapes in Early Bronze Age Wessex (A Watson) ; Enduring Images? Image Production and Memory in Earlier Bronze Age Scotland (A Jones) ; Afterward: Back to the Bronze Age
How did Britain's most prominent armaments firms, Armstrongs and Vickers, build their businesses and sell armaments in Britain and overseas from 1855 to 1955? Joanna Spear presents a comparative analysis of these firms and considers the relationships they built with the British Government and foreign states. She reveals how the firms developed and utilized independent domestic strategies and foreign policies against the backdrop of imperial expansion and the two world wars. Using extensive new research, this study examines the challenges the two firms faced in making domestic and international sales including the British Government's commitment to laissez faire policies, prejudices within the British elite against those in trade, and departmental resistance to dealing with private firms. It shows the suite of strategies and tactics that the firms developed to overcome these obstacles to selling arms at home and abroad and how they built enduring relationships with states in Latin America, Asia, and the Middle East.
Studies of creativity frequently focus on the modern era yet creativity has always been part of human history. This book explores how creativity was expressed through the medium of clay in the Bronze Age in the Carpathian Basin. Although metal is one of the defining characteristics of Bronze Age Europe, in the Carpathian Basin clay was the dominant material in many areas of life. Here the daily experience of people was, therefore, much more likely to be related to clay than bronze. Through eight thematic essays, this book considers a series of different facets of creativity. Each essay combines a broad range of theoretical insights with a specific case study of ceramic forms, sites or individual objects. This innovative volume is the first to focus on creativity in the Bronze Age and offers new insights into the rich and complex archaeology of the Carpathian Basin.
The Social Context of Technology explores non-ferrous metalworking in Britain and Ireland during the Bronze and Iron Ages (c. 2500 BC to 1st century AD). Bronze-working dominates the evidence, though the crafting of other non-ferrous metals – including gold, silver, tin and lead – is also considered. Metalwork has long played a central role in accounts of European later prehistory. Metals were important for making functional tools, and elaborate decorated objects that were symbols of prestige. Metalwork could be treated in special or ritualised ways, by being accumulated in large hoards or placed in rivers or bogs. But who made these objects? Prehistoric smiths have been portrayed by some as prosaic technicians, and by others as mystical figures akin to magicians. They have been seen both as independent, travelling ‘entrepreneurs’, and as the dependents of elite patrons. Hitherto, these competing models have not been tested through a comprehensive assessment of the archaeological evidence for metalworking. This volume fills that gap, with analysis focused on metalworking tools and waste, such as crucibles, moulds, casting debris and smithing implements. The find contexts of these objects are examined, both to identify places where metalworking occurred, and to investigate the cultural practices behind the deposition of metalworking debris. The key questions are: what was the social context of this craft, and what was its ideological significance? How did this vary regionally and change over time? As well as elucidating a key aspect of later prehistoric life in Britain and Ireland, this important examination by leading scholars contributes to broader debates on material culture and the social role of craft.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.