With a man like him, every mission becomes personal. . . Ever since FBI agent Keira O'Shay started tracking a young boy named Mateo, she's felt a connection even her empathic abilities can't explain. She needs to save Mateo from the cult leader holding him hostage. Nothing can interfere with that--not even the reappearance of Luke Ransom, the hot-as-hell fire captain she's regretted walking out on for three long years. Losing Keira left Luke vulnerable--in every way. When they were together, the powers each possesses were mysteriously enhanced. But it's the sexy, surprising woman beneath the tough exterior that Luke's really missed. Even if she betrayed him utterly. And even if agreeing to help her uncover a government conspiracy means watching his life and his heart go up in flames again. . . Praise for Joan Swan and Fever "Swan's gutsy, jaw-dropping style will have readers talking!" --New York Times bestselling author Larissa Ione "Smart, emotional and unputdownable." --New York Times bestselling author Stephanie Tyler
Swan's gutsy, jaw-dropping style will have readers talking! --New York Times bestselling author Larissa Ione "Joan Swan writes riveting twists and turns like no one else!"--New York Times bestselling author Stephanie Tyler For seven years, Halina Beloi has been in hiding. But she's never forgotten Mitch Foster, the long, lean man she had to leave behind. Until, that is, Mitch shows up with a list of questions and a 9mm in his hand. All Mitch knows is that Halina broke his heart and disappeared. But new information has surfaced implicating her as a player in the deadliest game of Mitch's life. This time, he's not letting go without answers. Now terror, danger and heat will fuse them together or shatter the future. . .
With nothing left to lose, Teague Creek, determined to escape from prison--and from those who want to exploit his strange abilities, takes Dr. Alyssa Foster hostage--a bold move that leads to explosive passion. Original.
Rafe "Savage" lives up to his name on the ice and in the bedroom. Forging a legacy as the Rough Riders' most notorious playboy is easy when the woman he really wants is off limits. Mia's brother isn't just Rafe's best friend, he's also a teammate. With the Cup in site, Rafe won't screw with anything that threatens the team's winning streak. But when Mia comes to town on a mission of her own, one little woman may turn out to be the toughest opponent Rafe's ever faced.When it comes to men, Mia is everyone's best friend. But when it comes to romance, her relationships are destined for failure. With a new job awaiting her on the other side of the country, she's determined to start fresh. To do that, she needs to let go of this stupid crush once and for all.Seducing Rafe isn't just the best option; it's her only option. Until she discovers he's been harboring the same feelings. And with his team weeks away from the biggest game of their career, and Mia's new life waiting, their no strings affair threatens to tear both their worlds apart.
The Unmaking of a Dancer sheds a blistering light on the raw, fiercely competitive and often vicious world of ballet: the truth behind the fiction of Black Swan. It's the story of Joan Brady's life in her own words. Ballet was the first thing Brady was good at; she really was good, too, performing professionally with the San Francisco Ballet at the tender age of fourteen. A bonus was that lessons and performances kept her away from her unpredictable father and formidable mother. But nobody can stay away for good, and when she finally made it into the New York City Ballet, her mother delivered a career-destroying blow. And yet with the help of the love of her life, Dexter Masters, she found another way of living and the chance for a family of her own.
Jane Lonsdale had been dismissed from her position at Miss Prism’s Academy because the music master had tried to kiss her. Jane went to her aunt, having no idea that the housekeeper had married Lord Pargeter, who promptly died. Neighbors at nearby Swann Hall were suspicious about the will, and Lord Fenwick, a visitor, decided to investigate. Though Jane’s past hinted of scandal, Fenwick was intrigued. Regency Romance by Joan Smith; originally published by Fawcett Crest
Joan Robinson (1903-1983) was one of the greatest economists of the twentieth century and a fearless critic of free-market capitalism. A major figure in the controversial ‘Cambridge School’ of economics in the post-war period, she made fundamental contributions to the economics of international trade and development. In Economic Philosophy Robinson looks behind the curtain of economics to reveal a constant battle between economics as a science and economics as ideology, which she argued was integral to economics. In her customary vivid and pellucid style, she criticizes early economists Adam Smith and David Ricardo, and neo-classical economists Alfred Marshall, Stanley Jevons and Leon Walras, over the question of value. She shows that what they respectively considered to be the generators of value - labour-time, marginal utility or preferences - are not scientific but ‘metaphysical’, and that it is frequently in ideology, not science, that we find the reason for the rejection of economic theories. She also weighs up the implications of the Keynesian revolution in economics, particularly whether Keynes’s theories are applicable to developing economies. Robinson concludes with a prophetic lesson that resonates in today’s turbulent and unequal economy: that the task of the economist is to combat the idea that the only values that count are those that can be measured in terms of money. This Routledge Classics edition includes a new foreword by Sheila Dow.
Designed to encourage students to enjoy reading about science, this series provides resources to support ideas and evidence in science. It has a wide variety of writing styles, including playlets, cartoons and stories and contains differing levels of readability and scientific content. It has exercises to encourage thinking skills and writing ability that can be used for homework, class activities and individual study.
Josep Pla is Catalonia’s foremost twentieth-century prose writer. He witnessed and wrote about some of the twentieth-century’s most notable events including the Spanish Civil War and the foundation of the state of Israel. Due to a lack of translations of his work he is only now being discovered by the international audience and will soon join the ranks of major realist writers in world literature. In Josep Pla, Joan Ramon Resina teases out the writer’s deep-seated intellectual concerns and challenges the assumption of Pla as an anti-intellectual. Resina condenses Pla’s forty-seven volumes of work, including travel books, narrative fiction, and history, into eleven thematic units: including time, memory, perception, life, religion, metaphysics, utopia, and self-delusion. Resina acutely explores the writer’s authorial gaze and invites the reader to see the world through the eyes of one of the most underappreciated observers and writers of the twentieth-century.
A rogue nobleman, a rescued lady, and revenge undone by romance all play a part in New York Times bestselling author Joan Johnston’s irresistible novel of best-laid plots, delicious deception, and unexpected passion. Two years have passed since Josie Wentworth was bought from the Sioux for a gold watch and whisked back to England by Marcus Wharton, the Duke of Blackthorne. When Marcus breaks his promise to return Josie to America, she ends up as a maid in the home of his charming but neglected nephews. Once Josie’s long-lost family finds her, however, the suddenly wealthy heiress sets out to save the two boys from their indifferent uncle—and teach the duke a lesson in honor. Learning that Marcus is seeking a rich American bride to save his estate, Josie plots to catch his eye—certain he’ll never recognize the beauty she’s become as the ragged captive he rescued. But Josie doesn’t wager on her marital charade taking a tender turn, as the nobleman she’s despised for years proves to be a very different man than she’s imagined. And there’s no denying his passionate caresses, as she falls deeper under the spell of a husband determined to claim her heart. Praise for Blackthorne’s Bride “[Joan] Johnston’s gloriously dramatic twelfth Bitter Creek novel, the fourth installment in her Mail Order Bride subseries, whisks readers across the Atlantic. . . . [This] page-turner is replete with romantic angst, sizzling sex, and the promise of an enduring love.”—Publishers Weekly (starred review) “Second chances, marriage of convenience, revenge, reconnection, and redemption . . . Blackthorne’s Bride is another winner from Joan Johnston that gives readers a delicious story of love, laughter, forgiveness, and family.”—Smexy Books “Blackthorne’s Bride is a sweeping tale that takes you from the Wild West . . . to Regency England. [It’s] a feisty and surprisingly enticing romance that takes you on an adventure through the city streets of London and the countryside.”—Addicted to Romance “Riveting . . . Johnston excels at descriptions, peppered with period details that make this book a picturesque reading experience.”—Buried Under Romance The passionate Westerns in Joan Johnston’s Bitter Creek series can be enjoyed together or separately, in any order: TEXAS BRIDE • WYOMING BRIDE • MONTANA BRIDE • SINFUL • SHAMELESS • BLACKTHORNE’S BRIDE • SULLIVAN’S PROMISE
From Joan Juliet Buck, former editor-in-chief of Paris Vogue comes her dazzling, compulsively readable memoir: a fabulous account of four decades spent in the creative heart of London, New York, Los Angeles, and Paris, chronicling her quest to discover the difference between glitter and gold, illusion and reality, and what looks like happiness from the thing itself. Born into a world of make-believe as the daughter of a larger-than-life film producer, Joan Juliet Buck’s childhood was a whirlwind of famous faces, ever-changing home addresses, and a fascination with the shiny surfaces of things. When Joan became the first and only American woman ever to fill Paris Vogue's coveted position of Editor in Chief, a “figurehead in the cult of fashion and beauty,” she had the means to recreate for her aging father, now a widower, the life he’d enjoyed during his high-flying years, a splendid illusion of glamorous excess that could not be sustained indefinitely. Joan’s memoir tells the story of a life lived in the best places at the most interesting times: London and New York in the swinging 1960s, Rome and Milan in the dangerous 1970s, Paris in the heady 1980s and 1990s. But when her fantasy life at Vogue came to an end, she had to find out who she was after all those years of make-believe. She chronicles this journey in beautiful and at times heartbreaking prose, taking the reader through the wild parties and the fashion, the celebrities and creative geniuses as well as love, loss, and the loneliness of getting everything you thought you wanted and finding it’s not what you’d imagined. While Joan’s story is unique, her journey toward self-discovery is refreshing and universal.
Murder is a hard act to follow. All the drama does not take place on the stage at the Glenhaven Drama Festival. A collection of amateur actors with big egos land in Mabel Havelock’s hometown. And Mabel’s acting debut is not the only thing on her mind. Mysterious accidents and sabotage are plaguing the festival. Mabel and her best friend Violet Ficher are determined to ferret out the culprit. The problem is why? Who has anything to gain? And why did Sherman have to die?
In dance, the choreographer creates, the dancer performs and the viewer observes. This work is a handbook for the viewer. By presenting historical and artistic perspectives of dance, dance events are made more approachable and appreciation for the art form is heightened. The choreographic components of body language, content, structure, music, design and interpretation are included. Also discussed is the development of critical reaction over time. Examples are drawn from Western theatrical dance and worldwide cultural variations. Terms are explained throughout the text, and an extensive bibliography gives sources in print and on tape for further study. Instructors considering this book for use in a course may request an examination copy here.
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