“Rikka remembered her teacher’s words. Spirit needs muscle. Not only muscle of flesh and bone, she thought, but the muscle of a spirit inured to hardship and suffering. Surely, we have had enough of that to make us strong!” From a close-knit community on the wave-scoured islands of northern Norway to a wind-swept prairie homestead, Rikka traverses love and loss, joy and sorrow, with passion and determination. Rikka’s journey takes her across an ocean, a continent, and a lifetime. She plumbs the depths of her own heart and discovers the beauty of life beyond grit and endurance. This novel is based on the true story of one of Western Canada’s female immigrant pioneers.
Gabby Mackenzie knows little and cares less about prairie people or their history. She sees her assignment to interview a hundred-year-old settler as nothing more than a bump in her hazy career path. But as she gets to know old Mr. Tollerud and the land that has been his home, she finds herself drawn into the interwoven stories of the settlers, the Metis, and the First Nations who came before them. And her own life changes. Review Residential school survivor and life-long educator Dr. Cecil King says of Prairie Grass “a dynamic piece of work … Yes, it is a good read.”
Gabby Mackenzie knows little and cares less about prairie people or their history. She sees her assignment to interview a hundred-year-old settler as nothing more than a bump in her hazy career path. But as she gets to know old Mr. Tollerud and the land that has been his home, she finds herself drawn into the interwoven stories of the settlers, the Metis, and the First Nations who came before them. And her own life changes. Review Residential school survivor and life-long educator Dr. Cecil King says of Prairie Grass “a dynamic piece of work … Yes, it is a good read.”
Most biographies of women saints tend to be brief summaries extolling their virtues, with a slight mention of their greater contributions to the faith and the world in general. Author Joan Williams has taken the lives of three often neglected women saints (Catherine of Siena, Teresa of Avila, and Genevieve of Paris) and provides a look into their lives and influence and sheds light on their neglected stories.
Appreciation for the small goods of life-the taste of warm, fresh bread, the birthday card in the mailbox, the hour of quiet that returns us to ourselves-is itself a spiritual exercise." As nourishing as our daily bread, this all-new collection of wisdom from spiritual master and renowned religious leader Sr. Joan Chittister is essential reading for all who long to grow closer to God and one another. Here she reflects on such important themes as St. Benedict's call to "listen with the ear of the heart," learning to cultivate happiness and find joy in moderation, and developing a deeper prayer life in our ongoing search for communion with God. Book jacket.
First published in 1979, "The White Album "is a mosaic" "of the late sixties and seventies. It includes, among other bizarre artifacts and personalities, the dark journeys and impulses of the Manson family, a Balck Panther Party press conference, the story of John Paul Getty's museum, the romance of water in an arid landscape, and the swirl and confusion of the sixties. With commanding sureness of mood and language, Joan Didion exposes the realities and dreams of that age of self-discovery whose spiritual center was California.
Joan Jonas: They Come to Us without a Word' documents Jonas's project for the United States Pavilion at the 56th Venice Biennale, an expansive installation that incrporates multiple components, included projected videos, drawings, and objects. Each section of the pavilion represents a particular creature (bees, fish), object (mirror), force (wind), or place (homeroom). Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. As Jonas says, 'We are haunted, the rooms are haunted.' Designed with Jonas's close collaboration, this fully illustrated book features an extensive collection of images selected by the artist, including stills, drawings, and photographs, that not only document this ambitious and important new work but form an integral part of the presentation and experience of 'They Come to Us without a Word'. Also included are Jonas's poetic notes on her process and major new texts from ann Reynolds and Marina Warner as well as an interview with the artist by Ingrid Schaffner." -- Publisher.
Interviews with Joan Crawford provide insight into her views on her career, films, four husbands, lovers, leading men, children, and loneliness during her final years
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