A biography of the novelist who created Tom Ripley that is “both dazzling and definitive . . . as original as its contemptible, miserable, irresistible subject” (Los Angeles Times). A New York Times Notable Book * A Lambda Literary Award Winner * An Edgar Award Nominee * An Agatha Award Nominee * A Publishers Weekly Pick of the Week Patricia Highsmith, one of the great writers of twentieth-century American fiction, had a life as darkly compelling as that of her famed “hero-criminal,” the talented Tom Ripley. Joan Schenkar maps out this richly bizarre life from her birth in Texas to Hitchcock’s filming of her first novel, Strangers on a Train, to her long, strange self-exile in Europe. We see her as a secret writer for the comics, a brilliant creator of disturbing fictions, and an erotic predator with dozens of women (and a few good men) on her love list. The Talented Miss Highsmith is the first literary biography with access to Highsmith’s whole story: her closest friends, her oeuvre, her archives. It’s a compulsive page-turner unlike any other, a book worthy of Highsmith herself. “Schenkar’s writing is witty, sharp and light-handed, a considerable achievement given the immense detail.” —Jeanette Winterson, The New York Times Book Review “This is no ordinary biography . . . The Talented Miss Highsmith breaks much ground in connecting Highsmith’s diabolical tales with the real women who prompted her strongest passions.” —Janet Maslin, The New York Times “Captures the writer in all her sullen, sinister, ambivalent glory.” —Tina Jordan, Entertainment Weekly
A biography of the novelist who created Tom Ripley that is “both dazzling and definitive . . . as original as its contemptible, miserable, irresistible subject” (Los Angeles Times). A New York Times Notable Book * A Lambda Literary Award Winner * An Edgar Award Nominee * An Agatha Award Nominee * A Publishers Weekly Pick of the Week Patricia Highsmith, one of the great writers of twentieth-century American fiction, had a life as darkly compelling as that of her famed “hero-criminal,” the talented Tom Ripley. Joan Schenkar maps out this richly bizarre life from her birth in Texas to Hitchcock’s filming of her first novel, Strangers on a Train, to her long, strange self-exile in Europe. We see her as a secret writer for the comics, a brilliant creator of disturbing fictions, and an erotic predator with dozens of women (and a few good men) on her love list. The Talented Miss Highsmith is the first literary biography with access to Highsmith’s whole story: her closest friends, her oeuvre, her archives. It’s a compulsive page-turner unlike any other, a book worthy of Highsmith herself. “Schenkar’s writing is witty, sharp and light-handed, a considerable achievement given the immense detail.” —Jeanette Winterson, The New York Times Book Review “This is no ordinary biography . . . The Talented Miss Highsmith breaks much ground in connecting Highsmith’s diabolical tales with the real women who prompted her strongest passions.” —Janet Maslin, The New York Times “Captures the writer in all her sullen, sinister, ambivalent glory.” —Tina Jordan, Entertainment Weekly
Joan Schenkar, widely regarded as America's most original female contemporary playwright, is the author of numerous experimental plays which she refers to as "comedies of menace." Bristling with wit and intelligence, the collection features Signs of Life, Cabin Fever, The Universal Wolf, Burning Desires, The Last of Hitler, and Fulfilling Koch's Postulate. These plays explore issues of feminism and gender politics, history and memory, sexuality and violence, bringing to life such figures as Gertrude Stein and Marlene Dietrich, Hitler and Eva Braun, P. T. Barnum and Henry and Alice James, Claude Levi-Strauss and Roland Barthes. Schenkar's charged language and evocative stage directions invite the reader to become both performer and audience, and the experience is enhanced both by richly evocative stage directions and illustrations from productions of the plays. Initially written to be read like novels as well as staged, the plays provide a unique theatrical experience, an experience that can only be accessed by laughter.
Joan Schenkar, widely regarded as America's most original female contemporary playwright, is the author of numerous experimental plays which she refers to as "comedies of menace." Bristling with wit and intelligence, the collection features Signs of Life, Cabin Fever, The Universal Wolf, Burning Desires, The Last of Hitler, and Fulfilling Koch's Postulate. These plays explore issues of feminism and gender politics, history and memory, sexuality and violence, bringing to life such figures as Gertrude Stein and Marlene Dietrich, Hitler and Eva Braun, P. T. Barnum and Henry and Alice James, Claude Levi-Strauss and Roland Barthes. Schenkar's charged language and evocative stage directions invite the reader to become both performer and audience, and the experience is enhanced both by richly evocative stage directions and illustrations from productions of the plays. Initially written to be read like novels as well as staged, the plays provide a unique theatrical experience, an experience that can only be accessed by laughter.
A career-spanning monograph of the multimedia pioneer Joan Jonas (1936- ) that covers more than 40 years of performances, films, videos, installations, texts and video sculptures
Joan Jonas: They Come to Us without a Word' documents Jonas's project for the United States Pavilion at the 56th Venice Biennale, an expansive installation that incrporates multiple components, included projected videos, drawings, and objects. Each section of the pavilion represents a particular creature (bees, fish), object (mirror), force (wind), or place (homeroom). Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. As Jonas says, 'We are haunted, the rooms are haunted.' Designed with Jonas's close collaboration, this fully illustrated book features an extensive collection of images selected by the artist, including stills, drawings, and photographs, that not only document this ambitious and important new work but form an integral part of the presentation and experience of 'They Come to Us without a Word'. Also included are Jonas's poetic notes on her process and major new texts from ann Reynolds and Marina Warner as well as an interview with the artist by Ingrid Schaffner." -- Publisher.
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