The man who would become Ireland’s beloved patron saint confronts his destiny during the tumultuous Dark Ages in this vibrant, enthralling novel In 410 CE, arrogant sixteen-year-old Magonus Sucatus Patricius denounces Christianity as a religion for cowards when the Roman legions withdraw, leaving Britain vulnerable to raiders from the west. Determined to wield a sword despite being the grandson of a priest, the affluent young man is taken captive by barbarians and sold into slavery to a cruel Irish king. On a mountaintop in Eire, a shepherd strips him of his grand Roman name and calls him Padraic, marking him a man of no consequence. Set against the magnificent backdrop of ancient Ireland and based on available historical facts, Saint Patrick’s Confession, and Celtic myth, this gripping novel follows Patrick as he finds his faith while fighting to escape bondage in Eire. Friendship with a king, love for a queen, and enmity with the druids who fear his God will embroil him in a civil war in a land from which he will struggle to flee—only to be called to return.
The man who would become Ireland’s beloved patron saint confronts his destiny during the tumultuous Dark Ages in this vibrant, enthralling novel In 410 CE, arrogant sixteen-year-old Magonus Sucatus Patricius denounces Christianity as a religion for cowards when the Roman legions withdraw, leaving Britain vulnerable to raiders from the west. Determined to wield a sword despite being the grandson of a priest, the affluent young man is taken captive by barbarians and sold into slavery to a cruel Irish king. On a mountaintop in Eire, a shepherd strips him of his grand Roman name and calls him Padraic, marking him a man of no consequence. Set against the magnificent backdrop of ancient Ireland and based on available historical facts, Saint Patrick’s Confession, and Celtic myth, this gripping novel follows Patrick as he finds his faith while fighting to escape bondage in Eire. Friendship with a king, love for a queen, and enmity with the druids who fear his God will embroil him in a civil war in a land from which he will struggle to flee—only to be called to return.
A comprehensive study of the Maori in New Zealand, this book covers Maori history and culture, language and art and includes chapters on the following: · Basic concepts in Maori culture · Land · Kinship · Education · Association · Leadership & social control · The Marae · Hui · Maori and Pakeha · Maori spelling and pronunciation There is an extensive glossary, bibliography and index. First published in 1967. This edition reprints the revised edition of 1976.
A comprehensive study of the Maori in New Zealand, this book covers Maori history and culture, language and art and includes chapters on the following: · Basic concepts in Maori culture · Land · Kinship · Education · Association · Leadership & social control · The Marae · Hui · Maori and Pakeha · Maori spelling and pronunciation There is an extensive glossary, bibliography and index. First published in 1967. This edition reprints the revised edition of 1976.
In the mid-eighteenth century, English gentlemen filled their houses with copies and casts of classical statuary while the following generation preferred authentic antique originals. By charting this changing preference within a broader study of material culture, Joan Coutu examines the evolving articulation of the English gentleman. Then and Now consists of four case studies of mid-century collections. Three were amassed by young aristocrats - the Marquis of Rockingham, the Duke of Richmond, and the Earl of Huntingdon - who, consistent with their social standing, were touted as natural political leaders. Their collections evoke the concept of gentlemanly virtue through example, offering archetypes to encourage men toward acts of public virtue. As the aristocrats matured in the politically fractious realm of the 1760s, such virtue could become politicized. A fourth study focuses on Thomas Hollis, who used his collection to proselytize his own unique political ideology. Framed by studies of collecting practices earlier and later in the century, Coutu also explores the fluid temporal relationship with the classical past as the century progressed, firmly situating the discussion within the contemporaneous emerging field of aesthetics. Broadening the focus beyond published texts to include aesthetic conversations among the artists and the aristocracy in Italy and England, Then and Now shows how an aesthetic canon emerged - embodied in the Apollo Belvedere, the Venus de’ Medici, and the like - which shaped the Grand Manner of art.
This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.
Lavishly illustrated, Persuasion and Propaganda is the first study of these works of art within the framework of colonial politics and political culture. While examining the rise of the idea of the public in the modern world, Joan Coutu also explores how "empire" was constantly being redefined. From private funeral monuments in the West Indies to works erected by the East India Company and the British Parliament, Coutu shows how the youthful British Empire saw itself and validated its mission through sculpture.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.