From Joan Juliet Buck, former editor-in-chief of Vogue Paris and “one of the most compelling personalities in the world of style” (New York Times) comes her dazzling, compulsively readable memoir: a fabulous account of four decades spent in the creative heart of London, New York, Los Angeles, and Paris—“If you loved The Devil Wears Prada, you’ll adore The Price of Illusion” (Elle). In a book as rich and dramatic as the life she’s led, Joan Juliet Buck takes us into the splendid illusions of film, fashion, and fame to reveal, in stunning, sensual prose, the truth behind the artifice. The only child of a volatile movie producer betrayed by his dreams, she became a magazine journalist at nineteen to reflect and record the high life she’d been brought up in, a choice that led her into a hall of mirrors where she was both magician and dupe. After a career writing for Vogue and Vanity Fair, she was named the first American woman to edit Vogue Paris. The vivid adventures of this thoughtful, incisive writer at the hub of dreams across two continents over fifty years are hilarious and heartbreaking. Including a spectacular cast of carefully observed legends, monsters, and stars (just look at the index!), this is the moving account of a remarkable woman’s rocky passage through glamour and passion, filial duty and family madness, in search of her true self.
From Joan Juliet Buck, former editor-in-chief of Vogue Paris and “one of the most compelling personalities in the world of style” (New York Times) comes her dazzling, compulsively readable memoir: a fabulous account of four decades spent in the creative heart of London, New York, Los Angeles, and Paris—“If you loved The Devil Wears Prada, you’ll adore The Price of Illusion” (Elle). In a book as rich and dramatic as the life she’s led, Joan Juliet Buck takes us into the splendid illusions of film, fashion, and fame to reveal, in stunning, sensual prose, the truth behind the artifice. The only child of a volatile movie producer betrayed by his dreams, she became a magazine journalist at nineteen to reflect and record the high life she’d been brought up in, a choice that led her into a hall of mirrors where she was both magician and dupe. After a career writing for Vogue and Vanity Fair, she was named the first American woman to edit Vogue Paris. The vivid adventures of this thoughtful, incisive writer at the hub of dreams across two continents over fifty years are hilarious and heartbreaking. Including a spectacular cast of carefully observed legends, monsters, and stars (just look at the index!), this is the moving account of a remarkable woman’s rocky passage through glamour and passion, filial duty and family madness, in search of her true self.
A biography of the novelist who created Tom Ripley that is “both dazzling and definitive . . . as original as its contemptible, miserable, irresistible subject” (Los Angeles Times). A New York Times Notable Book * A Lambda Literary Award Winner * An Edgar Award Nominee * An Agatha Award Nominee * A Publishers Weekly Pick of the Week Patricia Highsmith, one of the great writers of twentieth-century American fiction, had a life as darkly compelling as that of her famed “hero-criminal,” the talented Tom Ripley. Joan Schenkar maps out this richly bizarre life from her birth in Texas to Hitchcock’s filming of her first novel, Strangers on a Train, to her long, strange self-exile in Europe. We see her as a secret writer for the comics, a brilliant creator of disturbing fictions, and an erotic predator with dozens of women (and a few good men) on her love list. The Talented Miss Highsmith is the first literary biography with access to Highsmith’s whole story: her closest friends, her oeuvre, her archives. It’s a compulsive page-turner unlike any other, a book worthy of Highsmith herself. “Schenkar’s writing is witty, sharp and light-handed, a considerable achievement given the immense detail.” —Jeanette Winterson, The New York Times Book Review “This is no ordinary biography . . . The Talented Miss Highsmith breaks much ground in connecting Highsmith’s diabolical tales with the real women who prompted her strongest passions.” —Janet Maslin, The New York Times “Captures the writer in all her sullen, sinister, ambivalent glory.” —Tina Jordan, Entertainment Weekly
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