Joan Jonas: They Come to Us without a Word' documents Jonas's project for the United States Pavilion at the 56th Venice Biennale, an expansive installation that incrporates multiple components, included projected videos, drawings, and objects. Each section of the pavilion represents a particular creature (bees, fish), object (mirror), force (wind), or place (homeroom). Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. As Jonas says, 'We are haunted, the rooms are haunted.' Designed with Jonas's close collaboration, this fully illustrated book features an extensive collection of images selected by the artist, including stills, drawings, and photographs, that not only document this ambitious and important new work but form an integral part of the presentation and experience of 'They Come to Us without a Word'. Also included are Jonas's poetic notes on her process and major new texts from ann Reynolds and Marina Warner as well as an interview with the artist by Ingrid Schaffner." -- Publisher.
Rosa Barba's work is grounded in a careful exploration of the materiality, the devices, the production conditions, and the grammar of cinema. The monograph From Source to Poem is an entrancing account of the main motives that drive the artist's practice, underscoring the context in which the artworks are presented at both architectural and conceptual levels. Besides numerous films, sculptures, and works composed of light, the catalogue accompanying the exhibition at Pirelli HangarBicocca in Milan, and other recent exhibition venues, also features the new 35mm film From Source to Poem from 2016 for the first time in Italy. Hundreds of images from historical archives in the United States evolve into a kind of collage of the cultural legacy of a Western civilization in the twentieth century. "I would like," says Barba, "to continue to explore the geographies that we create around us.""--Publisher description.
A collection of performance art images from the contemporary world reflects the individual roles, societal rituals, and interpersonal relationships of everyday life, in the latest installment of a series that began with Art Works: Autobiography and Art Works: Money. Original.
Valerie Thorne loved her husband with passionate devotion. When they'd first met, Jonas's bewildering moods and stunning tenderness had breathed new life into her. Now, three years later, Valerie felt a deep desire to be his partner and his equal in every sense of the word. A brilliant, dynamic businessman, Jonas faced few unsolvable mysteries—except his wife. But after Valerie led him on a merry chase of discovery—and self-discovery—a tragedy threatened to part them forever. Suddenly the tables were turned. Jonas needed her more desperately than ever. Valerie would have to summon all her strength to lead them into a future brighter than they had ever dreamed possible!
Since his death in 1935, Heinrich Schenker's influence on music theory has steadily increased. This indexed guide to an archive of Schenker's manuscripts is augmented by the Nachlass of his pupil Jonas and his close friend Violin. The catalog describes each manuscript and provides access to Schenker's critical works, his annotated scores and performance comments, his correspondence with Furtw�ngler, Schoenberg, and others, and his diaries (1896-1935). The Jonas collection is at the University of California, Riverside.
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