Diamonds are a girl's best friend Joan Hannington was the most notorious female figure in London's criminal underworld during the 80s, earning her the nickname 'The Godmother'. With her stunning looks and glamorous wardrobe, Joan was constantly underestimated, but she used this to her advantage and became an undetected mastermind in high-stakes jewellery theft. Often transforming herself into different characters, Joan seamlessly got away with millions of pounds in diamonds. Coming from a violent, loveless childhood, Joan learnt to trust no one but herself. At seventeen, she becomes a mother, but is trapped in a disastrous marriage with a brutal thug. When he goes on the run, Joan seizes the moment to leave her old life. Motivated by her desire to care for her daughter, Joan gets swept up in the exhilarating world of a life of crime and makes some heartbreaking decisions as she sets her sights on a better life. Joan is the true story of her meteoric rise from petty offender to one of Britain's most accomplished diamond thieves, making a success of life by not playing by the rules when the odds seemed stacked against her.
Joan Hannington - aka 'the Godmother' - is one of the most notorious figures in London's criminal underworld. After a rough, loveless childhood and a disastrous first marriage, during which she was first introduced to a life of crime, Joan married professional bad boy Boisie Hannington, and embarked on a journey to become one of Britain's most successful diamond thieves. Literally millions of pounds passed through their hands and Joan and Boisie became members of the criminal elite, but tragedy was soon to strike at the heart of their outrageous lifestyle... In turns funny, shocking and violent, this is a remarkable raw debut from a true survivor.
Joan Jonas: They Come to Us without a Word' documents Jonas's project for the United States Pavilion at the 56th Venice Biennale, an expansive installation that incrporates multiple components, included projected videos, drawings, and objects. Each section of the pavilion represents a particular creature (bees, fish), object (mirror), force (wind), or place (homeroom). Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. As Jonas says, 'We are haunted, the rooms are haunted.' Designed with Jonas's close collaboration, this fully illustrated book features an extensive collection of images selected by the artist, including stills, drawings, and photographs, that not only document this ambitious and important new work but form an integral part of the presentation and experience of 'They Come to Us without a Word'. Also included are Jonas's poetic notes on her process and major new texts from ann Reynolds and Marina Warner as well as an interview with the artist by Ingrid Schaffner." -- Publisher.
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