A biography of one of American literature's most enigmatic figures portrays the award-winning writer through all the drama, passion, excitement, and carefully constructed fiction of her ninety-year life
Harriet's acting career suffers a catastrophic setback when memory loss forces her to quit her role as Sarah Bernhardt. In turmoil, she accepts the role of Mazo de la Roche in a production written by an amateur playwright and being performed in small-town Saskatchewan. Harriet soon discovers that she was chosen for this role because she holds the key to a secret from Mazo's past. Meanwhile, the play, the role, and the town draw Harriet into the vortex of her own past.
When Ellen is away visiting friends for summer vacation her ailing mother suddenly passes away, throwing her life into turmoil and prompting her to finally seek out her birth mother.
The 43 million people with disabilities form this country's largest minority group, yet they are markedly under-employed as educators. Enhancing Diversity: Educators with Disabilities paves the way for correcting this costly omission. Editors Anderson, Karp, and Keller have called upon the knowledge of 19 other renowned contributors to address the important issues raised in Enhancing Diversity, including the place of disability in discussions of diversity in education, research on educators with disabilities that validates their capabilities, and information on the qualifications desired in and the demands made of education professionals. Legal precedents are cited and explained, and examples of efforts to place disabled educators are presented, along with recommendations on how disabled individuals and school administrators can work toward increased opportunities. Interviews with 25 disabled educators discussing how they satisfactorily fulfill their professional requirements completes this thoughtful-provoking book.
Ellen thinks that volunteering at the local retirement home during the summer will be boring, but her attempts to reunite a friend with her missing mother and to stop the retirement home from closing keep things interesting.
A biography of one of American literature's most enigmatic figures portrays the award-winning writer through all the drama, passion, excitement, and carefully constructed fiction of her ninety-year life
Harriet's acting career suffers when memory loss forces her to quit her role as Sarah Bernhardt. Troubled, she accepts the role of Mazo de la Roche in small-town Saskatchewan. Harriet discovers she was chosen for this role because she holds the key to Mazo's past. The play, the role, and the town draw Harriet into her own past.
With this collection of personal essays, Merrill Gerber, a widely and well-published novelist and short story writer, has painted a vivid portrait of herself as a writer and offered an honest glimpse of the inspiration for her own creative process. Through vibrant narratives that self-consciously waver on an ambiguous border between memoir and fiction, Gerber transfixes the reader with genuine accounts of her philosophies and samples of her life. The final three pieces of the collection, originally written as fiction, are included here as memoir to demonstrate her contention that the deepest truths in life can be and often are the greatest source from which to draw the best told lies in fiction. This book will appeal to teachers and students of writing as a study on the craft of writing as well as the general reader interested in the writing process.
Inside the 3rd edition of this esteemed masterwork, hundreds of the most distinguished authorities from around the world provide today's best answers to every question that arises in your practice. They deliver in-depth guidance on new diagnostic approaches, operative technique, and treatment option, as well as cogent explanations of every new scientific concept and its clinical importance. With its new streamlined, more user-friendly, full-color format, this 3rd edition makes reference much faster, easier, and more versatile. More than ever, it's the source you need to efficiently and confidently overcome any clinical challenge you may face. Comprehensive, authoritative, and richly illustrated coverage of every scientific and clinical principle in ophthalmology ensures that you will always be able to find the guidance you need to diagnose and manage your patients' ocular problems and meet today's standards of care. Updates include completely new sections on "Refractive Surgery" and "Ethics and Professionalism"... an updated and expanded "Geneitcs" section... an updated "Retina" section featuring OCT imaging and new drug therapies for macular degeneration... and many other important new developments that affect your patient care. A streamlined format and a new, more user-friendly full-color design - with many at-a-glance summary tables, algorithms, boxes, diagrams, and thousands of phenomenal color illustrations - allows you to locate the assistance you need more rapidly than ever.
Ellen thinks that volunteering at the local retirement home during the summer will be boring, but her attempts to reunite a friend with her missing mother and to stop the retirement home from closing keep things interesting.
Harriet's acting career suffers a catastrophic setback when memory loss forces her to quit her role as Sarah Bernhardt. In turmoil, she accepts the role of Mazo de la Roche in a production written by an amateur playwright and being performed in small-town Saskatchewan. Harriet soon discovers that she was chosen for this role because she holds the key to a secret from Mazo's past. Meanwhile, the play, the role, and the town draw Harriet into the vortex of her own past.
Distilled from a lifetime in the limelight and enhanced by anecdotes and personal revalations, this text brings together Joan Collins' inside knowledge of Holywood glamour together with her common sense guidelines on diet, exercise and well-being.
Joan Jonas: They Come to Us without a Word' documents Jonas's project for the United States Pavilion at the 56th Venice Biennale, an expansive installation that incrporates multiple components, included projected videos, drawings, and objects. Each section of the pavilion represents a particular creature (bees, fish), object (mirror), force (wind), or place (homeroom). Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. As Jonas says, 'We are haunted, the rooms are haunted.' Designed with Jonas's close collaboration, this fully illustrated book features an extensive collection of images selected by the artist, including stills, drawings, and photographs, that not only document this ambitious and important new work but form an integral part of the presentation and experience of 'They Come to Us without a Word'. Also included are Jonas's poetic notes on her process and major new texts from ann Reynolds and Marina Warner as well as an interview with the artist by Ingrid Schaffner." -- Publisher.
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