In The Crack in the Teacup, Joan Bodger has done more than write a fascinating autobiography that reveals the power of stories. With courage, unblinking honesty, the eye of a storyteller, and the pen of a poet, she has shown how a life -- and a century -- can be shaped and given meaning by personal mythology.
Selected by the Children’s Book Committee at Bank Street College of Education as one of the 2004 Best Children’s Books for the Year The late Joan Bodger was known internationally as one of our foremost storytellers. At the heart of her repertoire were the great medieval tales of lords and ladies, treachery, and chivalry. Among these beautiful courtly tales from Europe are the stories of Tristan – young and old – Childe Rowland, Burd Janet, and Iron John. These are stories that were heard at the long tables of the great halls, stories repeated around modest peat fires in cozy cottages, stories that traveled with the tellers across the seas. Tales of Court and Castle is an irresistible invitation to young readers to discover stories of enduring power.
A feast for any lover of English children's books. -Christian Herald Over sixty years ago, Joan Bodger, her husband, and their two children traveled to the UK for the adventure of a lifetime. There, they sought to discover the lands they knew from their beloved children’s books. Come along and see for yourself the people and places behind the stories we love. In Edinburgh, they stand outside the childhood home of Robert Louis Stevenson. They discover the countryside that inspired Caldecott's illustrations in Whitworth. In the Lake District, the farm where Jemima Puddle-duck laid her eggs. And in Winnie the Pooh Country Mrs. Milne herself shows the way to “that enchanted place on the top of the Forest [where] a little boy and his Bear will always be playing.” Join their adventures, from sleeping in a wagon to “messing about” in boats on the Thames. While not all their quests end in victory, like any marvelous story, how they get there is what matters. While we can’t all make the journey ourselves, we can let Joan Bodger take us along. As Emily Dickinson says, even if we “have never seen a moor”, we can still imagine “how the heather looks.” How the Heather Looks has been called ‘the book most often stolen by retiring children’s librarians”. This new edition features the stunning art by Mark Lang, and the authors’ afterword, written thirty years after the book was first released.
It is the time of the five kings, the prophets, and the rebuilding of the temple which were prophesized in the Book from the beginning. The Lamsi’s have thought to change times and laws; they seek to fulfil the Naroc’s prophecy above those in the Beast Tale Scrolls, and come against the animals of the Wilds and all who believe in the Great Wolf. The world is in ruins. It has lost its sense of balance. The falling away is come and the giant scorpion locusts. Mountains disappear from the landscape, and the water is almost gone. The animals of the Wilds are outnumbered more than a thousand to one by the foreign armies of the earth as they flee to the place of the last battle. Even Warrior has switched allegiances again. Faith is tested.
It was a time of happiness, but it was also a time of fear as the white wolf cubs are born into the Wilds. Animals of all sorts begin streaming into the Wilds; fleeing the violence of the black wolves. Tor and his army have been gone for months checking to see if the rumors of the refugees were true. Were there still black wolves out there? Somewhere in the distance were the Blackstone Mountains. Is that what the wind was telling him, warning him about? Yes, it was speaking to him about things that no animal, wolf, or otherwise could stop. Tor and his army are captured by Warrior and Snuffer, who lived through the avalanche brought on by the oryx during the Blackstone War. Tor is to be executed for stealing the land called the Wilds and killing Deuce and Staver. Khoa sets out to find Tor. While he is gone, his son, Tristian, and Tor’s son, Challenger, are taken hostage along with other animals. Saved from drowning in their cages by a young raccoon, the two pups set out to make it back to the Wilds. Everyone, from Pieces and his ‘wild bunch,’ to the black wolves are in on the search for the stolen cubs. Tristian and Challenger meet friends and foes along their trek across the Black Lake Road. Just as it seems they will make it back to the Wilds, Knox, the beaver, betrays them. As all seems lost, the cubs find an unlikely ally. In an ironic twist, Warrior learns that the white wolves hold his two sons as captives. An arrangement for a trade is made, but the dark wolves bring no white wolf cubs to the exchange; claiming they were taken by a lone black wolf in their camp. By the slip of a slingshot and a single stone, the war begins anew.
Selected by the Children’s Book Committee at Bank Street College of Education as one of the 2004 Best Children’s Books for the Year The late Joan Bodger was known internationally as one of our foremost storytellers. At the heart of her repertoire were the great medieval tales of lords and ladies, treachery, and chivalry. Among these beautiful courtly tales from Europe are the stories of Tristan – young and old – Childe Rowland, Burd Janet, and Iron John. These are stories that were heard at the long tables of the great halls, stories repeated around modest peat fires in cozy cottages, stories that traveled with the tellers across the seas. Tales of Court and Castle is an irresistible invitation to young readers to discover stories of enduring power.
Deep in the forest, Sylvania lives in peaceful serenity with her husband, Bernardo the woodcutter, and daughters, Rosy and Daisy, when the lure of adventure leads Bernardo into a foreign war. Years later, when he finally returns, he is an unrecognizable stranger. Using the lore of generations of women, Sylvania and her daughters set out to heal him and recover the man they love. Incorporating stories as disparate – and as connected – as the story of Ruth and Naomi, the Great Pan, and Sir Gawain and the Loathly Maid, Joan Bodger weaves a masterful and unique work, the culmination of her lifetime as a storyteller.
The wolves face their worst fears. It is a time when the shining has fallen off the Wilds. The great and mighty have fallen. The legacy of the One who led them to their destiny is fading into myth. The Lamsi’s, an off shoot of the House of Alexander, who had departed from the Way, make their entrance from across the seas. They call themselves the wolves of peace and prophecy. It was said that the season would be given to them and the power to end the reign of Khoa.
Animal Land surveys the role of humanized animals in the classic literature for children, and bodes well to become a classic in its own right. It is an entertaining and equally serious and remarkably thorough look into a collective literature which introduced us to our early friends in books. Animals tend to outlive humans in the imaginations of appreciators of children's books. And few of the character encountered in adult fiction seem to remain as vivid and complete in the mind as The Velveteen Rabbit, Babar, Brer Rabbit, Bambi, Black Beauty, and WInnie the Pooh. Meet them again here. Ponder them, because they will not leave us alone" --
Deep in the forest, Sylvania lives in peaceful serenity with her husband, Bernardo the woodcutter, and daughters, Rosy and Daisy, when the lure of adventure leads Bernardo into a foreign war. Years later, when he finally returns, he is an unrecognizable stranger. Using the lore of generations of women, Sylvania and her daughters set out to heal him and recover the man they love. Incorporating stories as disparate – and as connected – as the story of Ruth and Naomi, the Great Pan, and Sir Gawain and the Loathly Maid, Joan Bodger weaves a masterful and unique work, the culmination of her lifetime as a storyteller.
A feast for any lover of English children's books. -Christian Herald Over sixty years ago, Joan Bodger, her husband, and their two children traveled to the UK for the adventure of a lifetime. There, they sought to discover the lands they knew from their beloved children’s books. Come along and see for yourself the people and places behind the stories we love. In Edinburgh, they stand outside the childhood home of Robert Louis Stevenson. They discover the countryside that inspired Caldecott's illustrations in Whitworth. In the Lake District, the farm where Jemima Puddle-duck laid her eggs. And in Winnie the Pooh Country Mrs. Milne herself shows the way to “that enchanted place on the top of the Forest [where] a little boy and his Bear will always be playing.” Join their adventures, from sleeping in a wagon to “messing about” in boats on the Thames. While not all their quests end in victory, like any marvelous story, how they get there is what matters. While we can’t all make the journey ourselves, we can let Joan Bodger take us along. As Emily Dickinson says, even if we “have never seen a moor”, we can still imagine “how the heather looks.” How the Heather Looks has been called ‘the book most often stolen by retiring children’s librarians”. This new edition features the stunning art by Mark Lang, and the authors’ afterword, written thirty years after the book was first released.
A career-spanning monograph of the multimedia pioneer Joan Jonas (1936- ) that covers more than 40 years of performances, films, videos, installations, texts and video sculptures
Joan Jonas: They Come to Us without a Word' documents Jonas's project for the United States Pavilion at the 56th Venice Biennale, an expansive installation that incrporates multiple components, included projected videos, drawings, and objects. Each section of the pavilion represents a particular creature (bees, fish), object (mirror), force (wind), or place (homeroom). Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. As Jonas says, 'We are haunted, the rooms are haunted.' Designed with Jonas's close collaboration, this fully illustrated book features an extensive collection of images selected by the artist, including stills, drawings, and photographs, that not only document this ambitious and important new work but form an integral part of the presentation and experience of 'They Come to Us without a Word'. Also included are Jonas's poetic notes on her process and major new texts from ann Reynolds and Marina Warner as well as an interview with the artist by Ingrid Schaffner." -- Publisher.
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