Foreword / by Richard Bradley -- Prologue -- Abstract -- Introduction -- An antiquarian biography -- In the name of science -- The motifs -- The monument -- Chronology -- Narrative and metaphors -- Beyond Sagaholm -- Return to Sagaholm
The rock art of Australia is among the oldest, most complex, and fascinating manifestations of human creativity and imagination in the world. Aboriginal people used art to record their experiences, ceremonies, and knowledge by embedding their understanding of the world in the landscape over many generations. Indeed, rock art serves as the archives and libraries of Australia's Indigenous people. It is, in effect, its repository of memory. This volume explores Indigenous perspectives on rock art. It challenges the limits and assumptions of traditional, academic ways of understanding and knowing the past by showing how history has literally been painted 'on the rocks'. Each chapter features a biography of an artist or family of artists, together with an artwork created by contemporary artist Gabriel Maralngurra. By bringing together history, archaeology, and Indigenous artistic practice, the book offers new insights into the medium of rock art and demonstrates the limits of academic methods and approaches.
Challenging the limits and assumptions of traditional ways of understanding the past, this volume explores Indigenous perspectives on rock art. By bringing together history, archaeology, and Indigenous artistic practice, the book offers new insights into the medium of rock art and demonstrates the limits of academic methods and approaches"--
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