SHORTLISTED: CMI Management Book of the Year 2017 - Innovation and Entrepreneurship Category Being a truly innovative company is more than dreaming up new products and services by external consultants and internal taskforces. Staying one step ahead of the competition requires you to embed innovation into your organizational culture. Innovation needs to be embodied in everything that gets done by everyone who works there. By changing your organizational culture to one that supports Building a Culture of Innovation, you will remove the barriers that stop you responding quickly and agilely to changing market conditions and opportunities for growth. Building a Culture of Innovation presents a practical framework that you can follow to design and embed a culture of innovation in your business.The six-step Innovation Culture Change Framework offers a structured process to make change stick, from assessing your organization's innovation-readiness to leading a managed change process that will foster innovation at each level. It includes case studies from international organizations which have shifted their focus to an innovation culture, including Prudential, Qinetiq, Octopus Investments, Cisco, Siemens, BrightMove Media, Waitrose and Feefo. Supported with downloadable resources, Building a Culture of Innovation is an essential read for business leaders and change implementation teams who want to place innovation at the heart of their business strategy.
Most people have, at some point, experienced powerful, often strange and disconcerting, responses to films and television programmes of which they cannot always make sense. Drawing on insights from psychoanalysis, this book argues that the seemingly mundane and everyday activity of film and television viewing in the home is in fact extraordinary.
Can low-riders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow" values at the J. Paul Getty Trust? Looking High and Low attempts to answer these questions—and the broader question "What is art?"—by bringing together a collection of challenging essays on the meaning of art in cultural context and on the ways that our understandings of art have been influenced by social process and aesthetic values. Arguing that art is constituted across cultural boundaries rather than merely inside them, the contributors explore the relations between art, cultural identity, and the social languages of evaluation—among artists, art critics, art institutions, and their audiences—in the Southwest and in Mexico. The authors use anthropological methods in art communities to uncover compelling evidence of how marginalized populations make meaning for themselves, how images of ethnicity function in commercial culture, how Native populations must negotiate sentimental marketing and institutional appropriation of their art work, and how elite populations use culture and ritual in ways that both reveal and obscure their power and status. The authors make dramatic revelations concerning the construction and contestation of ideas of art as they circulate between groups where notions of what art "should" be are often at odds with each other. This volume challenges conventional modes of analyzing art. Its ethnographic explorations illuminate the importance of art as a cultural force while creating a greater awareness of the roles that scholars, museum curators, and critics play in the evaluation of art. Contents Introduction: Art Hierarchies, Cultural Boundaries, and Reflexive Analysis, Brenda Jo Bright Bellas Artes and Artes Populares: The Implications of Difference in the Mexico City Art World, Liza Bakewell Space, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 1972-1978, Marcos Sanchez-Tranquilino Remappings: Los Angeles Low Riders, Brenda Jo Bright Marketing Maria: The Tribal Artist in the Age of Mechanical Reproduction, Barbara Babcock Aesthetics and Politics: Zuni War God Repatriation and Kachina Representation, Barbara Tedlock Middlebrow into Highbrow at the J. Paul Getty Trust, Los Angeles, George E. Marcus
An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930-1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano's production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract "Wave Paintings" at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her "dropout" and "boycott of women" lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history--and especially to feminist art history--attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the "right way" to live and work.
Compelling stories of fatherhood from the popular NPR radio show From the popular radio series This I Believe comes this touching and thought-provoking compilation of original essays on one of the most fundamental of human relationships-fatherhood. It is a relationship filled with joy and heartbreak, love and anger, lessons learned, and opportunities missed. The stories in this collection are engaging and meaningful. Some are reverential and loving; some are sad and clouded by yearning, loss, and regret: You'll read reflections from expectant and new dads, full of optimism, as well as from longtime parents who, through the distance of time, are able to reflect on their successes and failures as fathers. We also hear from children (some young and some well into adulthood) writing about their fathers. They honestly and openly introduce us to the men who shaped them, sometimes in surprising ways. They talk about the fathers they want to emulate, the mistakes they hope to avoid repeating, and the wisdom they realized they've gained. This I Believe: On Fatherhood offers a compelling portrait of the diverse range of experiences and beliefs related to the father-child relationship. With personal insights and inspiration, this collection makes a wonderful gift for long-time fathers, new fathers, and fathers-to-be.
Jo Fredell Higgins relocated to Belfast from 1979 to 1980 in an effort to understand the Irish psyche. Her interviews with the men and women of this troubled city provide a portrait of everyday life in Belfast, Northern Ireland.
This preschool health education curriculum has a year-round collection of learning activities covering growth and development, the five senses, mental and emotional health, physical health, family life, nutrition, disease prevention, and safety and first aid. Activities and content are free of gender and race bias.
Joann was raised in Old Forge, a small coal mining town in northeastern Pennsylvania. Her parents were poor, hardworking people of Italian descent. Growing up she faced many painful hardships. Only a teenager when she married, she suffered much abuse, causing a breakdown. Joann was barely seventeen when she bore her first child. Despite her sufferings, she was determined to raise her children with love and faith in God. She had an unusual experience as a child, causing her to believe that God had bestowed her with so many gifts and talents because He had something special for her to do with her life. This book not only answers the never-ending question: "Whatever possessed you to become a clown?" It gives hope and inspiration to others who may be suffering abuse and trials, that through faith in God and themselves, they too can overcome adversity, and live a happy, fulfilling life.
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