This 2020 edition of A Place Where Success Was Expected includes a more extensive study of the founding of the school on the campus of Bennett College in 1879 including the years before the existing campus was built and 40 additional excerpts about Dudley alumni.It is a comprehensive history of the education of African Americans in Greensboro, North Carolina and parts of Guilford County as told through the insights and experiences of some of the people who lived and worked for over five generations in the South. The story is told as only those who live through slavery, through Jim Crow, through integration, and back again could tell it. The book tells a story that begins with the events that led to the establishment of James Benson Dudley High School and its feeder schools
They were children who had seen too much Youll be dead before youre five, those were the first words Joyce Ann could remember her grandmother saying to her and the fact that she was almost nine did not make living any easier Joyce Ann, Josephine, Kenny, and Janie-all the children had seen too much, been through too much, dealt with too many grown-up things to be considered children in more than age. Josephine spent her days fighting to protect herself and her siblings from bigger kids who saw the undersized children of a woman barely more than four feet tall as fair game Janies days were spent cooking and caring for nine younger siblings and sleepless nights were spent wondering when rather than if one of her mothers numerous male visitors would decide to do the unimaginable Kennys secrets were kept from even his closest friends. How could a child explain life with a mother who managed every detail of every day of his life from what he would wear to lessons that were not always about music It was only the promise of friendship that brought these four young people together in a story about the power of love and acceptance among friends.
They were children who had seen too much Youll be dead before youre five, those were the first words Joyce Ann could remember her grandmother saying to her and the fact that she was almost nine did not make living any easier Joyce Ann, Josephine, Kenny, and Janie-all the children had seen too much, been through too much, dealt with too many grown-up things to be considered children in more than age. Josephine spent her days fighting to protect herself and her siblings from bigger kids who saw the undersized children of a woman barely more than four feet tall as fair game Janies days were spent cooking and caring for nine younger siblings and sleepless nights were spent wondering when rather than if one of her mothers numerous male visitors would decide to do the unimaginable Kennys secrets were kept from even his closest friends. How could a child explain life with a mother who managed every detail of every day of his life from what he would wear to lessons that were not always about music It was only the promise of friendship that brought these four young people together in a story about the power of love and acceptance among friends.
Set in rural South Carolina and urban North Carolina, in the novel Holding On: A Parable of Faith and Strength, we watch Sister Fullmore emerge through a very untypical childhood to become a very untypical woman. The book begins on her first day of school, where we see hints of the smart, sassy young woman she becomes. From a father who drinks his family into a life of poverty, to brothers who leave her to fend for herself, Sister's expectations for the male population are pretty low. Somehow, it seems the men in her life live "down" to those expectations. Her Grandma Hester tells her, "Pick your man, don't let a man pick you. That way you know what you're getting." Her mother's advises, "Don't fall in love with a man just because of his looks unless he has enough money to buy you a house." In all her sixteen years of living, Sister hasn't met one man who tempted her to forget that advice. Then she meets a fine piece of chocolate manhood named Joe Ervin Evans... A liquor house wasn't a place where a man figured on meeting the woman of his dreams, and finding a wife was the last thing on Joe's mind that night. Until he meets Sister, his smile has never failed to make a woman's heart melt. Undaunted by her seeming lack of interest in him, he sets out to convince this pretty little woman that she is going to be his.
How does the therapist begin psychotherapy? How, that is, does she conceptualize the needs of the patient while simultaneously enlisting him or her as an active partner in formulating an individualized working plan? And how should supervisors teach the skills needed to make the intake procedure truly the beginning of treatment? In Beginnings: The Art and Science of Planning Psychotherapy Mary Jo Peebles-Kleiger tackles these and other questions in an authoritative manner that draws on the cumulative experience of the outpatient department of the Menninger Psychiatric Clinic. Peebles-Kleiger's elegant synoptic discussions of the major categories of psychological dysfunction and the different treatment strategies appropriate to them are carefully calibrated, with actual examples, to the limits and opportunities of the first sessions. Of particular value is her unusual capacity to articulate patients' various difficulties in forming and maintaining an alliance, and then to show how such difficulties feed back into the clinician's interventions in the first few sessions. In this manner, she illustrates how potential treatment obstacles-- difficulties in affect regulation, in reality testing, in conscience formation, among others--can be assessed and subjected to trial interventions from the very start. Skilled in various psychodynamic and behavioral approaches, from psychoanalysis to hypnotherapy, Peebles-Kleiger consistently advances an integrative approach that cuts across specific modalities and combines sophisticated psychodynamic understanding with the fruits of empirical research. Both primer and sourcebook, Beginnings: The Art and Science of Planning Psychotherapy fills a niche in the literature so admirably that clinicians will find it indispensible in planning humanely responsive treatment in an increasingly complex therapeutic world.
Utilizing a decade's worth of clinical experience gained since its original publication, Mary Jo Peebles builds and expands upon exquisitely demonstrated therapeutic approaches and strategies in this second edition of Beginnings. The essential question remains the same, however: How does a therapist begin psychotherapy? To address this delicate issue, she takes a thoughtful, step-by-step approach to the substance of those crucial first sessions, delineating both processes and potential pitfalls in such topics as establishing a therapeutic alliance, issues of trust, and history taking. Each chapter is revised and expanded to include the latest treatment research and modalities, liberally illustrated with rich case material, and espouse a commitment to the value of multiple theoretical perspectives. Frank and sophisticated, yet eminently accessible, this second edition will be an invaluable resource for educators, students, and seasoned practitioners of any therapeutic persuasion.
Walk of Faith is about living, growing, and walking in the light. Every poem invites the reader to laugh, cry, sing, and pray with the poet while taking a spiritual journey. Each poem speaks, rather than preaching, to the readers about the universal experiences of all who walk daily in their faith. Even the poem titled "Gentle Sermon" is spiritually and realistically insightful, rather than preachy. Walk of Faith is a collection of inspirational poems covering more than twenty years that Jo Evans Lynn has served as the unofficial poet laureate of her church. The poems inspire and celebrate all occasions and people from every social realm, joyfully flowing from childhood to adulthood, as a girl becomes a woman of faith in a Pentecostal church. The overwhelming message of the collection of poems is that "a spiritual walk with God is a journey of hope, faith, and joy." In every poem, whether serious or humorous, Jo Evans Lynn affirms that the goodness of God is an ever-present force in our lives and that there is nothing too hard for God.
An overnight sensation for her 1943 comedic role as "The Girl Who Falls Down" in the groundbreaking musical Oklahoma!, McCracken established the prototype dancer-comedienne, headlining in ballet, stage, film, and television productions before her life was tragically cut short by complications from diabetes. Author Lisa Jo Sagolla draws on extensive interviews with McCracken's friends, family, and colleagues to paint a complex portrait of the petite, blue-eyed, and sprightly entertainer as a woman exploiting her mesmerizing beauty and magnetism to succeed in the man's world of entertainment, yet always retaining the persona of childlike pixie she portrayed on stage. McCracken's comic exuberance and athleticism also epitomized a new ballet form that married the European ideas of aristocratic grace and movement with a uniquely American spirit and style. From her beginnings in Philadelphia and New York, to her meteoric rise to fame, to her life long struggle with the little understood and devastating effects of diabetes, The Girl Who Fell Down chronicles McCracken's spirited yet poignant life, including her training at Balanchine's seminal School of American Ballet, her blossoming as a "ravishing talent" with a "crackerjack dance technique" under Agnes de Mille, her supremacy as a performer, her marriages to novelist Jack Dunphy (who left her for Truman Capote,) and Bob Fosse, and her ultimate diagnosis with heart disease. Touching and inspiring, Sagolla's account describes McCracken's lasting influence through her nurturing of husband Fosse's provocative career, her dramatic coaching of actress Shirley MacLaine, and her inspiration for the many dancer-comediennes that followed -- Gwen Verdon, Carol Haney, and Sandy Duncan, to name a few. Rich with the social and cultural history of a golden age in show business and teeming with colorful choreographers, dancers, and entertainers, this comprehensive and carefully researched biography will introduce Joan McCracken to a new audience of dance enthusiasts.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.