Visual perception and its relationship to the subsequent manipulative behaviors are fundamental for people to recognize the world. The most important manipulations of drivers are speed control and steering, which could possibly guarantee a safe driving. So, to avoid accidents the driver does a series of judgments, decisions and actions, which could be impact by the visual information it perceived. Over the past few decades, visual perception has gradually gone from the psychology domain to its relevant fields, like the transportation science and engineering, to play a more important role in the human factors in transportation. This books presents the state of the art in speed perception and its application with a kind of edge rate markings installed on roadways with empirical on-road experiments and field observations of naturalistic driving data. Reaching a great combination of the fundamental theory in cognitive psychology and the issues in traffic and transportation engineering, this books is one of the most practical and up-to-date references available on the subject of influence of visual perception on drivers’ speed control and steering behaviors. This allows the knowledge of visual perception and transportation accessible to a wider range of audiences, and also introduce new thoughts and new methods for decision-makers, practitioners in dealing with traffic safety or related issues. The fundamental concepts, experimental process, statistical analyses, and comprehensive discussions are covered in detail, providing the readers a systematic understanding of the field.
In the period between the 1920s and 1940s, a genre emerged in Chinese literature that would reveal crucial contradictions in Chinese culture that still exist today. At a time of intense political conflict, Chinese women began to write autobiography, a genre that focused on personal identity and self-exploration rather than the national, collective identity that the country was championing. When "I" Was Born: Women's Autobiography in Modern China reclaims the voices of these particular writers, voices that have been misinterpreted and overlooked for decades. Tracing women writers as they move from autobiographical fiction, often self-revelatory and personal, to explicit autobiographies that focused on women's roles in public life, Jing M. Wang reveals the factors that propelled this literary movement, the roles that liberal translators and their renditions of Western life stories played, and the way in which these women writers redefined writing and gender in the stories they told. But Wang reveals another story as well: the evolving history and identity of women in modern Chinese society. When "I" Was Born adds to a growing body of important work in Chinese history and culture, women's studies, and autobiography in a global context. Writers discussed include Xie Bingying, Zhang Ailing, Yu Yinzi, Fei Pu, Lu Meiyen, Feng Heyi, Ye Qian, Bai Wei, Shi Wen, Fan Xiulin, Su Xuelin, and Lu Yin.
A twenty-first–century twelve-year-old seeks the truth behind his grandmother’s trauma in this moving novel of family, love, memory, and the toll of war. Singapore, 1942. As Japanese troops sweep down Malaysia and into Singapore, a village is ransacked, leaving only two survivors and one tiny child. In a neighboring village, seventeen-year-old Wang Di is strapped into the back of a troop carrier and shipped off to a Japanese military brothel where she is forced into sexual slavery as a “comfort woman.” After sixty years of silence, what she saw and experienced still haunts her. In the year 2000, twelve-year-old Kevin is sitting beside his ailing grandmother when he overhears a mumbled confession. He sets out to discover the truth, wherever it might lead, setting in motion a chain of events he never could have foreseen. Weaving together two timelines and two very big secrets, this stunning debut opens a window on a little-known period of history, revealing the strength and bravery shown by numerous women in the face of terrible cruelty. Drawing in part on her family’s experiences, Jing-Jing Lee has crafted a profoundly moving, unforgettable novel about human resilience, the bonds of family and the courage it takes to confront the past. Perfect for fans of Pachinko and We Were the Lucky Ones. Praise for How We Disappeared A Library Journal Emerging Stars Pick “This is a brilliant, heart-breaking story with an unforgettable image of how women were silenced and disappeared by both war and culture.” —Xinran, author of The Good Women of China “An exquisite mystery, an enthralling novel. Equally touching and intriguing.” —Eoin Dempsey, author of White Rose, Black Forest “A beautifully written, suspenseful story of redemption and healing.” —Booklist, starred review “A . . . story about memory, trauma and ultimately love, How We Disappeared explores the impact of the Japanese invasion of Singapore on the local people, in particular on the hellishly misnamed “Comfort Women.”“ —New York Times
The king and ministers, superior and inferior, move with ritual and refinement. When the king goes on an inspection tour, everyone has the correct ceremonial attributes and the divine flag [troops] gallop in front while armored soldiers block the road. The soldiers of the Six Divisions all hold their attributes. Although it is not completely in uniformity with classic rites, compared with other barbarians it is splendid to behold. This is why Confucius thought it would not be a shame to reside here. And is not moreover Kija's country a close relative of the hallowed dynasty?" So observed the Song envoy Xu Jing in the official report of his 1123 visit to Korea—a rare eyewitness account of Koryŏ (918–1392) society in its prime. Officially, the purpose of Xu Jing's visit was to condole the new king, Injong, on the death of his father and present him with a letter of investiture; unofficially, he was tasked with persuading Injong to align with Song China against the newly emergent Jin dynasty. Although famous for its celadon and Buddhist paintings, the Koryŏ period is still very much terra incognita in world history because of the lack of translated source materials. The present work, the first fully annotated, complete translation of a key source text on Koryŏ, fills this gap. Xu Jing spent a little more than a month in the Koryŏ capital, Kaesŏng, but he was a meticulous chronicler, compiling a veritable handbook on Koryŏ that is full of fascinating details found nowhere else on daily life, history, customs and manners, buildings, the military, food, among others. However, Xu Jing was not unbiased in his observations and supplemented his work with unreliable information from earlier chronicles—a fact often ignored in previous studies of the Illustrated Account. In a substantial introduction to his translation, Sem Vermeersch not only places this important work in its historical context, but also reveals both the sources used by the author and the merits and limits of his observations, allowing historians of medieval Korea to make fuller use of this singular primary source.
This book is mostly about the real funny stories, all ofwere the authorhad met in the nearly two years after he setted foot at the England. These funny stories it wasn't just for joking, laughing. As a Chinese author, he want build up a bridge between the English and Chinese through his stories, of course doesn't matter the bridge was a English style or Chinese style.As the author said: 'Under the morden condition, the globe became a small village, the human became a big family'. We need know each other as well, these stories maybe could help you a bit.Anyway, as a Chinese saying: 'Whenever you open a book, you'll be benefited'.
A middle-grade graphic novel about a Taiwanese American girl navigating identity, bullying, and the messy process of learning to be comfortable in her skin. Between homework, studying, and Chinese school, Měi Yīng’s summer is shaping up to be a boring one. Her only bright spots are practice with her soccer team, the Divas, and the time spent with her năi nai, who is visiting from Taiwan. Although Měi Yīng’s Mandarin isn’t the best and Năi Nai doesn’t speak English, they find other ways to connect, like cooking guōtiē together and doing tai chi in the mornings. By the end of the summer, Měi Yīng is sad to see Năi Nai go—she’s the complete opposite of Měi Yīng serious professor mother—but excited to start fifth grade. Until new kid Sid starts making her the butt of racist jokes. Her best friend, Kirra, says to ignore him, but does everyone else’s silence about the harassment mean they’re also ignoring Sid . . . or her? As Sid’s bullying fuels Měi Yīng's feelings of invisibility, she must learn to reclaim her identity and her voice. Perfect for fans of American Born Chinese by Gene Luen Yang, The Legend of Auntie Po by Shing Yin Khor, Measuring Up by Lily LaMotte, and The New Kid by Jerry Craft.
2013 Independent Publishers Book Awards (IPPY) Bronze Medal for Graphic Novel (Drama/Documentary), and ForeWord Reviews Book of the Year Awards (BOTYA) 2012 Finalist in Graphic Novels (Adult Nonfiction). Post-70s Chinese artist and entrepreneur, "Liu Jing," continues his comic series of China's 5,000-year history in "Understanding China through Comics." This second volume paints a vivid picture in answer to such questions as: What are the origins of the ethnic Chinese? Are Chinese people religious? What are the major Chinese cultural heritages and how were they created? What was China like when a centralized government fell and the empire was divided among several regional states? When people talk about "China's great restoration" and China reclaiming its place as a world superpower, what are they referring to? Why is there such a strong drinking tradition at Chinese business banquets? "Understanding China through Comics Vol. 2" begins with the massive wars during China's Age of Division and continues through the end of the Tang Dynasty -- a period in which different races, religions and philosophies come together. They fight and learn from each other, sparking new ideas and creating a new culture which continues to define the Chinese today. New perspectives on Chinese history help explain complicated chains-of-events and uncover the driving forces behind the critical changes that shaped China. Research spans classic Chinese texts and contemporary historical works, including: 'Records of the Grand Historian' by Sima Qian, the father of Chinese history; 'History of China' by pre-liberation historian Wang Tongling; 'The General History of China' by his contemporary Lu Simian; 'The Analects' of Confucius; and historical information embedded in ancient Chinese paintings. "Understanding China through Comics" includes 4 volumes: Volume 1: The Yellow Emperor through the Han Dynasty (ca. 2697 BC - 220 AD) Volume 2: The Three Kingdoms through the Tang Dynasty (220 - 907) Volume 3: The Five Dynasties and Ten Kingdoms through the Yuan Dynasty under Mongol rule (907 - 1368) Volume 4: The Ming and Qing Dynasties (1368 - 1911)
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