If I were a god, there would be no evil under the heavens!If I become a demon, I'll slaughter all the gods!I am a Fiendgod. There is no longer any difference between the heavens and the earth!Stepping into the sky to become a god, purgatory to become a devil, all within a single thought!
The first account in English of the history of Chinese lexicography traces its development from 1046 BC to AD 1911. It describes the origins and development of primers, thesauruses, dictionaries of dialects, characters, and technical terms, rhyming dictionaries, bilingual dictionaries, and encyclopaedic dictionaries.
Chinese academic traditions take zuo ren—self-fulfillment in terms of moral cultivation—as the ultimate goal of education. To many in contemporary China, however, the nation seems gripped by moral decay, the result of rapid and profound social change over the course of the twentieth century. Placing Chinese children, alternately seen as China's greatest hope and derided as self-centered "little emperors," at the center of her analysis, Jing Xu investigates the effects of these transformations on the moral development of the nation's youngest generation. The Good Child examines preschool-aged children in Shanghai, tracing how Chinese socialization beliefs and methods influence their construction of a moral world. Delving into the growing pains of an increasingly competitive and changing educational environment, Xu documents the confusion, struggles, and anxieties of today's parents, educators, and grandparents, as well as the striking creativity of their children in shaping their own moral practices. Her innovative blend of anthropology and psychology reveals the interplay of their dialogues and debates, illuminating how young children's nascent moral dispositions are selected, expressed or repressed, and modulated in daily experiences.
Modern Mandarin Chinese Grammar Workbook is a book of exercises and language tasks for all learners of Mandarin Chinese. Divided into two sections, the Workbook initially provides exercises based on essential grammatical structures, and moves on to practice everyday functions such as making introductions, apologizing and expressing needs. With an extensive answer key at the back to enable students to check on their progress, main features include: exercises at various levels of challenge for a broad range of learners cross-referencing to the related Modern Mandarin Chinese Grammar a comprehensive index to exercises alphabetically arranged in terms of structures, functions, and key Chinese structure vocabulary. This second edition also offers a revised and expanded selection of exercises including new task-based exercises. Modern Mandarin Chinese Grammar Workbook is ideal for all learners of Mandarin Chinese, from beginner to intermediate and advanced students. It can be used both independently and alongside the Modern Mandarin Chinese Grammar (978-0-415-82714-0), which is also published by Routledge.
Playwrights and Literary Games in Seventeenth-Century China: Plays by Tang Xianzu, Mei Dingzuo, Wu Bing, Li Yu, and Kong Shangren is a full-length study of chuanqi (romance) drama, a sophisticated form with substantial literary and meta-theatrical value that reigned in Chinese theater from the sixteenth to eighteenth centuries and nourished later theatrical traditions including jingju (Beijing Opera). Highly educated dramatists used chuanqi to present in artistic form personal, social, and political concerns of their time. There were six outstanding examples of these trends, considered masterpieces in their time and ever since. This study presents them in their social and cultural context during the long seventeenth century (1580D1700), the period of great experimentation and political transition. The romantic spirit and independent thinking of the late Ming elite stimulated the efflorescence of the chuanqi, and that legacy was inherited and investigated during the second half of the seventeenth-century in early Qing. Jing Shen examinees the texts to demonstrate that the playwrights appropriate, convert, or misinterpret other genres or literary works of enduring influence into their plays to convey subtle and subversive expressions in the fine margins between tradition and innovation, history and theatrical re-presentation. By exploring the components of romance in texts from late Ming to early Qing, Shen reveals creative readings of earlier themes, stories, plays and the changing idea of romanticism for chuanqi drama. This study also shows the engagement of literati playwrights in closed literary circles in which chuanqi plays became a tool by which literati playwrights negotiated their agency and social stature. The five playwrights whose works are analyzed in this book had different experiences pursuing government service as scholar-officials; some failed to achieve high office. But their common concerns and self-conscious literary choices reveal important insights into the culture of the seventeenth century, and into the sociopolitical implications of the chuanqi genre. In addition to classical Chinese commentaries on chuanqi drama, this book uses modern critical theories and terminology on Western drama to enhance the analysis of chuanqi plays.
In this universe, the level of martial arts is the standard to judge people. Only talent and hard-working were both satisfied, can people achieve the peak. Lin Feng has both the marvelous gift and the perseverance, so that he can handle all kinds of martial arts as long as he learned. He becomes to the pinnecal very soon with his talent and perseverance. ☆About the Author☆ Jing Wuhen is an online novelist. His work has been at the top of the leaderboard for a very long time, although he is as famous as other outstanding novelist. Super popularity and praise add a lot of value to his work. has ups and downs plots, which are really exciting. Both the plots and writing of this novel are remarkable.
Postwar Hong Kong cinema played an active role in building the colony’s community in the 1950s and 1960s. To Jing Jing Chang, the screening of movies in postwar Hong Kong was a process of showing the filmmakers’ visions for Hong Kong society and simultaneously an attempt to conceal their anxieties and mask their political agenda. It was a time when the city was a site of intense ideological struggles among the colonial government, Chinese Nationalists, and Communist sympathizers. The medium of film was recognized as a powerful tool for public persuasion and various camps competed to win over the hearts and minds of the audience. Screening Communities thus situates the history of postwar Hong Kong cinema at the intersection of Cold War politics, Chinese culture, and local society. Focusing on the genres of official documentary film, leftist family melodrama (lunlipian), and youth film, this study examines the triangulated relationship of colonial interventions in Hong Kong film culture, the rise of left-leaning Cantonese directors as new cultural elites, and the positioning of audiences as contributors to the colony’s journey toward industrial modernity. Filmmakers are shown having to constantly negotiate changing sociopolitical conditions: the Hong Kong government presenting itself as a collaborative ruling body, moral and didactic messages being adapted for commercial releases, and women becoming recognized as a driving force behind Hong Kong’s postwar industrial success. In putting forward a historical narrative that privileges the poetics and politics of shaping a local community through a continuous screening process, Screening Communities offers a new interpretation of the development of Hong Kong cinema—one that breaks away from the usual accounts of the “rise and fall” of the industry. “Despite the voluminous literature on Hong Kong cinema, Screening Communities doesn’t just fill in gaps; it positively seals up a number of fissures. Chang shows us a cinema on the ground, refuting the standard image of an apolitical, fantasized world of martial arts and musicals. When Hong Kong’s identity seems ever more precarious, this is a bracing reminder of how film was deeply implicated in Hong Kong identity-formation in the Cold War era.” —David Desser, University of Illinois “Screening Communities offers an exciting analysis of the role of cinemas in shaping Hong Kong and diasporic identities during the Cold War. Chang brings left-wing Cantonese filmmakers and the colonial state back into the story, and in the process broadens our understanding of the place of Hong Kong in the cultural and social history of the Cold War. This is an important contribution to the scholarship.” —Jeremy E. Taylor, University of Nottingham
The path of destiny, the Heavenly Dao. The seal of memories, the seal of blood, just who in the world would it be? The peak of power, the cruel test. Everyone was to be killed, and the Heavenly Dao was to be executed. The hard training of the top powers in this life was only for the sake of their dignity. The Heavenly Emperor was born, he was built by the people of the imperial palace. Heaven and Earth were to be annihilated, and the great Dao was to exterminate the Heavens!
The Great Wall of China is the world's largest military defense structure. It towers and meanders along mountain ranges, constructed more than 2,000 years ago. It was made more brilliant by the numerous wars, power struggles, successive dynasties, political and economic historical events influencing imperial China for over 2,000 years.The everlasting value of the Great Wall comes from the architecture, with its components of the wall, gates, towns, garrisons, and signal towers, along with their artistic elements. It also derives fame from the countless classical works of poetry, folk literature, theater and storytelling written about it by rulers, soldiers, literati and famous poets.This book is among the most systematic and comprehensive works on the Great Wall. It conveys to the reader content in language that is clear and straightforward. It traces the history of the Great Wall's origin, including the initial Period of construction for multiple defensive walls, the era of overall transformation, the Period of the partial expansion and the Period of overall maintenance. The readers will obtain a clear and comprehensive view of the overall picture of the Great Wall and its history from this book.Published by SCPG Publishing Corporation and distributed by World Scientific for all markets except China
Jumping Through Hoops is a collection of nine intense and dramatic stories that sheds new light on the experiences of Chinese women during the Second World War. Originally published in Chinese in 1945, as part of Xie Bingying's classic anthology Nu zuojia zizhuan xuanji (Selected autobiographical writings by women writers), the extraordinary narratives reveal the writers' personal struggles during the years of turmoil between the Republican and Communist eras. Whether the contributors are internationally acclaimed or just rediscovered, most of these narratives are seldom found in other collections, either in Chinese or in translation.
In the period between the 1920s and 1940s, a genre emerged in Chinese literature that would reveal crucial contradictions in Chinese culture that still exist today. At a time of intense political conflict, Chinese women began to write autobiography, a genre that focused on personal identity and self-exploration rather than the national, collective identity that the country was championing. When "I" Was Born: Women's Autobiography in Modern China reclaims the voices of these particular writers, voices that have been misinterpreted and overlooked for decades. Tracing women writers as they move from autobiographical fiction, often self-revelatory and personal, to explicit autobiographies that focused on women's roles in public life, Jing M. Wang reveals the factors that propelled this literary movement, the roles that liberal translators and their renditions of Western life stories played, and the way in which these women writers redefined writing and gender in the stories they told. But Wang reveals another story as well: the evolving history and identity of women in modern Chinese society. When "I" Was Born adds to a growing body of important work in Chinese history and culture, women's studies, and autobiography in a global context. Writers discussed include Xie Bingying, Zhang Ailing, Yu Yinzi, Fei Pu, Lu Meiyen, Feng Heyi, Ye Qian, Bai Wei, Shi Wen, Fan Xiulin, Su Xuelin, and Lu Yin.
This book examines the origins and basic concepts of sociology in China and traces the discipline’s evolutionary trajectory. Building on the premise that qunxue, which goes back to Xunzi, is essentially the Chinese antecedent of modern/Western sociology, contributors try to show the distinctive ways qunxue addresses a wide range of both foundational and practical issues related to society using its own set of conceptual, analytical and methodological apparatus. The book argues that the rise of Chinese sociology will depend crucially on whether the rich heritage of traditional Chinese sociology can be fully appreciated and integrated with the Western tradition of learning. Following two preliminary chapters laying out qunxue’s basic paramters, the four remaining chapters focus on its four primary concerns: cultivation of the self (xiushen), regulation of the family (qijia), governance of the state (zhiguo), and realization of universal peace (pingtianxia).
This book explores the mutual constitutions of visuality and empire from the perspective of gender, probing how the lives of China’s ethnic minorities at the southwest frontiers were translated into images. Two sets of visual materials make up its core sources: the Miao album, a genre of ethnographic illustration depicting the daily lives of non-Han peoples in late imperial China, and the ethnographic photographs found in popular Republican-era periodicals. It highlights gender ideals within images and develops a set of “visual grammar” of depicting the non-Han. Casting new light on a spectrum of gendered themes, including femininity, masculinity, sexuality, love, body and clothing, the book examines how the power constructed through gender helped to define, order, popularise, celebrate and imagine possessions of empire.
This textbook provides a comprehensive and very detailed insight into Chinese Contemporary Geography in English. It documents the geographical issues associated with China's rapid growth. Since initiating the reforms and open policy, China has achieved tremendous success. China's rapid growth is now a driving force in the global economy and is achieving unprecedented rates of poverty reduction. However, China also faces a number of sustainability and emerging challenges associated with rapid growth such as growing regional disparities in terms of per capita income and social-economic development, sustainable resource development, and issues related to regional and global economic integration. In addition, rapid economic growth has also brought about major challenges such as resource shortages, ecological and environmental destruction, land degradation and frequent disasters. This book presents the authors’ reflections. This lavishly illustrated book covers physical geography, history, and economic and political systems of the world's most populous country. The major focus is on geographical issues in China's contemporary development: agriculture, population, urbanization, resource and energy, and environment. The lead author of the book has taught relevant courses in China for three decades, and authored and edited multiple textbooks for Chinese students. This book will appeal to undergraduate students of geography and related disciplines with a regional focus on China and to the general reader who wants to learn different geographical aspects of modern China with little academic background in geography.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
In this pathbreaking study of three of the most familiar texts in the Chinese tradition--all concerning stones endowed with magical properties--Jing Wang develops a monumental reconstruction of ancient Chinese stone lore. Wang's thorough and systematic comparison of these classic works illuminates the various tellings of the stone story and provides new insight into major topics in traditional Chinese literature. Bringing together Chinese myth, religion, folklore, art, and literature, this book is the first in any language to amass the sources of stone myth and stone lore in Chinese culture. Uniting classical Chinese studies with contemporary Western theoretical concerns, Wang examines these stone narratives by analyzing intertextuality within Chinese traditions. She offers revelatory interpretations to long-standing critical issues, such as the paradoxical character of the monkey in The Journey to the West, the circularity of narrative logic in The Dream of the Red Chamber, and the structural necessity of the stone tablet in Water Margin. By both challenging and incorporating traditional sinological scholarship, Wang's The Story of Stone reveals the ideological ramifications of these three literary works on Chinese cultural history and makes the past relevant to contemporary intellectual discourse. Specialists in Chinese literature and culture, comparative literature, literary theory, and religious studies will find much of interest in this outstanding work, which is sure to become a standard reference on the subject.
Being forced into marriage by her family, Susu was forced to rent a boyfriend online to deal with her family. However, why does this "boyfriend" seem so familiar? Why did this "boyfriend" call her his wife? Why did this "boyfriend" tell him that they were already married? It turned out that all of this originated from an underworld marriage...
In this book, Jing Luo provides a comprehensive and insightful introduction to Chinese life and culture. Designed for use as a college text, Luo's examination combines traditional culture, contemporary culture, and communicative protocols in daily life and business to provide a broad context that helps the reader gain a theoretical and practical understanding of the Chinese world.
She was once the only wood type ability user in the world. She had space in her body, but she died in an accident at the hands of the Zombie King. She once more opened her eyes. She had become the Prime Minister's daughter of the Grand Xia Dynasty. However, the seemingly noble her was a piece of trash that one could bully. His mother was killed, his fiance was taken, and he even had to face the despair of being swept out of the house. How could she just sit on the wall and watch the 'revenge comes' she'd always followed? If her fiance was too trash, she would change him to a better one. If he tainted her innocence, she would destroy it. If he harmed her mother, she would wipe out her entire family! "Just as she was about to make it, a man stepped forward and pressed her down." My wife, now that the mundane business is over, can we proceed with our plan to build a man?
This book studies Chinese opposites. It uses a large corpus (GigaWord) to trace the behavior of opposite pairings’ co-occurrence, focusing on the following questions: In what types of constructions, from window-size restricted and bi-syllabic to quad-syllabic, will the opposite pairings appear together? And, on a larger scale, i.e. in constrained-free contexts, in which syntactic frames will the opposite pairings appear together? The data suggests aspects that have been ignored by previous theoretical studies, such as the ordering rules in co-occurrent pairings, the differences between the three main sub-types of opposites (that is, antonym, complementary, converse) in discourse function distributions. The author also considers the features of this Chinese study and compares it to similar studies of English and Japanese. In all, it offers a practical view of how opposites are used in a certain language as a response to the puzzles lingering in theoretical fields. This study appeals to linguists, computational linguists and language-lovers. With numerous tables, illustrations and examples, it is easy to read but also encourages readers to link their personal instincts with the results from a large corpus to experience the beauty of language as a shared human resource.
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