Ba Jin was one of China's most influential and prolific Chinese authors. He was nominated for the Nobel Prize in Literature in 1975 for his masterpiece Family. He wrote more than 80 books that made him famous in China and throughout the world.
Jin Luxian is considered by many to be one of China’s most controversial religious figures. Educated by the Jesuits, he joined the Society of Jesus and was ordained priest in 1945 before continuing his studies in Europe. In 1951 he made the dangerous decision to return to the newly established People’s Republic of China. He became one of the many thousands of Roman Catholics who suffered persecution. Convicted of counter-revolutionary activities and treason, he was imprisoned for 27 years and only released in 1982. His subsequent decision to accept the government’s invitation to resume his prior role as head of the Shanghai Seminary and then assume the title of Bishop of Shanghai without Vatican approval shocked many Catholics. Now, some thirty years later, still serving as Bishop and regarded as one of the leading figures in the Chinese Catholic Church, Jin recounts formative experiences that provide essential insight into the faith and morality that sustained him through the turbulent years of the late 20th Century. In this volume of memoirs Jin recalls his childhood and education, his entry into the Society of Jesus and formation as a priest, his return to China and imprisonment and, finally, his release and return to Shanghai.
she had been cheated by her friends by her parents by her newlywed husband and finally even by herself after a car accident she loved the bad president and the cute girl and she cried herself into a quilt president what do we do if the madam goes missing a ceo satellite location sea water extraction interception of aircraft the kidnappers to feed the wolves ceo what if the madam runs away a certain president narrowed his eyes and smiled tie him up and let me do it rumor has it that the ventral ceo ao jin is going after the world and sending people to south africa for no reason but this is is it shameful hubby ning mu chen looked at his husband and son who were washing his feet and teased him be good i'll make you lose face in a while my husband immediately covered his face and kissed his wife lightly the next day his son ran away from home because he suspected he was an accident
The 20th century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those 100 years. This volume deals with the development of Chinese theatre from 1949 to 2000, covering the fluctuations of 'drama reform', spectacles of the 'Cultural Revolution', and theatre in the immediate years before the opening up of the country. The author demonstrates how Chinese dramatic traditions endured and adapted in the face of modernity and how politics and art interacted. By combining academic rigour with a high degree of readability, this volume is both an essential guide for scholars and students in the history of the arts and general readers interested in Chinese theatre.
The 20th century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of "A History of Chinese Theatre in the 20th Century" display the developmental trajectories of Chinese theatre over those hundred years. This volume deals with the development of Chinese theatre from 1900 to 1949, covering the prosperity of Peking Opera, the advent of play and colorful local dramas. The author shows that the modernization of Chinese theatre was subject to both internal factors and influences from the outside world, while modernity and localization are two contradictory but complementary dimensions in any interpretation of Chinese theatre in the 20th century. Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.
She was a child prodigy in the 21st century, passing through the golden era and falling into an irredeemable darkness. He was a cruel and merciless king who killed and killed. He gave an imperial edict to all the subjects of the court to enjoy their women. Yeye was sent to a different mansion, and three months later, she would meet a peerless emperor ... This time, she would not be able to escape from the hand of destiny. Her intelligence, her intelligence, could no longer be of any use. The young duke, who had accumulated a lot of achievements, said to the godlike man, "King, the reward I want is her." She finally knew that the so-called king was the god that ruled over everything.
The twentieth century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those hundred years. This volume examines national policies developed for the culture industry and practice of Chinese theatre from 1949 to the period of "the Great Leap Forward". The author highlights the tension between the new nation’s principle of "letting one hundred flowers bloom" and the theatrical industry as a tool for ideological propaganda. He argues that the transition from war-time conditions to the new social structure of peace time was far from thorough and stable. Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.
A New York Times Top Ten Book of the Year and National Book Award finalist, Pachinko is an "extraordinary epic" of four generations of a poor Korean immigrant family as they fight to control their destiny in 20th-century Japan (San Francisco Chronicle). NEW YORK TIMES NOTABLE BOOK OF 2017 * A USA TODAY TOP TEN OF 2017 * JULY PICK FOR THE PBS NEWSHOUR-NEW YORK TIMES BOOK CLUB NOW READ THIS * FINALIST FOR THE 2018DAYTON LITERARY PEACE PRIZE* WINNER OF THE MEDICI BOOK CLUB PRIZE Roxane Gay's Favorite Book of 2017, Washington Post NEW YORK TIMES BESTSELLER * #1 BOSTON GLOBE BESTSELLER * USA TODAY BESTSELLER * WALL STREET JOURNAL BESTSELLER * WASHINGTON POST BESTSELLER "There could only be a few winners, and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones." In the early 1900s, teenaged Sunja, the adored daughter of a crippled fisherman, falls for a wealthy stranger at the seashore near her home in Korea. He promises her the world, but when she discovers she is pregnant--and that her lover is married--she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son's powerful father, sets off a dramatic saga that will echo down through the generations. Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan's finest universities to the pachinko parlors of the criminal underworld, Lee's complex and passionate characters--strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis--survive and thrive against the indifferent arc of history. *Includes reading group guide*
This book is a new exploration of the paradigm of innovation with Chinese characteristics in the context of a new era. Based on the evolution of innovation paradigm theories at domestic and international level, the book initiates a dialogue between Eastern and Western innovation theories. The book proposes "holistic innovation" which is defined as an open, collaborative, and total innovation under the guidance of strategy, in order to make effective allocation of resources. This book further discusses and summarizes the application of holistic innovation in the upgrading of global value chains, China's high value-added manufacturing, the urban Internet, rural development, and other related corporate and industrial cases, regional development, and national strategies.
The 20th century was a dynamic period for the theatrical arts in China. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those hundred years. This volume examines the development of Chinese theatrical art from the Cultural Revolution to the end of the 20th century. The Cultural Revolution had a devastating influence on the theatrical profession, reducing the creation of performance art to serving the political authorities. Adopting a critical view, the author argues that the Reform and Opening-up of the late 1970s not only ended this period of political interference, but also brought about chaos and doubts to the theatrical circle, since neither tradition nor western concepts were a panacea for the problems faced by Chinese theatre. He posits that people should advocate patterns of drama that are rich and colourful in their expression while encouraging the coexistence and competition of different artistic concepts. Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.
Life cannot be man, and death cannot be the soul. The one who accompanied the living, Shang, accompanied the dead, walked the path of a slave, accompanied by a bereaved slave. Ten years ago, the bizarre death of the woman opposite me caused my adoptive father to mistreat me for a whole ten years. The cold wind blew, the door of the ghost was opened, evil had its consequences, and life and death were at a dilemma. A lonely soul in the middle of the night ... Why did he stay ... Why did he sigh? A story about repentance and redemption, here. What kind of secret was hidden within ... In the end, who was the real mastermind ...
From the remarkable Ha Jin, winner of the National Book Award for his celebrated novel Waiting, a collection of comical and deeply moving tales of contemporary China that are as warm and human as they are surprising, disturbing, and delightful. In the title story, the head of security at a factory is shocked, first when the hansomest worker on the floor proposes marriage to his homely adopted daughter, and again when his new son-in-law is arrested for the "crime" of homosexuality. In "After Cowboy Chicken Came to Town," the workers at an American-style fast food franchise receive a hilarious crash course in marketing, deep frying, and that frustrating capitalist dictum, "the customer is always right."Ha Jin has triumphed again with his unforgettable storytelling in The Bridegroom.
There are four kinds of people Rong Yi hates most in his life: gay, children, trash and sissy. Now he meets all at once. Just because he saw a picture of a beautiful man, his soul travelled through time and space to a different world. And he found that the original owner of this body Rong Yi had married, had a husband, and was pregnant with a baby for four years. He asked to correct the small feet wrapped before, and asked to throw away all the makeups. People thought that he was stimulated by the marriage of the big brother, but they didn't know that Rong Yi had already changed. He met a gorgeous man at the shop counter and was surprised to find that he was the beautiful man in the mobile phone picture. He followed the man carefully, because he thought the man would be the clue for him to come back! But to his surprise, this man is his husband! ☆About the Author☆ Jin Yuan Bao, a well-known online novel writer, has a strong writing ability. He can control many themes such as ancient romance, urban romance and fantasy novels. Jin Yuan Bao's works are rich and his representative works are The First Corpse Wife and The Legendary Lady.
This book updates taxonomy information of orchids in China. China is one of the countries with the richest biodiversity. In China, all five subfamilies of Orchidaceae are represented, about 1600 orchid species in 198 genera. All orchids are rare and endangered plants. They are among the flagships for biological conservation, listed in CITES appendix I or II. This book provided an updated classification system of Orchidaceae with newly recorded and published species in China and new combinations. 1026 species in 157 genera of native species in China are included, about half of which are newly recorded or published species in China in the last two decades. Indexes to genera and species are included. For each species, one to four photos, most of which were taken by the authors, are utilized to illustrate habitats, morphological characters, and phenology. Furthermore, the geographic distribution of them also demonstrated in a map. This book can be used as a reference for researchers working on Orchidaceae, as well as practitioners in the horticulture community.
Information visualization offers a way to reveal hidden patterns in a visual presentation and allows users to seek information from a visual perspective. Readers of this book will gain an in-depth understanding of the current state of information retrieval visualization. They will be introduced to existing problems along with technical and theoretical findings. The book also provides practical details for the implementation of an information retrieval visualization system.
The Healing Power of Chinese Herbs and Medicinal Recipes is an easy-to-follow introduction to the history and fundamentals of traditional Chinese medicine. This useful guide clearly explains the basics of this unique medical system and describes in detail the therapeutic properties and use of 138 medicinal herbs and 101 herbal recipes. The book includes a bibliography, glossary, contact information for herbal dealers and Oriental medicine schools, and an indexed list of 300 commonly used Chinese medicinal herbs and 245 herbal recipes. This comprehensive reference will benefit healthcare practitioners with an interest in using Oriental medicine in addition to anyone who is interested in Chinese herbs or patients for which conventional medicine has offered no relief. To view an excerpt online, find the book on our QuickSearch catalog at www.HaworthPress.com.
Mu Kun has returned. In the midst of the scramble to hunt down the feared drug lord, Xie Lanshan receives a sudden suspension from his post. He finally finds the answer to his persisting question, but the truth costs him everything. Shen Liufei leaves the country, and Xie Lanshan chases after him in desperation. A friend’s disappearance coincides with an idol’s kidnapping case overseas, and members of the Blue Fox make their appearance in the same country. Fueled by the desire to solve this case and reclaim his captain’s honor, Chi Jin makes contact with the enemy in an attempt to break the stalemate. With the secret of his identity unveiled, only one thing remains that holds Xie Lanshan’s spirit together. He must find out who killed his father.
A Snake Lies Waiting is the next in Jin Yong's high stakes, tension-filled epic Legends of the Condor Heroes series, where kung fu is magic, kingdoms vie for power and the battle to become the ultimate kung fu master unfolds. Guo Jing has confronted Apothecary Huang, his sweetheart Lotus Huang's father, on Peach Blossom Island, and bested the villainous Gallant Ouyang in the three trials to win the hand of his beloved. But now, along with his two friends and shifus, Zhou Botong of the Quanzhen Sect, and Count Seven Hong, Chief of the Beggar Clan, he has walked into another trap. Tricked into boarding a unseaworthy barge by Apothecary Huang, the three friends will surely drown unless Lotus—who has overheard her father's plans—can find a way to save them. Yet even if they are to survive the voyage, great dangers lie in wait on the mainland. Viper Ouyang, the gallant's uncle and one of the Five Greats of the martial world, is determined to have his revenge on Guo Jing for getting the better of his nephew, and bent on becoming the most powerful master of the wulin. Meanwhile, Yang Kang, who Guo Jing has come to trust, has yet to reveal the full extent of his treachery.
This ground-breaking volume documents women's influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience. Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to sociopolitical and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai's most popular opera from the 1930s through the 1980s and illustrates the historical rise of women in Chinese public culture. Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century. She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans. As Yue opera actresses initiated reforms to purge their theater of bawdy eroticism in favor of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women's struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations.
Winner of the PEN/Faulkner Award • National Book Award Winner • Pulitzer Prize Finalist • A New York Times Notable Book From the widely acclaimed author—a rich and atmospheric novel about a man living in two worlds, struggling with the conflicting claims of two utterly different women. The demands of human longing contend with the weight of centuries of custom in acclaimed author Ha Jin’s Waiting, a novel of unexpected richness and universal resonance. Every summer Lin Kong, a doctor in the Chinese Army, returns to his village to end his loveless arranged marriage with the humble and touchingly loyal Shuyu. But each time Lin must return to the city to tell Manna Wu, the educated, modern nurse he loves, that they will have to postpone their engagement once again. Caught between the conflicting claims of these two utterly different women and trapped by a culture in which adultery can ruin lives and careers, Lin has been waiting for eighteen years. This year, he promises will be different. "Ha Jin profoundly understands the conflict between the individual and society, between the timeless universality of the human heart and constantly shifting politics of the moment. With wisdom, restraint, and empathy for all his characters, he vividly reveals the complexities and subtleties of a world and a people we desperately need to know."—Judges' Citation, National Book Award
Entrepreneurship in Korea offers a fresh perspective on entrepreneurship in Korea by combining a historical review of the achievements of Korean entrepreneurs at each stage of economic development with an analysis of the activities of current entrepreneurs who are at the forefront of the new Korean age. It discusses the crucial role of business entrepreneurship in each stage of Korea’s transformation from an underdeveloped East Asian backwater to a global manufacturing and technology powerhouse throughout the last 100 years. Furthermore, it provides an up-to-date analysis of contemporary start-up entrepreneurship in Korea and discusses its unique characteristics, strengths and weaknesses. Authors identify specific features of entrepreneurship in Korea, why and how business entrepreneurs have been so successful and effective, how their entrepreneurial styles and activities have changed over time, which challenges Korean start-up entrepreneurs are currently facing, and how these challenges may be addressed.
The Resource Utilization of Plastic Waste with Supercritical Water Treatment discusses the types of plastic analysis, material characterization, technical principles of supercritical water treatment of waste plastics, the structure and process of the experimental platform, the selection of process parameters, and the establishment of kinetic models in professional areas of the field. - Provides a clear understanding of the basic principles and processes of supercritical water treatment of waste plastics technology - Enables the reader to develop a complete understanding of the experimental methods of supercritical water gasification plastics, liquefied plastics and collaborative treatments of pollutants - Provides an overview of kinetic models, along with the accuracy of modeling results by comparing with experimental results
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