She is an agent, inexplicable across an assassin's body, wake up inexplicably lying in a bed, there is a naked beauty of the king. Some wang ye: wench, do killer, you return too green! Some woman (winks) : that... Lord, this is my first time! Woo-woo ~ assassination failed, was drugged, couldn't help but catch a man casually dragged to bed...
This was a legendary story of a young master of a military family who had been framed and turned into a deserter, expelled from the military and thrown into prison, despised by the entire planet. They were both legendary. He was a hero legend, a hero on the battlefield. And he was a bear legend, a bear among deserters. Unfortunately ... He, the bear, had somehow become a couple of husband and wife with the hero. From then on, he was pressed under his body and could no longer stand up. Everyone says Hero Ben is lecherous. " He finally got to see a female horse!
The Jianghu was just a cauldron, while the people in the Jianghu were just all kinds of herbs collected by peerless experts. As a pharmacist, Xiao Feng did not submit to his orders and vowed to fight for his life in heaven. When the furnace broke and the medicine was used, what else could stop the stubborn youth from roaming the world? What kind of secret had this cauldron been hiding for hundreds of millions of years? Is the sun ring heaven or hell! Everything was in Sword Inquisition [kept]
Qi Yu, the little military doctor of the military academy for two years, had not done enough positive things, yet she had actually died on her first mission! Her soul pierced through the foreign world, becoming the Qi Wangfei who had been hurt by her concubine. The good-for-nothing Prince was determined to get rid of her from the estate, while her concubine was pressing on her step by step. She, Qi Yu, could not take this lying down! Your Highness wants to divorce her? No way! 'My concubine wanted to harm me? ' Courting death! So what if her skills were not good? Casually picking up a few poisonous creatures was enough to make those people who despised her suffer a lot! When the Duke's Mansion was in a state of chaos, she proudly flung the letter of rest at him. "Chu Yi Xuan, you've been abandoned!" Chu Yi Xuan's expression was calm and his expression was ice-cold. "Esteemed wangfei, you're being mischievous again!
In order to pay off the debts of her previous life, Tang Xi had traveled to the Peach Blossom Kingdom, an ancient country where she stayed. She had become the national treasure of the Zhenjiang Mansion and had been involved in a dispute over the payment of the debts. At the poorest yamen, National Treasures served as attendants, the chief of the Iron Chicken Stronghold served as bodyguards, the handsome Ghost Doctor of the Jianghu, the eccentric hero who ate shadows, and the dream master Gao Leng who protected and occasionally fell in love and decided upon a marriage. White hair, evil star array, strange cases frequently appear, for love and peace! Let's go together! A certain senior official said, "Let's quickly flee! Run! "Run! Run! Run!
There were tens of thousands of races, and all of them stood together! Generation after generation of almighty beings had fallen, one after another rising to prominence as a new star had risen to prominence. In this vast world, who was the master of this world? A youth began with an unremarkable service disciple. Relying on the piece of broken beast skin passed down from generation to generation, he cut through all the thorns and thistles, becoming a king god who ruled the world! Close]
she had been cheated by her friends by her parents by her newlywed husband and finally even by herself after a car accident she loved the bad president and the cute girl and she cried herself into a quilt president what do we do if the madam goes missing a ceo satellite location sea water extraction interception of aircraft the kidnappers to feed the wolves ceo what if the madam runs away a certain president narrowed his eyes and smiled tie him up and let me do it rumor has it that the ventral ceo ao jin is going after the world and sending people to south africa for no reason but this is is it shameful hubby ning mu chen looked at his husband and son who were washing his feet and teased him be good i'll make you lose face in a while my husband immediately covered his face and kissed his wife lightly the next day his son ran away from home because he suspected he was an accident
In order to save his brothers who had tragically died, Bao Ye did not hesitate to go against the heavens and change his fate, teleporting back into the past.Unexpectedly, the wrong time, back to thirty years ago, before he was born.Not only was he ugly, he was actually a lowly, shameless, vulgar, despicable, scum who betrayed his family and friends. Furthermore, he was also a lowly slave.Logically speaking, such a person shouldn't attract too much attention. Who knew that a powerful man would appear out of nowhere, take responsibility for his actions, aim for seeing him make a fool of himself, and even aim for making him happy?The worst case scenario was that the man actually did it to his head, forcing himself to do it.Bao Ye hurriedly touched his still ugly face and said in shock, "What the hell, to think that he would look so soul-stirring in this fellow's eyes. Isn't this way too f * cking heavy?!
The eldest miss of the Residence of General's' Pig Demons' had been resurrected and attacked with her heaven-defying transformation. She swore to not talk about her children's love affairs, but to seek revenge for her blood! But ... Young Lord Mo, who was pretending to be a pig to eat the tiger; Senior Brother Xiao Ran, who was extremely shrewd; Young Master Yue, who was mysterious and gloomy; and Demon Lord Mo, who was amicable and protective ... What do these beautiful men mean by lying in a line? What kind of tempo was it to take off your clothes at a single word? Was it just a brain-teasing way of saying that he was a girl or a girl whenever he wanted to? Since all the beauties are taking the initiative, then this little girl will ... Hehehehe!
Featuring translations of terms from Korean, Chinese and Japanese this dictionary is a must have for any serious martial arts practitioner. The modern martial artist requires more than a mere vocabulary listing. The modern practitioner wants an in–depth exploration not only of the equivalency of meaning but also the cultural and historical background of the terms relevant to the martial arts. To answer that need, this dictionary includes: Over 7,100 of the most important martial arts terms in Korean, Cantonese, Mandarin, Japanese, and Okinawan Full description of techniques Weapons Styles Martial Arts Masters This martial arts dictionary is a must have for every martial arts student. With its culturally relevant terminology, this book includes everything to satisfy both traditional purists and eclectic practitioners. As this is the combined work of four separate compilers, each a specialist in a region's language and martial arts, this is in fact four dictionaries in one. Each compiler's expertise contributes to the consistent high quality and linguistic accuracy throughout.
The institutional history of Ginling College is arguably a family history. Ginling, a Christian, women's college in Nanjing founded by Western missionaries, saw itself as a family. The school's leaders built on the Confucian ideal to envision a feminized, Christian family—one that would spread Christianity and uplift the family that was the Chinese nation. Exploring the various incarnations of the trope of the "Ginling family," Jin Feng takes a microscopic view by emphasizing personal, subjective perspectives from the written and oral records of the Chinese and American women who created and sustained the school. Even when using more seemingly ordinary official documents, Feng seeks to shed light on the motives and dynamic interactions that created them and the impact they had on individual lives. Using this perspective, Feng questions the standard characterization of missionary higher education as simply Western cultural imperialism to show a process of influence and cultural exchange.
This sociological portrait presents how Chinese Christians have coped with life under a hostile regime over a span of different historical periods, and how Christian churches as collective entities have been reshaped by ripples of social change. China's change from a centrally planned economy to a market economy, or from an agrarian society to an urbanizing society, are admittedly significant phenomena worthy of scholarly attention, but real changes are about values and beliefs that give rise to social structures over time. The growth of Christianity has become interwoven with the disintegration or emergence of Chinese cultural beliefs, political ideologies, and commercial values. Relying mainly on an oral history method for data collection, the authors allow the narratives of Chinese Christians to speak for themselves. Identifying the formative cultural elements, a sociohistorical analysis also helps to lay out a coherent understanding of the complexity of religious experiences for Christians in the Chinese world. This book also serves to bring back scholarly discussions on the habits of the heart as the condition that helps form identities and nurture social morality, whether individuals engage in private or public affairs.
In The New Woman in Early Twentieth-Century Chinese Fiction, Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Specifically, Feng argues that male writers such as Lu Xun, Yu Dafu, Ba Jin, and Mao Dun created fictional women as mirror images of their own political inadequacy, but that at the same time this was also an egocentric ploy to affirm and highlight the modernity of the male author. This gender-biased attitude was translated into reality when women writers emerged. Whereas unfair, gender-biased criticism all but stifled the creative output of Bing Xin, Fang Yuanjun, and Lu Yin, Ding Ling's dogged attention to narrative strategy allowed her to maintain subjectivity and independence in her writings; that is until all writers were forced to write for the collective. Feng addresses both the general and the specialized audience of fiction in early-twentieth-century Chinese fiction in three ways: for scholars of the May Fourth period, Feng redresses the emphasis on the simplistic, gender-neutral representation of the new women by re-reading selected texts in the light of marginalized discourse and by an analysis of the evolving strategies of narrative deployment; for those working in the area of feminism and literary studies, Feng develops a new method of studying the representation of Chinese women through an interrogation of narrative permutations, ideological discourses, and gender relationships; and for studies of modernity and modernization, the author presents a more complex picture of the relationships of modern Chinese intellectuals to their cultural past and of women writers to a literary tradition dominated by men.
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