After spending years researching his ancestry and finally gaining the knowledge of past generations, Jim Neglia can now begin to understand his connection to the past. Neglia learned about his relatives and their dedication to music, their passion in life and in this book highlights two of his ancestors and their illustrious careers. Are our abilities passed down from generation to generation, or are a family's talents developed during their formative years? The author takes the reader on a journey through eight generations of musicians to help answer that question. Among other things, Neglia explains how strong family genes are coupled with the nurturing of our talents by our elders. Along with discussions on his ancestry and beliefs are journal entries and recountings of current events, including the crippling COVID-19 pandemic and its impact on the music industry. In the process, Neglia relays an amazing tale, weaving the past and the present to tell a story 200 years in the making, sharing his views on the complexities of his family's personalities by sharing intimate stories of life as a Neglia.
Martin Scorsese’s obsession with sin and redemption, conflict and violence runs through much of his work. This essential guide to Scorsese explores his career from his early student works, including It’s Not Just You, Murray!: through his personal examinations of his Italian American heritage in Mean Streets, Italianamerican and Goodfellas: the extreme violence of Raging Bull, Taxi Driver and Cape Fear: and the religious themes – from a director who originally wanted to be a priest – of The Last Temptation of Christ and Kundun. Including all Scorsese’s films up to Gangs of New York, this is a comprehensive study of the work of this widely respected film maker. Also covering his influences, the controversy surrounding his films, exhaustive music lists and long-time collaborations, this is an extensive analysis of the most consistently passionate, committed and inventive film director of the last thirty years.
Jim Clark shares his experiences as a highly successful film editor at a time when films were a true collaboration of talented individuals.The legendary "Doctor" Clark was the man who could make sick films healthy again. The role of editor in the collective, collaborative process that is the making of any film is massively important but not one that is generally recognized outside the small pond that is the filmmaking community. In this wonderfully enjoyable memoir, this point becomes steadily obvious, but it is made with subtlety, discretion, and modesty. The book is also a history of the post-war film industry in England and America as well as an autobiography. As William Boyd wrote in his Introduction, "The trouble with writing an autobiography is that you can't really say what a great guy you are, what fun you are to work with and hang out with, what insight and instinct you have about the art form of cinema, and how much and how many film directors are indebted to you.
The step-by-step companion to the work of George Lucas. George Lucas has directed only five full-length pictures in thirty years, and yet he is one of the most influential of all contemporary filmmakers: not simply a director, he's also a writer, a producer and an unparalleled technical pioneer, responsible for advances in digital projection, CGI and quality cinema sound. Yet he remains defiantly outside the Hollywood system, financing his - and other people's - pictures out of his own funds, creatively answerable to no one but himself.Starting with his time as a film student, this is a critical journey through the films Lucas has directed and actively produced. It encompasses his abstract early works such as Look at Life and 6.18.67, the mainstream successes of American Graffiti, Star Wars and Indiana Jones and the record selling Star Wars prequel trilogy. There is also an extensive section detailing other projects in which he has had a hand, such as Paul Schraeder's Mishima, Haskell Wexler's controversial Latino and Francis Ford Coppola's Tucker: The Man and His Dream. Thsi is an indispensable reference to the work of George Lucas- the mogul, the mythmaker, the one man brand and the most successful independent filmmaker who has ever lived.
The Vanished World of Robert Youngson examines the life of the forgotten producer and writer who got his start making short subject films. His later features revived audience and critical interest in the 1920s silent film comedians, particularly Laurel and Hardy. These compilations celebrate the world he knew as a child with a nostalgic yearning for a bygone era. Nonetheless, there is an inescapable sadness, particularly at the close of each film, as his narrator expresses how "the laugh makers and thrill makers... have vanished, leaving behind no successors but only moving shadows." Besides candid memories from his wife Jeanne, this study incorporates the only known print interview that Bob gave with a young Leonard Maltin just three years before his death in 1974 at the age of 56. Film historian Jim Manago has authored biographies of Shirley Booth, Kay Aldridge, Gale Gordon, Huntz Hall and Leo Gorcey. He hopes to bring to readers the first biography of Jonathan Harris, best known as Dr. Smith on Lost in Space.
The Vanished World of Robert Youngson examines the life of the forgotten producer and writer who got his start making short subject films. His later features revived audience and critical interest in the 1920s silent film comedians, particularly Laurel and Hardy. These compilations celebrate the world he knew as a child with a nostalgic yearning for a bygone era. Nonetheless, there is an inescapable sadness, particularly at the close of each film, as his narrator expresses how "the laugh makers and thrill makers... have vanished, leaving behind no successors but only moving shadows." Besides candid memories from his wife Jeanne, this study incorporates the only known print interview that Bob gave with a young Leonard Maltin just three years before his death in 1974 at the age of 56. Film historian Jim Manago has authored biographies of Shirley Booth, Kay Aldridge, Gale Gordon, Huntz Hall and Leo Gorcey. He hopes to bring to readers the first biography of Jonathan Harris, best known as Dr. Smith on Lost in Space.
Best known as an iconoclastic, wildly inventive filmmaker, Derek Jarman was also an accomplished author, painter, and landscape artist. In Derek Jarman's Angelic Conversations, Jim Ellis considers Jarman's wide-ranging oeuvre to present a broad perspective on the career and life of one of the most provocative, engaged, and important artists of the twentieth century. Derek Jarman's Angelic Conversations analyzes Jarman's work-including his famous films Caravaggio, Jubilee, Edward II, Blue, and Sebastiane-in relation to his critiques of the government and his activism in the gay community, from the liberationist movement to the AIDS epidemic. While others have frequently focused on Jarman's biography, Ellis looks at how his politics and aesthetics are intertwined to comprehend his most radical aspects, particularly in films such as War Requiem and The Last of England. Here Jarman is revealed as an artist who keenly understood the role of history and mythology in creating a personal and national identity: as an activist, he sought to challenge old histories while producing new ones to carve out a space for alternative communities in Britain late in the twentieth century.
Every Boston fan knows that the only thing better than watching sports is arguing about them - picking the best, the worst and who will come out on top.
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