Giuseppe Verdi was born in obscurity in a tiny Italian village in 1813. When he died in 1901, hundreds of thousands of people turned out to pay their respects to the man whom many people consider as the best opera composer of all time. His career spanned more than half a century and included such successes as Rigoletto, La Traviata, Il Trovatore, Otello, Falstaff, and Aida, the most often-performed work at New York s Metropolitan Opera. Yet when he applied at a famous music school in Milan, he was turned down because he was lacking in musical talent. He not only proved the school wrong but became an important figure in Italian politics during the turbulent era when the scattered provinces came together to form a new nation. Along the way, he overcame obstacles such as the death of his first wife and two small children and the humiliation of being booed during the premiere of one of his early operas.
This is the story of a town's love affair with its team and the colorful characters who have worn the Rochester flannels over the years. Taking us back to the early nineteenth century when the game was played in the meadows and the streets of Rochester, New York, the authors retrace the careers of the managers and players who honed their skills in the old ballpark at 500 Norton Street. The many greats who played for the Red Wings-Stan Musial, Bob Gibson, Boog Powell, Eddie Murray, Cal Ripken, Jr., and Jim Palmer-are among those brought to life in a story rich with quirky performances and poignant moments.
Charlie Chaplin the actor is universally synonymous with his beloved Tramp character. Chaplin the director is considered one of the great auteurs and innovators of cinema history. Less well known is Chaplin the composer, whose instrumental theme for Modern Times (1936) later became the popular standard "Smile," a Billboard hit for Nat "King" Cole in 1954. Chaplin was prolific yet could not read or write music. It took a rotating cast of talented musicians to translate his unorthodox humming, off-key singing, and amateur piano and violin playing into the singular orchestral vision he heard in his head. Drawing on numerous transcriptions from 60 years of original scores, this comprehensive study reveals the untold story of Chaplin the composer and the string of famous (and not-so-famous) musicians he employed, giving fresh insight into his films and shedding new light on the man behind the icon.
This richly written book will enhance your knowledge of the Holy Spirit and inspire you to allow Him to work more and more in your daily life as McGuiggan approaches the subject with warmth, scholarship, and stories of human beings touched by the Eternal Spirit of God. "Wouldn't it be wonderful if we developed a reverent but joyful intimacy with the Person who has existed in eternal, holy, and loving communion with the Father and the Son?" So asks Jim McGuiggan as he invites you to allow the Spirit to take up residence in your heart and transform your life. Discussions on the Holy Spirit range from the sensational to the sterile. But McGuiggan approaches this vast and somewhat mysterious subject with warmth, scholarship, and stories of human beings touched by the Eternal Spirit of God. Once you start reading McGuiggan, you'll want to find a quiet spot and stay awhile. Third in a trilogy by Jim McGuiggan, this richly written book will enhance your knowledge of the Holy Spirit and inspire you to allow Him to work more and more in your daily life. McGuiggan's short, poignant chapters will lead you to a deeper understanding of life lived in the Spirit.
Taking us back to the early nineteenth century, when baseball was played in the meadows and streets of Rochester, New York, Silver Seasons and a New Frontier retraces the careers of the players and managers who honed their skills at Silver Stadium and later at Frontier Field. The many greats who played for the Rochester Red Wings—Stan Musial, Cal Ripken, Jr., Bob Gibson, Boog Powell, Jim Palmer, Eddie Murray, and Justin Morneau—are among those brought to life in this story rich with quirky performances and poignant moments. This updated version of Silver Seasons: The Story of the Rochester Red Wings, published in 1996, includes three new chapters covering the team’s record-setting tenth International League championship, being named top minor league franchise by Baseball America, and their new affiliation with the Minnesota Twins.
Before television, radio was the sole source of simultaneous mass entertainment in America. The medium served as launching pad for the careers of countless future stars of stage and screen. Singers and conductors became legends by offering musical entertainment directly to Americans in their homes, vehicles, and places of work and play. This volume presents biographies of 24 renowned performers who spent a significant portion of their careers in front of a radio microphone. Profiles of individuals like Steve Allen, Rosemary Clooney, Bob Crosby, Johnny Desmond, Jo Stafford, and Percy Faith, along with groups such as the Ink Spots and the King's Men, reveal the private lives behind the public personas and bring to life the icons and ambiance of a bygone era.
For years, I have wanted to write a book about the relentless determination it takes to succeed in the arts. Whether as a young artist in New York City, as a music coordinator of a Broadway musical, or as a musician traveling through Europe, I will share with you excitement, acclaim, and culture. Onward and Upward is the true account of my pursuit of a dream; a career in music. In this around-the-world journey, I share my stories of culture, family, laughter, friendship, wisdom, and heartache, with a generous splash of the likes of Strauss, motorcycle chases, and Hollywood. Any aspiring artist, would-be world traveler, or entrepreneur, will benefit from reading this book. Learn from another's experience about dedication, passion, and culture. Partly by means of behind-the-scene memoirs, partly by means of journal entries, we will walk hand in hand on this most extraordinary journey through a life in the arts.
From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating. 100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive.
Teddy Ballgame: A Tribute to Ted Williams is filled to the brim with wonderful photos and stories about the man who reigns today as the elder statesman of baseball. Agreed by most to be the greatest pure hitter in the history of the game, Teddy Ballgame is a lot more. He's a military hero as well, having served in two wars and having flown combat missions with John Glenn as a United States Marine Corps jet fighter pilot. As a celebrity, he has lent his name to numerable charitable efforts and his half-century of service in the cause of fighting children's cancer represents the longest association of any sports figure with a charitable cause. Among baseball fans, no one who watched the 1999 All Star Game will ever forget the moment when all the great Hall of Famers from the game's past broke ranks on the field at Fenway Park and flocked around Ted once he was brought to the mound. It was a spontaneous show of love and admiration for Teddy Ballgame. This book isn't just for Red Sox fans, it's for baseball fans of all ages and allegiances.
Black Sea Sketches is a portrait of some of the diverse musical cultures surrounding the Black Sea and in its hinterlands. Its six separate chapters follow a very broad trajectory from close-ups of traditional music (chapters 1-4) towards wide-angle studies of art music (chapters 5-6), and each of them opens windows to big, border-crossing themes about music and place. A wide variety of repertoires is discussed: ancient layers of polyphonic music, bardic songs, traditional music from the coasts and mountains, the sacred music of Islam and Orthodox Christianity, the art music of Europe and West Asia, and present-day popular music ‘scenes’. The usual practice is for each chapter to begin with a Black Sea coastal location before reaching out into the hinterlands. The result is a collection of six relatively discrete essays on different locations and topics, but with underlying thematic continuities, and offering a wide-ranging commentary on cultural difference. Firmly grounded in ethnographic and documentary research, this is an important study for scholars and researchers of Ethnomusicology, as also of Caucasian and Russian/East European Studies.
Long before the invention of "talk radio," music was the heart and soul of radio programming--whether standing alone, filling in the time between features, or identifying to widespread audiences the shows coming on and signing off the air. Jim Cox's Music Radio encompasses the entire range of musical programming from the early 1920s to the early 1960s. Jazz, country, classical, gospel, pop, big band, western, and semi-classical forms are covered, as are the vocalists, instrumentalists and disc jockeys who made them available to listeners. Virtually all the major series and artists are explored in depth, and lesser known shows and performers are touched on as well. Some of the series included are The Bing Crosby Show, The Chamber Music Society of Lower Basin Street, The Fred Waring Show, Grand Ole Opry, The Bell Telephone Hour, The Cities Service Concerts, Your Hit Parade, The Kate Smith Show, The Railroad Hour, and The Voice of Firestone.
First Published in 1995. Much of recent theory has characterized life in media-sophisticated societies in terms of a semiotic overload which, allegedly, has had only devastating effects on communication and subjectivity. In Architectures of Excess, Jim Collins argues that, while the rate of technological change has indeed accelerated, so has the rate of absorption. The seemingly endless array of information has generated not chaos but different structures and strategies, which harness that excess by turning it into forms of art and entertainment. Digital sampling in rap music and cyber-punk science fiction are well-known examples of techno-pop textuality, but Collins concentrates on other contemporaneous phenomena that are also envisioning new cultural landscapes by accessing that array--hyper-self-reflexivity in mall movies, best sellers, and prime-time television; the deconstructive vs. new-classical debate in architecture; the emergence of the "New Black Aesthetic;" the development of retro-modernism in interior design and the fashion industries. The analyses of these disparate, discontinous attempts to develop a meaningful sense of location, in an historical as well as a spatial sense, address a cluster of interconnected questions: How is the array of information being "domesticated?" How has appropriationism evolved from the Pop-Art of the sixties to the sampling of the nineties? How has the relationship between tradition, innovation, and evaluation been altered? Architectures of Excess investigates how these phenomena reflect change in taste and subjectivity, considering how we must account for both, pedagogically.
The most popular of all Russian composers, Peter Tchaikovsky is probably best known for his ballets. Swan Lake, Sleeping Beauty, and Nutcracker are still performed worldwide. But a good part of Tchaikovsky s career was spent writing operas. Eugene Onegin and The Queen of Spades are two of his better-known works. A precocious child, Peter could read French and German by the age of six. At seven, he wrote verses in French. In school, he studied to be a lawyer. It was not until he was twenty-one years old that he turned his focus to music. But this man who made such beautiful melodies was unhappy most of his life. He was terrified when he stood in front of an orchestra. He had an unrealistic fear that his head would fall off and he actually held his left hand under his chin to keep his head attached! However, he left a great legacy of beautiful music. From the diaries and letters he wrote, we know about the life of Peter Tchaikovsky. In this book, young adults are introduced to one of the greatest composers of all time.
If there is a person who can teach you how to define and create your personal brand, that person is master marketer Jim Joseph. The bestselling author of The Experience Effect has now turned his attention to building that most precious of all brands -- you. In an economy where so many people are struggling, trying to recreate themselves and build new skillsets, the value of a personal brand becomes paramount. As we market ourselves for new careers or take ourselves in new directions, we need to think of ourselves as a brand. What are we projecting? How do those qualities, traits or experiences that we project create a brand that works for us? In other words, how do we create a Personal Experience Effect? Peppered with relevant examples, the book defines what it means to be a brand. The choices we make, their rational and emotional components, the energy we expend towards their projection...all these and more go into creating our personal brands. How do we keep it all conscious and consistent? A personal brand, like any good brand, needs to be consciously managed and controlled. Occasionally, as with corporate brands, a measure of fire-fighting may be required. This book shows us the what, the why and the how. The Personal Experience Effect is not only about big picture strategy. Practical details are discussed too. For example, an entire section is dedicated to creating the perfect elevator pitch. How can a personal brand work not just for today but into the future? Can a personal brand be enhanced over time? What measures of circumspection are required in our digital age, when memories can remain online long after they've been erased in our minds? The author shares this and more, honestly and caringly, narrating personal experiences as well as discussing celebrity brands. With inspiring examples and attention to detail, The Personal Experience Effect shows you how to win support to define, build, and nurture your personal brand. Jim Joseph's eminently readable book helps you Be Who You Want To Be.
Bannerman is on his way to Florence. On the plane, he meets Avery, who is travelling to see his divorced father, and is unwittingly used by his domineering mother. Bannerman is drawn into matters and a complex situation develops, exacerbated by Avery’s mother, a dominatrix who uses sex-appeal and a natural upper class manner to exert her will.
Over the centuries, religion has inspired some of civilization's most beautiful poetry, and certain Persian Muslims, the Sufi, have created intricately wrought poems celebrating peace and harmony. The world is a beautiful garden of mystery when viewed through the eyes of the Sufi. Each poem, most from the 1200's, is clearly and fully explained in its historical, religious, political, and spiritual context. Written to propagate tranquility and harmony through a better understanding of an important religion and its impact on literature, Garden of the Sufi is a lavishly thorough exploration of Sufi poetry and philosophy.
In the 1880s, a Brooklyn baseball manager plotted to steal pitching signs and alert batters with a hidden electrical wire. In 1951, the Brooklyn Dodgers were robbed of a pennant via a sign-stealing scheme involving a center field office, a telescope and a button connected to the bullpen phone. In 2017, the Los Angeles Dodgers were robbed of a World Series championship via a sign-stealing system involving a TV camera, a monitor, a trash can and a bat. History has often repeated itself around the Dodgers franchise. From their beginnings as the Brooklyn Atlantics to their move from Flatbush to L.A. and into the 21st Century, the Dodgers have seen heartbreaking losses and stirring triumphs, broken the color barrier, turned the game into a true coast-to-coast sport and produced many Hall of Famers, This is their story.
Shakespeare had extraordinary intelligence, unheard-of powers of observation and interpretation, a soaring imagination, a way with words that defies description, and a defining interest in the theater. He brought kings, queens, heroes, and peasantry to the stage so they could be seen in a more realistic fashion. Even so, in modern times, assistance is often needed to interpret Shakespeares work. In A Leg Up on the Canon, author Jim McGahern provides an extensive biography of Shakespeare and offers an introductory guide to his histories, comedies, tragedies, romances, and poems. McGahern presents summaries of the texts, explanations of difficult passages, extensive historical context, and glossaries of terms no longer in use. In each volume, he outlines the plot of plays in that category and then delivers a one-act play with inclusive commentary. McGahern includes pertinent remarks and important speeches and soliloquies interlaced with brief explanations and descriptions of the actions on stage as well as plot developments. A Leg Up on the Canon, a four-volume series, provides insights into the word music of the talented man from Stratford.
The Flint Hills are America's last tallgrass prairie, a green enclave set in the midst of the farmland of eastern Kansas. Known as the home of the Big Beef Steer, these rugged hills have produced exemplary cowboys-both the ranch and rodeo varieties-whose hard work has given them plenty of material for equally good stories. Jim Hoy grew up in the Flint Hills on a ranch at Cassoday that's been in his family for five generations and boasts roots "as deep as those of bluestem grass in black-soil bottomland." He now draws on this area's rich cowboy lore-as well as on his own experience working cattle, breaking horses, and rodeoing-to write a folk history of the Flint Hills spanning a century and a half. Hoy blends history, folklore, and memoir to conjure for readers the tallgrass prairies of his boyhood in a book that richly recalls the ranching life and the people who lived it. Here are cowboys and outlaws, rodeo stars and runaway horses, ordinary folks and the stuff of legends. Hoy introduces readers to the likes of Lou Hart, a top hand with the Crocker Brothers from 1906 to1910, whose poetic paean to ranch life circulated orally for fifty years before seeing print. And he tracks down the legend of Bud Gillette, considered by his neighbors the world's fastest man until he fell in with an unscrupulous promoter. He even unravels the mystery of a lone grave supposed to be that of the first cowboy in the Flint Hills. Hoy also explains why a good horse makes up for having to work with exasperating cattle-and why not all horses are created (or trained) equal. And he traces Flint Hills cattle culture from the days of the trail drive through the railroad years to today's trucking era, with most railroad stockyards torn down and only one section house left standing. Writes Hoy, "I feed on the stories of the Hills and the characters who tell them as the cattle feed on the grasses." His love of the land shines throughout a book so real that readers will swear they hear the click of horseshoes on flint rock with every turn of the page.
Nearly 600 captivating stories of notable former residents of Manhattan’s Upper West Side, some famous, some forgotten What do Humphrey Bogart and Patty Hill (co-author of “Happy Birthday,” the most popular song of all time) have in common? Both of them once lived in the neighborhood of Morningside Heights and Bloomingdale, a strip of land that runs from the 90s to 125th Street, between the Hudson River and Central Park. Spanning hundreds of years, Notable New Yorkers of Manhattan’s Upper West Side is a compilation of stories of nearly 600 former residents who once called Manhattan’s Upper West Side home. Profiling a rare selection of wildly diverse people who shaped the character of the area, author Jim Mackin introduces readers to its fascinating residents—some famous, such as George and Ira Gershwin and Thurgood Marshall, and some forgotten, such as Harriet Brooks, Augustus Meyers, and Elinor Smith. Brief biographies reveal intriguing facts about this group, which include scientists, explorers, historians, journalists, artists, entertainers, aviators, public officials, lawyers, judges, and some in a category too unique to label. This collection also promotes accomplished women who have been forgotten and spotlights The Old Community, a tight-knit African American enclave that included such talented and accomplished residents as Marcus Garvey, Billie Holiday, and Butterfly McQueen. The book is divided into five geographical sections: the West 90s, the West 100s, the West 110s, the West 120s, and Riverside Drive. Addresses are arranged in ascending order within each section, first by street number and then by street address number. While the focus is on people, the book includes an eclectic collection of interesting facts and colorful stories about the neighborhood itself, including the 9th Avenue El, Little Coney Island, and, notoriously, one of the most dangerous streets in the city, as well as songs and movies that were written and filmed in the neighborhood. Notable New Yorkers of Manhattan’s Upper West Side provides a unique overview of the people who shaped the neighborhood through their presence and serves as a guide to those who deserve to be recognized and remembered.
The prodigiously talented Jim Crace has returned with a new novel that explores the complexities of love and violence with a scenario that juxtaposes humor and human aspiration. British jazzman Leonard Lessing spent a memorable yet unsuccessful few days in Austin, Texas, trying to seduce a woman he fancied. During his stay, he became caught up in her messy life, which included a new lover, a charismatic but carelessly violent man named Maxie. Eighteen years later, Maxie enters Leonard’s life again, but this time in England, where he is armed and holding hostages. Leonard must decide whether to sit silently by as the standoff unfolds or find the courage to go to the crime scene where he could potentially save lives. The lives of two mothers and two daughters—all strikingly independent and spirited—hang in the balance. Set in Texas and the suburbs of England, All That Follows is a novel in which tender, unheroic moments triumph over the more strident and aggressive facets of our age. It also provides moving and surprising insights into the conflict between our private and public lives and redefines heroism in this new century. It is a masterful work from one of Britain’s brightest literary lights.
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context. Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national instrument of Hawai’i, of its subsequent rise and fall from international cultural phenomenon to “the Dangerfield of instruments,” and of the resurgence in popularity (and respect) it is currently enjoying among musicians from Thailand to Finland. The book shows how the technologies of successive generations (recorded music, radio, television, the Internet) have played critical roles in popularizing the ‘ukulele. Famous composers and entertainers (Queen Liliuokalani, Irving Berlin, Arthur Godfrey, Paul McCartney, SpongeBob SquarePants) and writers (Rudyard Kipling, Jack London, P. G. Wodehouse, Agatha Christie) wind their way through its history—as well as a host of outstanding Hawaiian musicians (Ernest Kaai, George Kia Nahaolelua, Samuel K. Kamakaia, Henry A. Peelua Bishaw). In telling the story of the ‘ukulele, Tranquada and King also present a sweeping history of modern Hawaiian music that spans more than two centuries, beginning with the introduction of western melody and harmony by missionaries to the Hawaiian music renaissance of the 1970s and 1980s.
A Short History of the Modern Media presents a concise history of the major media of the last 150 years, including print, stage, film, radio, television, sound recording, and the Internet. Offers a compact, teaching-friendly presentation of the history of mass media Features a discussion of works in popular culture that are well-known and easily available Presents a history of modern media that is strongly interdisciplinary in nature
This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.
First Published in 2005. Dances of Shakespeare gives a brief introduction to how to perform all of the dance styles featured in Shakespeare's plays. Designed for the practicing director, actor, or choreographer, it gives clear instruction on how to perform popular dances of Shakespeare's day, including masques, brawls, canaries, corantos, galliards, jigs, La Volta, pavans, morris dances, and roundels. Accompanied by clear illustrations, these instructions allow even the dance-challenged to quickly master enough technique to suit amateur, community, college, or semi-professional productions. Other useful features include a chronological listing of popular dances similar in spirit to those of Shakespeare's days, designed for those staging Shakespeare's work in periods other than as written, as well as an appendix list of the plays grouped by what is called for in the text: a "dance," a "masque," or a specific dance form. Dances of Shakespeare is a "must have" for all student directors and performers interested in staging Shakespeare's works.
“The Miata jumped the curb and sheared off a light pole. The impact deployed the airbags, but Chainbang was ready. He knifed Klinger’s before it was fully inflated and his own before it could crush the glass pipe in his breast pocket. The six-inch blade went through the nylon like a pit bull through a kindergarten.” Snitch World takes place in a San Francisco of menacing technology, where the old cons come up short and the crimes of the gritty night have morphed into slick capers pulled off by the glow of a smartphone. Klinger hangs out at the Hawse Hole, a sordid dive even by Tenderloin standards. All he really wants is enough cash to buy a cup of coffee, some cigarettes, a bug-free hotel room. The simple act of picking a carefully targeted mark’s pocket initiates a series of events that get stranger and more dangerous by the moment. Jim Nisbet, with his characteristic humor and brilliant prose, creates a world where trust, and even cash, are the avatars of a loser’s game. This is Snitch World, where a nine-dollar app can be as deadly as a dirty needle. Also included is a recent interview with Jim Nisbet, in conversation with Patrick Marks, owner and publisher of San Francisco’s The Green Arcade, talking about writing, books, and technology.
Many people believed that Hungarian-born Franz Liszt was the greatest piano player of all time. Certainly he was the first musical superstar. During an eight-year concert tour in the 1840s, he revolutionized the way that pianists performed in public. He had several love affairs before taking Holy Orders in the Catholic Church. One of the most versatile figures in music history, he was also a composer, concert promoter, and conductor. He was a very generous man, freely offering support and encouragement to younger musicians.
French composer Hector Berlioz believed in love at first sight. When he was 23, he attended a performance of Shakespeare’s play Hamlet and fell head over heels in love with Harriet Smithson, an English actress who had a leading role. Harriet didn’t show any interest in him. She ignored his letters. When he tried to meet her backstage she ordered the guard to throw him out. Berlioz was hurt and angry. He wanted revenge. He got it by murdering Harriet—musically. She inspired Symphonie fantastique, his most famous work. The hero kills his beloved, is executed for the crime, and the symphony ends with a bizarre dance of ghosts, goblins and other monsters. In real life, Berlioz met Harriet several years later. He put on a special concert for her that included a performance of Symphonie fantastique. Harriet was impressed. Soon she fell in love with him and they were married. Did they live happily ever after?
Get the experts’ perspective on the top journals of the 20th century! The Journals of the Century project gathered some of America’s top subject expert librarians to determine the most influential journals in their respective fields. Thirty-two contributing authors—led by Editor Tony Stankus—reviewed journals from over 20 countries that have successfully shaped the evolution of their individual specialties worldwide. Their choices reflect the history of each discipline or profession, taking into account rivalries between universities, professional societies, for-profit and not-for-profit publishers, and even nation-states and international ideologies, in each journal’s quest for reputational dominance. Each journal was judged using criteria such as longevity of publication, foresight in carving out its niche, ability to attract & sustain professional or academic affiliations, opinion leadership or agenda-setting power, and ongoing criticality to the study or practice of their field. Journals of the Century presents wholly independent reviewers; none are in the employ of any publisher, but each is fully credentialed and well published, and many are award-winners. The authors guide college and professional school librarians on limited budgets via an exposition of their analytical and critical winnowing process in determining the classic resources for their faculty, students, and working professional clientele. The chapters are logically grouped together in six clusters that reflect the commonly shared interests of library liaisons and the range of like-minded academic departments they typically serve. These clusters include: The Helping Professionals (chapters on social work, education, psychology, sociology, and library and information sciences) Music, Museums, and Methodists (chapters on visual arts, anthropology, archaeology, philosophy, and the American religious experience) Business and Law (chapters on business and economics, plus legal literature) War and Peace (chapters on modern history, political science and international relations, and military affairs) Physical Sciences and Engineering (chapters on mathematics and the physical sciences as well as engineering and computer science) Life, Health, and Agriculture (chapters on medicine and surgery, pharmacy, physical therapy and nutrition, agriculture, and veterinary medicine) Journals of the Century answers questions such as: Which university press leads in high-ranking titles in the helping professions? In what crime-fighting journal, ironically mentioned within the Music, Museums, and Methodists cluster, do anthropologists routinely publish? What two journals cover the biggest yearly expense of most working Americans and rankly highly within both chapters of the Business and Law cluster? What family of British publications has remained indispensable reading for political and military readers for over a century in the War and Peace Cluster? What society in the Physical Sciences and Engineering cluster publishes more journals than any other publisher in this book, covering topics from light bulbs and computers to MRIs and windmills? What one-word-titled journal has joined the venerable pair of Nature and Science as the most important reporters of world-class breakthroughs in basic biomedical science? and many, many more! Journals of the Century includes extensive commentaries on each cluster by the editor, with graphical representations by world regions and publishing sectors contributing to each chapter. ISSN numbers for print editions, and URL addresses for online editions are provided in a comprehensive title index. This unique book is an essential resource for serials librarians in academia, new reference librarians familiarizing themselves with classic titles, and collection evaluators and college accreditation examiners.
A rattling good yarn and a suspenseful whodunit, against the backdrop of real historical events, that brings sixteen-year-old Sherlock Holmes together with Karl Marx and his brilliant daughter Eleanor to solve a cascading series of murders at a Bohemian spa. Karl Marx Private Eye is a page-turner filled with tricky clues, colorful detectives, and an "exotic" setting. Written in a brilliant parody of Arthur Conan Doyle, this cozy historical mystery will keep readers guessing until its shocking final pages.
Everyone’s heard of Usain Bolt, but how many people know about Dineka Maguire? Like Bolt, the Irish woman is a world record holder but in the rather lesser known sport of bog snorkelling. She is just one of the hundreds of unsung heroes featured in this book chronicling the people who go to bizarre lengths to break world records in the weirdest categories; people who devote hours of intense training to spitting dung, eating cockroaches, sniffing feet or tossing tuna in the hope of one day being recognised as the best in the world. This astonishing compendium of the weirdest, wackiest and most disgusting world records will amuse and astound in equal measure. Entries include: Longest ear hair Fastest marathon while wearing a deep-sea diving suit Fastest bog snorkeller Farthest distance skateboarding by a goat Most bees on body Most milk crates balanced on head Fastest 5-km run while dressed as a penguin and juggling Heaviest airplane pulled with teeth Fastest shopping trolley Longest backwards motorcycle ride Most stairs climbed by bicycle Fastest 30 metres on a scooter by a dog First water-skiing squirrel
What is probably the most famous pairing in musical history began without fanfare in 1871 when writer William S. Gilbert and composer Arthur Sullivan teamed up to produce a Christmas entertainment called Thespis. The two men parted ways soon afterward and it took a theatrical promoter named Richard D Oyly Carter to reunite them four years later. Their first big hit came in 1878 with their operetta H.M.S. Pinafore. It reached the United States the following year and created the same excitement that we associate with a major rock concert or blockbuster movie. Despite some disagreements, the two men produced 11 other operettas before going their separate ways. Today Gilbert and Sullivan societies exist all over the world. Audiences still enjoy their combination of clever, humorous lyrics and tuneful melodies.
Cullen's strength comes from his understanding of how the different strands of American society intertwine in imaginative, unpredictable ways ... The shape and vitality of pop culture's next era will depend, at least in part, on commentators like Cullen." —Washington Post Book World "A thoroughly engaging look at American culture ... Cullen's articulate prose is spiced with wicked wit and he loves a good story ... Demonstrates a sophisticated understanding of complex cultural forces." —Publishers Weekly "Reflecting both the strengths and weaknesses of an unusually dynamic area of historical scholarship, The Art of Democracy is one of the best surveys of the history of American popular culture." —Journal of American History "An exceptionally well-written and engrossing introduction to the nonelitist art forms of American popular culture ... Highly recommended." —Library Journal, starred review "Should be kept on hand to restore our faith in the things that matter to us." —American Studies Popular culture has been a powerful force in the United States, resonating within the society as a whole and at the same time connecting disparate and even hostile constituencies. The novels of the late 18th and early 19th centuries, the theater and minstrel shows of the mid-19th century, movies and the introduction of television and computers in the 20th century are the building blocks that Jim Cullen uses to show how unique and vibrant cultural forms overcame initial resistance and enabled historically marginalized groups to gain access to the fruits of society and recognition from the mainstream. This updated edition contains a new preface and final chapter which traces the history of contemporary computing from its World War II origins as a military tool to its widespread use in the late 20th century as a tool for the masses. Cullen shows how the computer is reshaping popular culture, and how that culture retains its capacity to surprise and disturb. The highly acclaimed first edition of The Art of Democracy won the 1996 Ray and Pat Brown Award for "Best Book," presented by the Popular Culture Association.
Johannes Brahms was born in Hamburg, Germany, to a family that lived in extreme poverty. Yet by the time of his death he had become one of the most financially successful classical music composers who ever lived. It wasn t easy. His family had to move several times while Hannes (as he was nicknamed) was still a boy. He had to go to work when he was just 13, playing the piano in rough waterfront taverns in Hamburg. Often he wouldn t come home until dawn. Brahms received his first big break when he was 20. The composer Robert Schumann called him a genius and a young eagle. Even then, it still took him many years to become famous. While he is most noted for his symphonies and concertos, it is likely that more people know him for his Cradle Song, better known as Brahms s Lullaby, which millions of mothers have sung to their young children to lull them to sleep.
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