God is alive with wonder, a soul-filling conflagration of improbable truth. He loves us as He detonates our spiritual assumptions, turning our religious worlds upside down. In The God We Do Not Know, we will attempt to gain insight into a God who demolishes us, it seems, at every turn. He possesses mind-bending intelligence, creativity, power, and love. Therefore, if we truly want to know Him, His truths will inevitably lead us into rough, unpredictable--but wondrous--terrain. We must investigate these truths; be stormed, shattered, and swept away, in love, by them. At times this journey is spiny and steep but, in every case, brimming with joy, with compassion, with wonder.
There is no greater life to be lived on this earth than one that is totally given to God. In this work, Thomson issues a call to that kind of committed discipleship. (Practical Life)
Coming to a church near you is a confrontation with God's Word that will fundamentally alter how it reaches out to the world, does ministry and perceives itself. It will begin with its leadership and will change everything most of us know about what we now call church. Leadership on the Brink will inform you what this coming transformation is all about. The biblical realities found in its pages will contradict and challenge almost everything we currently do; truths so radical that we are scarcely able to hear them.
An overturned canoe. A body recovered. Presumably Thomson drowned. That should have been the end of it. It was only the beginning." This book will be especially fascinating for all readers interested in: biography, history, the visual arts or true-life mysteries. Tom Thomson is perhaps Canada's most famous artist. His short and glorious career was abruptly and brutally ended on July 8, 1917. Since the recovery of Thomson's body, theories as to the cause of his death -- accident? murder? -- have preoccupied sleuths for close to 100 years.
There is no greater life to be lived on this earth than one that is totally given to God. In this work, Thomson issues a call to that kind of committed discipleship. (Practical Life)
Tom Thomson is Canada's most famous artist and as everyone knows, his short and glorious career was abruptly and brutally ended on July 8, 1917 under mysterious circumstances. Since the recovery of Thomson's body, theories as to the cause of his death — accident? murder? — have preoccupied sleuths for close to 100 years. This book weaves together Thomson's life, art and posthumous mythological presence. The narrative is illustrated with period photos of Thomson and other Group of Seven painters, plus 20 of his most compelling paintings.
Author David Thomson and Jim Bourassa have founded the Quantum AetherDynamics Institute, an organization dedicated to understanding the Aether. For the first time in human history, the Aether is fully quantified based upon empirical data. Through a very simple observation noted nearly 200 years ago by Charles Coulomb, the electromagnetic units have been corrected of an error that has led physics astray for so long. Now, electrodynamics expresses in simple dimensional equations, the neurosciences unite with quantum and classical physics, and we can precisely model the geometry of subatomic particles.
Gene Targeting and Embryonic Stem Cells is a practical guide designed for the rapidly growing number of researchers who are moving into this field. Provides details on how to culture, transfect and differentiate established cell lines, and how to isolate new cell lines. Gene targeting experiments are described for a number of cell types, including ungulate fetal fibroblasts, murine ES cells, human embryonal carinoma cells and human ES cells, and include protocols for gene-targeting vectors, DNA transfection and RNA interference.
June Thomson and Giselle Ross are inextricably linked by two unspeakable acts of evil. On the same day, a few miles apart, their estranged husbands slaughtered their children. The murders were not driven by rage, or committed in moments of madness. They were planned, and carried out with chilling precision, to inflict the worst pain imaginable.
Discusses garden structures, garden tools, container gardening, herbs, pests and plagues, berries, making cider, wreathmaking, gardening to attract birds, and more.
While his plane is circling the runway in Detroit, recently retired DEA agent Knox Reeves sees a man gunned down in a nearby field. Should he report the incident or assume someone else will take care of it? A brutal incident in Knox's past has shaped his attitude toward life, and he instantly knows he cannot remain silent. He believes that the dead need a voice, the guilty need to be punished, and the phrase "criminal rights" is an oxymoron. As soon as he disembarks from the plane, Knox calls one of his old contacts in the U.S. Customs Department, confident that he will forward the information to the proper authorities. Unfortunately, no one believes Knox's story, and other passengers on the plane can't verify it. Knox decides to take matters into his own hands, deftly using resources both inside and outside the government. In his quest for retribution, Knox revisits the horror of his past and must lay his own ghosts to rest before he can think of his future. But solving the murder proves to be a dangerous affair, and Knox just might sacrifice his life in the name of justice.
This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary music—from chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, Richard Maxfield, and T. J. Anderson, this collection covers a broad range of styles and approaches. Here you will find Busoni's influential "Sketch of a New Esthetic of Music"; Partch's exploration of a new notation system; Babbitt's defense of advanced composition in his controversial "Who Cares If You Listen?"; and Pauline Oliveros's meditations on sound. Now updated with fifteen new composers including Michael Tippet, György Ligeti, Gunther Schuller, Ben Johnston, Sofia Gubaidulina, and William Bolcom, this important book gathers together forty-nine pieces—many out of print and some newly written for this volume—which serve as a documentary history of twentieth-century music, in theory and practice. Impassioned, provocative, and eloquent, these writings are as exciting and diverse as the music they discuss.
Historians have suggested that Scottish influences are more pervasive in New Zealand than in any other country outside Scotland, yet curiously New Zealand's Scots migrants have previously attracted only limited attention. A thorough and interdisciplinary work, Unpacking the Kists is the first in-depth study of New Zealand's Scots migrants and their impact on an evolving settler society. The authors establish the dimensions of Scottish migration to New Zealand, the principal source areas, the migrants' demographic characteristics, and where they settled in the new land. Drawing from extended case-studies, they examine how migrants adapted to their new environment and the extent of longevity in diverse areas including the economy, religion, politics, education, and folkways. They also look at the private worlds of family, neighbourhood, community, customs of everyday life and leisure pursuits, and expressions of both high and low forms of transplanted culture. Adding to international scholarship on migrations and cultural adaptations, Unpacking the Kists demonstrates the historic contributions Scots made to New Zealand culture by retaining their ethnic connections and at the same time interacting with other ethnic groups.
A sweeping global history that looks beyond European urban centers to show how slavery, colonialism, and war propelled the development of modern medicine. Most stories of medical progress come with ready-made heroes. John Snow traced the origins of LondonÕs 1854 cholera outbreak to a water pump, leading to the birth of epidemiology. Florence NightingaleÕs contributions to the care of soldiers in the Crimean War revolutionized medical hygiene, transforming hospitals from crucibles of infection to sanctuaries of recuperation. Yet histories of individual innovators ignore many key sources of medical knowledge, especially when it comes to the science of infectious disease. Reexamining the foundations of modern medicine, Jim Downs shows that the study of infectious disease depended crucially on the unrecognized contributions of nonconsenting subjectsÑconscripted soldiers, enslaved people, and subjects of empire. Plantations, slave ships, and battlefields were the laboratories in which physicians came to understand the spread of disease. Military doctors learned about the importance of air quality by monitoring Africans confined to the bottom of slave ships. Statisticians charted cholera outbreaks by surveilling Muslims in British-dominated territories returning from their annual pilgrimage. The field hospitals of the Crimean War and the US Civil War were carefully observed experiments in disease transmission. The scientific knowledge derived from discarding and exploiting human life is now the basis of our ability to protect humanity from epidemics. Boldly argued and eye-opening, Maladies of Empire gives a full account of the true price of medical progress.
This is a family history journey that begins in the very first days of New Hampshire settlement by English colonists. The story follows the Williams families through the bloody Indian Wars of the late 17th Century and their movement west to Illinois. There, in the first half of the 19th Century, John G. Williams married Ursula Miller whose family also can be traced back to colonial New England and Long Island, New York.
The twentieth century was defined by physics. From the minds of the world's leading physicists there flowed a river of ideas that would transport mankind to the pinnacle of wonderment and to the very depths of human despair. This was a century that began with the certainties of absolute knowledge and ended with the knowledge of absolute uncertainty. It was a century in which physicists developed weapons with the capacity to destroy our reality, whilst at the same time denying us the possibility that we can ever properly comprehend it. Almost everything we think we know about the nature of our world comes from one theory of physics. This theory was discovered and refined in the first thirty years of the twentieth century and went on to become quite simply the most successful theory of physics ever devised. Its concepts underpin much of the twenty-first century technology that we have learned to take for granted. But its success has come at a price, for it has at the same time completely undermined our ability to make sense of the world at the level of its most fundamental constituents. Rejecting the fundamental elements of uncertainty and chance implied by quantum theory, Albert Einstein once famously declared that 'God does not play dice'. Niels Bohr claimed that anybody who is not shocked by the theory has not understood it. The charismatic American physicist Richard Feynman went further: he claimed that nobody understands it. This is quantum theory, and this book tells its story. Jim Baggott presents a celebration of this wonderful yet wholly disconcerting theory, with a history told in forty episodes — significant moments of truth or turning points in the theory's development. From its birth in the porcelain furnaces used to study black body radiation in 1900, to the promise of stimulating new quantum phenomena to be revealed by CERN's Large Hadron Collider over a hundred years later, this is the extraordinary story of the quantum world. Oxford Landmark Science books are 'must-read' classics of modern science writing which have crystallized big ideas, and shaped the way we think.
Joseph Dalton Hooker (1817–1911) was an internationally renowned botanist, a close friend and early supporter of Charles Darwin, and one of the first—and most successful—British men of science to become a full-time professional. He was also, Jim Endersby argues, the perfect embodiment of Victorian science. A vivid picture of the complex interrelationships of scientific work and scientific ideas, Imperial Nature gracefully uses one individual’s career to illustrate the changing world of science in the Victorian era. By analyzing Hooker’s career, Endersby offers vivid insights into the everyday activities of nineteenth-century naturalists, considering matters as diverse as botanical illustration and microscopy, classification, and specimen transportation and storage, to reveal what they actually did, how they earned a living, and what drove their scientific theories. What emerges is a rare glimpse of Victorian scientific practices in action. By focusing on science’s material practices and one of its foremost practitioners, Endersby ably links concerns about empire, professionalism, and philosophical practices to the forging of a nineteenth-century scientific identity.
A woman from Northern Ontario is buried; her earthly papers reveal a mystery. Veteran Canadian journalist Jim Poling took on the most important assignment of his career: Just who was his mother? Why did she take a lifelong secret to her grave? In his search for clues throughout his childhood years in Northern Ontario, the author goes to Chapleau, the railway town where the people he believed were his ancestors played out their roles in building the railway. It ends in the Prairie village of Innisfree, Alberta, home to Joe LaRose, convicted horse thief and father of a girl destined for trouble. A search that began in anger at his mother's secrecy concludes with an understanding of her actions. In the process, he explores the place of families within Canadian society and reveals the shameful ongoing discrimination against Native Peoples and the abusive treatment of illegitimacy. Throughout, glimpses of working life in newsrooms add insider perspectives on the "handling" of our daily news. A former Indian Affairs reporter, Poling shares insights into the ongoing plight of Canada's First Nations people. He observes that Canada will never realize its true potential until positive steps are taken to resolve longstanding issues.
This book reveals that, far from being the result of a groundswell of support for parental choice in American education, the origins of school vouchers are seated in identity politics, religious schooling, and educational entrepreneurship. Inserting much-needed historical context into the voucher debates, Freedom of Choice: Vouchers in American Education treats school vouchers as a series of social movements set within the context of evolving American conservatism. The study ranges from the use of tuition grants in the 1950s and early 1960s in the interest of fostering segregation to the wider acceptance of vouchers in the 1990s as a means of counteracting real and perceived shortcomings of urban public schools. The rise of school vouchers, author Jim Carl suggests, is best explained as a mechanism championed by four distinct groups—white supremacists in the South, supporters of parochial school in the North, minority advocates of community schools in the nation's big cities, and political conservatives of both major parties. Though freedom was the rallying cry, this book shows that voucher supporters had more specific goals: continued racial segregation of public education, tax support for parochial schools, aid to urban community schools, and opening up the public school sector to educational entrepreneurs.
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