In this revised and expanded edition of his bestselling book, grilling guru Jim Tarantino explains the art and science of marinades, brines, and rubs and presents more than 400 savory, sweet, and spicy recipes. Featuring 150 brand-new recipes and sections on brines, cures, and glazes, this marinating bible is chock-full of ideas for preparing moist and flavorful beef, poultry, vegetables, and more—both indoors and out—including: Apple Cider Brine, Zesty Jalapeño Lime Glaze, Tapenade Marinade, Ancho-Espresso Dry Rub, Grilled Iberian Pork Loin with Blood Orange–Sherry Sauce, and Vietnamese Grilled Lobster Salad. Marinades, Rubs, Brines, Cures & Glazes provides home cooks with hundreds of mouthwatering recipes and fail-safe techniques, so you can grill, steam, sauté, roast, and broil with confidence.
In this outstanding collection of heart-healthy recipes, Jim Tarantino recreates marinades and flavoring pastes from all over the world, and provides instructions for preparing delicious seafood, poultry, meat, vegetables, and cheese-indoors and out.
So goes the logic at the heart of Old and Cold, leading to a spree of hits that are sometimes perfectly executed, sometimes messy, set against the backdrop of San Francisco's beaches, bars, and murky darkened streets. told at breakneck speed in a bravura voice, this novel is Jim Nisbet's finest work yet, reminiscent of Jim Thompson at his best and Tarantino at his most irreverent. a tough and tender love letter to a city's underbelly, this is a shockingly funny tale of suspense that won't let you go.
The “fascinating” true story behind the HBO Max and Hulu series about Texas housewife Candy Montgomery and the bizarre murder that shocked a community (Los Angeles Times Book Review). Candy Montgomery and Betty Gore had a lot in common: They sang together in the Methodist church choir, their daughters were best friends, and their husbands had good jobs working for technology companies in the north Dallas suburbs known as Silicon Prairie. But beneath the placid surface of their seemingly perfect lives, both women simmered with unspoken frustrations and unanswered desires. On a hot summer day in 1980, the secret passions and jealousies that linked Candy and Betty exploded into murderous rage. What happened next is usually the stuff of fiction. But the bizarre and terrible act of violence that occurred in Betty’s utility room that morning was all too real. Based on exclusive interviews with the Gore and Montgomery families, Edgar Award finalist Evidence of Love is the “superbly written” account of a gruesome tragedy and the trial that made national headlines when the defendant entered the most unexpected of pleas: not guilty by reason of self-defense (Fort Worth Star-Telegram). Adapted into the Emmy and Golden Globe Award–winning television movie A Killing in a Small Town—as well as the new limited series Candy on Hulu and Love and Death on HBO Max—this chilling tale of sin and savagery will “fascinate true crime aficionados” (Kirkus Reviews).
HOOKED" is based on the true-life story of Virginia outdoor television producer Jim Baugh. Jim Baugh Outdoors TV is one of Americas most diverse and entertaining outdoor programs and has been in syndication since 1989. "HOOKED" is a hilarious look behind the scene stories of filming a southern outdoor TV show. From the Chesapeake Bay to Key West these on location excursions will make your sides hurt with laughter. A cast of sea faring characters full of color and humor. From the docks in Gloucester Virginia to the Atlantic Ocean and a boat load of jolly swashbuckling Pirates. The stories and characters in "HOOKED" are timeless and span a period of over forty years. In contrast, "HOOKED" also explores the solemn drama of dealing with divorce, death, and mental illness. The story also delves into the totally crazy insane world of mid-life on-line computer dating. This is a hilarious look at dating in the computer world after 25 years of solid marriage. These "Dating" stories are contemporary, racy, scary, cheerful, timeless, and based on true events. Anyone who is old enough to date will soon relate to "HOOKED" as the comical reference for dating in the new millennium. This adult romantic comedy story also relates to the power and testament of faith. 50 Years of an exciting action packed extremely charismatic colorfull life and career, packed into 28 chapters . It is a fast ride for sure. Bio: Jim Baugh has been producing National and Regional television shows for 25 years. Programs include: Jim Baugh Outdoors TV (220 episodes), Ski East, Classic Fishing. Fishing Virginia and, RV Times. Jim Baugh has written over 300 columns for numerous magazines during the last 20 years including: Motor boating Magazine, Fishing Smart, The Chesapeake Angler, The Sportsman Magazine and Travel Virginia Magazine.
Classic favorites, current pop films, hidden gems--they’re all part of this new edition of the popular guide to watching and enjoying movies. Newly expanded and updated to include independent films, documentaries, and special effects, Get the Picture? clearly explains techniques used to tell stories throughout cinematic history, then discusses how modern filmmakers are adapting those traditions today. In his witty and engaging text, author Jim Piper explains key concepts of film and uses fascinating side-by-side comparisons to explore relationships between movies as disparate as The Great Train Robbery and The Texas Chainsaw Massacre, High Noon and Blood Diamond, Raise the Red Lantern and The Pursuit of Happyness--and all movies discussed are easily available on DVD for further study. Entertaining, readable, and full of insight, Get the Picture? will inspire readers to watch movies with a new sense of discovery and excitement.
Filmmaking is a notoriously difficult field to break into—a script’s chance of making it to production is a staggering 1 in every 140,000. But the millions of aspiring filmmakers can up their odds with The Everything Filmmaking Book. This engaging, easy-to-follow guide takes readers step-by-step through the filmmaking process, including: -Writing a marketable script -Understanding all aspects of pre-production -Shooting on location -Working with the cast -Editing and post-production -Distributing the finished film The Everything Filmmaking Book is the perfect guide for future Spielbergs everywhere!
Martin Scorsese’s obsession with sin and redemption, conflict and violence runs through much of his work. This essential guide to Scorsese explores his career from his early student works, including It’s Not Just You, Murray!: through his personal examinations of his Italian American heritage in Mean Streets, Italianamerican and Goodfellas: the extreme violence of Raging Bull, Taxi Driver and Cape Fear: and the religious themes – from a director who originally wanted to be a priest – of The Last Temptation of Christ and Kundun. Including all Scorsese’s films up to Gangs of New York, this is a comprehensive study of the work of this widely respected film maker. Also covering his influences, the controversy surrounding his films, exhaustive music lists and long-time collaborations, this is an extensive analysis of the most consistently passionate, committed and inventive film director of the last thirty years.
Drawing on the same standards of accuracy as the acclaimed DK Eyewitness Travel Guides, DK Top 10 Orlando uses exciting colorful photography and excellent cartography to provide a reliable and useful travel. Dozens of Top 10 lists provide vital informati
Easily accessible for beginners and with much to learn for advanced magicians, this instructional guide walks readers through fun party tricks using everyday objects: no complicated props required. Diamond Jim even teaches you some mind reading effects!
A collection of fictional and non-fictional stories, inclduing excerpts from the novel Every Thing Counts (The Akashic Reader), where author brings together his wry observations of life among Czechs, the Dutch, the Germans, the Italians, the Polish and the Spanish.
Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom's great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood's audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood's relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.
A concise and accessible introduction to the role of violence from the silent era to the present, this volume illustrates the breadth and depth of screen bloodshed in historical, cultural, and industrial contexts. After considering problems of definition, the book offers a systematic history of film violence and examines three of the most popular violent genres: western, horror, and action. It concludes with a case study on the centrality of film violence to the directors of the New American Cinema, such as Francis Ford Coppola, Martin Scorsese, and Steven Spielberg, offering a strong example of how violence, history, ideology, and genre are deeply intertwined.
Based on the popular "How to Talk" feature in the alternative travel magazine "Monk", this savvy and often hilarious, region-by-region guide to the way Americans talk also provides a dead-on (and sometimes too strange) indication of how we think, how we behave, and what we hold dear. 100+ photos, drawings & maps.
He's the outsider who rocked Hollywood with a string of powerful films, earning him plaudits, awards and an army of adoring fans. His chiselled yet rugged good looks and masculinity set him apart from the 'pretty boy' actors, which has made him popular with both men and women. His intriguing mix of Irish/German roots has infused him with an easy-going charm combined with a steely confidence and determination to succeed. Michael Fassbender doesn't just 'act' he 'becomes' the people he is portraying in a type of method acting that has seen him likened to Marlon Brando and Robert De Niro - both of whom were his childhood heroes. And he is an actor with remarkable versatility. In his breakthrough movie Hunger, he went on a strict diet to lose weight in order to play IRA hunger striker Bobby Sands. By contrast he portrayed an English army officer in the rollicking World War Two adventure Inglorious Basterds; the comic book villain Magneto in X-Men: First Class and psychiatrist Carl Jung in A Dangerous Method - in which he famously spanked Keira Knightley's bottom! He shamelessly bared all as a sex addict in Shame and got moody and broody as a chilling hired killer in the action thriller Haywire. In this eagerly awaited biography, Jim Maloney tells of his remarkable rise to fame from Heidelberg in south-west Germany, to Killarney in Ireland, on to London and Hollywood. Read how he thought he was Superman, why he dropped out of drama school, his brief attempt to become a heavy metal rock star and about the piece of paper pinned to his school notice board that was to change his life forever
NEW YORK TIMES BESTSELLER • "None of this is real and all of it is true." —Jim Carrey Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege—but he's also lonely. Maybe past his prime. Maybe even ... getting fat? He's tried diets, gurus, and cuddling with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the sage advice of his best friend, actor and dinosaur skull collector Nicolas Cage, isn't enough to pull Carrey out of his slump. But then Jim meets Georgie: ruthless ingénue, love of his life. And with the help of auteur screenwriter Charlie Kaufman, he has a role to play in a boundary-pushing new picture that may help him uncover a whole new side to himself—finally, his Oscar vehicle! Things are looking up! But the universe has other plans. Memoirs and Misinformation is a fearless semi-autobiographical novel, a deconstruction of persona. In it, Jim Carrey and Dana Vachon have fashioned a story about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, our "one big soul," Canada, and a cataclysmic ending of the world—apocalypses within and without.
Marvelous! What memories came back to me with each page I read... you did a really fantastic job of gathering information to support the stories you wrote about. Memories are like th blind tribesmen coming back to the Village and telling about the big elephant they encountered in the bush... each has their own remembrances of the past and a personal story to tell." H. Laury Lepage "Just read the book cover to cover. I keep coming back to where I started. I think the whole thing is a treasure. I can't tell you how much enjoyment your efforts brought me." Bill Gee "The era we grew up in, where we learned about life, developed lasting friendships, and gave birth to those countless, delightful and not so delightful memories..." "I read the book in one sitting. Now I have to reshuffle my favorite book list. 1) The Bible 2) Of Mice and Men 3) In Cold Blood 4) The Harrod Experiment And now rounding up fifth place, Fractured Tales of Milwaukee's East Side" Bob Kern "I just finished reading your book about our beloved eastside and many of our dear friends. I loved it. You captured the beauty of being raised in a blue collar community, next to a great lake, with many characters and so many fun stories and events." Marian Catania Yoder
What has happened to men in America? Once upon a time, men in their twenties looked forward to settling down and having children. Today, most young men seem infected by a widespread Peter Pan syndrome. Unwilling to give up the freedom to sleep late, play video games, dress like a slob, and play the field, today’s men wallow in an extended adolescence, ostensibly unaware that they’re setting themselves up for a depressing, lonely existence. In this hilarious ode to male adulthood, Jim Geraghty and Cam Edwards—two happily married, 40-year-old men—have a simple message for their younger peers: Grow up!
Liberty is fleeting; terrorism is eternal! Or so discovers Assistant US Attorney and widower John Ferguson while reading an ancient manuscript purporting to be that of Thomas Jeffersons 1784 Paris diary, between handling a perplexing new case and rearing a precocious four-year-old son and bright-but-troubled teenage daughter. But when he discovers that the political protester hes prosecuting for assault on a federal marshal may be linked to a terrorist organization seemingly intent on wreaking havoc in his Jackson, Mississippi, hometown, and a mysterious new love interest suddenly appears on his doorstep, he finds himself locked in a life and death struggle with a brilliant but demented revolutionary dedicated to the destruction of all Ferguson holds dear and nothing less than the eradication of the American way of life.
From early settlers to urbanites, indigenous peoples to immigrants, citizens to consumers, and politicians to popular culture icons, the American Dream means many things to many people. Inherent in its story is the complex tale of the rise of Catholicism in this country and its relationship to the American Dream.
First Published in 1995. Much of recent theory has characterized life in media-sophisticated societies in terms of a semiotic overload which, allegedly, has had only devastating effects on communication and subjectivity. In Architectures of Excess, Jim Collins argues that, while the rate of technological change has indeed accelerated, so has the rate of absorption. The seemingly endless array of information has generated not chaos but different structures and strategies, which harness that excess by turning it into forms of art and entertainment. Digital sampling in rap music and cyber-punk science fiction are well-known examples of techno-pop textuality, but Collins concentrates on other contemporaneous phenomena that are also envisioning new cultural landscapes by accessing that array--hyper-self-reflexivity in mall movies, best sellers, and prime-time television; the deconstructive vs. new-classical debate in architecture; the emergence of the "New Black Aesthetic;" the development of retro-modernism in interior design and the fashion industries. The analyses of these disparate, discontinous attempts to develop a meaningful sense of location, in an historical as well as a spatial sense, address a cluster of interconnected questions: How is the array of information being "domesticated?" How has appropriationism evolved from the Pop-Art of the sixties to the sampling of the nineties? How has the relationship between tradition, innovation, and evaluation been altered? Architectures of Excess investigates how these phenomena reflect change in taste and subjectivity, considering how we must account for both, pedagogically.
Forensic science is a subject of wide fascination. What happens at a crime scene? How does DNA profiling work? How can it help solve crimes that happened 20 years ago? In forensic science, a criminal case can often hinge on a piece of evidence such as a hair, a blood trace, half a footprint, or a tyre mark. Complex scientific findings must be considered carefully and dispassionately, and communicated with clarity, simplicity, and precision. High profile cases such as the Stephen Lawrence enquiry and the Madeleine McCann case have attracted enormous media attention and enhanced general interest in this area in recent years. In this Very Short Introduction, Jim Fraser introduces the concept of forensic science and explains how it is used in the investigation of crime. He begins at the crime scene itself, explaining the principles and processes of crime scene management, and drawing on his own personal experience of high profile cases including, the murder of Rachel Nickell and the unsolved murder of Jill Dando. Fraser explores how forensic scientists work; from the reconstruction of events to laboratory examinations. He considers the techniques they use, such as fingerprinting, and goes on to highlight the immense impact DNA profiling has had. Providing examples from forensic science cases in the UK, US, and other countries, he considers the techniques and challenges faced around the world. This new edition has been fully updated to take into account developments in areas such as DNA analysis and drug analysis, and the growing field of digital forensics. Topical areas explored include the growing significance of cognitive bias in forensic science, and recent research that raises doubts about the validity of some forensic techniques. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Combining in-depth analysis with over 200 film reviews, 'Legacy of Blood' is a comprehensive examination of the slasher movie and its conventions to date, from 'Halloweeen' to 'Scream' and beyond.
Our understanding of history is often mediated by popular culture, and television series set in the past have provided some of our most indelible images of previous times. Yet such historical television programs always reveal just as much about the era in which they are produced as the era in which they are set; there are few more quintessentially late-90s shows than That ‘70s Show, for example. From Memory to History takes readers on a journey through over fifty years of historical dramas and sitcoms that were set in earlier decades of the twentieth century. Along the way, it explores how comedies like M*A*S*H and Hogan’s Heroes offered veiled commentary on the Vietnam War, how dramas ranging like Mad Men echoed current economic concerns, and how The Americans and Halt and Catch Fire used the Cold War and the rise of the internet to reflect upon the present day. Cultural critic Jim Cullen is lively, informative, and incisive, and this book will help readers look at past times, present times, and prime time in a new light.
Documentary films constitute a major part of film history. Cinema's origins lie, arguably, more in non-fiction than fiction, and documentary represents the other - often submerged and barely visible - 'half' of cinema history. Historically, documentary cinema has always been an important point of reference for fiction cinema, and the two have often overlapped. Over the last two decades, documentary cinema has enjoyed a revival in critical and commercial success. 100 Documentary Films is the first book to offer concise and authoritative individual critical commentaries on some of the key documentary films - from the Lumière brothers and the beginnings of cinema through to recent films such as Bowling for Columbine and When the Levees Broke - and is global in perspective. Many different types of documentary are discussed, as well as films by major documentary directors, including Robert Flaherty, Humphrey Jennings, Jean Rouch, Dziga Vertov, Errol Morris, Nick Broomfield and Michael Moore. Each entry provides concise critical analysis, while frequent cross reference to other films featured helps to place films in their historical and aesthetic contexts. Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Ontario, Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Voyages of Discovery: The Cinema of Frederick Wiseman (1992) and co-author, with Steve Blandford and Jim Hillier, of The Film Studies Dictionary (2001). Jim Hillier is Visiting Lecturer in Film at the University of Reading. He is the author of The New Hollywood (1993), the co-author of The Film Studies Dictionary (2001) and, with Alan Lovell, of Studies in Documentary (1972). His edited books include American Independent Cinema (2001) and two volumes of the English translation of the selected Cahiers du cinema (1985, 1986).
Rutter’s Child and Adolescent Psychiatry has become an established and accepted textbook of child psychiatry. Now completely revised and updated, the fifth edition provides a coherent appraisal of the current state of the field to help trainee and practising clinicians in their daily work. It is distinctive in being both interdisciplinary and international, in its integration of science and clinical practice, and in its practical discussion of how researchers and practitioners need to think about conflicting or uncertain findings. This new edition now offers an entirely new section on conceptual approaches, and several new chapters, including: neurochemistry and basic pharmacology brain imaging health economics psychopathology in refugees and asylum seekers bipolar disorder attachment disorders statistical methods for clinicians This leading textbook provides an accurate and comprehensive account of current knowledge, through the integration of empirical findings with clinical experience and practice, and is essential reading for professionals working in the field of child and adolescent mental health, and clinicians working in general practice and community pediatric settings.
Lords Of Chaos It was big news in Ft. Myers, Florida when an abandoned historic building was destroyed by vandals in a spectacular blast. Behind it lay the Lords of Chaos, a band of teenage misfits led by Kevin Foster, 18, a vicious hatemonger who idolized Oklahoma City bomber Timothy McVeigh and was known as "God" to his five-man gang. Vortex Of Violence The explosion was only one episode in a month-long crime spree that began with vandalism and theft, escalating into what a local sheriff later called "a vortex of bloodlust and arson." The rampage culminated in the brutal shotgun murder of high school band director Mark Schwebes, 32. Police busted the gang before they could unleash a planned racist mass murder at Disney World--but their leader wasn't done yet. Compulsion To Kill Author Jim Greenhill conducted extensive interviews with Kevin Foster on Florida's Death Row. In an astounding development, Greenhill was solicited by the prisoner and his mother Ruby Foster to arrange the killings of three witnesses, leading to a new case against Foster in 2002. Here is the chilling inside story of how a pack of teenage losers found a way to succeed--at murder. . . 16 Pages Of Shocking Photos Praise for Jim Greenhill and Someone Has to Die Tonight "Fascinatingly lurid . . . insightful and well written. . . . Greenhill has brought the light of excellent reporting and emotional insight to the brooding darkness that consumes fringe-dwellers at virtually any high school." --Mike Clark, The Durango Herald (Durango, CO) "Recommended reading. . . . True crime in the strictest sense . . . the most factual account possible of the events of that stormy April." --Jay MacDonald, The News-Press (Fort Myers, FL) "Greenhill, a big fan of Truman Capote's In Cold Blood, did his hero proud . . . the most detailed true crime you will read." --Sam Cook, The News-Press (Fort Myers, FL) "Meticulously reported and carefully crafted, a major debut." --Gregg Olsen, bestselling author of Abandoned Prayers "Riveting and gut wrenching." --Lt. Col. Dave Grossman, bestselling author of On Killing "A searing look, by a true journalist, behind a sordid tale of murder and deception--a real page-turner." --M. William Phelps, author of Murder in the Heartland "An extraordinary book . . . compelling . . . it accumulates force as it rolls along and winds up flooring you with the sheer power of Greenhill's reporting." --Bob Norman, The Daily Pulp
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