This is a book for cinephiles, pure and simple. Author and filmmaker, Jim Piper, shares his vast knowledge of film and analyzes the most striking components of the best movies ever made. From directing to cinematography, from editing and music to symbolism and plot development, The Film Appreciation Book covers hundreds of the greatest works in cinema, combining history, technical knowledge, and the art of enjoyment to explain why some movies have become the most treasured and entertaining works ever available to the public, and why these movies continue to amaze viewers after decades of notoriety. Read about such classic cinematic masterpieces as Citizen Kane, Gandhi, Midnight Cowboy, Easy Rider, True Grit, Gone With the Wind, and The Wizard of Oz, as well as more recent accomplishments in feature films, such as Requiem for a Dream, Munich, The King’s Speech, and The Hurt Locker. Piper breaks down his analysis for you and points out aspects of production that movie-lovers (even the devoted ones) would never recognize on their own. This book will endlessly fascinate, and by the time you get to the last chapter, you’re ready to start all over again. In-depth analysis and thoughtful and wide-ranging film choices from every period of cinema history will ensure that you never tire of this reading companion to film. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Filmmaking is a notoriously difficult field to break into—a script’s chance of making it to production is a staggering 1 in every 140,000. But the millions of aspiring filmmakers can up their odds with The Everything Filmmaking Book. This engaging, easy-to-follow guide takes readers step-by-step through the filmmaking process, including: -Writing a marketable script -Understanding all aspects of pre-production -Shooting on location -Working with the cast -Editing and post-production -Distributing the finished film The Everything Filmmaking Book is the perfect guide for future Spielbergs everywhere!
The ultimate how-to book about brand storytelling Brand storytelling is all the rage in marketing. But few books explain how to go about cultivating and promoting that story. This is the book that does. StoryBranding 2.0 is an updated edition of the award-winning, best-selling book that has sparked enthusiasm among marketing luminaries, CEOs, entrepreneurs, and personal branding advocates. Developing your brand’s story must start with an understanding of what a story really is and how it is structured. Then, using this essential structure as scaffolding, you can begin to answer specific questions that will help you develop your brand’s most authentic story—the story that will do the most to capture the hearts and minds of prospects. As your brand sets out to overcome obstacles in order to achieve its goals, you will: • be guided every step of the way towards defining who your brand is and why it exists. • learn how to use a unique immersion technique that will help you achieve greater empathy with your most likely prospects. • know how to overcome controllable obstacles standing in the way of your brand’s success. • learn how to tell your brand’s story so that it truly resonates with prospects. • find ways to galvanize support for your brand’s story throughout your organization. • see how the StoryBranding process can be applied to you personally and in everyday selling situations. Written by a thirty-five-year veteran of marketing and advertising who has worked on major national brands, this is the ultimate how-to brand-planning book for professionals and beginners alike. Besides being instructive and full of real-life examples, it is highly entertaining, as the author recounts experiences he’s had during his long career as an advertising executive.
Martin Scorsese’s obsession with sin and redemption, conflict and violence runs through much of his work. This essential guide to Scorsese explores his career from his early student works, including It’s Not Just You, Murray!: through his personal examinations of his Italian American heritage in Mean Streets, Italianamerican and Goodfellas: the extreme violence of Raging Bull, Taxi Driver and Cape Fear: and the religious themes – from a director who originally wanted to be a priest – of The Last Temptation of Christ and Kundun. Including all Scorsese’s films up to Gangs of New York, this is a comprehensive study of the work of this widely respected film maker. Also covering his influences, the controversy surrounding his films, exhaustive music lists and long-time collaborations, this is an extensive analysis of the most consistently passionate, committed and inventive film director of the last thirty years.
Drawing on the same standards of accuracy as the acclaimed DK Eyewitness Travel Guides, DK Top 10 Orlando uses exciting colorful photography and excellent cartography to provide a reliable and useful travel. Dozens of Top 10 lists provide vital informati
Easily accessible for beginners and with much to learn for advanced magicians, this instructional guide walks readers through fun party tricks using everyday objects: no complicated props required. Diamond Jim even teaches you some mind reading effects!
A collection of fictional and non-fictional stories, inclduing excerpts from the novel Every Thing Counts (The Akashic Reader), where author brings together his wry observations of life among Czechs, the Dutch, the Germans, the Italians, the Polish and the Spanish.
Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom's great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood's audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood's relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.
A concise and accessible introduction to the role of violence from the silent era to the present, this volume illustrates the breadth and depth of screen bloodshed in historical, cultural, and industrial contexts. After considering problems of definition, the book offers a systematic history of film violence and examines three of the most popular violent genres: western, horror, and action. It concludes with a case study on the centrality of film violence to the directors of the New American Cinema, such as Francis Ford Coppola, Martin Scorsese, and Steven Spielberg, offering a strong example of how violence, history, ideology, and genre are deeply intertwined.
Based on the popular "How to Talk" feature in the alternative travel magazine "Monk", this savvy and often hilarious, region-by-region guide to the way Americans talk also provides a dead-on (and sometimes too strange) indication of how we think, how we behave, and what we hold dear. 100+ photos, drawings & maps.
He's the outsider who rocked Hollywood with a string of powerful films, earning him plaudits, awards and an army of adoring fans. His chiselled yet rugged good looks and masculinity set him apart from the 'pretty boy' actors, which has made him popular with both men and women. His intriguing mix of Irish/German roots has infused him with an easy-going charm combined with a steely confidence and determination to succeed. Michael Fassbender doesn't just 'act' he 'becomes' the people he is portraying in a type of method acting that has seen him likened to Marlon Brando and Robert De Niro - both of whom were his childhood heroes. And he is an actor with remarkable versatility. In his breakthrough movie Hunger, he went on a strict diet to lose weight in order to play IRA hunger striker Bobby Sands. By contrast he portrayed an English army officer in the rollicking World War Two adventure Inglorious Basterds; the comic book villain Magneto in X-Men: First Class and psychiatrist Carl Jung in A Dangerous Method - in which he famously spanked Keira Knightley's bottom! He shamelessly bared all as a sex addict in Shame and got moody and broody as a chilling hired killer in the action thriller Haywire. In this eagerly awaited biography, Jim Maloney tells of his remarkable rise to fame from Heidelberg in south-west Germany, to Killarney in Ireland, on to London and Hollywood. Read how he thought he was Superman, why he dropped out of drama school, his brief attempt to become a heavy metal rock star and about the piece of paper pinned to his school notice board that was to change his life forever
NEW YORK TIMES BESTSELLER • "None of this is real and all of it is true." —Jim Carrey Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege—but he's also lonely. Maybe past his prime. Maybe even ... getting fat? He's tried diets, gurus, and cuddling with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the sage advice of his best friend, actor and dinosaur skull collector Nicolas Cage, isn't enough to pull Carrey out of his slump. But then Jim meets Georgie: ruthless ingénue, love of his life. And with the help of auteur screenwriter Charlie Kaufman, he has a role to play in a boundary-pushing new picture that may help him uncover a whole new side to himself—finally, his Oscar vehicle! Things are looking up! But the universe has other plans. Memoirs and Misinformation is a fearless semi-autobiographical novel, a deconstruction of persona. In it, Jim Carrey and Dana Vachon have fashioned a story about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, our "one big soul," Canada, and a cataclysmic ending of the world—apocalypses within and without.
Marvelous! What memories came back to me with each page I read... you did a really fantastic job of gathering information to support the stories you wrote about. Memories are like th blind tribesmen coming back to the Village and telling about the big elephant they encountered in the bush... each has their own remembrances of the past and a personal story to tell." H. Laury Lepage "Just read the book cover to cover. I keep coming back to where I started. I think the whole thing is a treasure. I can't tell you how much enjoyment your efforts brought me." Bill Gee "The era we grew up in, where we learned about life, developed lasting friendships, and gave birth to those countless, delightful and not so delightful memories..." "I read the book in one sitting. Now I have to reshuffle my favorite book list. 1) The Bible 2) Of Mice and Men 3) In Cold Blood 4) The Harrod Experiment And now rounding up fifth place, Fractured Tales of Milwaukee's East Side" Bob Kern "I just finished reading your book about our beloved eastside and many of our dear friends. I loved it. You captured the beauty of being raised in a blue collar community, next to a great lake, with many characters and so many fun stories and events." Marian Catania Yoder
What has happened to men in America? Once upon a time, men in their twenties looked forward to settling down and having children. Today, most young men seem infected by a widespread Peter Pan syndrome. Unwilling to give up the freedom to sleep late, play video games, dress like a slob, and play the field, today’s men wallow in an extended adolescence, ostensibly unaware that they’re setting themselves up for a depressing, lonely existence. In this hilarious ode to male adulthood, Jim Geraghty and Cam Edwards—two happily married, 40-year-old men—have a simple message for their younger peers: Grow up!
Liberty is fleeting; terrorism is eternal! Or so discovers Assistant US Attorney and widower John Ferguson while reading an ancient manuscript purporting to be that of Thomas Jeffersons 1784 Paris diary, between handling a perplexing new case and rearing a precocious four-year-old son and bright-but-troubled teenage daughter. But when he discovers that the political protester hes prosecuting for assault on a federal marshal may be linked to a terrorist organization seemingly intent on wreaking havoc in his Jackson, Mississippi, hometown, and a mysterious new love interest suddenly appears on his doorstep, he finds himself locked in a life and death struggle with a brilliant but demented revolutionary dedicated to the destruction of all Ferguson holds dear and nothing less than the eradication of the American way of life.
From early settlers to urbanites, indigenous peoples to immigrants, citizens to consumers, and politicians to popular culture icons, the American Dream means many things to many people. Inherent in its story is the complex tale of the rise of Catholicism in this country and its relationship to the American Dream.
First Published in 1995. Much of recent theory has characterized life in media-sophisticated societies in terms of a semiotic overload which, allegedly, has had only devastating effects on communication and subjectivity. In Architectures of Excess, Jim Collins argues that, while the rate of technological change has indeed accelerated, so has the rate of absorption. The seemingly endless array of information has generated not chaos but different structures and strategies, which harness that excess by turning it into forms of art and entertainment. Digital sampling in rap music and cyber-punk science fiction are well-known examples of techno-pop textuality, but Collins concentrates on other contemporaneous phenomena that are also envisioning new cultural landscapes by accessing that array--hyper-self-reflexivity in mall movies, best sellers, and prime-time television; the deconstructive vs. new-classical debate in architecture; the emergence of the "New Black Aesthetic;" the development of retro-modernism in interior design and the fashion industries. The analyses of these disparate, discontinous attempts to develop a meaningful sense of location, in an historical as well as a spatial sense, address a cluster of interconnected questions: How is the array of information being "domesticated?" How has appropriationism evolved from the Pop-Art of the sixties to the sampling of the nineties? How has the relationship between tradition, innovation, and evaluation been altered? Architectures of Excess investigates how these phenomena reflect change in taste and subjectivity, considering how we must account for both, pedagogically.
Forensic science is a subject of wide fascination. What happens at a crime scene? How does DNA profiling work? How can it help solve crimes that happened 20 years ago? In forensic science, a criminal case can often hinge on a piece of evidence such as a hair, a blood trace, half a footprint, or a tyre mark. Complex scientific findings must be considered carefully and dispassionately, and communicated with clarity, simplicity, and precision. High profile cases such as the Stephen Lawrence enquiry and the Madeleine McCann case have attracted enormous media attention and enhanced general interest in this area in recent years. In this Very Short Introduction, Jim Fraser introduces the concept of forensic science and explains how it is used in the investigation of crime. He begins at the crime scene itself, explaining the principles and processes of crime scene management, and drawing on his own personal experience of high profile cases including, the murder of Rachel Nickell and the unsolved murder of Jill Dando. Fraser explores how forensic scientists work; from the reconstruction of events to laboratory examinations. He considers the techniques they use, such as fingerprinting, and goes on to highlight the immense impact DNA profiling has had. Providing examples from forensic science cases in the UK, US, and other countries, he considers the techniques and challenges faced around the world. This new edition has been fully updated to take into account developments in areas such as DNA analysis and drug analysis, and the growing field of digital forensics. Topical areas explored include the growing significance of cognitive bias in forensic science, and recent research that raises doubts about the validity of some forensic techniques. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Classic favorites, current pop films, hidden gems--they’re all part of this new edition of the popular guide to watching and enjoying movies. In his witty and engaging text, author Jim Piper explains key concepts of film and uses fascinating side-by-side comparisons to explore relationships between movies as disparate as The Great Train Robbery and The Texas Chainsaw Massacre, High Noon and Blood Diamond, Raise the Red Lantern and The Pursuit of Happyness—and all movies discussed are easily available on DVD for further study. Entertaining, readable, and full of insight, Get the Picture? will inspire readers to watch movies with a new sense of discovery and excitement.
Combining in-depth analysis with over 200 film reviews, 'Legacy of Blood' is a comprehensive examination of the slasher movie and its conventions to date, from 'Halloweeen' to 'Scream' and beyond.
Our understanding of history is often mediated by popular culture, and television series set in the past have provided some of our most indelible images of previous times. Yet such historical television programs always reveal just as much about the era in which they are produced as the era in which they are set; there are few more quintessentially late-90s shows than That ‘70s Show, for example. From Memory to History takes readers on a journey through over fifty years of historical dramas and sitcoms that were set in earlier decades of the twentieth century. Along the way, it explores how comedies like M*A*S*H and Hogan’s Heroes offered veiled commentary on the Vietnam War, how dramas ranging like Mad Men echoed current economic concerns, and how The Americans and Halt and Catch Fire used the Cold War and the rise of the internet to reflect upon the present day. Cultural critic Jim Cullen is lively, informative, and incisive, and this book will help readers look at past times, present times, and prime time in a new light.
Documentary films constitute a major part of film history. Cinema's origins lie, arguably, more in non-fiction than fiction, and documentary represents the other - often submerged and barely visible - 'half' of cinema history. Historically, documentary cinema has always been an important point of reference for fiction cinema, and the two have often overlapped. Over the last two decades, documentary cinema has enjoyed a revival in critical and commercial success. 100 Documentary Films is the first book to offer concise and authoritative individual critical commentaries on some of the key documentary films - from the Lumière brothers and the beginnings of cinema through to recent films such as Bowling for Columbine and When the Levees Broke - and is global in perspective. Many different types of documentary are discussed, as well as films by major documentary directors, including Robert Flaherty, Humphrey Jennings, Jean Rouch, Dziga Vertov, Errol Morris, Nick Broomfield and Michael Moore. Each entry provides concise critical analysis, while frequent cross reference to other films featured helps to place films in their historical and aesthetic contexts. Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Ontario, Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Voyages of Discovery: The Cinema of Frederick Wiseman (1992) and co-author, with Steve Blandford and Jim Hillier, of The Film Studies Dictionary (2001). Jim Hillier is Visiting Lecturer in Film at the University of Reading. He is the author of The New Hollywood (1993), the co-author of The Film Studies Dictionary (2001) and, with Alan Lovell, of Studies in Documentary (1972). His edited books include American Independent Cinema (2001) and two volumes of the English translation of the selected Cahiers du cinema (1985, 1986).
Rutter’s Child and Adolescent Psychiatry has become an established and accepted textbook of child psychiatry. Now completely revised and updated, the fifth edition provides a coherent appraisal of the current state of the field to help trainee and practising clinicians in their daily work. It is distinctive in being both interdisciplinary and international, in its integration of science and clinical practice, and in its practical discussion of how researchers and practitioners need to think about conflicting or uncertain findings. This new edition now offers an entirely new section on conceptual approaches, and several new chapters, including: neurochemistry and basic pharmacology brain imaging health economics psychopathology in refugees and asylum seekers bipolar disorder attachment disorders statistical methods for clinicians This leading textbook provides an accurate and comprehensive account of current knowledge, through the integration of empirical findings with clinical experience and practice, and is essential reading for professionals working in the field of child and adolescent mental health, and clinicians working in general practice and community pediatric settings.
The star Argentiniean striker Claudio Caniggia has described Dundee as 'a football town' and, as the favoured partner of arguably the world's greatest-ever player Diego Maradona, he should know. But why should he care? What was this man doing, plying his trade in Dundee? Dundee Football Club - the Dark Blues - do have a tradition; they have produced a number of outstanding players, won all the major Scottish trophies and, in 1963, reached the semi-final of the European Cup. For the next three decades, however, their story was one of gradual decline - and you can lose a lot of supporters in 30 years. When brothers Peter and Jimmy Marr, local businessmen, took over at Dens Park in 1997, the fans didn't know what to expect. They were a different proposition from their predecessors in that they had experience of running successful amateur and junior football clubs - but while the team performed creditably under Jocky Scott, there were still a number of very average players getting a game and the wider fan base was only inclined to attend a handful of matches during the season. Having battled to get promotion to the Scottish Premier League and build new stands, however, Peter Marr proceeded to make a leap of cultural faith. He knew that quality football was the key to any form of success and that, generally speaking, it could be found on the European continent. Marr originally expressed interest in Ivano Bonetti as a player, but when he discovered that the Italian was also interested in management, decided to embark on a footballing adventure with him. What followed has been one of the most remarkable episodes in recent Scottish football history. In the face of great cynicism and limited resources, Bonetti has assembled a squad of outstanding international talent, with his friend Claudio Caniggia the jewel in the crown. Results have been both good and bad - and sometimes downright weird - but the football has always been consistently entertaining and frequently breathtaking. No Dundee fan will ever forget season 2000-01. In this book Jim Wilkie reviews the tradition of the club and, using key profiles and reports, charts their amazing transformation to Bonetti's Blues.
A stand-out character in an entertainment industry where persona is everything, George "The Animal" Steele shares how he balanced his real life as Jim Myers, a highly respected high school teacher and coach, with the green tongued, hairy backed, turnbuckle eating wrestling icon he was in the ring. The memoir delves into the golden era of wrestling in the 1970s and 1980s and his entry into the World Wrestling Federation where he earned a spot in professional wrestling history despite only speaking in animal-like grunts. In reality, the educated man that overcame his struggles with dyslexia and Crohn's Disease was a father and an inspiration to many of his students and players, and the dichotomous personalities that marked this much-loved man's life are explored in his own words. The book is filled with nostalgic and humorous anecdotes about the whirlwind life of wrestling alongside such notables as Hulk Hogan and Bruno Sammartino, both in and out of the ring.
Lords Of Chaos It was big news in Ft. Myers, Florida when an abandoned historic building was destroyed by vandals in a spectacular blast. Behind it lay the Lords of Chaos, a band of teenage misfits led by Kevin Foster, 18, a vicious hatemonger who idolized Oklahoma City bomber Timothy McVeigh and was known as "God" to his five-man gang. Vortex Of Violence The explosion was only one episode in a month-long crime spree that began with vandalism and theft, escalating into what a local sheriff later called "a vortex of bloodlust and arson." The rampage culminated in the brutal shotgun murder of high school band director Mark Schwebes, 32. Police busted the gang before they could unleash a planned racist mass murder at Disney World--but their leader wasn't done yet. Compulsion To Kill Author Jim Greenhill conducted extensive interviews with Kevin Foster on Florida's Death Row. In an astounding development, Greenhill was solicited by the prisoner and his mother Ruby Foster to arrange the killings of three witnesses, leading to a new case against Foster in 2002. Here is the chilling inside story of how a pack of teenage losers found a way to succeed--at murder. . . 16 Pages Of Shocking Photos Praise for Jim Greenhill and Someone Has to Die Tonight "Fascinatingly lurid . . . insightful and well written. . . . Greenhill has brought the light of excellent reporting and emotional insight to the brooding darkness that consumes fringe-dwellers at virtually any high school." --Mike Clark, The Durango Herald (Durango, CO) "Recommended reading. . . . True crime in the strictest sense . . . the most factual account possible of the events of that stormy April." --Jay MacDonald, The News-Press (Fort Myers, FL) "Greenhill, a big fan of Truman Capote's In Cold Blood, did his hero proud . . . the most detailed true crime you will read." --Sam Cook, The News-Press (Fort Myers, FL) "Meticulously reported and carefully crafted, a major debut." --Gregg Olsen, bestselling author of Abandoned Prayers "Riveting and gut wrenching." --Lt. Col. Dave Grossman, bestselling author of On Killing "A searing look, by a true journalist, behind a sordid tale of murder and deception--a real page-turner." --M. William Phelps, author of Murder in the Heartland "An extraordinary book . . . compelling . . . it accumulates force as it rolls along and winds up flooring you with the sheer power of Greenhill's reporting." --Bob Norman, The Daily Pulp
What could be a more compelling read than a book that explains the greatest mysteries known to man in one fell swoop. Who is God? What happens after we die? What the heck is quantum entanglement? Why did Dolly’s braces disappear in the movie "Moonraker?" Our reality is not what it appears to be. The latest physics experiments demonstrate that an objective reality doesn’t exist. And no one truly knows what consciousness is or where the mind resides. Strange interconnectedness, anomalous events, and changing histories confound even the most open-minded of scientists. No single theory seems to be able to explain it all. Until now.
On 2 January 2013, just a day before Jim Davidson was due to enter the Celebrity Big Brother house, he found himself behind far more serious locked doors when he was arrested by the Yewtree detectives over alleged sex offences. Twelve months later, the public voted to crown Jim Davidson as the winner of the latest series of Celebrity Big Brother. Finally, with all charges dropped and no further action being taken - and with the public offering him their staunch support - Jim can finally look back on his year from hell. Facing a series of damaging false allegations, Jim was forced to fight, not just for his reputation and his career, but for his freedom too. Mounting legal costs and a deepening sense of injustice saw Jim sink to the lowest point of his career as the Yewtree investigation threatened to ruin him both financially and emotionally. Finally, after months of pain came the words he and his supporters had been waiting to hear: 'No Further Action'. Now, with the public's approval, Jim reflects on this painful period with the regular dose of wit and humour that have made him so successful.Searingly honest, No Further Action pays tribute to those who stood by him and takes a wry look at what life is like under investigation in the public eye.
Showing and ID doesn't protect against terrorism the way people think. This book explodes the myths surrounding identification and, at the same time, shows the way forward.
Bring on the Books for Everybody is an engaging assessment of the robust popular literary culture that has developed in the United States during the past two decades. Jim Collins describes how a once solitary and print-based experience has become an exuberantly social activity, enjoyed as much on the screen as on the page. Fueled by Oprah’s Book Club, Miramax film adaptations, superstore bookshops, and new technologies such as the Kindle digital reader, literary fiction has been transformed into best-selling, high-concept entertainment. Collins highlights the infrastructural and cultural changes that have given rise to a flourishing reading public at a time when the future of the book has been called into question. Book reading, he claims, has not become obsolete; it has become integrated into popular visual media. Collins explores how digital technologies and the convergence of literary, visual, and consumer cultures have changed what counts as a “literary experience” in phenomena ranging from lush film adaptations such as The English Patient and Shakespeare in Love to the customer communities at Amazon. Central to Collins’s analysis and, he argues, to contemporary literary culture, is the notion that refined taste is now easily acquired; it is just a matter of knowing where to access it and whose advice to trust. Using recent novels, he shows that the redefined literary landscape has affected not just how books are being read, but also what sort of novels are being written for these passionate readers. Collins connects literary bestsellers from The Jane Austen Book Club and Literacy and Longing in L.A. to Saturday and The Line of Beauty, highlighting their depictions of fictional worlds filled with avid readers and their equations of reading with cultivated consumer taste.
Post-traumatic stress disorder is both a gift and tool in God’s hands. The Lord has designed a person’s brain to adjust to the rigors of combat or abuse. Combat’s despair can also drive us to Christ. Jim Carmichael, Ph.D. looks back at his service in Vietnam and how it impacted his life upon returning home in this book. More importantly, he reveals how God led him to find redemption, obedience to God, and transformation into the image of Jesus Christ through suffering. In sharing his story, the author seeks to answer questions such as: · What is the purpose of PTSD? · Why don’t all combatants suffer from PTSD? · How can God deliver individuals from bondage? · What can be done to prevent PTSD victims from dying by suicide? The author stresses that the Veterans Administration should do more to teach veterans and their families about how the brain changes when it’s subjected to constant stress. He also highlights how combatants throughout history have been impacted by stress. Join the author as he praises and thanks God for using the horrors of Vietnam to drive him to Christ.
Surely You Can't Be Serious is an in-depth and hysterical look at the making of 1980's comedy classic Airplane! by the legendary writers and directors of the hit film. Airplane! premiered on July 2nd, 1980. With a budget of $3.5 million it went on to make nearly $200 million in sales and has influenced a multitude of comedians on both sides of the camera. Surely You Can’t Be Serious is the first-ever oral history of the making of Airplane! by the creators, and of the beginnings of the ZAZ trio (Zucker, Abrahams, Zucker) – charting the rise of their comedy troupe Kentucky Fried Theater in Madison, Wisconsin all the way to premiere night. The directors explain what drew them to filmmaking and in particular, comedy. With anecdotes, behind the scenes trivia, and never-before-revealed factoids – these titans of comedy filmmaking unpack everything from how they persuaded Peter Graves to be in the movie after he thought the script was a piece of garbage, how Lorna Patterson auditioned for the stewardess role in the back seat of Jerry’s Volvo, and how Leslie Nielsen’s pranks got the entire crew into trouble, to who really wrote the jive talk. The book also features testimonials and personal anecdotes from well-known faces in the film, television, and comedy sphere – proving how influential Airplane! has been from day one. Four decades after its release, Airplane! continues to make new generations laugh. Its many one-liners and visual gags have worked their way into the mainstream culture. This fully organic expansion of the ZAZ trio’s fan-base, prompted solely by word-of-mouth, comes as no surprise to longtime fans. When all around us is in flux – laughter is priceless.
A look at 500 of Route 66's most significant past and present sites in seven categories, illustrated with hundreds of photographs and specially commissioned maps"--
In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards', including Best Picture, Best Director, and Best Adapted Screenplay. In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.
Until this book was written, the phrase "brands are stories" was merely a marketing cliché. Having delved into how stories influence our behavior, however, the author asserts that the association between stories and brands deserves far more than that stock phrase.Among the many books about branding directed toward marketing and advertising practitioners and students, none is like StoryBranding. Modeled after the way stories work, this book provides a unique planning process for creating authentic brand identities. It also reveals a number of concealed traps that other branding approaches often overlook.Drawing on the persuasive power of stories, the author argues that a great deal of wasted effort is put into creating advertising messages that do too much "telling" and too little "showing." To help brands resonate with their audiences, the author takes you step-by-step through StoryBranding's six C's-a process that shows how to approach the development of all brand communications the way story writers approach their characters, plots, and themes. He includes sample "Story Briefs" and "I AM" statements that help brands achieve a greater degree of authenticity than traditional creative or brand briefs have.
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