No one in the Atlanta medical community suspects Bryce Ford, the flamboyant chairman of the hospital obstetrics-gynecology department, of secretly sterilizing his young patients. Not even his best friend, family physician Mark Wilson, whose pregnant wife was just savagely beaten and left unable to communicate in any way with the world around her. The police feel they can not pursue the case aggressively since their victim is unable to communicate due to the brain injury she incurred. But Dr. Wilson believes he knows who attacked his wife and he decides that he will exact his own revenge. Mark makes his way through a world of drugs and deceit, making sure that this attacker does not repeat his actions. The climax will surprise you and leave you questioning all that you think is real around you.
Beverly Shores, Indiana, is a small resort community clustered along the southernmost tip of Lake Michigan, approximately forty miles southeast of Chicago. The town is now an island of private resort homes surrounded by the Indiana Dunes National Lakeshore, a federal park. Beverly Shores: A Suburban Dunes Resort presents an extensive collection of architectural and environmental photographs that reflect the changes in Chicago society between the late 1920s and World War II. With this glimpse into Beverly Shores' past, readers of all ages will delight in discovering the unique heritage of this town in northwestern Indiana. From developer Frederick Bartlett's introduction of the Mediterranean Revival style of architecture, to Robert Bartlett's most enduring publicity stunt of buying pieces of the 1933-34 Chicago World's Fair and stationing them in the town, this architectural study includes nearly 200 vintage images of the evolution of this suburban dunes resort community.
In this illustrated examination of the Lindbergh kidnapping case, Jim Fisher seeks to set the record straight regarding Bruno Hauptmann's guilt in "the crime of the century." In February 1935, following a sensational, six-week trial, a jury in Flemington, New Jersey, found German carpenter Hauptmann guilty of kidnapping and murdering the twenty-month-old son of Charles and Anne Lindbergh. Although circumstantial, the evidence against Hauptmann—the handwriting on the ransom notes, the homemade kidnapping ladder, Colonel Lindbergh's money found in his garage, his matching the description of the man who accepted the ransom payoff in the Bronx cemetery, his inability to prove an alibi, and his incredible explanation of his possession of the ransom money—was overwhelming, leaving few to doubt his guilt. After a series of appeals and stays, Hauptmann died fourteen months later in the electric chair. A confession would have spared him the death sentence, but Hauptmann chose to die maintaining his innocence. It was not until the mid-1970s that revisionists began to challenge the conventional wisdom in the case: that Hauptmann was the lone killer. Revisionist books and articles appeared, as did plays, TV shows, and a movie, all portraying Hauptmann as the victim of a massive police and prosecution frame-up. At this point, the focus shifted from the evidence to the conduct of the police. By the 1980s, most people familiar with the case were convinced of Hauptmann's complete innocence. Many denied the murder, believing that the Lindbergh baby remained alive. Several men claimed to be the firstborn son of Charles and Anne Lindbergh, one of whom sued to claim his share of the Lindbergh estate after Charles Lindbergh's death in 1974. Another group held that the kidnapping was an elaborate hoax to cover up the murder of the baby by his parents. Anna Hauptmann¹s series of federal lawsuits against New Jersey and others in the mid-1980s fueled further interest in the case. Although Hauptmann's widow lost all of her lawsuits, she had won the hearts and minds of the American people before her death at the age of ninety-four. Former FBI agent Fisher discusses the hard evidence, such as the ransom notes and the wood of the kidnapping ladder. He analyzes and debunks the various revisionist theories and presents new evidence that, coupled with the undisputed facts, prove beyond a reasonable doubt that Hauptmann was guilty as charged: he kidnapped and murdered the infant son of Charles and Anne Lindbergh.
Compiled from the literary estate of the singer who brought a wildly lyrical poetry of the damned to the world of rock 'n' roll. Includes unpublished poems, drawings, photos, and a candid self-interview.
Finally back in print and for the first time in hardcover, the novelization of The Dark Crystal adapted by A.C.H. Smith and personally overseen by Jim Henson, features an exclusive peek into Jim Henson’s creative process with over twenty never-before-seen pages of his detailed notes on an early draft of the adaptation. This beautiful hardcover includes illustrations and concept designs by legendary illustrator and concept artist Brian Froud (The Goblins of Labyrinth, Faeries) that have never been published.
Features unpublished goblin illustrations by legendary illustrator and concept artist Brian Froud and an exclusive peek into Jim Henson’s creative process with 50 never-before-seen pages from his personal journal, detailing the initial conception of his ideas for LABYRINTH.
In the 30 years since its original release in 1986, Jim Henson's timeless fantasy film Labyrinth has captured the minds and imaginations of authors, artists, filmmakers, and fans across the world. In honor of the film's 30th anniversary, return to the world of Labyrinth and see the beloved characters, imaginative locations, and unforgettable moments as realized by a collection of uniquely original artistic voices in an unprecedented celebration. Features illustrations and testimonials from comics luminaries and newcomers alike, including: Michael Allred, Joëlle Jones, David Mack, Gustavo Duarte, Ramón K. Pérez, Dustin Nguyen, Mike Huddleston, Jill Thompson, Mark Buckingham, Tula Lotay, Faith Erin Hicks, and many, many more.
This is an 872 page New Testament Study Bible with footnotes written from a Landmark Baptist point of view on Church Truth. It is a work completed by several cooperating contemporary Ordained Elders of the Landmark Baptist Faith. It is available in Hard Back, Soft Back and in Electronic Format. The King James Version drew heavily from the Tyndale and Coverdale translations of the New Testament. Tyndale and Coverdale translated the Greek term ekklesia as congregation. However, King James ordered his translators (within his 15 rules to the translators), not to translate ekklesia but instead to use the ecclesiastical term church. All contributors to the Landmark Study New Testament are thankful to be free from the rules of a human King for this edition. We trust and pray that the great King of Kings will bless this effort to His honor and glory. We humbly present the Landmark Study New Testament for the edification of Gods elect and a clearer understanding of New Testament Ecclesiology. The KJV text remains intact here except where they did not translate ekklesia and baptizo by order of King James. We have also added "Modern English" words in brackets next to some of the "Elizabethan English" words that some call "archaic". Elder Larry J. Killion.
Enos Jones of Augusta County, Virginia, was the son of Robert Jones & Anne Coulston of the Welsh settlement of Gwyndd in what is today Montgomery County, Pennsylvania. They were Friends or Quakers if you prefer, as were the majority of the first settlers of Gwyndd, fleeing from the religious intolerance of 17th Century England. These early Quakers were soon joined by a host of 18th Century settlers from Germany, France, Ireland, Scotland, Wales and England who also contributed their unique heritage to the growth of our country's culture. They were quickly followed by others from almost every corner of the world. Around the time of the American Revolution, Enos Jones and his wife Lydia, daughter of Palatine Germans, packed up their family and, along with Lydia's brothers, made their way west into the Shenandoah Valley of Virginia. The following generations moved on west in search of new lands to farm stopping in Ross County, Ohio, then Linn County, Iowa, and finally in Page County, Iowa where the tale ends.
A collection of columns by Jim Foster, an award-winning columnist for the Orillia Packet and Times, the Collingwood Enterprise-Bulletin, and the Oro Medonte Severn News.
The Korean Police Action caused the 936th Field Artillery Battalion, Arkansas National Guard, to join the meat-grinder of war. Led by Captain Douglas E. Morrow, my hero, a bunch of raw Arkansas kids became known as the "shootin'est non-salutin'est group of misfits in Korea. Left to our own devices, we would have been butchered by the armies of the North Koreans and Chinese, squabbling amongst ourselves over our small town rivalries and the lingering memories of high school insults while the enemy roared in. Doug Morrow, however, a WW II veteran, trained us to fight and taught us how to be men. The author exchanged 425 letters with his future wife, and the story of that burgeoning relationship captures what motivated the men to fight bravely when hell rained down. The only thing we had to keep ourselves going was the promise that some day we would have peaceful lives with the women we loved, that some day we would sink into the tranquility of Arkansas and dream of something other than the carnage of shrapnel. We fiercely fought for that dream even after an explosion robbed Doug Morrow of his own, because he had taught us to cherish what we had left behind in Benton County, and because he taught us that warriors do not run, even when it feels that God and country have abandoned them. I have finished My Benton County Hero and I thank you for writing it. It is an excellent running history of our miserable time in Korea. I think it is accurate. There were lots of events that I either didn't remember or never knew about. And I am sure that would be true of every man in A Battery from Bentonville, Arkansas, who will read the book. We all have our own experiences, and no one knows every thing that happened to any one else over there, but you have sure as hell captured a lot of my memories and experience. I know that it took a lot of research and just plain dam hard work to set it to paper. I don't have the patience for that. You have told your story and you have done a good job of it. It must be very therapeutic for you. Not many people attempt it, or want to. Or even have a story. You are Jim Rakes and you did as you pleased. The only way any one ever has freedom is to self impose strict discipline on themselves. Thanks for the work. All of A Battery who read it will be grateful to you, as I am. Thank you for the hard work you did for me while we were over in Korea. Never for a minute did I have to be concerned about you running your section in a professional military manner. You were a good soldier. I know Master Sergeant material when I see it. You were young, eager, smart, and had a go for it attitude. That is why you were picked for the job of Master Sergeant. I really wasn't looking out for you as much as I was for my self and the Outfit. You justified my judgment. I have always known that I made a good decision when I chose you for the jobs that I needed you to perform. You served our country, the Outfit, and me in an outstanding manner. From an old Master Sergeant who knew. BDH
Shakespeare had extraordinary intelligence, unheard-of powers of observation and interpretation, a soaring imagination, a way with words that defies description, and a defining interest in the theater. He brought kings, queens, heroes, and peasantry to the stage so they could be seen in a more realistic fashion. Even so, in modern times, assistance is often needed to interpret Shakespeares work. In A Leg Up on the Canon, author Jim McGahern provides an extensive biography of Shakespeare and offers an introductory guide to his histories, comedies, tragedies, romances, and poems. McGahern presents summaries of the texts, explanations of difficult passages, extensive historical context, and glossaries of terms no longer in use. In each volume, he outlines the plot of plays in that category and then delivers a one-act play with inclusive commentary. McGahern includes pertinent remarks and important speeches and soliloquies interlaced with brief explanations and descriptions of the actions on stage as well as plot developments. A Leg Up on the Canon, a four-volume series, provides insights into the word music of the talented man from Stratford.
As interest in environmental issues grows, many writers of fiction have embraced themes that explore the connections between humans and the natural world. Ecologically themed fiction ranges from profound philosophical meditations to action-packed entertainments. Where the Wild Books Are offers an overview of nearly 2,000 works of nature-oriented fiction. The author includes a discussion of the precursors and history of the genre, and of its expansion since the 1970s. He also considers its forms and themes, as well as the subgenres into which it has evolved, such as speculative fiction, ecodefense, animal stories, mysteries, ecofeminist novels, cautionary tales, and others. A brief summary and critical commentary of each title is included. Dwyer’s scope is broad and covers fiction by Native American writers as well as ecofiction from writers around the world. Far more than a mere listing of books, Where the Wild Books Are is a lively introduction to a vast universe of engaging, provocative writing. It can be used to develop book collections or curricula. It also serves as an introduction to one of the most fertile areas of contemporary fiction, presenting books that will offer enjoyable reading and new insights into the vexing environmental questions of our time.
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