Playing Through" features informed and insightful pieces on pro golf from the early 1980s to the present from one of the game's most respected writers"--
Compiled from the literary estate of the singer who brought a wildly lyrical poetry of the damned to the world of rock 'n' roll. Includes unpublished poems, drawings, photos, and a candid self-interview.
Intense, erotic, and enigmatic, Jim Morrison's persona is as riveting now as the lead singer/composer "Lizard King" was during The Doors' peak in the late sixties. His fast life and mysterious death remain controversial more than twenty years later. The Lords and the New Creatures, Morrison's first published volume of poetry, is an uninhibited exploration of society's dark side -- drugs, sex, fame, and death -- captured in sensual, seething images. Here, Morrison gives a revealing glimpse at an era and at the man whose songs and savage performances have left their indelible impression on our culture.
Features unpublished goblin illustrations by legendary illustrator and concept artist Brian Froud and an exclusive peek into Jim Henson’s creative process with 50 never-before-seen pages from his personal journal, detailing the initial conception of his ideas for LABYRINTH.
Over 175 full-color illustrations. American golfers have never before had so many options for indulging their favorite pastime. Culling 60 of the most outstanding courses, the author thoroughly discusses and analyzes each one. A seasoned writer and avid golfer, he has personally hand-picked and played many of the diverse courses in this volume. To merit inclusion, each course had to present a unique challenge to the golfer while providing a magnificent setting in which to play. With contact information for those planning a golf vacation, this book is both a practical travel planner and a unique playing companion for the contemporary golfer.
The game of golf has been witness to dramatic change since the early 1980s. Technology has relegated polished wooden drivers and wound balls covered with balata to the dustbin of history. The world's great courses have been stretched unfathomable lengths to counter the game's modern champions and the distances they hit the ball. In the end, though, it still comes down to the players. Jim Moriarty has focused his attention on the glory, sacrifice, success, and despair of these champions. In Playing Through, he captures the essence of this most recent, most transformative chapter in golf's long history. He writes of the last great rivalry: Jack Nicklaus versus Tom Watson; the rise of the European juggernaut with Seve Ballesteros and Nick Faldo; the Ryder Cup spectacles of 1999 and 2012 and the romance of team golf; the tragic loss of Payne Stewart and Ballesteros, both gone too soon; the emergence of the Australians, South Africans, South Americans, and Pacific Rim players in the Presidents ∪ and the man who ruled golf, Tiger Woods. Golf may have changed in the last thirty-five years, but Moriarty's words show that no matter how far the ball flies, it still pits players against themselves, the elements, and their opponents to remain the game we all know and love.
The Fighting Irish have not only the most successful college football program in history but the most devoted fans. In their 110-year history, Notre Dame has compiled a phenomenal 747-222-31 record, including eleven national championships! Now the millions of Notre Dame fans can find what they're looking for in this A-to-Z compendium of 500 lively entries -- from John Adams to Chris Zorich -- packed with scores, records, polls, and profiles of players and coaches. Here are all the facts about George Gipp, Joe Montana, Knute Rockne, Ara Parseghian, the Four Horsemen, and more. The appendix includes a complete player roster, all-time results, NFL draft picks and players, a year-by-year history, and even an All-Time Notre Dame Dream Team.
The writing major is among the most exciting scenes in the evolving American university. Writing Majors is a collection of firsthand descriptions of the origins, growth, and transformations of eighteen different programs. The chapters provide useful administrative insight, benchmark information, and even inspiration for new curricular configurations from a range of institutions. A practical sourcebook for those who are building, revising, or administering their own writing majors, this volume also serves as a historical archive of a particular instance of growth and transformation in American higher education. Revealing bureaucratic, practical, and institutional matters as well as academic ideals and ideologies, each profile includes sections providing a detailed program review and rationale, an implementation narrative, and reflection and prospection about the program. Documenting eighteen stories of writing major programs in various stages of formation, preservation, and reform and exposing the contingencies of their local and material constitution, Writing Majors speaks as much to the “how to” of building writing major programs as to the larger “what,” “why,” and “how” of institutional growth and change.
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds � from the blues to Broadway ballads � and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work � from singer-songwriters to rock bands. Some of the greatest transatlantic names � Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more � credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.
A necessity for the professional journalist's library, Journalism: State of the Art will prove a valuable resource for the student journalist as well. This book summarizes some 200 media studies many from the most prestigious journal in the trade, Journalism Quarterly. In a paraphrased-synthesis format, and using informal terms, the author arranges some of the most interesting studies of the 1980s into eight subject headings including: Ethics Law, and the Journalist; Advertising in the 1980s; Polling and Precision Journalism; and Predictors of Readership and Viewship. For many years there has been a gap between media researchers and the practicing journalist. Published research about journalism as a discipline may receive attention in the classroom but seldom gets in the newsroom. Viewing the gap between the researcher and practitioner, Willis offers comments from both sides. He surveys nearly 150 news executives on media research and gives an insightful look at what factors cause readers or viewers to pay attention to the news media. From trends in the industry to types of audiences, Journalism: State of the Art uses practical research studies presented in an accessible style. Offering the most current data available on media research, this book will prove a great instructional as well as reference tool. It is a must for college journalists, working press, and media marketers.
Have you ever arrived at a Sherlockian meeting having not read the story of the day? What you need is a 3-minute synopsis. In verse. With music. That very solution is in your hands. Jim Ballinger began writing folk songs about each of the Sherlock Holmes stories in 1981 and performing them at meetings of the Bootmakers of Toronto with accompaniment on his guitar. After a hiatus or two, the project was completed with the sixtieth song in 2017. The lyrics and notation of the original music are included in this volume, edited by Mark Alberstat. The music encompasses a variety of styles from generic trad rock or folk rock to Victorian music hall, Gilbert and Sullivan patter songs, sea shanty (Black Peter), rhumba (The Dancing Men, The Sussex Vampire), bouzouki (The Greek Interpreter), country and western (The Three Garridebs), military band (The Naval Treaty), rugby song (The Missing Three-Quarter), and drinking song (The Six Napoleons). There’s even some tasteful yodeling at the Reichenbach Falls in The Final Problem, and The Creeping Man strays dangerously close to punk rock. Other influences include Cole Porter, Noel Coward, Tom Lehrer and Gordon Lightfoot. Videos of the songs are posted on the YouTube channel Sherlock Songs.
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