Titles are: Alexander's Ragtime Band * Almost Like Being in Love * For Me and My Gal * Georgia on My Mind * Give My Regards to Broadway * I Love a Piano * It's a Most Unusual Day * Peg o' My Heart * Play a Simple Melody * A Pretty Girl * Put On a Happy Face * Rialto Ripples * Satin Doll * They Don't Believe Me and more.
A man who falls in love with a woman he passes on the highway during his daily commute. An amusement park attraction that comes to life. A young biracial man forced to choose sides when a not-so-United States erupts in racial civil war. A love affair between the ghost of a dead woman and the new owner of the house she haunts. And a down-on-his-luck salesman who embarks on a crusade of revenge against everyone he believes has wronged him. This is what you will find among the five short stories that make up Five Trips To The Edge. In Segregation Anxiety, Jordan Jefferson finds himself literally caught in the middle when racial tensions spiral out of control in the USA of the future. In Presidents Day, Geoff Underwood gets more than he bargained for when he visits Disney World’s Hall of Presidents. Dave Franken decides in The Big Hate that if you can’t join ’em, beat ’em. And in both Stan’s Not My Name and Mirror Image, men and women fall in love under extremely unusual circumstances. Quirky, funny, thought-provoking, and even shocking, buckle your seat belt and drive the twisted roads in Five Trips To The Edge.
Rialto Ripples" is George Gershwin's first published instrumental and his only piano rag. It has all the hallmarks of Gershwin's piano style merging ragtime with a piano novelty number. It's fun, it's delightful, it's a toe-tapper, and smile-maker. This wonderful rag is accessible to intermediate level pianists but will attract advanced players, too. A great addition to recital and encore lists!
In Dead Weird, Jim Hewitson is let loose on the ultimate taboo and finds that death can be fun for all the family, a good day out or the perfect excuse for a booze up or a fight. Executions, grizzly murders, raising the dead, battlefield carnage, clean-in-between-the-sheets death, traditions, proverbs, omens, anthems and premature burials - they're all here to give us a new perspective on life's greatest certainty: DEATH!
Collects Strange Tales (1951) #151-168; Nick Fury, Agent of SHIELD (1968) #1-3, 5. Rarely before and rarely since has the comics industry seen a talent as innovative as Steranko. Blending together influences from pop art to Salvador Dali and Will Eisner to Wallace Wood, Steranko’s groundbreaking style is an incomparable visual language. Steranko is…revolutionary! Marvel is proud to present Steranko’s complete tenure on NICK FURY, AGENT OF S.H.I.E.L.D. in a single, massive King-Size edition that showcases all its glory! These are the stories that defined Nick Fury as the premier spymaster operating in the covert shadows of the Marvel Universe. His awesome tech, his steamy romances, his larger-than-life action-adventure — Steranko was behind it all, breaking all the old rules of comics storytelling as he went and creating a few new ones too!
This book develops the logic underlying the connections between breaking the rules and making the rules. Approaching policy issues from this point of view provides a perspective that illuminates a wide variety of phenomena
Known for his blending of philosophy, spirituality, humor, and a rollicking good story, Charles Johnson is one of the most important novelists writing today. From his magical first novel, Faith and the Good Thing, to his decidedly philosophical Oxherding Tale; from his swashbuckling indictment of the slave trade in the National Book Award-winning Middle Passage, to his more recent imaginative treatment of Martin Luther King Jr. in Dreamer, Johnson has continually surprised, instructed, and entertained his many avid readers. As this collection of interviews suggests, the novelist is as multifaceted and complex as his novels. Trained in cartooning and philosophy, martial arts and meditation, and producing teleplays, photobiographies, and literary criticism in addition to fiction, Charles Johnson represents a model of what he calls �life as art.� Alluding to the "Three Gates" of Buddhist "Right Speech," the title of this volume aptly captures the generous spirit that characterizes Charles Johnson�s work. An indispensable resource for all of Johnson�s many readers, Passing the Three Gates represents both the transformation of the artist over time and the continuity and endurance of his aesthetic and spiritual vision.
Followers of the Sport of Kings will find the book irresistible." -Publishers Weekly Jim Bolus's Kentucky Derby Stories was called "a Derby delight," "entertaining," and "a winner" by publications like Daily Racing Form, Lexington Herald-Leader, and the Detroit News. Now, Bolus, sportswriter and Derby historian, is back with another field of stories from the most-esteemed horse race in North America-Remembering the Derby. Included in this volume of his Derby moments are stories of trainers, runners, writers, winners, and losers. Bolus features chapters on his favorite race writers, Mike Barry and Joe Hirsch, who influenced his own craft and his love of the sport; and Bolus spends a few pages noting some of the best writers whose handicapping has paid off for many of their readers. This volume's cast of horses includes unforgettable legends like Northern Dancer and some less-memorable runners like Silky Sullivan, who deserves a second bow. Relying on his reportorial background, Bolus investigates the Derby with some enlightening offerings from the past. From the 1924 Derby, he recalls a controversial four-horse finish and how the true second-place finisher will never be known. Also in the list of stories is a compilation of tales from the saddle in which jockeys misgauged the distance to the finish-decisions that cost some the race and handed victory over to others. ABOUT THE AUTHOR The late Jim Bolus, who attended his thirty-seventh Kentucky Derby in 1996, hadn't missed the race in more than twenty years. Dubbed a Doctor of Derbyology by one newspaper reporter, Bolus also wrote Derby Dreams, Derby Fever, Kentucky Derby Stories, and Derby Magic, all published by Pelican.
How an early modern understanding of place and movement are embedded in a performative theory of literature How is a garden like a poem? Early modern writers frequently compared the two, and as Jim Ellis shows, the metaphor gained strength with the arrival of a spectacular new art form—the Renaissance pleasure garden—which immersed visitors in a political allegory to be read by their bodies’ movements. The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of both. Starting with the Earl of Leicester’s pleasure garden for Queen Elizabeth’s 1575 progress visit, Ellis explores the political function of the entertainment landscape that plunged visitors into a fully realized golden world—a mythical new form to represent the nation. Next, he turns to one of that garden’s visitors: Philip Sidney, who would later contend that literature’s golden worlds work to move us as we move through them, reorienting readers toward a belief in English empire. This idea would later be illustrated by Edmund Spenser’s Faerie Queen; as with the pleasure garden, both characters and readers are refashioned as they traverse the poem’s dreamlike space. Exploring the artistic creations of three of the era’s major figures, Ellis argues for a performative understanding of literature, in which readers are transformed as they navigate poetic worlds.
Lucid, poetic and fascinating' ALICE ROBERTS 'Engaging, authoritative and full of fascinating stories of the past' RAY MEARS 'A gentle, personal and very readable book' JULIA BLACKBURN AUTHOR OF TIME SONG ' A triumph!' JAMES CANTON, AUTHOR OF THE OAK PAPERS 'I loved this book' FRANCIS PRYOR On paths, roads, seas, in the air, and in space - there has never been so much human movement. In contrast we think of the past as static, 'frozen in time'. But archaeologists have in fact always found evidence for humanity's irrepressible restlessness. Now, latest developments in science and archaeology are transforming this evidence and overturning how we understand the past movement of humankind. In this book, archaeologist Jim Leary traces the past 3.5 million years to reveal how people have always been moving, how travel has historically been enforced (or prohibited) by people with power, and how our forebears showed incredible bravery and ingenuity to journey across continents and oceans. With Leary to show the way, you'll follow the footsteps of early hunter-gatherers preserved in mud, and tread ancient trackways hollowed by feet over time. Passing drovers, wayfarers and pilgrims, you'll see who got to move, and how people moved. And you'll go on long-distance journeys and migrations to see how movement has shaped our world.
Based for the most part on Ovid's Metamorphoses, epyllia retell stories of the dalliances of gods and mortals, most often concerning the transformation of beautiful youths. This short-lived genre flourished and died in England in the 1590s. It was produced mainly by and for the young men of the Inns of Court, where the ambitious came to study law and to sample the pleasures London had to offer. Jim Ellis provides detailed readings of fifteen examples of the epyllion, considering the poems in their cultural milieu and arguing that these myths of the transformations of young men are at the same time stories of sexual, social, and political metamorphoses. Examining both the most famous (Shakespeare's Venus and Adonis and Marlowe's Hero and Leander) and some of the more obscure examples of the genre (Hiren, the Fair Greek and The Metamorphosis of Tabacco), Ellis moves from considering fantasies of selfhood, through erotic relations with others, to literary affiliation, political relations, and finally to international issues such as exploration, settlement, and trade. Offering a revisionist account of the genre of the epyllion, Ellis transforms theories of sexuality, literature, and politics of the Elizabethan age, making an erudite and intriguing contribution to the field.
ABOUT THE AUTHOR Jim Davidson is a Christian businessman and a native of Gould in Southeast Arkansas. His career as a public speaker, author, and motivational consultant has spanned more than forty-five years. Some of his many awards and achievements include: Arkansas Salesman of the Year, Chairman of the Little Rock Chamber of Commerce's Diamond Club sales organization, Justice of the Peace in Pulaski County, Chairman of Speakers Bureau of the Pulaski County United Way, Leadership Gavel recipient as voted by members of his Dale Carnegie Class, and honorary member of the DECA & GCE Clubs of Arkansas. He has also been presented with the "Good Neighbor Award" by the Conway Area Chamber of Commerce and is the 2010 "Distinguished Service Award" winner for Conway Public Schools. In November 2013, Jim was given a Senate Citation and the Conway Community Service Award by Senator Jason Rapert during a ceremony at the Faulkner County Library. In 1980, Jim began writing and producing a daily radio program titled "How to Plan Your Life." It has been broadcast by over 300 radio stations coast to coast and heard by thousands of people each weekday. Later, in 1995, he also began writing a weekly newspaper column for his hometown newspaper, the Log Cabin Democrat, in Conway, Arkansas. With over 375 newspapers in thirty-five states running his column since its inception, it is believed to be the most successful self-syndicated column in the history of American journalism. Jim was a staunch member of the Conway Noon Lions Club for over 20 years, holding every leadership position and winning all their awards, including twice being named a Melvin Jones Fellow, the highest award in Lionism. He also served as Chairman of the Annual Golf Tournament and the Harlem Ambassador Fundraiser Event. Publisher's website: http: //sbprabooks.com/JimDavidson
During a lifetime in professional sports, Jim Finks touched nearly every rung on the ladder. As a player during the National Football League's Golden Era of the 1950's, Finks suffered a broken neck making a tackle and later survived to become a Pro Bowl quarterback for the Pittsburgh Steelers. He coached Paul Hornung to a Heisman Trophy at Notre Dame in 1956 before cutting his teeth as general manager of the Calgary Stampeders of the Canadian Football League. From Canada, Finks headed south to help build Super Bowl teams as GM of the Minnesota Vikings and Chicago Bears. He even brought his winning touch to baseball as president of the Chicago Cubs in 1984 before rescuing the New Orleans Saints from pigskin purgatory and elevating them to playoff respectability. Finks spent 26 years as an NFL general manager and was a strong candidate to replace Pete Rozelle as commissioner in 1989 while earning NFL executive of the year awards in 1973 and 1987. Jim Finks was admired for his honesty and integrity in a business where the shafts and knives often fill the air. Finks was a unique individual, and "It's Been a Pleasure" will impart even more of that wisdom.
Catalogue accompanying the exhibition JIM HODGES held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, June 21 - August 31, 2003; the Austin Museum of Art, February 21 - May 23, 2004; the Weatherspoon Art Museum, the University of North Carolina at Greensboro, August 8 - October 24, 2004; and the Museum of Contemporary Art, Cleveland, January 27 - May 1, 2005.Includes a dialogue with Jim Hodges conducted by Ian Berry and essays by Ron Platt and Allan Schwartzman.
Snyder joins his old friend, novelist Harrison, to discuss their loves and lives. This book is a companion to the film "The Practice of the Wild" and comes with a DVD containing the film together with more than an hour of outtakes and expanded interviews.
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