A comprehensive account of Doctor Who as a television series and product of popular culture. Doctor Who, the iconic British science-fiction series following a time-traveling alien scientist, was first broadcast November 23, 1963, on BBC Television. Though modestly conceived and produced, its depiction of the alien but strangely human "Doctor" proved to be such a commercial success that the program was shown in more than forty countries over twenty-six seasons—from 1963 to 1989—and returned successfully to television in 2005. In Doctor Who, Jim Leach explores the reasons behind the original series’ popularity and the ways it evolved during its long run. Leach analyzes in detail seven representative episodes from the original run of the series to trace the development of the seven "regenerations" of the main character by different actors. In addition to detailing each actor’s contribution to the role, he also tackles such issues as the show’s self-reflexivity, its attitude toward science and technology, and its generic mix of science fiction, fantasy, and horror. Leach considers Doctor Who as a "fantastic" text, with its concept of regeneration and the complex experience of time that evolved during its run. He also looks at the series’ manipulation of the medium of television and its broader cultural influences and implications. Leach concludes with a section that looks at the continuities and differences found in the new series. Doctor Who is an accessible and intriguing guide to one of the most popular series in television history. Film and television studies scholars, fans of the show, and general readers interested in popular cultural studies will enjoy this enlightening volume.
Denys Arcand is best known outside Canada for three films that were nominated for Academy Awards for Best Foreign-Language Film: The Decline of the American Empire (1986), Jesus of Montreal (1989), and The Barbarian Invasions (2003), the last of which won the Award. Yet Arcand has been making films since the early 1960s. When he started making films, Quebec was rapidly transforming from a relatively homogeneous community, united by its Catholic faith and French language and culture, into a more fragmented modern society. The Films of Denys Arcand sheds light on how Arcand addressed the impact of these changes from the 1960s, when the long-drawn-out debate on Quebec's possible separation from the rest of Canada began, to the present, in which the traditional cultural heritage has been further fragmented by the increasing presence of diasporic communities. His career and films offer an ideal case study for exploring the contradictions and tensions that have shaped Quebec cinema and culture in a period of increasing globalization and technological change.
Through close readings of Jutra's major films, Jim Leach analyses their distinctive cinematic qualities and discusses the responses they have received from reviewers and critics. He focuses both on the films and the historical and cultural contexts in which they were made, arguing that critics have frequently used inappropriate criteria to judge them and that these misunderstandings reveal much about attitudes to Canadian cinema in general. Jutra's films are shown to reflect the instability of their cinematic and cultural contexts and raise important questions about nationhood. Jutra always identified himself as a separatist and his films were shaped by the rapid changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. At the same time his work was often appreciated by English Canadian critics and audiences and was affected by federal film policy and institutions. Although Jutra died in 1986, his films and career still have much to tell us about Canadian cinema and media production, and about the complex cultural contexts that underlie the ongoing debates on Canadian and Quebec nationhood.
Fred Shero, the head coach of the teams forever remembered as the Broad Street Bullies, chose the hours before Game 4 of the 1974 Stanley Cup Finals to inscribe this on the locker room blackboard: Win together now and we walk together forever. Well, of course, that team went on to win not one, but two Stanley Cups. Shero could not have been more prophetic. Thirty years later, members of those Cup teams are still revered in the city of Philadelphia and throughout the hockey world, for that matter. In Walking Together Forever: The Broad Street Bullies Then and Now author Jim Jackson wants to bring people back to those glorious days of the 1974 and 1975 Stanley Cup championships through the telling of so many of the incredible anecdotes that emanated from the many memorable characters that created the glory: Walking Together Forever: The Broad Street Bullies Then and Now will follow the major principals of the Cup wins, taking readers through the remainder of those heroes' hockey careers, into retirement, and up to the present. Many of the stories of their personal trials, travails, and successes since hoisting Lord Stanley's Cup are as compelling as those from the championship years themselves. In the eyes of hockey fans, members of those teams have indeed walked together forever.
Here's a book that takes readers behind the scenes for some of the greatest moments in University of Michigan football history. From "Kip" Taylor, who scored the first touchdown at Michigan Stadium in the late 1920s, to Lloyd Carr, the Wolverines? current head coach, Michigan fans will be offered details of the stories they've heard about for years...and some that they have never heard. Players who knew Yost, Oosterbaan, Crisler, Elliott, and Schembechler tell their stories in Tales from Michigan Stadium about practice, famous plays, and games from one of the most tradition-rich football programs in collegiate history.
Everyone’s heard of Usain Bolt, but how many people know about Dineka Maguire? Like Bolt, the Irish woman is a world record holder but in the rather lesser known sport of bog snorkelling. She is just one of the hundreds of unsung heroes featured in this book chronicling the people who go to bizarre lengths to break world records in the weirdest categories; people who devote hours of intense training to spitting dung, eating cockroaches, sniffing feet or tossing tuna in the hope of one day being recognised as the best in the world. This astonishing compendium of the weirdest, wackiest and most disgusting world records will amuse and astound in equal measure. Entries include: Longest ear hair Fastest marathon while wearing a deep-sea diving suit Fastest bog snorkeller Farthest distance skateboarding by a goat Most bees on body Most milk crates balanced on head Fastest 5-km run while dressed as a penguin and juggling Heaviest airplane pulled with teeth Fastest shopping trolley Longest backwards motorcycle ride Most stairs climbed by bicycle Fastest 30 metres on a scooter by a dog First water-skiing squirrel
Even Trolls Love Pasties looks back to life in Ann Arbor during the 1970s and two freshmen at the University of Michigan as they move through at world of young loves, new friendships, drugs, music, politics, Wolverine football and the occasional ghost. After encountering the slings and arrows that life throws their way, the two embark on a road trip to Daytona Beachvia Seattle.
With the “Curse” a distant memory, the Boston Red Sox are the first team this century to win three World Series titles. Before 2004, an obnoxious Yankees fan might have smirked: The Red Sox in the World Series? The world’s shortest book!” In actual fact, the Red Sox have played in twelve World Series and won eight. Even during their stories 86-year drought, the Sox took four Series to Game Seven before losing. Lavishly illustrated, From the Babe to the Beards is the result of another collaboration by Bill Nowlin and Jim Prime—each with more than a dozen Sox books to their credit. The book includes full game accounts of every one of the 74 Series games played (to date) and profiles a significant player from each game. Supplemented with dozens of photos and line scores from every game, the book will provide a solid and eminently readable companion as the team prepares for additional Series in the years to come. Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
In Memoirs of a semi-pro musician Jim Thackeray recounts tales from over forty years of playing and enjoying his guitar. It is a light-hearted look at the world of the amateur or semi-professional guitarist, through the eyes of one who’s been there, done it and certainly got the T shirt. “Whether you’re a complete beginner as a guitarist, or a seasoned old campaigner, I hope you will enjoy reading this book, as much as I have enjoyed writing it, and that perhaps some of my experiences will strike a chord (no pun intended).” “I hold you in high esteem as a muso mate. I remember us starting together years ago and you genuinely helped me see that music was not just 12 bar stuff, you really knew some chords. Great times mate and no one can take those away. Take care and sincere good luck with the new outfit and the book.” Terry Fisk “A fine read and an entertaining account of your life. I’m sure many people will enjoy this, I have. It sparked off my own memories of people and places long forgotten.” John D’Costa
Dwight Eisenhower called General George S. Patton “mentally unbalanced” and “just like a time bomb,” and indeed, the egotistical, mercurial, aggressive Patton is perhaps as well known for his questionable behavior and eccentric beliefs as for his daring battlefield exploits. In a brief but probing assessment of Patton’s life based on strong research in primary sources and knowledge of psychology, Jim Sudmeier considers the mind of Patton: what made this military genius tick? To what extent was Patton’s boldness and brilliance as a general, his willingness to welcome risk and danger, connected to his unstable personality? Sudmeier presents a myth-shattering reconsideration of one of military history’s most famous commanders.
This book follows the careers of Alaska's pioneering pilots, who, with cranky open-cockpit biplanes, started the great change in Alaska's way of travel. Aviation first arrived at Fairbanks, the trade center of mainland Alaska, from which dog sled trails spider-web to mines, villages, and trap-lines. During winters, goods and people traveled mostly by dog sled. During the summer of 1923 Ben Eielson was the first to fly commercially from Fairbanks, ferrying passengers and light freight with an open cockpit Jenny (JN4) biplane. It was the beginning of the leap from ground travel to the air. Noel Wien was the next. In the summers of 1924-26 he flew open cockpit biplanes from Fairbanks. Starting in 1927, he flew a cabin biplane year-around on scheduled flights in the 579 miles between Fairbanks and Nome. In March, 1929, Wien flew from Alaska to the Elisif, an ice-locked trading schooner in Siberia, to return with a load of valuable furs. In the following November, Ben Eielson repeated this flight to the Nanuk, another ice-bound trading schooner in Siberia. And when he and his mechanic, Earl Borland returned for a second load of Siberian fur, their Hamilton airplane disappeared in a winter snowstorm. This brought on one of the most famous, and difficult aerial searches ever made from and in Alaska. By the 1930s, Alaska's growing aviation industry had revolutionized transportation in the Territory. This volume is a fond look back at the triumphs and tragedies of the pioneering Ben Eielson, Noel Wien, Harold Gillam, Joe Crosson, Ed Young, and others, the great pilots who were the first bush pilots of Alaska.
Historians have suggested that Scottish influences are more pervasive in New Zealand than in any other country outside Scotland, yet curiously New Zealand's Scots migrants have previously attracted only limited attention. A thorough and interdisciplinary work, Unpacking the Kists is the first in-depth study of New Zealand's Scots migrants and their impact on an evolving settler society. The authors establish the dimensions of Scottish migration to New Zealand, the principal source areas, the migrants' demographic characteristics, and where they settled in the new land. Drawing from extended case-studies, they examine how migrants adapted to their new environment and the extent of longevity in diverse areas including the economy, religion, politics, education, and folkways. They also look at the private worlds of family, neighbourhood, community, customs of everyday life and leisure pursuits, and expressions of both high and low forms of transplanted culture. Adding to international scholarship on migrations and cultural adaptations, Unpacking the Kists demonstrates the historic contributions Scots made to New Zealand culture by retaining their ethnic connections and at the same time interacting with other ethnic groups.
This multi-volume work began as a biography of Martha Wadsworth Coigney, who was a pioneering thought leader and advocate of internationalism in the American theatre during one of the most challenging periods in modern U.S. history. Coigney served as President of the International Theatre Institute (ITI) from 1966 to 2011. An independent NGO, ITI was devoted to the UNESCO mission of peace through mutual understanding, and, after World War II, often single-handedly sustained cultural exchange between artists on either side of the Iron Curtain, across religious divides, and in war zones. ITI was consistently in the vanguard of UNESCO's multi-lateral aim to bring all voices to the table, including former colonial peoples, developing nations, and indigenous cultures. In partnership with Rosamond Gilder and Ellen Stewart of La Mama E.T.C., Coigney led these landmark initiatives, including the representation of U.S. multicultural theatre leadership in Moscow in 1973. What was set in motion then is playing out today. Owing to the scope of Coigney’s work, William Wadsworth and Jim O’Quinn interviewed a wide range of her dramatist friends and professional colleagues. These conversations illumined a liberal cultural epoch (1954-86) and the U. S. Culture Wars that followed. The authors also recovered substantive original materials from Lincoln Center Performing Arts Library and the Rockefeller Archives about the life and work of Coigney, her mentor Rosamond Gilder, and Coigney’s longtime employer, the producer Roger Stevens. These materials document a sustained political effort by theatre people to socialize and liberalize post-WWII America. For these reasons, the work became much more than the story of one amazing person. It became a living history about relations between great artists and their milieu, told by the artists themselves. The Martha Coigney story has several key elements: • Coigney embodied the principle of internationalism as a counterforce to nationalism and fascism. • He career is a virtual how-to manual for re-visualizing and revitalizing American theatre. • Her life demonstrates the power of people-to-people diplomacy, based on the principles of individual human rights as established by the United Nations, the support of artistic freedom of expression, and the concept that every policy and funding mechanism finds its essence in the individual artist. • Coigney was one of the great theatre matchmakers and promoters of experimental and devised theatre work. Within this sector, she can be said to have revolutionized the theatre profession worldwide. • Gilder and Coigney, in their roles at ITI, led the movement to establish international theatre festivals in Europe, the USA, and globally. • Gilder and Coigney were collaborators with Roger Stevens, Donald Oenslager, Hal Prince, Nancy Rhodes, Edward Albee, and scores of other distinguished figures in the transmission of American dramatic art overseas. • Coigney served as advisor to and instrument for private theatre funders determined to create a national theatre accessible to working-class citizens and the poor, an investment, they believed, that was necessary to U.S. ascendency and world peace. In this they followed the inspiration of President John F. Kennedy, who articulated that to be influential, a great nation must have a great culture to contribute to the world.
Sooner fans, this is the one you've been waiting for--a book written by a die-hard fan, for die-hard fans. Chock-full of action photos, these pages capture the excitement and the glory of a century of Sooner football. The Die-Hard Fan's Guide to Sooner Football takes you on a tour through the long, proud history of the OU football program, from the birth of Sooner football in Bud Risinger's barber shop, through the dynasties of Bud Wilkinson and Barry Switzer, to Bob Stoops's powerhouse teams of today. Here you will find vintage reports on the Sooners' very first football games, in-depth details about OU's historic Wishbone offense, and a close-up look at OU's seven--count em, seven--national championship teams.
Until his recent death in federal prison, Jim McDougal was the irrepressible ghost of the Clintons' Arkansas past. As Bill Clinton's political and business mentor, McDougal - with his knowledge of embarrassing real estate and banking deals, bribes, and obstructions of justice - has long haunted the White House. Jim McDougal's vivid self-portrait, completed only days before his death and coauthored by veteran journalist Curtis Wilkie, takes on the rich particularity of character and plot to reveal the hidden intersections of politics and special interests in Arkansas and the betrayals that followed. It is the story of how ambitious men and women climbed out of rural obscurity and "how friendships break down and lives are ruined.
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