More than sixty years ago, the Supreme Court ruled in Brown v. Board of Education that America’s schools could no longer be segregated by race. Critically acclaimed novelist Jim Grimsley was eleven years old in 1966 when federally mandated integration of schools went into effect in the state and the school in his small eastern North Carolina town was first integrated. Until then, blacks and whites didn’t sit next to one another in a public space or eat in the same restaurants, and they certainly didn’t go to school together. Going to one of the private schools that almost immediately sprang up was not an option for Jim: his family was too poor to pay tuition, and while they shared the community’s dismay over the mixing of the races, they had no choice but to be on the front lines of his school’s desegregation. What he did not realize until he began to meet these new students was just how deeply ingrained his own prejudices were and how those prejudices had developed in him despite the fact that prior to starting sixth grade, he had actually never known any black people. Now, more than forty years later, Grimsley looks back at that school and those times--remembering his own first real encounters with black children and their culture. The result is a narrative both true and deeply moving. Jim takes readers into those classrooms and onto the playing fields as, ever so tentatively, alliances were forged and friendships established. And looking back from today’s perspective, he examines how far we have really come.
Ford McKinney, a gay doctor, dreads going home for the holidays, where his wealthy parents have picked out a prospective wife and he must face the difficult task of telling them he has fallen in love with Dan Krell, a hospital administrator from a poor background. Reprint.
The award-winning author of "Dream Boy" and "Winter Birds" weaves the moving tale of a woman determined to figure out if the visions that haunt her are merely dreams--or nightmares she has lived and forced herself to forget. "Each sentence bristles with equal parts rage and grace".--Kelly McQuain, "The Philadelphia Inquirer".
The Ordinary is a powerful and entrancing tale of magic, science, and the mysterious truth that binds them together. Jim Grimsley's novels and short stories have been favorably compared to the works of Samuel R. Delany, Jack Vance, and Ursula K. Le Guin. Now he unleashes an ambitious and audacious collision between science and magic. The Twil Gate links two very different realms. On one side of the portal is Senal, an advanced technological civilization of some thirty billion inhabitants, all cybernetically linked and at war with machine intelligences many light-years away. On the other side is Irion, a land of myth and legend, where the world is flat and mighty wizards once ruled. Jedda Martele is a linguist and trader from Senal. Although fascinated by the languages and cultures of Irion, she shares her people's assumption that Irion is backward and superstitious and no match for her homeland's superior numbers and technology. But as the two realms march inevitably toward war, Jedda finds herself at the center of historic, unimaginable events that will challenge everything she has ever believed about the world---and herself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Winner of the American Academy of Arts and Letters' Sue Kaufman Prize for First Fiction. On a snowy Thanksgiving day in North Carolina, a dreamy eight-year-old is pushed headlong into the adult world by a violent quarrel between his parents. Jim Grimsley's brilliant first novel unfolds in a strikingly unconventional way--as the boy tells himself his own story. A shattering story of heartbreak, violence, and the endurance of the spirit. "Tell everyone."--Dorothy Allison, author of BASTARD OUT OF CAROLINA.
In a novel as stunning and heartbreaking as his acclaimed debut work, Grimsley recounts the story of a painful first love--between two adolescent boys who bravely sustain each other in a world of domestic disintegration.
Der heranwachsende Nathan ist mit seinen Eltern nach unendlich vielen Umzügen in einem kleinen Nest im amerikanischen Süden gelandet. Die fromme Familienidylle ist nur Fassade. Nathans Vater, ein Alkoholiker, neigt zu Gewalttätigkeit; die hilflose Mutter verschließt davor die Augen. In dieser ausweglos und dumpf erscheinenden, für den sensiblen Nathan kaum zu verkraftenden Atmosphäre sehnt er sich nach dem um zwei Jahre älteren Nachbarssohn Roy, dessen Blicke, dessen Hilfsbereitschaft ihm auch dessen heimliche Zuneigung zu verraten scheinen. Aber Nathan ist sich seiner Sache nie sicher. Die Bedrohung durch seinen Vater wird schließlich so stark, dass er sich versteckt halten muss. Roy bietet ihm in einer Scheune "Asyl" an. Bei einem Ausflug mit Freunden entlädt sich die Anspannung in einem Ausbruch von Liebe und Gewalt. "Dream Boy" wurde 2008 von James Bolton verfilmt und auf der Berlinale uraufgeführt. "Hier spricht Amerika mit einer Stimme, die bei uns selten vernommen wird." (Der Tagesspiegel) Jim Grimsleys moderne Südstaaten-Trilogie als E-Books in der Edition diá Wintervögel ISBN 9783860345115 Das Leben zwischen den Sternen ISBN 9783860345122 Dreamboy ISBN 9783860345139 ... und zum Weiterlesen Ellens Geschichte ISBN 9783860345320
Jim Grimsley's previous science fiction novel, The Ordinary, was named one of the Top Ten science fiction books of the year by Booklist and won the Lambda Literary Award. His novels and short stories have been favorably compared to those of Ursula K. Le Guin, Jack Vance, and Samuel R. Delany. Now Grimsley returns to the richly complex milieu of The Ordinary with a gripping tale of magic, science, and an epic clash between godlike forces. Three hundred years have passed since the Conquest, and the Great Mage rules over all of humanity, even as cybernetic links connect the varied worlds of the empire. Vast Gates allow travel from one planet to another, across unimaginable distances. Choirs of chanting priests maintain order, their songs subtly shaping reality, while the armies of the empire have known nothing but total victory for centuries. But on the planet Aramen, where sentient trees keep human symbionts as slaves, a power has arisen that may rival that of the Great Mage himself. Hordes of unnatural creatures rampage across the planet, leaving death and destruction in their wake. An inhuman intelligence, cruel and implacable, meets the priests' sung magic with a strange new music of its own. The Anilyn Gate is shut down, cutting off Aramen from the rest of humanity. The long era of peace is over. Now a handful of traumatized survivors must venture deep into a hostile wilderness on a desperate mission to uncover the source of the enemy's powers. And the future of the universe may depend on the untested abilities of one damaged child. . . . The Last Green Tree is a worthy successor to The Ordinary and a compelling saga in its own right. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Lifetime movie of my divorce and crime spree will be entitled Breakdown at Midnight.... Sympathy for my character will be established by my loss of a wildly respectable, lucrative job with Arthur Andersen, a company which turned out to be as crooked as its customers. I will be another orphan of the American Dream gone sour, and eventually I will give in to the so-called dark side of my nature when I strangle Carmine with the strap of her Prada bag, or stab her to death with a survivalist-quality knife, or bludgeon her skull to a bloody pulp with a classic Tiffany lamp; this part of the script will have to wait for the real event to unfold since, though I've decided that tomorrow will be the day I kill her, I have yet to choose how." —Charley Stranger Turning headline news into biting social satire, Jim Grimsley exposes the amorality of materialistic America in Forgiveness, a blackly comic tale of a bankrupt accounting executive who dreams of achieving stardom in the only way a pathetic failure can—by murdering his wife. As Charley Stranger imagines the crime, he fantasizes wildly unlikely encounters with celebrities—sharing marital woes with Nicole Kidman over a latte at Starbucks, being interviewed by Barbara Walters—while in real life his wife Carmine incessantly ridicules his inability to perform either in bed or in the marketplace. As Forgiveness veers to its shocking conclusion, it strips bare the corruption of the American Dream—the moral bankruptcy of corporate and political institutions, the hollowness of living in a media-saturated world, the delusion of buying love with luxury goods.
At the University of North Carolina, Ronny's made some friends, kept his secrets, survived dorm life, and protected his heart. Until he can't. Ben is in some ways Ronny's opposite; he's big and solid where Ronny is small and slight. Ben's at UNC on a football scholarship. Confident, with that easy jock swagger, and an explosive temper always simmering. He has a steady stream of girlfriends. Ben's aware of the overwhelming effect he has on Ronny. It's like a sensation of power. So easy to tease Ronny, throw playful insults, but it all feels somehow...loaded. Meanwhile Ronny's mother has moved to Vegas with her latest husband. And Ben's mother is fighting advanced cancer. A bubble forms around the two, as surprising to Ronny as it is to Ben. Within it their connection ignites physically and emotionally. But what will happen when the tensile strength of a bubble is tested? When the rest of life intervenes? The Dove in the Belly is about the electric, dangerous, sometimes tender but always powerful attraction between two very different boys. But it's also about the full cycles of love and life and how they open in us the twinned capacities for grief and joy.
Wintervögel", "Das Leben zwischen den Sternen" und "Dreamboy" - Jim Grimsleys moderne Südstaaten-Trilogie hat sich einen festen Platz im Kanon der amerikanischen Literatur gesichert. Dieses E-Book versammelt Leseproben zu den drei Büchern, zu "Ellens Geschichte" und begleitende Texte. Von Jim Grimsley außerdem in der Edition diá: Wintervögel ISBN 9-783-86034-511-5 Das Leben zwischen den Sternen ISBN 9-783-86034-512-2 Dreamboy ISBN 9-783-86034-513-9
Un premier amour est toujours une aventure merveilleuse et compliquée et, lorsqu'on vit dans le sud d'une Amérique rurale et religieuse et qu'on aime un autre garçon, les choses deviennent extrêmement difficiles. Nathan est un garçon intelligent, ballotté par les constants déménagements d'une mille sur laquelle règne le despotisme d'un père alcoolique et religieux. Il cache le terrible secret de la terreur que lui inspire son père. Nathan et Roy s'aiment mais ne savent pas encore tout dissimuler et ils se trouvent aux prises avec la bêtise et la violence impitoyables des autres garçons. Seule la fuite pourra les sauver. L'écriture poétique parfaitement maîtrisée de Jim Grimsley nous introduit dans l'univers et les sentiments de l'enfant tout en maintenant une distance qui évite tout pathos.
Interviews with 18 significant American writers. The interviews were conducted by the author on his radio program, Between the Covers, on KBOO in Portland, Oregon over a seven-year period. More conversational than interview in style, they focus on the interaction between the authors' lives and their literary work. The writers interviewed include Tim O'Brien, Carolyn Kizer, William Styron, William Kennedy, Robert Stone, Thomas McGuane, Carol Shields, Ethan Canin, Tobias Wolff, Paul Theroux, Jim Grimsley, Lorrie Moore, Dagoberto Gilb, Philip Levine, Thom Jones, Robert Wrigley, Stephen Dixon, and Robert Olen Butler.
The award-winning author of "Dream Boy" and "Winter Birds" weaves the moving tale of a woman determined to figure out if the visions that haunt her are merely dreams--or nightmares she has lived and forced herself to forget. "Each sentence bristles with equal parts rage and grace".--Kelly McQuain, "The Philadelphia Inquirer".
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