Jim Collins argues that postmodernism and popular culture have together undermined the master system of "culture." By looking at a wide range of texts and forms he investigates what happens to the notion of culture once different discourses begin to envision that culture in conflicting ways, constructing often contradictory visions of it simultaneously.
What do we mean by entertainment? How does this concept relate to theatre? Should theatre be for pleasure or instruction? Can it not be both? In this stimulating book, Jim Davis examines the relationship between theatre and entertainment by assessing audience reception, political theatre and melodrama. He explores definitions of entertainment, arguing that it can be found embedded in all forms of theatre, not just the 'popular'. Davis concludes with a review of contemporary perspectives on the topic and questions the limits of entertainment in theatrical performance.
Chicago has been called by many names--that Toddlin' Town, the Windy City (for its politicians, not weather) and Chi-town, to name a few. Today, it might be called Lollapalooza Land after its fun-loving and somewhat rowdy summer fest. But this nickname tracks back to 1908's boisterous Democratic Party fundraiser for the city's 1st Ward political machine. Chicago, from 1893 to 1934, was indeed alive with raucous people, as well as reformers, and this book not only tells their fascinating stories but also the following: Chicago's first McDonald's served up beer and politics, not burgers; the devil embodied Clark Street, but its tail swished all the way north to the opera; the city was a cartoonist's paradise; world-famous artists, writers, singers, and musicians drew, wrote, sang, and played in Chicago; and the Levee District boasted two madame sisters who ran a world-famous palace of pleasure. Readers will also meet a prizewinning horse without pants, wonder over an elephant named Princess Alice, hear of the world's biggest red wagon, find out about the first dinosaur in town, and discover how Chicago helped mother jazz, ragtime, and the blues.
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