Far Field is the third and final book in The Auchensale Trilogy, a series of poetry cycles capturing the changing rural landscape of the West of Scotland. Following on from its predecessors Black Cart and Bale Fire, the book consists of three cycles bound together by footers. A number of poems in the early part of the book are in response to paintings by the Glasgow Boys particularly those painted during their time spent in agricultural communities. Many of the poems are highly personal with a number about family members. These include a series of elegies for his late father. It also focuses on the present day looking to the challenges ahead for the family farm and that passing baton to the next generation.
A verse novella by Glasgow Laureate Jim Carruth, Killochries tracks the relationship of two very different men working a remote farm over the course of twelve months. A young man is sent to work at Killochries, a farm belonging to a relative, after burning out in the city. He is appalled by the absence of his previous life's essentials, by the remote strangeness of this new world. The old shepherd has never left the hills; has farmed them all his life. He doesn't care for the troubles of the modern world, trusting only in God, and greets the incomer with taciturn indifference. Through weeks shaped by conflict, hardship and loss a new understanding grows.
The history of Denton County, founded in 1846, has been well preserved through postcards. These images, produced from vintage photographs and artist renditions, reflect a time when communication through postcards was quicker, easier, and less expensive than writing a letter. Inside this book, readers are treated to charming snapshots of local history depicting churches, the downtown public square, businesses, public schools, the two newly created universities, railroad depots, trolleys, the earliest automobiles, and some of Denton Countys most familiar town views and tourist attractions.
What would you do if in a matter of seconds you went from being healthy and strong to being so badly damaged even your loved ones would have trouble recognizing it was really you? If you wound up being robbed of the ability to see the world as you had always done, how could you make up for such a loss? What kind of future could you have if you were no longer the person you'd always known yourself to be? The author of this autobiography had to start facing these questions when he was only 20 years old. His answers provide insight into his true character and portray the people and the era from which he came.
Plants in the Getty's Central Garden is Jim Duggan's sequel to the book Robert Irwin Getty Garden, Lawrence Weschler's account of the making of the Central Garden at the Getty Center in Los Angeles. Designed by contemporary artist Robert Irwin, this "sculpture in the form of a garden aspiring to be art" draws thousands of visitors each year. One of the key collaborators who helped Irwin realize his vision, Jim Duggan is, in his own words, a "hands-on gardener." His knowledge and experience were invaluable as Irwin selected the plants that would make up the interwoven "tapestry" of the Central Garden. This colorful guide brings together informative descriptions of the growing habits and characteristics of nearly four hundred individual plants, with beautiful images by noted garden photographer Becky Cohen. Duggan provides suggestions for cultivating the plants, many of which will be unfamiliar to gardeners in Southern California. Also included in the book are a foreword by Robert Irwin; three essays by Duggan tracing his involvement with the project; a map of the Central Garden; a plant location guide; and an index of scientific and common names.
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds � from the blues to Broadway ballads � and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work � from singer-songwriters to rock bands. Some of the greatest transatlantic names � Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more � credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.
The first-ever collection of interviews with this well-known, prolific writer whose books include twenty-two volumes of poetry, fiction, and nonfiction published over a period of thirty-six years
A New York Times Notable Book: A memoir of the writing life of Jim Harrison, from hardscrabble years to high-profile Hollywood friendships, “as engaging as it is eccentric” (The Washington Post Book World). In this “sprawling, impressionistic memoir”, which was selected as a New York Times Notable Book of the Year, Jim Harrison chronicles his coming-of-age, from a boy drunk with books to a young man making his way among fellow writers he deeply admires—including Peter Matthiessen, Robert Lowell, W.H. Auden, Truman Capote, Tennessee Williams, and Allen Ginsberg (The New York Times Book Review). Harrison discusses forthrightly the life-changing experience of becoming a father, and the minor cognitive dissonance that ensued when this boy from the heartland somehow ended up a highly paid Hollywood screenwriter. He gives free rein to his seven obsessions—alcohol, food, stripping, hunting and fishing (and the dogs who have accompanied him in both), religion, the road, and our place in the natural world—which he elucidates with earthy wisdom and an elegant sense of connectedness. Off to the Side is a work of great beauty and importance, a triumphant achievement that captures the writing life and brings all of us clues for living. A true masterpiece of memoir from an author whose “writing bears earthy whiffs of wild morels and morals and of booze and botany, as well as hints of William Faulkner, Louise Erdrich, Herman Melville, and Norman Maclean.” (San Francisco Chronicle) “This fine memoir is a worthy capstone to a fascinating career.” —Publishers Weekly
There's a difference between living and being alive.'Jim McGuinness inherited a wounded thing when he took over as manager of the Donegal senior football team in the summer of 2010. When he stepped down just over four years later, the same group of players had won three Ulster championships, the All-Ireland title of 2012 and succeeded in overturning a century-old perception of how Gaelic football should be played.His departure also marked the end of a personal odyssey, which had begun almost three decades earlier and weathered the aftermath of two family tragedies. Destined to become a classic, Until Victory Always is McGuinness's unforgettable and highly personal account of his years at the helm of the Donegal team.Confessional, moving, funny and fiercely honest, it's at once the epic story of one team's audacious bid to rewrite its destiny and one man's moving testament to the power of sport to sustain us in our darkest moments.
Business's Most WantedOao chronicles the best and worst of American business, explores the quirks of commerce, and provides an informative and sometimes amusing look at Wall Street. For an industry devoted to the serious matter of money management, this book provides a lighter look at business history, offering readers an entertaining guide to fascinating trivia about such topics as the ten largest family-owned businesses, former presidents with a business background, and unusual sales strategies, both successful and not, employed by eager store managers. Which Wall Street wizards were avid card players? Which great business leaders were adopted? What are the most socially responsible corporate cultures? ItOCOs all here, from the oldest corporation in America, J.E. Rhodes & Sons (est. 1702), to the dot-com corporations that exploded on the scene in the 1990s. History buffs, businessmen and businesswomen, and anyone with an interest in the lighter side of the corporate world will enjoy this irreverent look at the icons and goats of American business history.
An ALA Best Book for Young Adults: Firsthand accounts of the experiences of boys sixteen and younger who fought in the Civil War, with photos included. Winner of the Golden Kite Award for Nonfiction "Making extensive use of the actual words--culled from diaries, journals, memoirs, and letters--of boys who served in the Union and Confederate armies as fighting soldiers as well as drummers, buglers, and telegraphers, Murphy describes the beginnings of the Civil War and goes on to delineate the military role of the underage soldiers and their life in the camps and field bivouacs. Also included is a description of the boys' return home and the effects upon them of their wartime experiences...An excellent selection of more than 45 sepia-toned contemporary photographs augment the text of this informative, moving work." --School Library Journal (starred review) "This wrenching look at our nation's bloodiest conflict through the eyes of its youthful participants serves up history both heartbreaking and enlightening." --Publishers Weekly "This well-researched and readable account provides fresh insight into the human cost of a pivotal event in United States history." --The Horn Book (starred review)
Three classic novellas from “one of our master chroniclers of human hungers, flaws, and frustrations.” (The Kansas City Star). Jim Harrison’s vivid, tender, and deeply felt fictions have won him acclaim as an American master of the novella. His highly acclaimed volume of novellas, The Summer He Didn’t Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional. In the title novella, Brown Dog, a hapless Michigan Indian, is trying to parent his two stepchildren and take care of his family’s health on meager resources. (It helps a bit that his charms are irresistible to the new dentist in town.) Republican Wives is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And Tracking is a meditation on Harrison’s fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known. With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn’t Die is a resonant, warm, and joyful ode to our journey on this earth. “Harrison has proved to be one of our finest storytellers. These novellas are urgent and contemporary, displaying his marvelous gifts for compression and idiosyncratic language.” —Los Angeles Times
In three novellas, Jim Harrison takes us on an American journey as he leads us through the wondrous landscape of the human heart. In this “richly allusive and wickedly funny” collection, Jim Harrison offers “three delightful studies of unique individuals battling inventively against society’s demands for conformity” (Library Journal). Julip follows a bright and resourceful young woman as she tries to spring her brother from a Florida jail—he shot three of her former lovers below the belt. The Seven-Ounce Man continues the picaresque adventures of Brown Dog, a Michigan scoundrel who loves to eat, drink, and chase women, all while sailing along in the bottom 10 percent. The Beige Dolorosa is the haunting tale of an academic who, recovering from the repercussions of a sexual harassment scandal, turns to the natural world for solace. In each of these stories, the irresistible pull of nature becomes a magnificent backdrop for exploring the toughest questions about life and love.
Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders. Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.
Braided Creek contains more than 300 poems exchanged in this longstanding correspondence. Wise, wry, and penetrating, the poems touch upon numerous subjects, from the natural world to the nature of time. Harrison and Kooser decided to remain silent over who wrote which poem, allowing their voices, ideas, and images to swirl and merge into this remarkable suite of lyrics. Each time I go outside the world is different. This has happened all my life. * The moon put her hand over my mouth and told me to shut up and watch. * A nephew rubs the sore feet of his aunt, and the rope that lifts us all toward grace creaks on the pulley. * Under the storyteller’s hat are many heads, all troubled. Jim Harrison, one of America’s best-loved writers, is author of two dozen books of poetry, fiction, essays, food criticism, and memoir. He is best known for a collection of novellas, Legends of the Fall, and the epic novel Dalva. He lives in western Montana and southern Arizona. Ted Kooser is the author of eight collections of poetry and a prose memoir. His poetry appears regularly in The Atlantic Monthly, The New Yorker, Poetry, and The Nation. He lives in Nebraska.
Here's a book that takes readers behind the scenes for some of the greatest moments in University of Michigan football history. From "Kip" Taylor, who scored the first touchdown at Michigan Stadium in the late 1920s, to Lloyd Carr, the Wolverines? current head coach, Michigan fans will be offered details of the stories they've heard about for years...and some that they have never heard. Players who knew Yost, Oosterbaan, Crisler, Elliott, and Schembechler tell their stories in Tales from Michigan Stadium about practice, famous plays, and games from one of the most tradition-rich football programs in collegiate history.
Manual for success' The Athletic With an opening chapter by Sir Jim Ratcliffe To mark the 25th Anniversary of the founding of INEOS in 1998, seven leading specialist authors explore the main strands of INEOS's business, including its core chemical business to its ventures into sport, automotive, consumer goods, sustainability, next generation and philanthropy. * Dominic O'Connell on INEOS' core petrochemicals and energy business * Patrick Barclay on INEOS's involvement in sport from the America's Cup to cycling, athletics to Formula 1 and football * Quentin Willson on the building of the Grenadier from scratch in response to the demise of the Land Rover Defender * Steph McGovern on INEOS' move into the consumer goods sector with brands such as Belstaff and INEOS Hygienics, so vital during the pandemic * Sean Keach on INEOS' journey to Net Zero and sustainable investment * Lord Sebastian Coe on the vital importance of exercise for the next generation, with a particular focus on INEOS's worldwide children's exercise initiative, 'The Daily Mile', and the 'Forgotten 40', the 40% of the UK's young who are affected by a lack of basic resources to remain fit and healthy * Sir Andrew Likierman on INEOS' philanthropic projects and investments Grit, Rigour & Humour offers an extraordinary and balanced insight into the rise of one of the world's most successful companies, which produces the essential building blocks used in most of the products you use daily from medical products and packaging to electronics and transport, and has expanded rapidly over the past decade into one with interests in many diverse walks of life.
Three novellas by the author of Legends of the Fall. “A brilliant tour de force . . . Jim Harrison at his peak: comic, erotic, and insightful” (San Francisco Chronicle). Across the odd contours of the American landscape, people are searching for the things that aren’t irretrievably lost, for the incandescent beneath the ordinary. An ex-Bible student with raucously asocial tendencies rescues the preserved body of an Indian chief from the frigid depths of Lake Superior in a caper that nets a wildly unexpected bounty. A band of sixties radicals, now approaching middle age, reunite to free an old comrade from a Mexican jail. A fifty-year-old suburban housewife flees quietly from her abusive businessman husband at a highway rest stop, climbs a fence, and explores the bittersweet pageant of the preceding years within the sanctuary of an Iowa cornfield. The Woman Lit by Fireflies is the work of a classic writer at the very top of his form—a hard-living, hard-writing hero of American letters whose novellas comprise a sweeping tribute to the nation’s heartland and the colorful, courageous characters who inhabit it. “Funny, wild, sexy, and bizarre . . . Along with Richard Ford . . . Harrison has cornered the market in the tough-but-tender style that characterized Hemingway’s early work.” —Nick Hornby
A verse novella by Glasgow Laureate Jim Carruth, Killochries tracks the relationship of two very different men working a remote farm over the course of twelve months. A young man is sent to work at Killochries, a farm belonging to a relative, after burning out in the city. He is appalled by the absence of his previous life's essentials, by the remote strangeness of this new world. The old shepherd has never left the hills; has farmed them all his life. He doesn't care for the troubles of the modern world, trusting only in God, and greets the incomer with taciturn indifference. Through weeks shaped by conflict, hardship and loss a new understanding grows.
Far Field is the third and final book in The Auchensale Trilogy, a series of poetry cycles capturing the changing rural landscape of the West of Scotland. Following on from its predecessors Black Cart and Bale Fire, the book consists of three cycles bound together by footers. A number of poems in the early part of the book are in response to paintings by the Glasgow Boys particularly those painted during their time spent in agricultural communities. Many of the poems are highly personal with a number about family members. These include a series of elegies for his late father. It also focuses on the present day looking to the challenges ahead for the family farm and that passing baton to the next generation.
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