In this "guys guide to life," the star of the hit TV show According to Jim talks about how men can continue to be real men while still managing to make things work with the opposite sex. Jim Belushi is a national celebrity who has starred in numerous movies as well as the current hit TV show airing on ABC, According to Jim. His "guy's guy" take on things led to a huge following among both men and women who cant get enough of Jim and his irrepressible take on life. Now he's sharing his unique perspective with a funny new book about dating, marriage, and sex that is sure to hit home with every redblooded American male and the women who love them. Any guy will relate to Belushi's self-discovered advice from the school of hard knocks. In character with his TV show, Belushi has strong opinions on how real men should act, and he relates his ideas with the trademark irreverent humor that has made him famous. Sample chapters from Real Men Dont Apologize! include: How to Be a Man How to Get a Phone Number Boot Camp for Men Sex and the Single Man Over 18 and many more!
Deadheads may disagree on which Grateful Dead concert was their best ever, but no one would argue that their performance at Englishtown on Sept. 3, 1977, was something special. For Jim Daley, who saw the band for the first time on that date, it was a life-changing experience that he looks back on with fondness more than forty years later. Like many others, he does n’t remember much about that day ... but he sure does remember the music. In this tribute to the band he loves so much, the author commemorates the landmark concert by sharing memories from those who were there.Together, the tapestry of recollections reveals a detailed picture of what that day was like, and why it was a defining moment for the band. Some people remember the day quite vividly, while others are a little foggy on details. For most people, however, the music is at the forefront of their recollections. Discover what it was really like on that hot, humid day at Raceway Park in Old Bridge,New Jersey, and how – at least for the day – the Grateful Dead got everything “Just exactly perfect”.
After being a first-round draft pick of the Detroit Red Wings in 1974, Brent Peterson embarked on a successful National Hockey League playing career that lasted 11 seasons. During his career, he played for Detroit, the Buffalo Sabres, Vancouver Canucks, and Hartford Whalers. When he retired as a player, Brent immediately became an assistant coach with the Whalers before moving back to Portland, Oregon to become the head coach of the Portland Winter Hawks of the Western Hockey League. After leading Portland to the Memorial Cup championship in 1998, Brent wanted to pursue his dream of becoming a head coach in the NHL, so he left Portland and took an assistant coaching position with the expansion Nashville Predators. Brent was later promoted to the position of associate head coach. Soon after that promotion, things took a turn when Brent was diagnosed with Parkinson's disease, a degenerative neurological disorder for which there is no known cure. For a year Brent and his wife Tami kept Brent's diagnosis a secret, even going so far as to borrow the money needed for medications so that they did not have to use Brent's insurance out of fear that the Predators would find out about his condition. When Brent's symptoms became more obvious to the people who were around him every day, he and Tami made the decision to go public with the information that would likely end any chances of a team hiring him to be their head coach. Brent made the news public first by telling the Predators following their elimination from the playoffs in 2004. The team rallied around the affable coach they call Petey. In addition to keeping his position as Nashville's associate head coach, Brent established the Peterson for Parkinson's Foundation in hopes of raising awareness and funding for research. Away from the ice, Brent received some counseling from Michael J. Fox, one of Parkinson's most visible faces. It was that same advice that Brent turned around and gave to former NBA star Brian Grant after he too was diagnosed with the same disease. Like Brent, Grant struggled with the emotional trauma of having been diagnosed with Parkinson's at such a young age. At Brent's urging, Grant established a foundation of his own. Early in the 2010-11 NHL season, Brent's symptoms became more and more difficult to manage. His balance was affected, making it dangerous for both him and the players to be out on the ice together. Following Nashville's elimination from the 2011 playoffs, Poile announced that the team had made the decision that Brent would no longer be a coach. The Predators kept Brent on staff though, creating the position of hockey operations advisor to tap into Brent's years of experience in working with the players. Those same symptoms that made Brent step away from behind the bench were also affecting his quality of life, and the decision was made to undergo the radical medical procedure called Deep Brain Stimulation. DBS is a series of four medical procedures that involve wires being surgically implanted into the brain and then connected to a device inside of the patient's chest. That device sends signals to the brain, and those signals mimic the effects of the chemical dopamine. The results were nearly instantaneous. The morning prior to the system being turned on, Brent needed assistance getting his shoes and socks on before traveling to the hospital. The next day, he was running on a treadmill at the Predators' practice facility. DBS is not a cure for Parkinson's, but it does replicate the effects that medication has on a patient. Brent still has Parkinson's and probably always will. The symptoms will reappear at some point and his condition will likely worsen again, but now he has a renewed outlook on life and a renewed ability to do the things that drive him; being a good husband, father, hockey man, and advocate for Parkinson's patients everywhere.
Both exhilarating and punishing, Send A Runner tells the story of a Navajo family using the power of running to honor their ancestors and the power of history to explain why the Long Walk happened.
This unique book is a photographer’s guide to the powerful medium of the environmental portrait. It explores in lucid detail the many "moving parts" of this imaging style, including the techniques and creative processes that drive some of this genre’s finest contemporary practitioners. In Environmental Portraiture, author Jim Cornfield puts his readers behind the viewfinder to help them successfully master what he calls "the portrait photographer’s most high-powered tool." In a series of detailed tutorial chapters and study models, Cornfield unpacks every practical aspect of the environmental portrait scenario, including research, location scouting, lighting interior and exterior environments, props and wardrobe, lens selection, composition, color, and after-capture. Along with this wealth of comprehensive nuts-and-bolts information, the book probes the deep structure of environmental portraiture—the blend of a sitter’s backstory with the meaningful visual clues in their surroundings. He introduces such concepts as "portraitcraft," "cognitive weight," and "the ideas and emotions quotient," among the many dimensions of an environmental portrait that create eye-opening revelations about the person in front of your lens. A separate section of the book is devoted to a prestigious roster of contemporary environmental portraitists, specifically recruited for this book to explore in-depth selected samples from their diverse portfolios. They bring with them a score of insights, tips and fascinating anecdotes that demonstrate their individualized approaches to this versatile branch of the photographer’s craft. Written for professionals, amateurs and serious students of photography, this book is both a guide and inspiration to creating powerful, communicative environmental portraiture.
Drawing on the same standards of accuracy as the acclaimed DK Eyewitness Travel Guides, DK Top 10 Orlando uses exciting colorful photography and excellent cartography to provide a reliable and useful travel. Dozens of Top 10 lists provide vital informati
Eighty of Americais most famous 80 year olds reflect on their journeys to the big 8-0 and describe the passions that keep them young. These luminous and famous octogenarians seize the moment to reveal the secrets of longevity and share what is great about being 80, what is wrong with the young, what is wrong with the administration, what their days are like today, and what their lives were like in their prime. All were eager, from Mike Wallace and Lena Horne to George McGovern and Helen Thomas, to share their insights. Studs Terkel, 94, has broken his neck, had heart surgery at 93 and claims, iI should be dead, but Iim not for some reason or another.i What reason might that be? iFirst of all, I like being a troublemaker.ii Lena Horne, 89, remains as politically engaged as ever: iWell, Iim old and Iim still angry. And if there is a elionessi inside itis because not everybody had a grandmother like mine.i Maria Tallchief, 81, former prima ballerina maintains the same routine: iI wake up in the morning and I do my pilates exercises. I still do my splits at my bedside before I say my prayers.i No one spent much time talking about his or her health. One exception was comedy writer Bob Schiller who reported that his short-term memory was poor but his long-term memory was good.iBut I may have that backward, i he added.iI donit know if I told you that.i Gerald Gardner is the author of numerous books on politics and film, including the bestselling series Whois In Charge Here? Jim Bellows is the former editor of the New York Herald Tribune, the Washington Star and Los Angeles Herald-Examiner, managing editor of Entertainment Tonight and creator of New York magazine.
The first general nonfiction title in thirty years from a giant of American letters, The Search for the Genuine is a sparkling, definitive collection of Jim Harrison's essays and journalism—some never before published New York Times–bestselling author Jim Harrison (1937–2016) was a writer with a poet’s economy of style and a trencherman’s appetites. Praised as a “national treasure” (Chicago Tribune) and published in twenty-seven languages, he was one of this country’s most beloved and critically acclaimed authors. Best known for his poetry and fiction such as Legends of the Fall, Dalva, and Returning to Earth, Harrison was also a prolific nonfiction writer, with columns running in Sports Illustrated and Esquire, and work in Outside, Field & Stream, and others. The first collection of Harrison’s general nonfiction in thirty years, The Search for the Genuine is a sparkling, definitive volume of essays and journalism—from the near-classic to the never-published. With his trademark ribald humor, compassion, and full-throated zest for life, The Search for the Genuine pays tribute to writers from Bukowski to Neruda to Peter Matthiessen, and examines the distance between literary reputation and the work itself; he attains something like satori in the field hunting grouse; he reports on Yellowstone for the park’s hundredth anniversary, when he was merely a tourist to the part of Montana he would eventually call home; he takes to the open sea in pursuit of roosterfish, marlin, tarpon, and, once, to observe a scientific mission tagging sharks; he delivers a heartbreaking essay on life—and, for those attempting to cross in the ever-more dangerous gaps, death—on the US-Mexico border. Always he comes back to the spirit and to connection with the natural world and the people who sustained him; throughout the book his feeling for the American landscape rings out. Lovingly introduced by acclaimed novelist, poet, and essayist Luis Alberto Urrea, The Search for the Genuine is a feast that captures a lifetime of reading, writing, and living to the fullest, from a true “American original” (San Francisco Chronicle).
DEMOCRATIC EMPIRE DEMOCRATIC EMPIRE The United States Since 1945 Democracy and empire often seem like competing, even opposing, concepts. And yet, since the end of World War II, the United States has integrated elements of both in the process of becoming a dominant global power. Democratic Empire: The United States Since 1945 explores the way democracy and empire have converged and been challenged both at home and abroad, surveying the nation’s recent cultural, political and economic history. This account pays particular attention to mass media, the fine arts, and intellectual currents in the era of the American Dream. Concise and engagingly written, Democratic Empire presents a unique analysis of US history since 1945 and the egalitarian and imperial forces that have shaped contemporary America.
Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom's great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood's audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood's relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.
Take a tour of Route 66 unlike any other, discovering the secrets, memorable characters, and little known stories behind many of the route’s enduring icons. Find the answer to the question, “Who was Ella Jones?” and pay a visit to a secluded cemetery that few road warriors even know exists. Learn why Hooker, Missouri, disappeared, and who murdered Billie Grayson in Chandler, Oklahoma. Did you know that a strongbox full of gold still lies buried near the Colorado River, or that tragedy hounds a tiny place in Arizona named after a cartoon? Is it true that ghosts and monsters lurk along the highway’s reaches? Do you know what a Walldog is, or whether nuclear weapons were once used to blast a path for the route? Get the answers in Secret Route 66: A Guide to the Weird, Wonderful, and Obscure. Two of the historic highway’s most recognized authorities, Jim Ross and Shellee Graham, chronicle these and dozens of other tales as they peel away the layers of history to expose the weird, wonderful, and obscure of America’s Mother Road.
Around when his seven-year-old son Joe was developing a passion for baseball, the steroid scandal of 2007 surfaced, forcing Jim to re-evaluate the sport and answer his son's tough questions in an effort to recapture his love for the game.
The game of golf has been witness to dramatic change since the early 1980s. Technology has relegated polished wooden drivers and wound balls covered with balata to the dustbin of history. The world’s great courses have been stretched unfathomable lengths to counter the game’s modern champions and the distances they hit the ball. In the end, though, it still comes down to the players. Jim Moriarty has focused his attention on the glory, sacrifice, success, and despair of these champions. In Playing Through, he captures the essence of this most recent, most transformative chapter in golf’s long history. He writes of the last great rivalry: Jack Nicklaus versus Tom Watson; the rise of the European juggernaut with Seve Ballesteros and Nick Faldo; the Ryder Cup spectacles of 1999 and 2012 and the romance of team golf; the tragic loss of Payne Stewart and Ballesteros, both gone too soon; the emergence of the Australians, South Africans, South Americans, and Pacific Rim players in the Presidents Cup; and the man who ruled golf, Tiger Woods. Golf may have changed in the last thirty-five years, but Moriarty’s words show that no matter how far the ball flies, it still pits players against themselves, the elements, and their opponents to remain the game we all know and love.
SQL: 1999 is the best way to make the leap from SQL-92 to SQL:1999, but it is much more than just a simple bridge between the two. The latest from celebrated SQL experts Jim Melton and Alan Simon, SQL:1999 is a comprehensive, eminently practical account of SQL's latest incarnation and a potent distillation of the details required to put it to work. Written to accommodate both novice and experienced SQL users, SQL:1999 focuses on the language's capabilities, from the basic to the advanced, and the ways that real applications take advantage of them. Throughout, the authors illustrate features and techniques with clear and often entertaining references to their own custom database. Gives authoritative coverage from an expert team that includes the editor of the SQL-92 and SQL:1999 standards. Provides a general introduction to SQL that helps you understand its constituent parts, history, and place in the realm of computer languages. Explains SQL:1999's more sophisticated features, including advanced value expressions, predicates, advanced SQL query expressions, and support for active databases. Explores key issues for programmers linking applications to SQL databases. Provides guidance on troubleshooting, internationalization, and changes anticipated in the next version of SQL. Contains appendices devoted to database design, a complete SQL:1999 example, the standardization process, and more.
We all go through tough times. When we do, it can be hard to find the silver lining, the happy ending, the lesson learned. It can be especially hard to find the bright side when you're not an optimist – and Jim Grey is not an optimist. When his always difficult marriage finally ended in a brutal, protracted divorce, it nearly crushed him. He wanted to run away and lick his wounds. But he had two young sons who needed their dad. He had to stay in the game. He started writing as a way of processing everything that happened. He published his writing on a blog and let friends and family know. It was a double accountability check: he'd keep writing if people knew to expect it, and he'd avoid telling terrible stories on his ex-wife. He sensed that wallowing in his pain and lashing out in anger were not going to help him recover. If he could weave all that had happened into a narrative that pointed to a better future, perhaps he could heal while still being there for his sons. His blog was a place to start building a happier life. This book collects the best stories and essays from the blog's first two years. They're ordinary stories of an ordinary life, well told. Every ordinary life is interesting; it's all in how you tell it.
Editorials, op-eds, and other writings by a memorable newspaperman. The winner of more awards than any editorial writer in the Albany Times Union’s history, Jim McGrath was both an Albany institution and a keen observer of the world beyond his beloved adopted city. When he died in 2013 at the age of fifty-six, the newspaper lost a writer who combined a passionate advocacy for society’s most vulnerable people with a scathing disregard for the elite whose actions created an underclass in the United States. His writing was often elegiac, but his take on his adopted home state of New York and his beloved Albany was variously bemused, witty, irreverent, and indignant. He could relate to the plight of the minimum-wage worker as easily as he could talk to a US senator, and he feared no one. His editorials and commentaries charted many of the most critical issues in New York and the country: the death penalty, civil liberties, gay rights, historic presidential campaigns, the economy, terrorism, and more—all with an incisiveness that remains relevant, if not more so, in the present political era. In addition to his editorials and op-eds, I’ll Be Home contains essays, critiques, and other writings that have never before been published, as well as appraisals of his work and life by former colleagues Rex Smith, Fred LeBrun, Dan Lynch, and others. The book is both a tribute to a memorable newspaperman and an insider’s perspective on politics and life through the lens of an editorial writer, a position that Jim described as “a great seat at a really weird show.” “Jim McGrath’s voice is one, at heart, of place—of the Albany he adopted as his own, of the Boston neighborhood where he grew up—but it is also much more than that. It is a great American voice, lyrical, penetrating, and unfailingly original, and it was silenced too soon. But it is so good to hear it again in this beautiful book.” — Michael Larabee, Op-ed Editor, The Washington Post Praise for I’ll Be Home “Jim McGrath was a great American voice, a no-nonsense journalist who wrote eloquently about intolerance, injustice, poverty, and corruption. He wasn’t afraid to tell the truth, and he did so masterfully. His work is inspiring, witty, profound, and kindhearted. No wonder so many held him in high esteem—even those he skewered.” — Sam Roe, Chicago Tribune “For me, Albany has always been home, and it was the great honor and privilege of my life to have been its mayor for twenty years. For Jim, Albany, became his adopted home, a place he loved and cared for as passionately as I did and that mutual love for this place was the bond we shared. Even when we disagreed, we respected each other’s commitment to our community and to its residents who relied on us in different, but equally important ways. And whether it was across the table at an editorial board meeting, or sharing a beverage at McGeary’s, Jim was never hesitant to speak truth to power. His writings, many of which I took issue with, always reflected his commitment to honesty, accuracy, and fairness. That commitment made Albany a better city and without question it made me a better mayor. This book bears witness to Jim’s legacy and to the impact he had on our community and on so many lives. It also serves as a testament to the vital role a great journalist plays in the vibrancy of our democratic process. The lessons to be learned here could not come at a better time. For all that we are in his debt.” — Jerry Jennings, Mayor of Albany, 1994–2013 “Jim’s arguments were thoughtful and his writing was elegant. But what stands out most in this collection are his passion and his humanity. His passion for journalism. His passion for fairness. His passion for truth. He railed against injustice. He scoffed at heavy-handed politics. He spoke out on behalf of those who couldn’t speak for themselves. Even in print, you could see his arms waving in outrage as he called upon society to rectify another of its shortcomings.” — Benjamin Weller, Newsday
Almost every film, even the classics, contains blunders and gaffes -- and this compendium of thousands of amusing mistakes will turn every reader into an informed goof sleuth and provide hours of entertainment. Each entry lists title, credits, plot, bloopers, nonbloopers (mistakenly reported errors), questions (oddities), and fun facts. Bloopers range from the hilariously obvious to the picayune; each described and keyed to the timer on a video player for easy locating. Here's a sample: -- From Casablanca (1942): An indignant Lazlo (Paul Henreid) asks the band to play "La Marsellaise" and the music erupts from the trumpets before they actually reach the players' mouths. (01:12) -- From Pretty Woman (1990): Vivian (Julia Roberts) is having breakfast; she grabs a croissant and nibbles it. A few shots later, she holds a pancake. (00:30) -- From Titanic (1997): As Jack (Leonardo DiCaprio) goes to the rich folks' dinner, a waiter opens a beautiful door -- that reflects the image of a steadycam operator. (00:56) -- From The Courage of Lassie (1946), with Elizabeth Taylor as Kathie Merrick. Just one problem -- in the movie, the dog is called Bill.
Until the late 1940s, most Americans relied heavily upon radio, the only means of mass communication they knew, for information and entertainment. But with the 1950s came television sets and prosperity enabled more people to afford them. Radio began a decline. This work examines what could be called the final decade of AM network radio and the many factors that contributed to its decline. The first chapter is an overview of AM radio in the 1950s. The second chapter covers 1950 through 1953, when radio was still a popular medium but faced a need to make changes in its programming. Bill Paley and David Sarnoff strongly promoted radio in those years and the networks attempted to increase the ratings of their programs. Chapter three covers 1954 through 1956, three years in which radio experienced losses of its primary audience and some of its most popular shows (because of the pullout of advertisers), and an effort was made by the networks to keep their programs going and to convince audiences the medium was not on its way out. Chapter four, 1957 through 1960, chronicles the "end" of AM radio in homes, the cancellation of almost all remaining programs, network affiliates' going independent, and the rise in popularity of "drive time" radio. Chapter five covers 1961 to the present and summarizes the major changes that have taken place.
The mind and words of Jim Ciscell have been described as an infectious disease in some better neighborhoods. This is a collection of his short work which is assured to change your perspective. You are about to come into contact with a mind that thinks like no other. Can you make it through a reading of A Wilderness Mind?
Struggling to reach the people who matter? Discover a new mentality to help you stand out from the crowd. Having trouble making an impact in today’s distracted world? Are your online efforts falling on deaf ears? Have tried-and-true marketing tactics led to nothing but disappointment? Keynote speaker and thought leader Jim F. Kukral is a recognized business branding expert whose work has appeared in the New York Times and the Wall Street Journal. With his finger on the pulse of the modern marketplace, he’ll show you how to use today’s connection-driven mindset to make the most of your life and work. Your Journey to Becoming Unskippable demystifies a world where customers think and act differently. Using case studies and anecdotes, Kukral shares how to stop consumers from scrolling past your content and get them to start paying attention. Written in a conversational style, this book helps instill followers with true belief in your business, giving you a powerful edge over your competition now and well into the future. In Your Journey to Becoming Unskippable, you’ll discover: Intuitive stories that show you the practical application of groundbreaking concepts How to let go of old ideas to avoid mistakes and plan for the changing times New ways of thinking that rise above old-fashioned marketing and earn lifetime customers Tactics to showcase common-held beliefs to help you attract the right attention Methods to employ the “unskippable” concept right away for immediate results, and much, much more! Your Journey to Becoming Unskippable is your essential guide to changing the way you achieve true success. If you like practical ideas, no-nonsense approaches, and honest advice from a renowned expert, then you’ll love Jim F. Kukral’s fresh take on today’s transformed business world. Buy Your Journey to Becoming Unskippable to break the mold today!
Journey through the dusty plains of Texas and the rugged mountains of Colorado in author Jim Duke’s debut, DANCES WITH DONKEYS: The Memoir of a Half-Assed Cowboy—the often hilarious, occasionally poignant, sometimes hair-raising, and always entertaining tales of a man who dropped out of high school and took off for Texas to become a cowboy. In this captivating memoir, Duke recounts his adventures and ass-inine misadventures with mules, donkeys and horses as he introduces readers to the complexity and variety of personalities among these intelligent creatures. Through prose and poetry, he shows the deep bond that can form between humans and equines. Whether you're a fan of cowboy culture or just love a good memoir, DANCES WITH DONKEYS is reminiscent of cowboy poet laureate Baxter Black with a twist in the saddle. You'll laugh your "ass" off and come away with a whole new understanding of why little boys (and girls) grow up dreaming of being cowboys. Don't miss out on this one-of-a-kind journey into the heart of the American West.
Michael Night is an aging professional student looking for a way out of a small town, and away from a loving girlfriend who increasingly wants more from him. And he's also a Doors fan with ambition. But he doesn't know how to act upon it, or even admit them to himself, until, inspired by friends who tell him he looks like Jim Morrison, and a chance meeting with Ray Manzarek he takes a chance on his dream and starts a Doors cover band. He sidetracks a band on their road to fame, and together they experience the exhilaration of being a Rock n' Roll band on tour, from the long hours, the agents, the travel, the groupies, record company executives and the growing ego of Michael Night, until they're offered the gig of their Rock n' Roll dreams. On the road Michael meets and falls in love with Caitlin Stewart, daughter of legendary guitarist Jerry Osprey, but she doesn't trust his motives, does he truly love her, or is she a career move for Michael? Or even a collectible? They're carried to the doors of stardom when the band plays in Los Angeles where Michael meets former child star Jimmy Stark who shows him the monster fame, celebrity and stardom can be, crashing studios and parties Michael assembles an entourage of has been's and wanna be's . Then Michael Night and the band meet their destines on the stage of the Whisky a-go-go! And when it's all over Michael Night is afforded the last stage he has.
Based on the popular "How to Talk" feature in the alternative travel magazine "Monk", this savvy and often hilarious, region-by-region guide to the way Americans talk also provides a dead-on (and sometimes too strange) indication of how we think, how we behave, and what we hold dear. 100+ photos, drawings & maps.
A hilarious treasury of the beloved comic strip, featuring the daily struggles of an Ohio teen and his family. Teenagers are unpredictable creatures. They don’t seem to follow a schedule, observe rules (of the road or basic logic), but occasionally, they make a surprising amount of sense. Extra Cheesy Zits is here to shed light on the always confounding, often amusing experience of parenting teens. Join the Duncan family—Connie, Walt, and Jeremy—as they grapple with modern technology, confront homework deadlines, and learn to bridge the cultural divide between parents and teenagers. Extra Cheesy Zits offers a light-hearted yet insightful look into the multifaceted lives of modern teens and their families, complemented by annotations from the creators. From mood swings to the perils of sharing a car, this collection broaches many familiar topics with humor and compassion.
This is the sixth book in Jim's "Marathon Tourism" series aimed at those who enjoy combining their love of running with a love of travel. It presents a runner's guide to 20 of the most popular marathons in the USA offering detailed descriptions, not only of the events themselves, but also of the locations in which they are held. This book is recommended reading for anyone contemplating running a marathon in the USA.
A New York Times Notable Book: A memoir of the writing life of Jim Harrison, from hardscrabble years to high-profile Hollywood friendships, “as engaging as it is eccentric” (The Washington Post Book World). In this “sprawling, impressionistic memoir”, which was selected as a New York Times Notable Book of the Year, Jim Harrison chronicles his coming-of-age, from a boy drunk with books to a young man making his way among fellow writers he deeply admires—including Peter Matthiessen, Robert Lowell, W.H. Auden, Truman Capote, Tennessee Williams, and Allen Ginsberg (The New York Times Book Review). Harrison discusses forthrightly the life-changing experience of becoming a father, and the minor cognitive dissonance that ensued when this boy from the heartland somehow ended up a highly paid Hollywood screenwriter. He gives free rein to his seven obsessions—alcohol, food, stripping, hunting and fishing (and the dogs who have accompanied him in both), religion, the road, and our place in the natural world—which he elucidates with earthy wisdom and an elegant sense of connectedness. Off to the Side is a work of great beauty and importance, a triumphant achievement that captures the writing life and brings all of us clues for living. A true masterpiece of memoir from an author whose “writing bears earthy whiffs of wild morels and morals and of booze and botany, as well as hints of William Faulkner, Louise Erdrich, Herman Melville, and Norman Maclean.” (San Francisco Chronicle) “This fine memoir is a worthy capstone to a fascinating career.” —Publishers Weekly
When is a burning vehicle at the bottom of a ravine not a traffic accident but an attempt to cover up a murder? When the vehicle involved has been pushed into the ravine and the crispy critter who was the driver of the vehicle is discovered to have a gunshot hole in her head. And why are officers of the California Highway Patrol prime suspects in the murder? Only a jilted wife really knows the answer.
1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching. 1980: America's Pivotal Year puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot J.R., cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s. Praise for Jim Cullen's previous Rutgers University Press books: "Informed and perceptive" —Norman Lear on Those Were the Days: Why All in the Family Still Matters "Jim Cullen is one of the most acute cultural historians writing today." —Louis P. Masur, author of The Sum of Our Dreams on Martin Scorsese and the American Dream "This is a terrific book, fun and learned and provocative....Cullen provides an entertaining and thoughtful account of the ways that we remember and how this is influenced and directed by what we watch." —Jerome de Groot, author of Consuming History on From Memory to History
In At the Movies, follow the story of Garbonzo, a young boy growing up in Vancouver in the 1970s, whose passion for movies leads him on a journey of self-discovery. As he befriends the local film critic and starts sneaking into restricted shows, he develops a love for the works of director Sam Peckinpah and a deeper understanding of the power of cinema. But when he gets caught up with the wrong crowd and ends up in jail, he loses everything, including his love interest and his job at the local theater. Years later, he returns to his hometown to find the theater industry in decline, but is given a chance to save the remaining theaters and make his dreams a reality. At the Movies is a coming-of-age tale that explores the transformative power of cinema on both an individual and a community level.
In this widely acclaimed story collection, Jim Gavin delivers a hilarious and panoramic vision of California, in which a number of down-on-their-luck men, from young dreamers to old vets, make valiant forays into middle-class respectability. Each of the men in Gavin's stories is stuck somewhere in the middle, caught halfway between his dreams and the often crushing reality of his life. A work of profound humanity that pairs moments of high comedy with searing truths about life's missed opportunities, Middle Men brings to life unforgettable characters as they learn what it means to love and work and exist in the world as a man.
Collects Marvel Two-In-One (1974) #10; Marvel Team-Up (1972) #57, 82-85, 98, 140-141; material from Marvel Comics Presents (1988) #53, 70, 93. The world’s greatest superspy in her finest team-ups! First, the terror group Sword of Judgment threatens the end of the world — unless Natasha Romanoff and the Thing can stop them! Then, Spider-Man and the Widow form an arachnid double act to take on the Silver Samurai! But when they meet again, why does Natasha think she’s a teacher named Nancy Rushman?! Maybe Nick Fury and Shang-Chi can help unravel the mystery of the Widow’s double life! Plus: When a young man is wrongfully accused, Natasha must cross paths with old flame Daredevil. And it’s all-out action when the Black Widow teams up with Silver Sable and Darkstar!
Flexible and concise, Stage Directing details the seven steps that make up the directing process: selecting a work, analyzing and researching the playscript, conceiving the production, casting, beginning rehearsals, polishing rehearsals, and giving and receiving criticism. Each step is highlighted with valuable directing tips, as well as examples from modern and contemporary playscripts and productions. Exercises, objectives, and key terms put directing precepts to a practical test, revealing what is significant about each phase of the process. Over eighty charts, graphs, and photographs unite to exemplify the text. With a fresh voice and an engaging writing style, Patterson provides insightful questions, suggestions, and illustrations that define and invoke contemplation about the role of the director. Three original short plays provide the opportunity for hands-on analysis and the application of practical concepts. In a final essay, Patterson highlights the function and growing artistry of the director in the modern and postmodern theatre by concisely examining the history of the director.
Two novels in one book. In Shotz Fired Officer Griffith (Zoo) Park is forced to kill to save his partner's life. The dead man and his half brother were partners in a criminal venture. Vengeance and the Zoo Man's coming too close to uncovering the criminal activity lead to a kidnapping and cross country adventure that tragically ruins the Zoo Man's vacation. In Deadly Wired a low key crime family uses wayward youth to carry out criminal activities under the guise of a social club. As things start to fall apart the police officers work to unravel the crime web to save Capitol City from anexplosive situation. The two novels cover the whole range of human conditions: life and death, sex and violence, humor and pathos.
An unforgettable look at a lifetime of Twins baseball packed with Bremer's self-deprecating humor and passion for the game ? Dick Bremer's distinctive baritone has served as the soundtrack of Minnesota Twins baseball for over three decades. Millions of fans have enjoyed his observations, insight, and magical storytelling on television broadcasts. Now, in this striking memoir, the Minnesota native and lifelong Twins fan takes fans behind the mic, into the clubhouse, and beyond as only he can. Told through 108 unique anecdotes—one for each stitch in a baseball—Bremer weaves the tale of a lifetime, from childhood memories of the ballfield in smalltown Dumont, Minnesota, to his early radio days as "The Duke in the Dark," to champagne-soaked clubhouses in 1987 and 1991, and his encounters with Twins legends ranging from Calvin Griffith and Harmon Killebrew, to Kirby Puckett and Kent Hrbek, to Joe Mauer and Justin Morneau. This honest and engaging autobiography gives fans a rare seat alongside Bremer and his broadcast partners, including Killebrew, Bert Blyleven, Jack Morris, Jim Kaat, Tom Kelly, and other Twins legends.
Filmmaking is a notoriously difficult field to break into—a script’s chance of making it to production is a staggering 1 in every 140,000. But the millions of aspiring filmmakers can up their odds with The Everything Filmmaking Book. This engaging, easy-to-follow guide takes readers step-by-step through the filmmaking process, including: -Writing a marketable script -Understanding all aspects of pre-production -Shooting on location -Working with the cast -Editing and post-production -Distributing the finished film The Everything Filmmaking Book is the perfect guide for future Spielbergs everywhere!
From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating. 100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive.
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