The Pittsburgh Crawfords were one of the Negro League's best and most exciting teams. At the heart of the line-up were five men who would go on to be inducted into the Baseball Hall of Fame: Satchel Paige, one of the greatest pitchers in baseball history; Josh Gibson, a hitting catcher who rivaled Babe Ruth; Cool Papa Bell, one of the game's fastest runners; Oscar Charleston, perhaps one of the all-around best players; and Judy Johnson, a skilled third baseman. This work takes a close look at the lives and careers of these men and others who played for the Crawfords, all of whom together built one of the greatest teams ever to play the game. Also included are comparisons between the Crawfords and the 1927 "Murderer's Row" New York Yankees, the Negro National League standings (1933-1938), and statistics about the players and team records.
This book is the first of its kind. It provides a wide ranging perspective through time and place and will be an invaluable tool for students studying sport.
The chaos of the French Revolution was quickly followed by the somewhat less chaotic rule of Napoleon Bonaparte. For roughly 25 years, France saw five constitutions; countless warring political factions; governments that included a monarchy, a republic, and an empire; and almost constant warfare with most of Europe. At the same time, the French fought from within, sending thousands of its own people to the guillotine. And yet, there were perhaps more advancements during that time than any other in world history. Two brothers launched hot air balloons, inaugurating the age of flight, more than 100 years before Orville and Wilbur Wright. Modern chemistry was developed, eclipsing the strange and superstitious field of alchemy which proceeded it. The metric system was created. Napoleon Bonaparte's army explored Egypt for three years, and a French man would later translate the mysterious hieroglyphs. This book details these French advances and more, including the first photograph, the first automobile, and development of the process that spawned computer programming.
Describes the intense commercial rivalry between Sydney and Melbourne over a period of 150 years. While Sydney was established nearly 50 years before Melbourne, the great wealth generated by the Victorian goldfields soon gave Melbourne an unassailable position as the continent's richest center of commerce. The story of this contest for commercial supremacy is based on Jim Bain's own long experience in the Australian financial-services industry, and particularly his exposure to the competition and fierce rivalry that existed between the leading Melbourne- and Sydney-based banks, merchant banks, fund managers and stockbrokers. Bain focuses on the roles played by several financial institutions--and key personalities--over many decades.
Step back to the day when a visit to the gas station meant service with a smile, a wash of the windshield, and the cheerful question, "Fill 'er up?" Since their unremarkable beginnings as cheap shacks and curbside pumps at the dawn of the automobile age, gas stations have taken many forms and worn many guises: castles, cottages and teepees, Art Deco and Streamline Moderne, clad with wood, stucco, or gleaming porcelain in seemingly infinite variety. The companion volume to the Wisconsin Public Television documentary of the same name, Fill 'er Up: The Glory Days of Wisconsin Gas Stations visits 60 Wisconsin gas stations that are still standing today and chronicles the history of these humble yet ubiquitous buildings. The book tells the larger story of the gas station's place in automobile culture and its evolution in tandem with American history, as well as the stories of the individuals influenced by the gas stations in their lives. Fill 'er Up provides a glimpse into the glory days of gas stations, when full service and free oil changes were the rule and the local station was a gathering place for neighbors. More importantly, Fill 'er Up links the past and the present, showing why gas stations should be preserved and envisioning what place these historic structures can have in the 21st century and beyond.
Based for the most part on Ovid's Metamorphoses, epyllia retell stories of the dalliances of gods and mortals, most often concerning the transformation of beautiful youths. This short-lived genre flourished and died in England in the 1590s. It was produced mainly by and for the young men of the Inns of Court, where the ambitious came to study law and to sample the pleasures London had to offer. Jim Ellis provides detailed readings of fifteen examples of the epyllion, considering the poems in their cultural milieu and arguing that these myths of the transformations of young men are at the same time stories of sexual, social, and political metamorphoses. Examining both the most famous (Shakespeare's Venus and Adonis and Marlowe's Hero and Leander) and some of the more obscure examples of the genre (Hiren, the Fair Greek and The Metamorphosis of Tabacco), Ellis moves from considering fantasies of selfhood, through erotic relations with others, to literary affiliation, political relations, and finally to international issues such as exploration, settlement, and trade. Offering a revisionist account of the genre of the epyllion, Ellis transforms theories of sexuality, literature, and politics of the Elizabethan age, making an erudite and intriguing contribution to the field.
This revised edition is an anthology of 10 African American sportswriters who covered baseball's Negro Leagues in the first part of the 20th century. The writers include Sam Lacy, Wendell Smith, Frank A. Young, Joe Bostic, Chester L. Washington, W. Rollo Wilson, Dan Burley, Ed Harris, A.S. "Doc" Young and Romeo Dougherty. The men represented here were pioneers in their own right. Writing for black weekly newspapers, they faced the same conditions as the leagues' players, from discrimination to endless travel. Yet it was through their writings that the public, both black and white were given an up-close, inside look at the day-to-day happenings of Negro League baseball.
This 17th volume from the series of bibliographies of the 18th century is divided into sections on: printing and bibliographic studies; historical, social and economic studies; philosophy, science and religion; the fine arts; literary studies; and individual authors.
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context. Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national instrument of Hawai’i, of its subsequent rise and fall from international cultural phenomenon to “the Dangerfield of instruments,” and of the resurgence in popularity (and respect) it is currently enjoying among musicians from Thailand to Finland. The book shows how the technologies of successive generations (recorded music, radio, television, the Internet) have played critical roles in popularizing the ‘ukulele. Famous composers and entertainers (Queen Liliuokalani, Irving Berlin, Arthur Godfrey, Paul McCartney, SpongeBob SquarePants) and writers (Rudyard Kipling, Jack London, P. G. Wodehouse, Agatha Christie) wind their way through its history—as well as a host of outstanding Hawaiian musicians (Ernest Kaai, George Kia Nahaolelua, Samuel K. Kamakaia, Henry A. Peelua Bishaw). In telling the story of the ‘ukulele, Tranquada and King also present a sweeping history of modern Hawaiian music that spans more than two centuries, beginning with the introduction of western melody and harmony by missionaries to the Hawaiian music renaissance of the 1970s and 1980s.
The Pittsburgh Crawfords were one of the Negro League's best and most exciting teams. At the heart of the line-up were five men who would go on to be inducted into the Baseball Hall of Fame: Satchel Paige, one of the greatest pitchers in baseball history; Josh Gibson, a hitting catcher who rivaled Babe Ruth; Cool Papa Bell, one of the game's fastest runners; Oscar Charleston, perhaps one of the all-around best players; and Judy Johnson, a skilled third baseman. This work takes a close look at the lives and careers of these men and others who played for the Crawfords, all of whom together built one of the greatest teams ever to play the game. Also included are comparisons between the Crawfords and the 1927 "Murderer's Row" New York Yankees, the Negro National League standings (1933-1938), and statistics about the players and team records.
During a lifetime in professional sports, Jim Finks touched nearly every rung on the ladder. As a player during the National Football League's Golden Era of the 1950's, Finks suffered a broken neck making a tackle and later survived to become a Pro Bowl quarterback for the Pittsburgh Steelers. He coached Paul Hornung to a Heisman Trophy at Notre Dame in 1956 before cutting his teeth as general manager of the Calgary Stampeders of the Canadian Football League. From Canada, Finks headed south to help build Super Bowl teams as GM of the Minnesota Vikings and Chicago Bears. He even brought his winning touch to baseball as president of the Chicago Cubs in 1984 before rescuing the New Orleans Saints from pigskin purgatory and elevating them to playoff respectability. Finks spent 26 years as an NFL general manager and was a strong candidate to replace Pete Rozelle as commissioner in 1989 while earning NFL executive of the year awards in 1973 and 1987. Jim Finks was admired for his honesty and integrity in a business where the shafts and knives often fill the air. Finks was a unique individual, and "It's Been a Pleasure" will impart even more of that wisdom.
The first-ever collection of interviews with this well-known, prolific writer whose books include twenty-two volumes of poetry, fiction, and nonfiction published over a period of thirty-six years
ABOUT THE AUTHOR Jim Davidson is a Christian businessman and a native of Gould in Southeast Arkansas. His career as a public speaker, author, and motivational consultant has spanned more than forty-five years. Some of his many awards and achievements include: Arkansas Salesman of the Year, Chairman of the Little Rock Chamber of Commerce's Diamond Club sales organization, Justice of the Peace in Pulaski County, Chairman of Speakers Bureau of the Pulaski County United Way, Leadership Gavel recipient as voted by members of his Dale Carnegie Class, and honorary member of the DECA & GCE Clubs of Arkansas. He has also been presented with the "Good Neighbor Award" by the Conway Area Chamber of Commerce and is the 2010 "Distinguished Service Award" winner for Conway Public Schools. In November 2013, Jim was given a Senate Citation and the Conway Community Service Award by Senator Jason Rapert during a ceremony at the Faulkner County Library. In 1980, Jim began writing and producing a daily radio program titled "How to Plan Your Life." It has been broadcast by over 300 radio stations coast to coast and heard by thousands of people each weekday. Later, in 1995, he also began writing a weekly newspaper column for his hometown newspaper, the Log Cabin Democrat, in Conway, Arkansas. With over 375 newspapers in thirty-five states running his column since its inception, it is believed to be the most successful self-syndicated column in the history of American journalism. Jim was a staunch member of the Conway Noon Lions Club for over 20 years, holding every leadership position and winning all their awards, including twice being named a Melvin Jones Fellow, the highest award in Lionism. He also served as Chairman of the Annual Golf Tournament and the Harlem Ambassador Fundraiser Event. Publisher's website: http: //sbprabooks.com/JimDavidson
Compiled from the literary estate of the singer who brought a wildly lyrical poetry of the damned to the world of rock 'n' roll. Includes unpublished poems, drawings, photos, and a candid self-interview.
Publishers Weekly called Jim Harrison "an untrammeled renegade genius," a poet who performed "absolutely brilliant and outrageous things with language.
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