Almost every film, from the classic to the guilty pleasure, contains blunders that can be so blatant, one wonders how filmmakers ever missed them. In this second all-new volume in the Oops! series, readers will discover hundreds more bloopers from Bringing Up Baby (1938) to the Oscar-winning Croushing Tiger, Hidden Dragon (2000). Each entry lists title, credits, plots, non-bloopers, oddities, fun facts, and, of course, bloopers, each described and keyed to the on a video player for easy locating.
Analyze, argue, compare/contrast, describe, determine, develop, evaluate, explain, imagine, integrate, interpret, organize, summarize, support, and transform . . . Can a mere fifteen words turn today’s youth into the innovative, ambitious thinkers we need? Yes, contend Jim Burke and Barry Gilmore, coauthors of Academic Moves for College and Career Readiness, because these are the moves that make the mind work and students must learn if they’re to achieve academically. It’s that simple. Or is it? To arrive at these fifteen critical reading, writing, and thinking processes, Jim and Barry combed through the standards, research, and secondary curriculum—and that’s for starters. Then, for each of these powerhouse processes, they developed a lesson structure, assignments, and activities so you can teach with potency, right away, and immediately cultivate in students discipline-specific habits of mind. Here’s the best part yet: Jim and Barry distill each intellectual process into a potent concision that nevertheless spans subject areas: Before, during, and after sections offer essential questions, lesson ideas, and activities to assist you in instruction. Two sample student pieces illustrate not only what to look for but the process for getting there. Culminating tasks include producing an analytic essay, visual text, argument, narrative and informational writing, poetry, descriptive science writing, and explanatory writing in math. Every chapter has a correlation chart to Webb’s Depth of Knowledge to deepen understanding and a reproducible rubric to aid in assessment. At the end of the day, what we want is for our students to know how to think at high levels in any discipline in school or any arena in life. In Academic Moves for College and Career Readiness, Jim and Barry translate these processes into remarkable instructional protocols. Use the book and you’ll know for yourself what a revolution they’ve created.
Here stands the New Man. His conception of reality is a dance of electronic images fired into his forebrain, a gossamer construction of his masters, designed so that he will not-under any circumstances-perceive the actual. His happiness is delivered to him through a tube or an electronic connection. His God lurks behind an electronic curtain; when the curtain is pulled away we find the CIA sorcerer, the media manipulator. There has never been a book which so carefully and thoroughly exposes the secret plans to dominate world consciousness. Book jacket.
This multi-volume work began as a biography of Martha Wadsworth Coigney, who was a pioneering thought leader and advocate of internationalism in the American theatre during one of the most challenging periods in modern U.S. history. Coigney served as President of the International Theatre Institute (ITI) from 1966 to 2011. An independent NGO, ITI was devoted to the UNESCO mission of peace through mutual understanding, and, after World War II, often single-handedly sustained cultural exchange between artists on either side of the Iron Curtain, across religious divides, and in war zones. ITI was consistently in the vanguard of UNESCO's multi-lateral aim to bring all voices to the table, including former colonial peoples, developing nations, and indigenous cultures. In partnership with Rosamond Gilder and Ellen Stewart of La Mama E.T.C., Coigney led these landmark initiatives, including the representation of U.S. multicultural theatre leadership in Moscow in 1973. What was set in motion then is playing out today. Owing to the scope of Coigney’s work, William Wadsworth and Jim O’Quinn interviewed a wide range of her dramatist friends and professional colleagues. These conversations illumined a liberal cultural epoch (1954-86) and the U. S. Culture Wars that followed. The authors also recovered substantive original materials from Lincoln Center Performing Arts Library and the Rockefeller Archives about the life and work of Coigney, her mentor Rosamond Gilder, and Coigney’s longtime employer, the producer Roger Stevens. These materials document a sustained political effort by theatre people to socialize and liberalize post-WWII America. For these reasons, the work became much more than the story of one amazing person. It became a living history about relations between great artists and their milieu, told by the artists themselves. The Martha Coigney story has several key elements: • Coigney embodied the principle of internationalism as a counterforce to nationalism and fascism. • He career is a virtual how-to manual for re-visualizing and revitalizing American theatre. • Her life demonstrates the power of people-to-people diplomacy, based on the principles of individual human rights as established by the United Nations, the support of artistic freedom of expression, and the concept that every policy and funding mechanism finds its essence in the individual artist. • Coigney was one of the great theatre matchmakers and promoters of experimental and devised theatre work. Within this sector, she can be said to have revolutionized the theatre profession worldwide. • Gilder and Coigney, in their roles at ITI, led the movement to establish international theatre festivals in Europe, the USA, and globally. • Gilder and Coigney were collaborators with Roger Stevens, Donald Oenslager, Hal Prince, Nancy Rhodes, Edward Albee, and scores of other distinguished figures in the transmission of American dramatic art overseas. • Coigney served as advisor to and instrument for private theatre funders determined to create a national theatre accessible to working-class citizens and the poor, an investment, they believed, that was necessary to U.S. ascendency and world peace. In this they followed the inspiration of President John F. Kennedy, who articulated that to be influential, a great nation must have a great culture to contribute to the world.
The unthinkable has happened at the Soviet nuclear plant at Sokolskoye. An accident of such terrifying proportions, of such catastrophic ecological and political consequence that a curtain of silence is drawn ominously over the incident. Major Pyotr Kirov of the KGB is appointed to extract the truth from the treacherous minefield of misinformation and intrigue and to obtain from the West the technology essential to prevent further damage. But the vital equipment is under strict trade embargo… And in London, George Twist, head of a company which manufactures the technology, is on the verge of bankruptcy and desperate to win the illegal contract. Can he deliver on time? Will he survive a frantic smuggling operation across the frozen wastes of Finland? Can he wrong-foot the authorities … and his own conscience? Is it possible to say farewell to Russia? Farewell to Russia is the first of Jim Williams’s astonishingly prophetic novels about the decline and fall of the Soviet Union.
Denver homicide detective Bryson Coventry tracks a killer to Paris, expecting a dangeous but straightforward hunt. What he doesn't foresee is that he and a strikingly beautiful French detective would be pulled into a deadly game--a game that would stretch from Paris to Cairo to the Valley of the Kings; a game rooted in ancient tombs, archeological murders and lost treasures; a game that started thousands of years ago but is not over yet.
“Everybody has got to die, but I have always believed an exception would be made in my case.” –William Saroyan, Pulitzer Prize–winning author Famous authors, like everybody else, know that one day they will die. Final Chapters tells the fascinating stories of more than one hundred writers’ encounters with death—and their attitudes toward the Grim Reaper: fear, uncertainty, or acceptance. Francis Bacon wrote, “It is as natural to die as to be born,” while Socrates told the judges who condemned him, “And now we go our ways, I to die and you to live. Which is better is known to God alone.” Death often came in startling ways for these well-known writers. The playwright Aeschylus was conked by a turtle falling from the sky. Christopher Marlowe was stabbed in a barroom brawl. Molière collapsed while playing the role of a hypochondriac in one of his plays. Edgar Allan Poe was found semicomatose in someone else’s clothes shortly before he died. Sherwood Anderson was felled by a toothpick in a martini. Did Dylan Thomas really die of eighteen straight whiskeys? And was it a bottle cap or murder that did in Tennessee Williams? If these authors have lessons for us, the best may be that of Marcus Aurelius: “Death smiles at us all; all we can do is smile back.”
This book brings a basic yet detailed description of Icelandic nominalizations to bear on the general theoretical and architectural issues that nominalizations have raised since the earliest work in generative syntax. While nominalization has long been central to theories of argument structure, and Icelandic has been an important language for the study of argument structure and syntax, Icelandic has not been brought into the general body of theoretical work on nominalization. In this work, Jim Wood shows that Icelandic-specific issues in the analysis of derived nominals have broad implications that go beyond the study of that one language. In particular, Icelandic provides special evidence that Complex Event Nominals (CENs), which seem to inherit their argument structure from the underlying verbs, can be formed without nominalizing a full verb phrase. This conclusion is at odds with prominent theories of nominalization that claim that CENs have the properties that they have precisely because they involve the nominalization of full verb phrases. The book develops a theory of allosemy within the framework of Distributed Morphology, showing how one single syntactic structure can get distinct semantic interpretations corresponding to the range of readings that are available to derived nominals. The resulting proposal demonstrates how the study of Icelandic nominalizations can both further our understanding of argument structure and shed new light on the syntax-semantics interface.
After the disaster at Stalingrad, Karlos von Ohr, a Luftwaffe pilot, returns to Berlin to discover that a small group of army officers is secretly plotting not only to bring an end to a losing, stupid war but even to put an end to Hitler. Luckily Karlos is transferred to faraway Romania, where his father is the chief flight instructor for the local air force. The local dictator, Marshal Antonescu, a friend of Hitler, refuses to acknowledge that by the spring of 1943 the Third Reich is everywhere in retreat. In nearby Istanbul Karlos uncle Siegfried runs an art gallery and does a little spying on the side. In that neutral city Karlos contrives to meet a friendly American agent who promises (for a price) to help Karlos defect to the Allied lines in Italy. Of course, Karlos realizes that if he renounces his allegiance to Hitler and goes over to the enemy, he will be denounced as a traitor by his countrymen. He can never go back home to Berlin. Karlos wonders: Am I about to make the worst (and last) mistake of my life?
Utah has long claimed to have the greatest snow on Earth—the state itself has even trademarked the phrase. In Secrets of the Greatest Snow on Earth, Jim Steenburgh investigates Wasatch weather, exposing the myths, explaining the reality, and revealing how and why Utah’s powder lives up to its reputation. Steenburgh also examines ski and snowboard regions beyond Utah, providing a meteorological guide to mountain weather and snow climates around the world. Chapters explore mountain weather, avalanches and snow safety, historical accounts of weather events and snow conditions, and the basics of climate and weather forecasting. In this second edition, Steenburgh explains what creates the best snow for skiing and snowboarding using accurate and accessible language and 150 color photographs and illustrations, making Secrets of the Greatest Snow on Earth a helpful tool for planning vacations and staying safe during mountain adventures. This edition is updated with two new chapters covering microclimates and climate change in greater depth. Steenburgh addresses the declining snowpack and the future of snow across the western United States, as well as the declining snow and ice in several regions of the world—the European Alps in particular. Snowriders, weather enthusiasts, meteorologists, students of snow science, and anyone who dreams of deep powder and bluebird skies will want to get their gloves on this new edition of Secrets of the Greatest Snow on Earth. Praise for the first edition: “Everything you always wanted to know about how snow forms and how to follow forecasts so you see how much an”d where is in the book. It’s a must-have for any fan of snow, sure to get you excited about winter, and give you a bevy of conversation topics for the chairlift ride.” —Utah Adventure Journal “For backcountry enthusiasts that find themselves infatuated with weather patterns, snow-water equivalents, microclimates, and Utah, this book is a dream come true.” —The Backcountry Skiing Blog “Steenburgh shares a career’s worth of knowledge in this book. His love of both snow science and skiing is obvious, and he adds humor and personality to the scientific discussion.” —First Tracks!! Online Skiing Magazine “When it comes to snow, the details—both small- and large-scale—do matter. If we all observed our surroundings with as much curiosity and enthusiasm as Steenburgh, the world could be a much better- tended place.” —American Scientist
In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards', including Best Picture, Best Director, and Best Adapted Screenplay. In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.
The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, the Hitchcock villain was often a complex individual with a nuanced personality and neuroses the common person might not be able to relate to, but could at least understand. If such figures did not always elicit sympathy from the audience, they still possessed characteristics that were oddly appealing. And frequently, viewers found them more likable than the heroes and heroines whom they victimized. In Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues, authors Eric San Juan and Jim McDevitt explore a number of themes that form the foundation of villainy in Hitchcock’s long and acclaimed career. The authors also provide a detailed look at some of the director’s most noteworthy villains and examine how these characters were often central to the enjoyment of Hitchcock’s best films. Whether discussing Uncle Charlie in Shadow of a Doubt or Norman Bates in Psycho, the authors consider what attracted Hitchcock to such characters in the first place and why they endure as screen icons. Intended for both casual and ardent fans of Hitchcock, this book offers insight into what makes villainous characters tick. While serious students will appreciate observations in Hitchcock’s Villains that will enhance their study of cinema technique and writing, general fans of the director will simply enjoy delving further into the minds of their favorite villains.
The story evolves from the personal experiences of the writer, from his deep (forty years) research and discoveries of quantum cone vortex. Once into awareness, he reveals the techniques of connecting and triggering the act of God events. He formulates the mysteries of self-fate programming. He explains how the government, religion, finance, and science are interconnected for the first time in history. His research deep dives into the Bible, yoga meditation, wave-particle quantum physics, and into occult, the metaphysics. He is not just theorizing about life events; he is proactively changing the events in biblical proportions. He becomes the miracle creator by thought and by action, the trigger man, who can only relate to the higher dimensions and to cosmic intelligence. The formulas he writes may seem similar to previous theoretical physicists, but they are his own concept, given the examples of his work and e-mail prior to the God's Particle/Boson announcement by Peter Higgs on July 4, 2012. The quantum cone vortex diagram and its connection to yin and yang with annihilation and creation, related to cosmic spiral sequence of four sixes, may seem absurd to earths fourth-dimensional thinkers, but it is backed by facts by the author. His prediction of the next flood is backed by errors in time measured by Mayans and Nostradamus. Once a person is elevated to the vortex in quantum cone with zero weight / gravity and when time stops in quantum reality, then he/she will able to be awarded with all possibilities to create or destroy. The writer imitates the out-of-the-box thinking of God, but he is not comparing himself to cosmic intelligence. He just uses the quantum energy (in form of dark and light energyhe calls them Satan and God, respectively, for convenience). The examples are powerful and convincing. The reader should not just observe the authors human encounters to get to quick conclusions. It is a manual of how to think without fear. Once the fear is eliminated, the mind is open to deep into subconsciousness and to build the awareness, where all possibilities are unrestricted, and to rise to the sixth cosmic dimension, God.
For whisky professionals, connoisseurs and lovers, Jim McEwan is an icon like Steve Jobs, Paul McCartney and Pelé. Growing up in the small village of Bowmore on the "whisky island" of Islay, he started his career in 1963 at the age of 15 as a cask maker in the Bowmore distillery. This developed into an unprecedented career in which Jim was to shape and revolutionise the world of whisky like no other. The worldwide success of single malt whisky is inextricably linked to him. The highlight of his work was the revival of the Bruichladdich distillery, today one of the most innovative and respected representatives of the whisky world. How a journey began with two men and a dog that would lead to new universes of whisky is only part of the story that Jim McEwan tells here anecdotally and with much humour. Lavishly designed, lavishly illustrated and sumptuously appointed - a delight for lovers of wonderful books and wonderful drinks alike.
Quantum mechanics is an extraordinarily successful scientific theory. It is also completely mad. Although the theory quite obviously works, it leaves us chasing ghosts and phantoms; particles that are waves and waves that are particles; cats that are at once both alive and dead; and lots of seemingly spooky goings-on. But if we're prepared to be a little more specific about what we mean when we talk about 'reality' and a little more circumspect in the way we think a scientific theory might represent such a reality, then all the mystery goes away. This shows that the choice we face is actually a philosophical one. Here, Jim Baggott provides a quick but comprehensive introduction to quantum mechanics for the general reader, and explains what makes this theory so very different from the rest. He also explores the processes involved in developing scientific theories and explains how these lead to different philosophical positions, essential if we are to understand the nature of the great debate between Niels Bohr and Albert Einstein. Moving forwards, Baggott then provides a comprehensive guide to attempts to determine what the theory actually means, from the Copenhagen interpretation to many worlds and the multiverse. Richard Feynman once declared that 'nobody understands quantum mechanics'. This book will tell you why.
Can a white man thrive living as an African in a village in Africa? Philo’s adventure takes him to the fictional African country of Holima, where he is adopted by an African tribe. Should Philo follow Western wisdom, and cause problems through generous giving? Or can he convince Western people that a vulnerable approach is the best way to reach Africa? Jim Harries’ new novel of Christian fiction is broadly based on his true-life experiences, and shows how God performs his powerful acts through human weakness.
Throughout history, many doctors have worked outside the occupation for which they were originally trained. Not Your Ordinary Doctor reveals sixty such medical truants who found fame in fields other than medicine. Meet Sir Arthur Conan Doyle's inspiration for Sherlock Holmes; cringe as Stalin tortures each of his eight doctors; follow John Keats, who abandons medicine to pursue his literary career. Within these pages are doctors who attended rulers such as Elizabeth I, Napoleon and Alexander the Great; artists, musicians and writers such as Somerset Maugham and Anton Chekhov; sporting heroes and adventurers including W.G. Grace and Che Guevara; and on a darker note, mass murderers like Hastings Banda and Buck Ruxton. Not Your Ordinary Doctor is a titillating collection filled with historical curiosities, fascinating whimsy and fresh speculation. These stories are by turns heroic and absurd, dazzling and ghoulish, inspired and tragic and, in the hands of master storyteller Jim Leavesley, never dull.
That "kindly old investigator," Mr. Keen, sought missing persons and unraveled crimes longer than any other fictional detective ever heard or seen on the air. For 18 years (1937-1955) and 1690 nationwide broadcasts, Keen and his faithful assistant Mike Clancy kept listeners coming back for more. The nearest competitor, Nick Carter, Master Detective, ran for 726 broadcasts. This definitive history recounts the actors and creators behind the series, the changes the show underwent, and the development of the Mr. Keen character. A complete episode guide details all of the program's 1,690 broadcasts.
For English read British which is not to quibble with the title but, as Jim Ring himself explains, 'During the period on which this book focuses, it was the custom - in the words of a Scot - ''to let the part - the larger part - speak for the whole.'' Those countries which received them - France, Italy, Austria, Germany, and above all Switzerland - all talked of the English, and the presence of the English in the Alps was precisely so described. To use the term British would thus have been an anachronism.' The nineteenth century will forever be associated with the growth of the British Empire, but nearer home there was a quieter conquest taking place. Gradually the English were taking over the Alps, scaling their peaks, driving railways through them, and introducing both winter sports and those quintessential English institutions - tea, baths, lawn tennis and churches - to remote mountain villages. Jim Ring tells the remarkable story of the English love affair with the Alps, from its beginnings with the Romantic movement, when poets such as Byron and Shelly wrote of the mountains with awed delight, through the great days of the 1850s and 1860s and the formation of the Alpine Club, to the inter-war years when the English assured the future prosperity of the alpine resorts by virtually inventing and then popularizing downhill-skiing. Part history, part biography, How the English made the Alps brings the characters - the artists, the scientists, the gentleman-adventurers, the invalids, the aristocrats, eccentrics and mountain-scramblers - vividly to life. 'Jim Rings's book cannot be bettered.' Daily Mail 'Fascinating' Stephen Venables, Daily Telegraph 'Evocative and entertaining' Financial Times 'A comprehensive, well-written account of a fascinating subject' Guardian
It is the spring of 1929 and, while the international jet set is celebrating the last hurrah of the jazz age, the international military set is gearing up for a war to make the world safe for dictatorships. In Berlin Count Siegfried von Ohr is accustomed to dividing his time between partying and espionage. Now the Minister wants him to go to the Soviet Union. Stalin has given permission for Germany (stripped of all its armed forces by the VersaillesTreaty) to operate a clandestine airbase in Russia, where the future officers of both the Luftwaffe and the Red Air Force will be secretly trained and equipped. Siegfried recruits his younger brother Tristan (a pilot) to join him in the Workers Paradise. Everything the brothers do there will be dangerousand illegal. In Moscow Siegfried soon discovers that being a guest of Stalin brings him to the attention of the dreaded secret police, the OGPU. Circumstances require Siegfried to do a favor for the head of the secret police. But then a crazed OGPU agent tries to recruit Siegfried into a conspiracy to destroy Stalin! Luckily at this precise moment the Minister orders Siegfried to go to Italy and enjoy the pretty scenery and spy on Mussolini
Minstrel was first published in 1997.When he was the first journalist in the country to call the 1960 presidential race in favor of John F. Kennedy, Jim Klobuchar was a scrappy kid from Minnesota's Iron Range. Minstrel is his memoir, the stunning story of politics, sports, the newsroom, and ordinary people he calls "heroes." Klobuchar sees himself as a minstrel, a journalist-adventurer and teller of stories, a witness to his world. The main requirement in that role, he says, is "good peripheral vision and skill at escape."Minstrel describes Klobuchar's upbringing in the ethnic broth of the Iron Range and his start in daily journalism in Bismarck, North Dakota. He explores the personalities he met in politics, athletics, the outdoors, and across Minnesota-from Dear Abby to Fran Tarkenton to Minnesota Fats. Klobuchar recalls the rough-and-tumble first seasons of the Minnesota Vikings and the quirky political world of former Governor Rudy Perpich. Recounting the details of election nights and locker-room fights, Klobuchar writes in the style that won him a loyal audience in thirty years as a columnist.Klobuchar also writes about the colorful characters inside the newsroom, capturing the everyday flavor of deadlines and deadpan humor. He examines the changing world of journalism and speculates where this will lead in the future. Along the way he holds a mirror to himself, exploring his alcohol dependency and failed marriage. Minstrel is the engaging story of a journalist's life, full of adventure and trials, peaceful reflection and thoughtful analysis. From the summit of the Matterhorn to 1,500 feet underground in an iron mine in Ely, Minnesota, Klobuchar lets the reader experience the excitement first hand.Jim Klobuchar was a daily journalist for forty-three years, thirty as a columnist for the Minneapolis Star Tribune. He has published fourteen books, including Tarkenton and Heroes Among Us. excerpt: "I always thought the early Vikings were closer to a wildlife refuge than a professional football team. It was made up of football orphans and derelicts, and a handful of once-esteemed veterans set adrift by their former employers and a half dozen authentic stars of the future-Francis Tarkenton, Tommy Mason, Rip Hawkins, Ed Sharockman and Grady Alderman.
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds � from the blues to Broadway ballads � and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work � from singer-songwriters to rock bands. Some of the greatest transatlantic names � Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more � credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.
DCI Paul Stark discovers that the bitter legacy of WWI casts a long shadow in the second of this intriguing historical mystery series. London, 1921. Lord Johnny Fairfax has been found dead in his study, along with a second victim, a mysterious American who arrived unannounced the previous evening. For DCI Paul Stark, the case is personal: he’s in a relationship with Lord Fairfax’s former wife, Lady Amelia. The dead man had no shortage of enemies. Winston Churchill, his former colleague at the War Office, is convinced the murder is revenge for the disaster at Gallipoli. Lady Amelia herself is accused of the crime. And who was the American visitor? What was his connection with Lord Fairfax – and could he have been the real target? As Stark digs deeper, he uncovers evidence of a shocking conspiracy that strikes at the heart of the British Establishment.
This book articulates a perichoretic pastoral theology, offering a pastoral theological response to the question of how ministering persons practice ministry in communion with the triune God. Key elements from contemporary pastoral theology—theologies of human experience, concern for human suffering, and situational attentiveness—are drawn into conversation with the doctrine of perichoresis. Jim Horsthuis provides a vision for life and ministry in relational, participational and spiritual communion with the Father, Son and Holy Spirit. The chapters explore four spiritual movements that foster this vision: (1) the move from experience to relationship; (2) the move from concern to presence; (3) the move from competence to communion; and (4) the move from practice to prayer. The book represents a unique academic contribution to both pastoral theology and Trinitarian theology.
The definitive account of the great Bohr-Einstein debate and its continuing legacy In 1927, Niels Bohr and Albert Einstein began a debate about the interpretation and meaning of the new quantum theory. This would become one of the most famous debates in the history of science. At stake were an understanding of the purpose, and defense of the integrity, of science. What (if any) limits should we place on our expectations for what science can tell us about physical reality? Our protagonists slowly disappeared from the vanguard of physics, as its centre of gravity shifted from a war-ravaged Continental Europe to a bold, pragmatic, post-war America. What Einstein and Bohr had considered to be matters of the utmost importance were now set aside. Their debate was regarded either as settled in Bohr's favour or as superfluous to real physics. But the debate was not resolved. The problems of interpretation and meaning persisted, at least in the minds of a few stubborn physicists, such as David Bohm and John Bell, who refused to stop asking awkward questions. The Bohr-Einstein debate was rejoined, now with a new set of protagonists, on a small scale at first. Through their efforts, the debate was revealed to be about physics after all. Their questions did indeed have answers that could be found in a laboratory. As quantum entanglement became a real physical phenomenon, whole new disciplines were established, such as quantum computing, teleportation, and cryptography. The efforts of the experimentalists were rewarded with shares in the 2022 Nobel prize in physics. As Quantum Drama reveals, science owes a large debt to those who kept the discussions going against the apathy and indifference of most physicists before definitive experimental inquiries became possible. Although experiment moved the Bohr-Einstein debate to a new level and drew many into foundational research, it has by no means removed or resolved the fundamental question. There will be no Nobel prize for an answer. That will not shut off discussion. Our Drama will continue beyond our telling of it and is unlikely to reach its final scene before science ceases or the world ends.
The comprehensive guide to furniture design— expanded and updated Furniture designers draw on a range of knowledge and disciplines to create their work. From history to theory to technology, Furniture Design offers a comprehensive survey of the essential craft- and practice-related aspects of furniture design. Generously illustrated with photographs and drawings—including a new color section—this Second Edition features updated coverage of material specifications, green design, digital design, and fabrication technologies. It also features twenty-five case studies of furniture design that represent a broad selection of works, designers, and techniques, including recent designs produced within the last decade. The book explores: Furniture function and social use Form, spatial organization, and typological orders Structural integrity and composition Accessibility, universal design, human factors, and ergonomics The design process, from schematics through fabrication Materials, processes, and methods of fabrication Professional practice and marketing The history of furniture design, from prehistory to the digital age Complete with a glossary of terms and a comprehensive bibliography, Furniture Design, Second Edition is a one-stop resource that furniture designers will turn to regularly for the advice, guidance, and information needed to perform their craft.
Describes the intense commercial rivalry between Sydney and Melbourne over a period of 150 years. While Sydney was established nearly 50 years before Melbourne, the great wealth generated by the Victorian goldfields soon gave Melbourne an unassailable position as the continent's richest center of commerce. The story of this contest for commercial supremacy is based on Jim Bain's own long experience in the Australian financial-services industry, and particularly his exposure to the competition and fierce rivalry that existed between the leading Melbourne- and Sydney-based banks, merchant banks, fund managers and stockbrokers. Bain focuses on the roles played by several financial institutions--and key personalities--over many decades.
The most popular of all Russian composers, Peter Tchaikovsky is probably best known for his ballets. Swan Lake, Sleeping Beauty, and Nutcracker are still performed worldwide. But a good part of Tchaikovsky s career was spent writing operas. Eugene Onegin and The Queen of Spades are two of his better-known works. A precocious child, Peter could read French and German by the age of six. At seven, he wrote verses in French. In school, he studied to be a lawyer. It was not until he was twenty-one years old that he turned his focus to music. But this man who made such beautiful melodies was unhappy most of his life. He was terrified when he stood in front of an orchestra. He had an unrealistic fear that his head would fall off and he actually held his left hand under his chin to keep his head attached! However, he left a great legacy of beautiful music. From the diaries and letters he wrote, we know about the life of Peter Tchaikovsky. In this book, young adults are introduced to one of the greatest composers of all time.
In the early days of radio, producers, directors and scriptwriters were well aware of the listening public's fascination with subject matter tinged with wrongdoing. Stories of right and wrong, crime and punishment, and law and order kept audiences of every age hooked for more than thirty years. This work covers 300+ syndicated radio mystery and adventure serials that aired in the early or middle twentieth century. To be included, a series must have had one or more regularly appearing characters who fought against espionage, theft, murder and other crimes. Each entry includes series name, air dates, sponsor, extant episodes, cast information and synopsis.
A deep dive into the origins, history, members, and workings of the Illuminati from a well-known and respected expert. Chilling initiations. Big banks and money manipulations. Possible links to the Rockefellers, Rothschilds, Adamses, and Bushes. Reviewing the evidence, documents, and connections, The Illuminati: The Secret Society That Hijacked the World by award-winning journalist and author Jim Marrs shines a light on the history, workings, continuing influence, and pernicious and hidden power of this secret order. Surveying experts—from those who dismiss the Illuminati as a short-lived group of little consequence to skeptics who dare question the government's accounts and pronouncements—Marrs cuts through the wild speculation and the attempts to silence critical thinkers to tell the true story of this secret cabal. Gnosticism, mystery schools, the Roshaniya, Knights Templar, assassins, Rosicrucians, Skull and Bones, Knights of Malta, whistle blowers, the revolutions in France, Russia, and America, and the structure, symbols, and theology of the Illuminati are all covered. Marrs takes a broad look at the group and their workings, investigating their origin as “The Ancient and Illuminated Seers of Bavaria,” the depiction on the United States one-dollar bill of an all-seeing eye and pyramid on the reverse of the Great Seal of the United States, and the Protocols—or procedures—for usurping national governments and gaining world domination, as well as the Illuminati symbolism found in today's international corporate logos. Wealth, power, and intrigue come together in this in-depth exposé on the Illuminati, their history, connections to influential people, and their place in modern America. The Illuminati lifts the cloaks of secrecy protecting the powerful.
A comprehensive reference of materials for interior designers and architects Choosing the right material for the right purpose is a critical—and often overlooked—aspect in the larger context of designing buildings and interior spaces. When specified and executed properly, materials support and enhance a project's overall theme, and infuse interior space with a solid foundation that balances visual poetry and functionality. Materiality and Interior Construction imparts essential knowledge on how materials contribute to the construction and fabrication of floors, partitions, ceilings, and millwork, with thorough coverage of the important characteristics and properties of building materials and finishes. Individual coverage of the key characteristics of each material explores the advantages and disadvantages of using specific materials and construction assemblies, while helping readers discover how to make every building element count. In addition, Materiality and Interior Construction: Is highly illustrated throughout to show material properties and building assemblies Supplies rankings and information on the "green" attributes of each material so that designers can make informed decisions for specifications Is organized by application for easy and quick access to information Includes a companion website, featuring an extensive online image bank of materials and assemblies Rather than a typical catalog of materials, Materiality and Interior Construction is efficiently organized so that the reader is guided directly to the options for the location or assembly they are considering. Reliable and easy to use, Materiality and Interior Construction is a one-stop, comprehensive reference for hundreds of commonly used materials and their integration as building components—and an invaluable resource that every interior designer or architect should add to their set of tools.
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