Based on the true story of a Dutch sea captain who traveled with an Indian rhinoceros called Clara across 18th century Europe, THE RHINO KEEPER evokes both the thrill of discovery in the archives and the wonder felt by a world in which no European had seen a living rhinoceros. 2022 – College student Andrea Clarkson uncovers a historical mystery while studying abroad in Holland. From hidden desk drawers come unusual historical documents featuring a rhinoceros. On a lichen-covered eighteenth-century grave, the same animal is carved. When an expanding river forces exhumation, what she finds buried there is life-changing. Andrea faces her nightmares to retrieve what a grave robber steals: valuable proof of a long-forgotten history. 1740 – Ship captain Douwemout van der Meer has something not seen in two hundred years: the only rhino in Europe, called Clara. Douwemout and Clara tour Europe, enthralling peasants and queens, hoping to change popular views that rhinos are man-eating beasts. Absolute wonder follows, but when a priest sees idol worship and becomes hell-bent on destroying her, Clara, Douwe, and the lives of her bonded caretakers are at risk. As Douwe becomes protectively dedicated to adventuring with Clara, unexpected love finds him, and his heart starts to tear. Will he choose a life with a traveling wonder-beast forever, or can love exist in many forms for the rhino keeper?
Based on the true story of a Dutch sea captain who traveled with an Indian rhinoceros called Clara across 18th century Europe, THE RHINO KEEPER evokes both the thrill of discovery in the archives and the wonder felt by a world in which no European had seen a living rhinoceros. 2022 – College student Andrea Clarkson uncovers a historical mystery while studying abroad in Holland. From hidden desk drawers come unusual historical documents featuring a rhinoceros. On a lichen-covered eighteenth-century grave, the same animal is carved. When an expanding river forces exhumation, what she finds buried there is life-changing. Andrea faces her nightmares to retrieve what a grave robber steals: valuable proof of a long-forgotten history. 1740 – Ship captain Douwemout van der Meer has something not seen in two hundred years: the only rhino in Europe, called Clara. Douwemout and Clara tour Europe, enthralling peasants and queens, hoping to change popular views that rhinos are man-eating beasts. Absolute wonder follows, but when a priest sees idol worship and becomes hell-bent on destroying her, Clara, Douwe, and the lives of her bonded caretakers are at risk. As Douwe becomes protectively dedicated to adventuring with Clara, unexpected love finds him, and his heart starts to tear. Will he choose a life with a traveling wonder-beast forever, or can love exist in many forms for the rhino keeper?
School violence is a significant social concern. To better understand its sources, a comprehensive meta-analysis of the school violence and victimization literature was undertaken. Across 761 studies, the relative effects of 30 different individual, school, and community level correlates were assessed (8,790 effect size estimates). Violence and victimization were conceptualized broadly to include various forms of aggression and crime at school. The results revealed that the strongest correlates of school violence perpetration were antisocial behavior, deviant peers, antisocial attitudes, victimization, and peer rejection; and that the strongest correlates of school victimization were prior/other victimization, social competence, risk avoidance, antisocial behavior, and peer rejection. Extracurricular activities and school security devices had among the weakest associations in the meta-analysis, and several traditional criminological predictors did not perform well in the school context. We conclude with recommendations for theory, future research, and policy.
In Mourning the Nation to Come, Jillian J. Sayre offers a comparative study of early national literature and culture in the United States, Brazil, and Spanish America that theorizes New World nationalism as grounded in cultures of the dead and commemorative acts of mourning. Sayre argues that popular historical romances unified communities of creole readers by giving them lost love objects they could mourn together, allowing citizens of newly formed nations to feel as one. To trace the emergence of New World nationalism, Mourning the Nation to Come focuses on the genre of historical writings often gathered under the title of “Indianist romance,” which engage Native American history in order to translate Indigenous claims to the land as iterations of creole nativism. These historical narratives foresee present communities, anticipating the nation as the inevitable realization or fulfillment of a prophecy buried in the past. Sayre uncovers prophetic, nation-building narrative in texts from across the Americas, including the Book of Mormon and works of fiction, poetry, and oratory by José de Alencar, William Apess, Lydia Maria Child, James Fenimore Cooper, Herman Melville, and José Joaquín de Olmedo, among others. By using cultural theory to interpret a transnational archive of literary works, Mourning the Nation to Come elucidates the structuring principles of New World nationalism located in prophetic narratives and acts of commemoration.
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