To the hard of hearing you shout, and for the almost blind you draw large and startling figures."--Flannery O'Connor, Mystery and MannersDrowning in a river, the violent murder of a grandmother in the backwoods of Georgia, and the trans-genital display of a freak at a carnival show are all shocking literary devices used by Flannery O'Connnor, one of American literature's best pulp fiction writers. More than thirty-five years after her death, readers are still shocked by O'Connor's grotesque images. Dr. Jill Baumgaertner concentrates on O'Connor's use of emblems, those moments of sudden and horrid illumination when the sacred and the profane merge as sacrament. This readable volume is ideal for college students, O'Connor scholars, or those wishing to better understand southern gothic fiction.
What Cannot Be Fixed is anchored in the terrain of the broken world: the old Adam, the prodigal son, loneliness, exile, and Christ's cries of abandonment on the cross. There is much that cannot be fixed, but in the midst of the loss are the flashes and glimmers of promise, of Advent, of reunion, the empty tomb, and grace. Words uncurl in Eve's throat, the conductor raises his baton in that split second before the music begins, the blind see, the atheist heart patient hears God in the music of the recovery room. God is there, his shape sometimes difficult to discern, his words often whispers amidst the daily-ness of life. This collection of poems is about living the paradox: simul justus et peccator--the believer is both justified and a sinner. It is true that much of what we see and live cannot be fixed. And it is also true that the potter reworks the broken pot. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }
This collection of poems begins in the growing darkness of November, stretches through Advent and the seasons leading to Easter and to Pentecost, and ends in the budding light of the Scottish Orkney Islands, where the canonical hours measure time over centuries and where God broods over an austere and beautiful landscape. The measurement of time passing and returning, year after year, in the rhythms of the seasons and of the liturgical year, create the pace and the song. But in the biblical voices of Magdalene, Mary, Abel, and Eve, and in the grim historical and political realities of war and suffering, one also hears lament and finds the poet’s clear-eyed gaze straight into life’s challenges. Memory is at work here, too, in personal reminiscences and in theological reflection. As one philosopher has said, “All truth is God’s truth.” From Shade to Shine is published under Paraclete Press's Iron Pen imprint. In the book of Job, a suffering man pours out his anguish to his Maker. From the depths of his pain, he reveals a trust in God's goodness that is stronger than his despair, giving humanity some of the most beautiful and poetic verses of all time. Paraclete's Iron Pen imprint is inspired by this spirit of unvarnished honesty and tenacious hope.
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