Help your artistic talent bloom by capturing the beauty of flowers with your brushstrokes from realistic close-ups to impressionistic landscapes. From Agapanthus to Water Lily, this unique artist’s reference provides easy-to-follow, plant-specific information on how to paint fifty of today’s most popular flowers. • Learn to draw each basic flower shape and then paint a single detailed bloom • Gain full, practical guidance for painting each flower through clear illustrations, step-by-step instruction, and the essential color palette • Refer to Jill’s beautiful finished paintings for further inspiration • Use the indispensable introduction to discover basic flower painting materials, techniques and color considerations The must-have practical reference that no flower painter can be without!
Profusely illustrated guide shows how to paint, print, stencil, and draw striking designs and exciting textures on luxurious fabric. Complete instructions, references. 93 color illustrations.
This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
What could be more satisfying than producing a beautiful painting of a flower? Jill Winch is an award-winning botanical artist and has been teaching people to paint and draw flowers for many years. In this delightful book, she teaches the key skills for making successful paintings of flowers in watercolor, the medium of choice for botanical artists. She breaks the process down into manageable steps, taking examples from a wide range of flowers. Throughout the book, Jill's own beautiful paintings provide inspiration and guidance.
The authors look closely at a variety of types of painting - including large altarpieces, small domestic, devotional images, diplomatic gifts, furniture, decorations and both intimate and full-length portraits - as well as frescoes, drawings and prints. They provide insights into the meanings of individual pictures and into the purposes they were originally intended to serve, and they explore the social position of the artist in the 1500s.
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today. Contributors include David Antin, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young. Published in association with the Museum of Contemporary Art San Diego. Exhibition dates: Museum of Contemporary Art San Diego: September 24, 2016ÐJanuary 2, 2017
The story of the world-famous monument and the extraordinary world’s fair that introduced it, by the author of Conquering Gotham and Urban Forests In this first general history of the Eiffel Tower in English, Jill Jonnes-acclaimed author of Conquering Gotham-offers an eye- opening look not only at the construction of one of the modern world's most iconic structures, but also the epochal event that surrounded its arrival as a wonder of the world. In this marvelously entertaining portrait of Belle Époque France, fear and loathing over Eiffel's brash design share the spotlight with the celebrities that made the 1889 Exposition Universelle an event to remember-including Buffalo Bill and his sharpshooter Annie Oakley, Thomas Edison, and artists Whistler, Gauguin, and van Gogh. Eiffel's Tower is a richly textured portrait of an era at the dawn of modernity, reveling in the limitless promise of the future.
An alternative history of the Renaissance—as seen through the emerging literature of beauty tips—focusing on the actresses, authors, and courtesans who rebelled against the misogyny of their era. Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this fascinating period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century? As the Renaissance visual world became populated by female nudes from the likes of Michelangelo and Titian, a vibrant literary scene of beauty tips emerged, fueling debates about cosmetics and adornment. Telling the stories of courtesans, artists, actresses, and writers rebelling against the strictures of their time, when burgeoning colonialism gave rise to increasingly sinister evaluations of bodies and skin color, this book puts beauty culture into the frame. How to Be a Renaissance Woman will take readers from bustling Italian market squares, the places where the poorest women and immigrant communities influenced cosmetic products and practices, to the highest echelons of Renaissance society, where beauty could be a powerful weapon in securing strategic marriages and family alliances. It will investigate how skin-whitening practices shifted in step with the emerging sub-Saharan African slave trade, how fads for fattening and thinning diets came and went, and how hairstyles and fashion could be a tool for dissent and rebellion—then as now. This surprising and illuminating narrative will make you question your ideas about your own body, and ask: Why are women often so critical of their appearance? What do we stand to lose, but also to gain, from beauty culture? What is the relationship between looks and power?
Best remembered as an influential illustrator and teacher, Howard Pyle (1853-1911) produced magnificent artwork and engrossing books and magazine stories about King Arthur, Robin Hood, swashbuckling pirates, and the American Revolution. He also completed public murals and trained many famous artists and illustrators at the turn of the twentieth century, including N. C. Wyeth and Jessie Willcox Smith. This engaging portrait of the influential American artist, teacher, author, and muralist is the first fully documented treatment of Pyle's life and career. Drawing on numerous archival sources including Pyle's own letters to provide new perspectives on his life, Jill P. May and Robert E. May reveal Pyle to be a passionate believer that art should be understood and appreciated by the general public. His genteel values and artistic tastes shaped not only his own creative output but his influential work as a teacher, first at the Drexel Institute of Art, Science and Industry in Philadelphia and later at his own school in Delaware's Brandywine River Valley. May and May also show him to be far more supportive of women artists than is generally believed, explaining how he deployed club memberships and relationships with publishers and politicians to advance the prospects of his students. Duly measuring his influence on later artists, May and May detail his quest to lead a distinctively American school of art freed from European models. Amply illustrated with evocative photographs and color reproductions of his own and his students' work, this exceptional volume presents Howard Pyle's creative career and legacy for American popular culture as it has never been seen before.
Stewart Jameson, a Scottish portrait painter fleeing his debtors in Edinburgh, has washed up on the British Empire's far shores—in the city of Boston, lately seized with the spirit of liberty. Eager to begin anew, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a fallen woman from Boston's most prominent family who has disguised herself as a boy to become Jameson's defiant and seductive apprentice. Written with wit and exuberance by accomplished historians, Blindspot is an affectionate send-up of the best of eighteenth-century fiction. It celebrates the art of the Enlightenment and the passion of the American Revolution by telling stories of ordinary people caught up in an extraordinary time.
This beautiful book showcases the work of the members of the prestigious Royal Watercolour Society, including Ken Howard, Sonia Lawson and many other fine and well-known contemporary watercolour painters. Each artist discusses their inspiration and gives their best practical advice for working in this medium, offering a fascinating insight into the methods and techniques of the professional artists. Have you ever wondered how an artist starts a piece, what keeps them working at it, how they make marks and mix colour or when they know a painting is finished? This intimate exploration of the daily creative striving of the artist and their patient technical procedures will fascinate professional and aspiring artists, collectors and anyone with a general interest in painting.
Edward Armitage was a highly-esteemed 19th century artist who lived and worked at a time when the social fabric of Britain was being transformed by the Industrial Revolution and attitudes towards art were changing in favour of genres more appealing to the emerging middle classes. Coinciding with the 2017 bicentenary of Armitage’s birth, the book is based on Jill Armitage’s extensive research into her relative’s life and work. Born in 1817 to a family of wealthy northern industrialists, Edward Armitage trained in Bohemian Paris before making his name in Britain as one of the artists chosen to redecorate the new Houses of Parliament. He was one of the first artists to make the long journey to the Crimea during the war against Russia, and one of the first to include recent archaeological discoveries in his paintings. He was appointed Professor and Lecturer on Painting at the Royal Academy in 1875, where his outspoken views were sometimes controversial. But as Armitage grew older, his serious, French style of painting became increasingly unfashionable. In this well-illustrated biography, Jill provides the first comprehensive account of Armitage’s life and work, with detailed references to the social, historical and cultural context in which he lived. The book will appeal to fans of Armitage’s paintings, as well as those with an interest in art history and the Victorian era.
The 'Revise A2' study guides are written by examiners and contain in-depth course coverage of the key information plus hints, tips and guidance. End of unit sample questions and model answers provide essential practice to improve students exam technique.
Eiffel's Tower for Young People is a vivid, lively pageant of people and cultures meeting—and competing—on the world stage at the dawn of the modern era. The 1889 World's Fair was a worldwide event showcasing the cutting-edge cultural and technological accomplishments of the world's most powerful nations on the verge of a new century. France, with its long history of sophistication and cultivation and a new republican government, presented the Eiffel Tower, the world's tallest structure, crafted from eighteen thousand pieces of wrought iron and 2.5 million rivets, as a symbol of national pride and engineering superiority. The United States, with its brash, can-do spirit, full of pride in its frontier and its ingenuity, presented the rollicking Wild West show of Buffalo Bill Cody and Annie Oakley, and the marvelous new phonograph of Thomas Edison. With historical photos throughout, outsized personalities, squabbling artists, and a sprinkling of royalty, this dramatic history opens a window to a piece of the past that, in its passions and politics, is an unforgettable portrait of a unique moment in history.
Settling for just any roof over my head was not a choice." —Jill Butler Successful and talented artist, illustrator, designer, businesswoman, and author Jill Butler uses her bold and captivating artwork, along with stunning photography of her nothing-special-turned-dream-cottage, to inspire readers to do more with their living spaces and in turn more with their lives. Hundreds of decorating tips and ideas are accompanied by mind-maps and other illustrations reflecting the myriad of decisions, emotions, and questions readers will face. Part guide to creating the space you want to live in, part journal to help you reevaluate, reinvent, and revitalize yourself, Create the Space You Deserve is a launching pad to access your creative self and express your personality onto your living space.
This study of the development of Carmelite foundations in Medieval Catalonia discusses of the dichotomy between eremitical and mendicant life, emphasizing the Order's possible earlier migration to Europe, its intellectual achievements and its contribution to art and architecture.
In most developed countries immigration policy is high on the political agenda. But what happens to migrants after their arrival – integration and social cohesion – has received less attention, yet these conditions matter to migrants and to wider society. Drawing on fieldwork in London and eastern England, Moving up and getting on is the first accessible, yet comprehensive, text to critique the effectiveness of recent integration and social cohesion policies and calls for a stronger political leadership. Written for those interested in public policy, the book argues that if the UK is to be successful in managing migration, there needs to be greater emphasis on the social aspects of integration and opportunities for meaningful social contact between migrants and longer-settled residents, particularly in the workplace.
The text of the book is supported by more than fifty illustrations. Some are Jarry's own and some are those of contemporaries, such as Aubrey Beardsley, Emile Bernard, Pierre Bonnard, Max Elskamp, Charles Filiger, Paul Gauguin, Gerhard Munthe, Henri Rousseau, and Felix Vallotton. Others relate to an iconic intertext, hitherto unexplored. Alfred Jarry: An Imagination in Revolt sheds light on an underresearched area of fin-de-siecle French culture and art history, establishing Jarry's role as a major figure in the origins of modernism."--Jacket.
An essential guide to planning, management and evaluation of early years activities, this full-color new edition provides detailed descriptions of the important materials, additional equipment and the role of the adults for a full range of activity types. Activities are provided for a range of ages, and the book provides a clear focus on good practice and systematic coverage of equal opportunities, safety and resources.
There are 1 million registered nonprofits in the U.S., and the sector employs more than 10 million individuals Features success stories from high-profile groups who’ve raised funds on eBay, such as Oprah’s Angel Network
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