Toward the end of her life, Viennese artist Marie-Louise von Motesiczky (1906–1996) at last gained recognition as one of Austria’s most important 20th-century painters. The great art historian Ernst Gombrich praised the artist’s striking individuality and the delicacy and subtlety of her painting. This book celebrates Motesiczky’s work and situates the artist in the troubled history of her times. Drawing on a wealth of unpublished family archives, including decades of correspondence between Marie-Louise and the writer Elias Canetti, the book tells the story of Motesiczky’s life from her childhood in Vienna amidst talented and distinguished family members to her later years living and working among other exiled artists in England. The book also offers a sensitive critical study of Marie-Louise’s paintings, discussing particular works and the circumstances that surrounded their creation. These include compelling self-portraits, a moving series of paintings of the artist’s aging mother, and lyrical depictions of her English garden.
It's three days before Christmas, and the Malworth Amateur Dramatic Society's rehearsal of Cinderella, scripted by GP Carl Bignall, is struggling thanks to a flu epidemic that has hit the production. But as rehearsals finally get under way at the Riverside Theatre, the police across town are entering Carl's house - and discovering the body of his wife, Estelle . . . Why was Carl so late for rehearsal? Why is Dr Bignall's neighbour so reluctant to tell the truth about what he witnessed? And why is Dr Denis Leeward, Carl's partner, sitting in his car, slightly bruised and in a state of guilty panic? All Detective Chief Inspector Lloyd knows for sure, as he takes charge of the investigation, is that one of them is a murderer . . .
The smile froze on Judy's lips as she heard the scream. It seemed to come from the direction in which she had just walked; she retraced her steps, and saw the girl she had seen earlier, standing by the willow tree, by the pram, her hands to her mouth. 'She's gone!' the girl said. 'The baby's gone.'" In an isolated cottage a woman has been bludgeoned to death; outside, a man has been crushed by a car, uttering the word 'intruder' before losing consciousness. That, and a row overheard earlier that morning, is all Detective Chief Inspector Lloyd has to go on. Who is the dead woman? Where's her handbag? If it was a burglary, why the extreme violence? A house-removal is in progress, but were the couple moving in or moving out? Were they a couple? Who was having the argument? If it was a domestic, why is the handbag missing? Who was the intruder? Was there an intruder? Who rang 999? Was it a love triangle? Who was driving the car found abandoned a mile away? Questions without answers, and Lloyd is short-handed; a baby has disappeared from Malworth, and DS Tom Finch has joined the team urgently searching for leads. Lloyd doesn't yet know how deeply involved in that enquiry Judy Hill, still on maternity leave, has become, nor how profoundly it will affect both her and his own murder investigation . . .
February 13th: what seemed like Wilma Fenton's lucky night, when she scooped her biggest-ever win at bingo, turned out to be the night she died at the hands of someone lurking in the dimly lit alleyway leading to her flat. An eyewitness to the incident gives Detective Chief Inspectors Lloyd and Hill some hope. But the witness is Tony Baker, an ambitious TV journalist and TV personality, who, almost twenty years ago, single-handedly tracked down a serial killer. Did Baker see more than he claims? Does he want to beat the police to the punch again? This complication triggers a deadly chain of events when the man the media will come to call the Anonymous Assassin publicly challenges Baker to catch him before he strikes again. In the full glare of the national media, Lloyd and Hill must spearhead a force-wide hunt for a relentless killer . . .
East Midlands farmer Bernard Bailey, a violent man with a brutal temper, stands to pocket a hefty inheritance if he fathers a male child. After destroying one wife to achieve this end, Bailey turns his next marriage into a twisted business arrangement. If his new spouse produces a son, she will be paid handsomely for her trouble. But the real trouble is just beginning. After six months of receiving highly publicized death threats, Bailey becomes just another statistic--a bloodied corpse discarded on his secluded farm. But the unusual question for Detective Chief Inspector Lloyd and Detective Inspector Judy Hill is, Why wasn't the monster killed sooner? For Bailey aroused murderous passions in just about everyone, from the abused daughter of his first marriage to his second wife's clandestine lover. Beneath the obvious lies a labyrinth of deceit--and the shocking truth lies deeper still. . . .
Without breaking the conventions--and restrictions--of whodunit plotting, McGown always manages to people her books with characters who are entirely believable, fascinating human beings. This is a rare skill, which should be more widely recognized. Jill McGown is one of the most seriously underrated crime novelists around." --The Times (London) When Andy Cope and his wife, Kathy, owners of a struggling detective agency, are found dead in their car--peacefully holding hands and apparently asphyxiated--Detective Chief Inspector Lloyd rejects the majority opinion that they committed suicide. His theory, that the Copes were murdered, receives serious consideration when their one clients, wealthy Mrs. Angela Esterbrook, is shot to death. Why would someone with her sort of money employ an untried agency to carry out an investigation? That's just one of many puzzles that Lloyd and his partner, Judy Hill, confront in a case that defies reason. In fact, the entire super-rich Esterbrook family is a puzzle; Angela, the controlling matriarch, now dead; son Paul, with his compulsive amorous pursuits; Elizabeth, Paul's edgily suspicious wife; stepson Josh, the family black sheep; and the beautiful but inscrutable Sandie, a young woman both sons find very attractive. With the megamillion Esterbrook fortune hanging in the balance, multiple murder is perhaps inevitable. For the curtain is just now rising on a tragedy of Shakespearean grandeur. But no one, not even the cunning killer, anticipates how the plot will take on a lethal life of its own--beyond everyone's control. Jill McGown's darkly brilliant novels are as mysteriously layered as life itself, as precisely calibrated as afine pistol. Plots and Errors is her most intricate creation to date.
Fifteen-year-old Natalie Ouspensky is strangled, having first been possibly raped. The killer may have come from her school. But her classmates guard Natalie's secrets like life itself. A Mystery Guild Alternate.
Selected by The Times (London) as one of the twentieth century’s “100 Masters of Crime,” Jill McGown writes mystery-suspense novels with plots that defy second-guessing. In Unlucky for Some, her thirteenth book featuring Detective Chief Inspectors Lloyd and Hill, the quiet life of an English town scarcely conceals the deadly menace lurking around dark corners and within the human mind. Michael Waterman is a self-made millionaire. His casinos and nightclubs ensure a constant flow of cash, and Waterman knows what he needs to do to keep it that way. So far, it seems, he has stayed on the right side of the law. Certainly, no one seriously suspects him of murdering bingo player Wilma Fenton, who was struck down while walking home with a purse crammed full of winnings. Her murder looks like an ordinary mugging except for one oddity: The killer had left Wilma’s money neatly fanned out across her body. The motive behind the bafflingly violent act dogs Lloyd and Hill– now married and the harried parents of a two-year-old daughter. The stakes are raised with a second murder, modeled on the first . . . and then a third. A cold-blooded killer is challenging not only the police but the one witness to the first slaying: England’s premier expert on serial crime, well-known journalist and TV personality, Tony Baker. It has now become a twisted game of madness and logic–in which failure to outwit the murderer means more senseless deaths. In this astonishing Lloyd and Hill novel, Jill McGown’s storytelling genius will captivate longtime fans as well as first-time readers. Unlucky for Some is lucky for all admirers of virtuoso suspense writing.
This long-awaited new edition has been fully updated and revised by the original authors as well as two new members of the author team. Based on many years of active research and teaching it takes the discipline's most difficult aspects and makes them accessible and interesting. Each chapter builds up an understanding of the different ways of looking at the world. The clarity of presentation allows students to rapidly develop a theoretical framework and to apply this knowledge widely as a way of understanding both more advanced theoretical texts and events in world politics. Suitable for first and second year undergraduates studying international relations and international relations theory.
Named as one of the 20th century's "100 Masters of Crime" by "The London Times," McGown pens the 12th novel in her riveting British crime series featuring Chief Detective Inspector Lloyd and his colleague and lover, Chief Detective Inspector Judy Hill.
PERSON-CENTRED CARE IN RADIOGRAPHY A helpful guide to patient and person-centered care in radiography, with a particular focus on interpersonal and communication skills Person-centred Care in Radiography: Skills for Providing Effective Patient Care explores the complex interpersonal skills that are required of practitioners and medical imaging professionals which ensure high-quality service is given to person-centred care in radiography. The textbook is also written by a team of expert authors, and grounded in the team’s own research, as well as their involvement with the Heads of Radiography Group, the Association of Radiography Educators, the Collaborating Centre for Values-based Practice in Health and Social Care, and the College of Radiographers. The textbook contains a broad range of additional learning features, including case studies, student exercises, annotated further readings, and chapter summaries. Diagrams and illustrations are used throughout the book to provide visual representation of the concepts presented. Learning activities are also included throughout the book to encourage readers to self-discover and reflect and then apply their learning to their own role. Person-centred Care in Radiography includes detailed information on and discussion of: Values, developing resilience, defining compassion, pain and suffering, and professional behaviors and culture Scenarios developed by service users based on real-life practice, to demonstrate the impact of the professional’s behavior on the care received Diversity of service users, the role of carers, conceptual frameworks, interpersonal communication skills and communicating with patients beyond introductions Values-based practice, compassionate practice, theoretical models for patient-centered care in radiography and reflections to help readers move forward Targeted at all staff working within diagnostic and therapeutic radiography clinical departments and educational institutions, Person-centred Care in Radiography, can be used in both radiography education by students and educators and by qualified staff who wish to reflect on their own patient care and develop their skills.
The murder of a deputy headmaster's wife on the night of the Sesquicentennial Ball at a minor-league boys' public school brings together the team of Inspector Lloyd and Judy Hill. Diana Hamlyn's body has been found on the school's playing field. Death had been caused by the traditional blunt instrument, her clothing was disarrayed, her underclothes missing. It was a particularly disturbing killing. As Lloyd and Hill begin the harrowing routine of a murder investigation they rapidly learn that the woman had been a nymphomaniac - her conquests many, her fidelities few, the list of suspects for her killing appallingly long. That list includes her husband, her lovers and her colleagues, none with perfect alibis, some ostentatiously lying. It is an old-fashioned puzzle peopled with very contemporary characters. Once again Jill McGown presents a true novel of detection.
The news rocked the town. A woman's body found in a boathouse. And the woman's last known companion Missing Presumed Fled. To the people of Stansfield it's an open and shut case. But Detective Inspector Lloyd - teamed up once more with Sergeant Judy Hill - isn't so quick to jump to conclusions. To begin with he's certain of only two things. First, that nothing can stop the reawakening of his tender feelings towards his colleague. And second: in a murder enquiry you don't rule out . . .
Victor Holyoak made his millions by selling state-of-the-art security systems. In the end, even the most sophisticated devices were no protection against the intruder who murdered him in his own factory. The millionnaire's death shocked the townsfolk of Stansfield. But was there something they didn't know about their deceased benefactor? Chief Inspector Lloyd was convinced he had seen Victor somewhere before. Was his memory playing tricks again? Or did the murky past hold the clues to a murder that seemed to come under the heading of unfinished business?
When things are great, life is easy. We're happy. When things are tough, it can feel like we're going through never-ending sludge. We can feel miserable, beaten up, and powerless. It's not fun. But the thing is, in the long run, tough times are often some of our most fortunate. Breakdowns make room for breakthroughs. There's a lot to be learned through adversity. In this book, you're going to see how other people went through some unimaginably horrific times - and got through them better off. The intention of Getting Through The Muck is for you to feel inspired, motivated, and find a deep knowingness that you can get through anything.
A murder so baffling it might even have stumped Agatha Christie's Miss Marple...A lively, entertaining mystery." THE PHILADELPHIA INQUIRER A killing blow on the head took the life of Graham Estow, but the vicar and his wife were hardly grieved. He was the son-in-law who had severely beaten their daughter Joanna a few months ago. Unfortunately, it appears that someone very close to the household is the murderer, though no one is about to confess to it. Leave it to that canny police duo of Inspector Lloyd and Detective Sergeant Judy Hill to wander through a maze of self-confessed killers, myraid motives, and their own frustrating partnerships, to find a murderer with a message....
The paintings by Vincent van Gogh became the epitome of modern, international art during the period after his death up to the outbreak of World War I. In no other country was van Gogh so admired as he was in Germany and Austria. In this publication, Jill Lloyd, a profoundly knowledgeable expert in Expressionism, uses important paintings by van Gogh and an exquisite selection of works by Expressionist artists to describe the lasting influence of this Dutch painter on Expressionist art in Germany and Austria.
When a court in Britain dismisses a case against a rapist, police open an inquiry into Inspector Judy Hill who arrested him and who is suspected of cooking evidence. Judy is at the end of her tether, the man, a serial rapist, having sent word she will be his next victim. By the author of A Shred of Evidence.
From the bestselling author of The Inspector Lloyd and Sergeant Hill Series... No one was more stunned than Annie Maddox when they found the body of Gerald Culver MP. Because Annie, the manager of the Wellington Hotel, Amblesea, was Culver’s mistress. Enter Harry Lambert, ex-policeman-turned-reluctant-private-eye, who's hired by Culver's wife to find her husband's killer. Annie's world is now filled with menace, because somewhere out there, along the edge of a wintry sea, a killer stalks...
Introduction to International Relations allows students to develop the theoretical framework they need to understand and engage with international relations.
The first three books in Jill McGown's classic crime series, featuring Detective Inspector Lloyd and Sergeant Judy Hill A Perfect Match The news that a woman's body has been found in a boathouse rocks the town of Stansfield. The case appears simple: her last known companion, and the prime suspect, is currently missing, presumed fled. But Detective Inspector Lloyd, teamed up with former colleague Sergeant Judy Hill, isn't so quick to jump to conclusions . . . in a murder inquiry, you can't rule anyone out. Redemption: Deepening snow slowly isolates the village of Byford from the outside world, but the calm of the festive period is destroyed by what appears to be a domestic murder at the vicarage. As Lloyd struggles to keep control of his relationship with Hill, he finds more than he bargained for in this complex and perplexing mystery. Death of a Dancer: Lloyd and Hill find themselves caught up once again in a harrowing murder investigation. The victim is the wife of a deputy headmaster of a boys' public school, but they rapidly discover that she was not the upstanding teacher's wife that appearances suggest. As the mystery thickens, the list of suspects for her murder grows appallingly long . . .
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