Vanishing for the vote recounts what happened on one night, Sunday 2 April, 1911, when the Liberal government demanded every household comply with its census requirements. Suffragette organisations urged women, all still voteless, to boycott this census. Many did. Some wrote ‘Votes for Women’ boldly across their schedules. Others hid in darkened houses or, in the case of Emily Wilding Davison, in a cupboard within the Houses of Parliament. Yet many did not. Even some suffragettes who might be expected to boycott decided to comply – and completed a perfectly accurate schedule. Why? Vanishing for the vote explores the ‘battle for the census’ arguments that raged across Edwardian England in spring 1911. It investigates why some committed campaigners decided against civil disobedience tactics, instead opting to provide the government with accurate data for its health and welfare reforms. This book plunges the reader into the turbulent world of Edwardian politics, so vividly recorded on census night 1911. Based on a wealth of brand-new documentary evidence, it offers compelling reading for history scholars and general readers alike. Sumptuously produced, with 50 illustrations and an invaluable Gazetteer of suffrage campaigners.
Rejecting the deadening conventions of their Victorian elders, the rebel girls demanded new freedoms and new rights. They took their suffrage message out to the remotest Yorkshire dales and fishing harbours, to win Edwardian hearts and minds. 16-year-old Huddersfield weaver Dora Thewlis on arrest was catapulted onto the tabloid front-pages as 'Baby Suffragette'. Her life was transformed. Dancer Lilian Lenton waited till her twenty-first birthday - then determined to burn two buildings a week until the Liberal government granted women the vote. Rebel Girls shows how this daring campaigning shifted from community suffragettes to militant mavericks.
Rejecting the deadening conventions of their Victorian elders, the rebel girls demanded new freedoms and new rights. They took their suffrage message out to the remotest Yorkshire dales and fishing harbours, to win Edwardian hearts and minds. 16-year-old Huddersfield weaver Dora Thewlis on arrest was catapulted onto the tabloid front-pages as 'Baby Suffragette'. Her life was transformed. Dancer Lilian Lenton waited till her twenty-first birthday - then determined to burn two buildings a week until the Liberal government granted women the vote. Rebel Girls shows how this daring campaigning shifted from community suffragettes to militant mavericks.
Rejecting the deadening conventions of their Victorian elders, the rebel girls demanded new freedoms and new rights. They took their suffrage message out to the remotest Yorkshire dales and fishing harbors to win Edwardian hearts and minds. Heroic women who have disappeared from written records have been restored by Jill Liddington's painstaking research into sources including back copies of local newspapers, diaries, census records, and recently uncovered government records disclosing details of covert surveillance carried out on women prisoners. The intriguing characters to emerge include 16-year-old Huddersfield weaver Dora Thewlis, who was arrested at a demonstration and found herself catapulted onto the tabloid front-pages as "Baby Suffragette." Dancer Lilian Lenton waited until her 21st birthday before deciding to burn two buildings a week until the Liberal government granted women the vote.
Trollope and the Church of England is the first detailed examination of Trollope's attitude towards his Anglican faith and the Church, and the impact this had on his works. Durey controversially explodes the myth that Trollope's most popular characters just happened to be clerical and were simply a skit on the Church, by revealing the true extent of his lifelong fascination with religion.
In the late nineteenth and early twentieth centuries, radical women’s movements and the avant-gardes were often in contact with one another, brought together through the socialist internationals. Juno Jill Richards argues that these movements were not just socially linked but also deeply interconnected. Each offered the other an experimental language that could move beyond the nation-state’s rights of man and citizen, suggesting an alternative conceptual vocabulary for women’s rights. Rather than focus on the demand for the vote, The Fury Archives turns to the daily practices and social worlds of feminist action. It offers an alternative history of women’s rights, practiced by female arsonists, suffragette rioters, industrial saboteurs, self-named terrorists, lesbian criminals, and queer resistance cells. Richards also examines the criminal proceedings that emerged in the wake of women’s actions, tracing the way that citizen and human emerged as linked categories for women on the fringes of an international campaign for suffrage. Recovering a transatlantic print archive, Richards brings together a wide range of activists and artists, including Lumina Sophie, Ina Césaire, Rosa Luxemburg, Rebecca West, Angelina Weld Grimké, Elizabeth Gurley Flynn, Hannah Höch, Claude Cahun, Paulette Nardal, and Leonora Carrington. An expansive and methodologically innovative book, The Fury Archives argues that the relationship of women’s rights movements and the avant-gardes offers a radical alternative to liberal discourses of human rights in formation at the same historical moment.
This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.
Wojcik (humanities, Clarkson U.) examines Luke's Gospel in the light of gnostic narrative techniques. He provides a historical survey of interpretations of Luke's Gospel and outlines orthodox Christianity's rejection of gnostic elements. He concludes with his own analysis of the text, focusing on Jesus' development as a teacher. Reprint of The Long Road to Greenhan Common, Virago, 1989. Annotation copyrighted by Book News, Inc., Portland, OR
Vanishing for the vote recounts what happened on one night, Sunday 2 April, 1911, when the Liberal government demanded every household comply with its census requirements. Suffragette organisations urged women, all still voteless, to boycott this census. Many did. Some wrote ‘Votes for Women’ boldly across their schedules. Others hid in darkened houses or, in the case of Emily Wilding Davison, in a cupboard within the Houses of Parliament. Yet many did not. Even some suffragettes who might be expected to boycott decided to comply – and completed a perfectly accurate schedule. Why? Vanishing for the vote explores the ‘battle for the census’ arguments that raged across Edwardian England in spring 1911. It investigates why some committed campaigners decided against civil disobedience tactics, instead opting to provide the government with accurate data for its health and welfare reforms. This book plunges the reader into the turbulent world of Edwardian politics, so vividly recorded on census night 1911. Based on a wealth of brand-new documentary evidence, it offers compelling reading for history scholars and general readers alike. Sumptuously produced, with 50 illustrations and an invaluable Gazetteer of suffrage campaigners.
Wojcik (humanities, Clarkson U.) examines Luke's Gospel in the light of gnostic narrative techniques. He provides a historical survey of interpretations of Luke's Gospel and outlines orthodox Christianity's rejection of gnostic elements. He concludes with his own analysis of the text, focusing on Jesus' development as a teacher. Reprint of The Long Road to Greenhan Common, Virago, 1989. Annotation copyrighted by Book News, Inc., Portland, OR
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