Thirty years after From Rockaway ("A great first novel", Harper's Bazaar), Jill Eisenstadt returns with a darkly funny new work of fiction that exposes a city and a family at their most vulnerable. When Sue Glassman's family needs a new home, Sue relents, after years of resisting, and agrees to convert to Judaism. In return, Sue's father-in-law, Sy, buys the family -- Sue, Dan, and their two daughters -- a capacious but ramshackle beachfront house in Rockaway, Queens, a world away from the Glassmans' cramped Tribeca apartment. The catch? Sy is moving in, too. And the house is haunted. On the weekend of Sue's conversion party, ninety-year-old Rose, who (literally) got away with murder on the premises years earlier, shows up uninvited. Towing a suitcase-sized pocketbook, having escaped an assisted living facility in Forest Hills, Rose seems intent on moving back in. Enter neighbor Tim -- formerly Timmy (see From Rockaway), a former lifeguard, former firefighter, and reformed alcoholic -- who feels, for reasons even he can't explain, inordinately protective of the Glassmans. The collective nervous breakdown occasioned by Rose's return swells to operatic heights in a novel that charms and surprises on every page as it unflinchingly addresses the perils of living in a world rife with uncertainty.
Timmy and Chowderhead and Peg are lifeguards. They spend summers sitting in those tall chairs, smoking dope and staring at the waves, swatting insects, tormenting seagulls. Winters they work shit jobs like unloading trucks at Mickey's Deli. At night, winter and summer, they drink. Drink and get rowdy. Then there's Alex, the girl who gets away, not only from old boyfriend Timmy but also from "Rotaway"-on scholarship to a rich-kid's college in New England. One midsummer night when the four are reunited, tensions erupt in feats of daring and self-destruction during the wild, cathartic, near-sacred lifeguard ritual known as the Death Keg. Brilliantly capturing the restlessness and casual nihilism of working-class youth with no options, Jill Eisenstadt's acclaimed first novel startles in its power and originality, its depth of feeling, its bright and dark comic turns.
Nineteen authors share mystery stories set in New York City’s largest borough in this anthology. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book. Queens becomes the fourth New York City borough to enter the arena in this riveting collection edited by defense attorney and acclaimed fiction writer Robert Knightly. With stories by: Denis Hamill, Malachy McCourt, Maggie Estep, Edgar Award–winner Megan Abbott, Robert Knightly, Liz Martínez, Jill Eisenstadt, Mary Byrne, Tori Carrington, Shailly P. Agnihotri, K.J.A. Wishnia, Victoria Eng, Alan Gordon, Beverly Farley, Joe Guglielmelli, and Glenville Lovell. Includes the story “Bucker’s Error,” winner of the 2009 Edgar Award (Robert L. Fish Memorial Award). Praise for Queens Noir “The ethnically diverse New York borough of Queens is the setting for this solid entry in Akashic’s noir anthology series (Brooklyn Noir, etc.) . . . . with protagonists ranging from a young woman out for revenge (Denis Hamill’s “Under the Throgs Neck Bridge”) to a trigger-happy cop protecting her cousin from an abusive ex-husband (Stephen Solomita’s “Crazy Jill Saves the Slinky”). The husband-and-wife team writing as Tori Carrington . . . weighs in with a gritty whodunit set in a Greek diner in “Last Stop, Ditmars.” The standout by far is “Hollywood Lanes” by Megan Abbott (The Song Is You), a bleak and masterful story of passion and betrayal set in a Forest Hills bowling alley. There’s plenty to enjoy here for Akashic completists and anyone who’s ever cheered (or jeered) the Mets.” —Publishers Weekly
Thirty years after From Rockaway ("A great first novel", Harper's Bazaar), Jill Eisenstadt returns with a darkly funny new work of fiction that exposes a city and a family at their most vulnerable. When Sue Glassman's family needs a new home, Sue relents, after years of resisting, and agrees to convert to Judaism. In return, Sue's father-in-law, Sy, buys the family -- Sue, Dan, and their two daughters -- a capacious but ramshackle beachfront house in Rockaway, Queens, a world away from the Glassmans' cramped Tribeca apartment. The catch? Sy is moving in, too. And the house is haunted. On the weekend of Sue's conversion party, ninety-year-old Rose, who (literally) got away with murder on the premises years earlier, shows up uninvited. Towing a suitcase-sized pocketbook, having escaped an assisted living facility in Forest Hills, Rose seems intent on moving back in. Enter neighbor Tim -- formerly Timmy (see From Rockaway), a former lifeguard, former firefighter, and reformed alcoholic -- who feels, for reasons even he can't explain, inordinately protective of the Glassmans. The collective nervous breakdown occasioned by Rose's return swells to operatic heights in a novel that charms and surprises on every page as it unflinchingly addresses the perils of living in a world rife with uncertainty.
In her unique guide, Jill Brooke reveals how to cope with grief and turn this time of sadness into an opportunity for positive change and growth. Although they are no longer physically with us, we can keep our loved ones emotionally and spiritually close by incorporating their memories into our daily lives. As we draw comfort from their sustaining presence, we can have a positive impact on those around us. Recent research shows that the trauma of loss can stimulate creativity which leads to new pportunities for happiness and success. Katie Couric and Rosie O'Donnell are just a few people in this book who have coped with loss in unique and special ways. Including tips on how to preserve our memories, create lasting family histories, and reach out to others, Don't Let Death Ruin Your Life shows how the experience of grieving helps us to heal, learn, and grow. Filled with gentle guidance and practical advice, this indispensable handbook takes readers on a journey that will motivate, inspire, and transform their lives. "Should be on everyone's bookshelf . . . Charts a survival course with dignity and hope." (The New York Post)
Every industrial nation in the world guarantees its citizens access to essential health care services--every country, that is, except the United States. In fact, one in eight Americans--a shocking 43 million people--do not have any health care insurance at all. One Nation, Uninsured offers a vividly written history of America's failed efforts to address the health care needs of its citizens. Covering the entire twentieth century, Jill Quadagno shows how each attempt to enact national health insurance was met with fierce attacks by powerful stakeholders, who mobilized their considerable resources to keep the financing of health care out of the government's hands. Quadagno describes how at first physicians led the anti-reform coalition, fearful that government entry would mean government control of the lucrative private health care market. Doctors lobbied legislators, influenced elections by giving large campaign contributions to sympathetic candidates, and organized "grassroots" protests, conspiring with other like-minded groups to defeat reform efforts. As the success of Medicare and Medicaid in the mid-century led physicians and the AMA to start scaling back their attacks, the insurance industry began assuming a leading role against reform that continues to this day. One Nation, Uninsured offers a sweeping history of the battles over health care. It is an invaluable read for anyone who has a stake in the future of America's health care system.
Jill Lepore is unquestionably one of America’s best historians; it’s fair to say she’s one of its best writers too." —Jonathan Russell Clark, Los Angeles Times Best Books of 2023: New Yorker, TIME A book to be read and kept for posterity, The Deadline is the art of the essay at its best. Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore’s life, these essays again and again cross what she calls the deadline, the “river of time that divides the quick from the dead.” Echoing Gore Vidal’s United States in its massive intellectual erudition, The Deadline, with its remarkable juxtaposition of the political and the personal, challenges the very nature of the essay—and of history—itself.
Leadership can be a challenging and complex area of practice, but this textbook will be your essential guide, teaching you how to master this important skill and find your professional voice. The book considers the challenges of leadership in the early years, exploring both the theoretical aspects, and the skills and tools needed to support and develop leadership and mentoring in practice. You will be encouraged to critically reflect on practice in a global context, looking at vignettes, case studies and reflections from international settings, which will equip you with valuable transferable leadership skills, applicable to any situation in practice.
One of the law’s most important and far-reaching roles is to govern family life and family members. Family law decides who counts as kin, how family relationships are created and dissolved, and what legal rights and responsibilities come with marriage, parenthood, sibling ties, and other family bonds. Yet despite its significance, the field remains remarkably understudied and poorly understood both within and outside the legal community. Family Law Reimagined is the first book to evaluate the canonical narratives, examples, and ideas that legal decisionmakers repeatedly invoke to explain family law and its governing principles. These stories contend that family law is exclusively local, that it repudiates market principles, that it has eradicated the imprint of common law doctrines which subordinated married women, that it is dominated by contract rules permitting individuals to structure their relationships as they choose, and that it consistently prioritizes children’s interests over parents’ rights. In this book, Jill Elaine Hasday reveals how family law’s canon misdescribes the reality of family law, misdirects attention away from the actual problems that family law confronts, and misshapes the policies that legal authorities pursue. She demonstrates how much of the “common sense” that decisionmakers expound about family law actually makes little sense. Family Law Reimagined uncovers and critiques the family law canon and outlines a path to reform. Challenging conventional answers and asking questions that judges and lawmakers routinely overlook, it calls on us to reimagine family law.
Doctors routinely deny patients access to hormonal birth control prescription refills, and this issue has broad interest for feminism, biomedical ethics, and applied ethics in general. Medical Sexism argues that such practices violate a variety of legal and moral standards, including medical malpractice, informed consent, and human rights. Jill B. Delston makes the case that medical sexism serves as a major underlying cause of these systemic and persistent violations. Delston also considers other common abuses in the medical field, such as policy on abortion access and treatment in childbirth. Delston argues that sexism is a better explanation for the widespread abuse of patient autonomy in reproductive health and health care generally. Identifying, addressing, and rooting out medical sexism is necessary to successfully protect medical and moral values.
WRITING PROGRAM ADMINISTRATION AT SMALL LIBERAL ARTS COLLEGES presents an empirical study of the writing programs at one hundred small, private liberal arts colleges. Jill M. Gladstein and Dara Rossman Regaignon provide detailed information about a type of writing program not often highlighted in the scholarly record and offer a model for such national, multi-institutional research.
In the past decade the relationship between communities, children and families has inspired a wealth of research and policy initiatives because of a growing belief that the breakdown of families and communities is a significant factor in social problems, including child abuse and juvenile crime. The latest policy initiatives to tackle social problems have therefore targeted communities as well as high risk families. This title amalgamates the latest research on the relationship between children, families and communities and explores policy and practice implications. Material for practitioners and community development workers is also be included. The book is divided in to three parts: 1) theory 2) the effect of community on children, parents and families 3) interventions and policy implications.
“Nothing short of a masterpiece.” —NPR Books A New York Times Bestseller and a Washington Post Notable Book of the Year In the most ambitious one-volume American history in decades, award-winning historian Jill Lepore offers a magisterial account of the origins and rise of a divided nation. Widely hailed for its “sweeping, sobering account of the American past” (New York Times Book Review), Jill Lepore’s one-volume history of America places truth itself—a devotion to facts, proof, and evidence—at the center of the nation’s history. The American experiment rests on three ideas—“these truths,” Jefferson called them—political equality, natural rights, and the sovereignty of the people. But has the nation, and democracy itself, delivered on that promise? These Truths tells this uniquely American story, beginning in 1492, asking whether the course of events over more than five centuries has proven the nation’s truths, or belied them. To answer that question, Lepore wrestles with the state of American politics, the legacy of slavery, the persistence of inequality, and the nature of technological change. “A nation born in contradiction… will fight, forever, over the meaning of its history,” Lepore writes, but engaging in that struggle by studying the past is part of the work of citizenship. With These Truths, Lepore has produced a book that will shape our view of American history for decades to come.
Ethical loneliness is the experience of being abandoned by humanity, compounded by the cruelty of wrongs not being acknowledged. It is the result of multiple lapses on the part of human beings and political institutions that, in failing to listen well to survivors, deny them redress by negating their testimony and thwarting their claims for justice. Jill Stauffer examines the root causes of ethical loneliness and how those in power revise history to serve their own ends rather than the needs of the abandoned. Out of this discussion, difficult truths about the desire and potential for political forgiveness, transitional justice, and political reconciliation emerge. Moving beyond a singular focus on truth commissions and legal trials, she considers more closely what is lost in the wake of oppression and violence, how selves and worlds are built and demolished, and who is responsible for re-creating lives after they are destroyed. Stauffer boldly argues that rebuilding worlds and just institutions after violence is a broad obligation and that those who care about justice must first confront their own assumptions about autonomy, liberty, and responsibility before an effective response to violence can take place. In building her claims, Stauffer draws on the work of Emmanuel Levinas, Jean Améry, Eve Sedgwick, and Friedrich Nietzsche, as well as concrete cases of justice and injustice across the world.
Timmy and Chowderhead and Peg are lifeguards. They spend summers sitting in those tall chairs, smoking dope and staring at the waves, swatting insects, tormenting seagulls. Winters they work shit jobs like unloading trucks at Mickey's Deli. At night, winter and summer, they drink. Drink and get rowdy. Then there's Alex, the girl who gets away, not only from old boyfriend Timmy but also from "Rotaway"-on scholarship to a rich-kid's college in New England. One midsummer night when the four are reunited, tensions erupt in feats of daring and self-destruction during the wild, cathartic, near-sacred lifeguard ritual known as the Death Keg. Brilliantly capturing the restlessness and casual nihilism of working-class youth with no options, Jill Eisenstadt's acclaimed first novel startles in its power and originality, its depth of feeling, its bright and dark comic turns.
Nineteen authors share mystery stories set in New York City’s largest borough in this anthology. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book. Queens becomes the fourth New York City borough to enter the arena in this riveting collection edited by defense attorney and acclaimed fiction writer Robert Knightly. With stories by: Denis Hamill, Malachy McCourt, Maggie Estep, Edgar Award–winner Megan Abbott, Robert Knightly, Liz Martínez, Jill Eisenstadt, Mary Byrne, Tori Carrington, Shailly P. Agnihotri, K.J.A. Wishnia, Victoria Eng, Alan Gordon, Beverly Farley, Joe Guglielmelli, and Glenville Lovell. Includes the story “Bucker’s Error,” winner of the 2009 Edgar Award (Robert L. Fish Memorial Award). Praise for Queens Noir “The ethnically diverse New York borough of Queens is the setting for this solid entry in Akashic’s noir anthology series (Brooklyn Noir, etc.) . . . . with protagonists ranging from a young woman out for revenge (Denis Hamill’s “Under the Throgs Neck Bridge”) to a trigger-happy cop protecting her cousin from an abusive ex-husband (Stephen Solomita’s “Crazy Jill Saves the Slinky”). The husband-and-wife team writing as Tori Carrington . . . weighs in with a gritty whodunit set in a Greek diner in “Last Stop, Ditmars.” The standout by far is “Hollywood Lanes” by Megan Abbott (The Song Is You), a bleak and masterful story of passion and betrayal set in a Forest Hills bowling alley. There’s plenty to enjoy here for Akashic completists and anyone who’s ever cheered (or jeered) the Mets.” —Publishers Weekly
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