Will Laney's gift to communicate with ghosts lead her to help or hinder the restless souls who haunt her? After Laney MacKenzie learned she could communicate with spirits, life became much more challenging. It was one thing when it was her grandmother who came to her, but now it seemed as though every random ghost felt the need to seek her out - and she has no interest in figuring out how to move them on. She has enough troubles of her own--her ghosthunter boyfriend Emmett is pressuring her to develop her so called gift, her ex-husband keeps creeping back into her life for unknown purposes, and she has a fledging new business. She's near to calling it quits on both her gift and Emmett when she learns about a little boy who's experiencing a ghostly visitor. She can't say no to a child in trouble, and his attractive architect father has a way of being persuasive.
Finding the Way Back is the story of Laney, a recently divorced woman who agrees to help her mother fix up her dead grandfather's house. From the first night when she hears ghostly music to later physical attacks that seem targeted only at her, she soon discovers that a spirit in the house may have plans of its own. For her own well-being, she needs to find answers as the danger escalates and she learns to trust herself and others. With the help of her cousin Connie, an attractive ghosthunter named Emmett, and several other eccentric characters, Laney uncovers the dark secret of the house and a new path for her future.
Described as an artist of “prodigious imagination and intelligence” by the New York Times, Jill Sigman makes art at the intersection of dance, visual art, and social practice. An artist’s book that explores the ability of art to engage us and re-envision our environment, Ten Huts documents a series of site-specific huts that were hand built from found and repurposed materials ranging from the mundane (e-waste and plastic bottles) to the bizarre (circus detritus, dental molds, and mugwort grown on the banks of a toxic creek) in landscapes as varied as industrial Brooklyn and the Norwegian Arctic. Each of the extraordinary huts in this full-color book is a structure, a sculpture, and an emergency preparedness kit that raises questions about sustainability, shelter, real estate, and our future on this planet. Ten Huts features an artist essay by Jill Sigman and 499 illustrations, along with essays about The Hut Project by Thomas Hylland Eriksen (anthropology), André Lepecki (performance studies), Matthew McLendon (art history), Elise Springer (philosophy), and Eva Yaa Asantewaa (dance). Also includes a foreword by Pamela Tatge.
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