Korean Composition is the first book in English for students of Korean language aimed not only at enhancing their writing skills and overall linguistic competence, but also at organizing and developing their ideas and thoughts with grammatically, stylistically, and culturally correct expressions. The Essential Composition section contains chapters concerned with the writing of essays, diaries and letters, document preparation, and expository writing. The Advanced Composition section considers descriptions of impressions, writing poetry, newspaper accounts, writing articles and theses, and summarizing. Each chapter consists of numerous units designed to cover words, phrases, idioms, and grammatical patterns (with sentence examples). Exercises and a model writing example are included in each unit. Advanced students who need assistance in choosing proper topics and materials as well as in using diverse expressions in creative writing will benefit from the section on steps of composition and styles of writing. English translations of model writings, an index of useful grammatical patterns, and an English-Korean glossary are provided at the end of the text. Korean Composition is aimed at college-level students who have completed at least beginning and intermediate levels of Korean. For students using the Integrated Korean series, this text is recommended for use after the completion of Advanced Intermediate 2.
This book studies how the increase of visual representation of mixed-race Koreans formulates a particular racial project in contemporary South Korean media. It explores the moments of ruptures and disjuncture that biracial bodies bring to the formation of neoliberal multiculturalism, a South Korean national racial project that re-aligns racial lines under the nation’s neoliberal transformation. Specifically, Ji-Hyun Ahn examines four televised racial moments that demonstrate particular aspects of neoliberal multiculturalism by demanding distinct ways of re-imagining what it means to be Korean in the contemporary era of globalization. Taking a critical media/cultural studies approach, Ahn engages with materials from archives, the popular press, policy documents, television commercials, and television programs as an inter-textual network that actively negotiates and formulates a new racialized national identity. In doing so, the book provides a rich analysis of the ongoing struggle over racial reconfiguration in South Korean popular media, advancing an emerging scholarly discussion on race as a leading factor of social change in South Korea.
This is the very first book to describe the superficial anatomic structure of the face and neck by means of detailed ultrasonography (US). This superbly illustrated book will help aesthetic physicians to familiarize themselves with the US anatomy of the face and neck and to understand the applications and benefits of US when performing minimally invasive aesthetic procedures in this region. A deep understanding of anatomy is imperative if such procedures are to be safe and effective. Bearing in mind the range of potential anatomic variations, US can offer vital assistance in identifying target structures of the face beneath the skin when carrying out treatments that would otherwise be performed “blind”. In this book, readers will find detailed guidance on the use of US in the context of botulinum toxin and filler injections, threading procedures, and other minimally invasive aesthetic approaches. This is done with the aid of more than 530 US images, including cadaveric dissections and illustrations of volunteers and patients. For novices, valuable information is also provided on the basics of US imaging.
This volume presents a wood anatomist’s study of the Tripitaka Koreana, the world’s oldest surviving printing artifact from 13th-century Korea. Whereas existing research on this most comprehensive and accurate version of the Buddhist canon in East Asia has relied primarily on incomplete textual evidence and on less than reliable oral traditions in addressing the secrets of the creation, birthplace, material, and miraculous conservation of the Tripitaka Koreana, the author of this volume looks to physical evidence – the woodblocks themselves – for answers. The 81,258 printing plates reveal a wealth of information under the microscope of a wood anatomist: the microscopic picture that emerges helps identify the particular wood species, leading us to their natural habitat, and in turn to the likely logging and engraving sites. These findings challenge the so-called facts about the woodblocks, and offer valuable insights into the day-to-day creation process, from the preparation to the engraving phase, as well as post-production care for optimal preservation. Its value as a Buddhist text aside, the Tripitaka Koreana is an avatar of old Korean science that compels us to go one step further than reading between the lines; that is, to look beneath the engraved letters for clues left behind by nature, man, and time.
Korean Composition is the first book in English for students of Korean language aimed not only at enhancing their writing skills and overall linguistic competence, but also at organizing and developing their ideas and thoughts with grammatically, stylistically, and culturally correct expressions. The Essential Composition section contains chapters concerned with the writing of essays, diaries and letters, document preparation, and expository writing. The Advanced Composition section considers descriptions of impressions, writing poetry, newspaper accounts, writing articles and theses, and summarizing. Each chapter consists of numerous units designed to cover words, phrases, idioms, and grammatical patterns (with sentence examples). Exercises and a model writing example are included in each unit. Advanced students who need assistance in choosing proper topics and materials as well as in using diverse expressions in creative writing will benefit from the section on steps of composition and styles of writing. English translations of model writings, an index of useful grammatical patterns, and an English-Korean glossary are provided at the end of the text. Korean Composition is aimed at college-level students who have completed at least beginning and intermediate levels of Korean. For students using the Integrated Korean series, this text is recommended for use after the completion of Advanced Intermediate 2.
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