A new glossary of American fashion explores the expressive qualities of works by pioneering designers, who established the nation’s style, and the up-and-coming designers shaping its future. In America: A Lexicon of Fashion presents a modern vocabulary of American dress that emphasizes emotions while not discounting the simple, practical, and egalitarian character that has traditionally separated American ready-to-wear from European haute couture. Stunning new photography showcases over 100 garments from the 1940s to the present that offer a timely new perspective on the diverse and multifaceted nature of American fashion. The catalogue features works that display qualities such as belonging, comfort, desire, exuberance, fellowship, joy, nostalgia, optimism, reverence, spontaneity, strength, and sweetness by well-known designers and emerging creatives, including: Gilbert Adrian Geoffrey Beene Thom Browne Bonnie Cashin Willy Chavarria Olivia Cheng Telfar Clemens Oscar de la Renta Colm Dillane Perry Ellis Tremaine Emory Tom Ford Rudi Gernreich Halston Elizabeth Hawes Carolina Herrera Conner Ives Charles James Kerby Jean-Raymond Donna Karan Calvin Klein Michael Kors Ralph Lauren Vera Maxwell Claire McCardell Norman Norell Heron Preston Christopher John Rogers Raul Solís Hillary Taymour Diane von Furstenberg Vera Wang
A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed “making-of” accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: “Did the Academy get it right?” Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world.
In Pursuit of Fashion presents outstanding works from the greatest private collection of twentieth-century fashion and explores the modern discipline of fashion collecting. This unique group of ensembles and accessories, assembled over several decades by Sandy Schreier, includes many rare and historically significant pieces that define key moments in fashion and features not only iconic works by established designers but also looks by pioneering couturiers rarely represented in museum collections. These remarkable objects, by designers including Gilbert Adrian, Cristobal Balenciaga, Boué Soeurs, Gabrielle Chanel, Christian Dior, Mariano Fortuny y Madrazo, Maria Gallenga, Karl Lagerfeld, Paul Poiret, and Madeleine Vionnet, are illustrated with stunning new photography by fashion photographer Nicholas Alan Cope. Schreier is a pioneer in the field of collecting fashion. Her interest began at a time when collecting and treating these creations as an art form was rare. She amassed a staggering breadth of work that reflects her wide-ranging taste and connoisseurship. An informative introduction discusses the unique evolution of Schreier’s collecting in parallel with a developing field. The book also includes descriptions of more than eighty works, including rare works on paper, as well as a lively interview with Schreier that traces the progress of her collecting from its roots in Detroit to the present day.
This beautifully illustrated book explores the considerable impact of fashions created by and for women by tracing a historical and conceptual lineage of female designers—from unidentified dressmakers in eighteenth-century France to contemporary makers who are leading the direction of fashion today. Stunning new photographs of exceptional garments from the unparalleled collection of The Metropolitan Museum of Art’s Costume Institute complement insightful essays that consider notions of anonymity, visibility, agency, and absence/omission, highlighting celebrated designers and forgotten histories alike to reveal women’s impact on the field of fashion. The publication includes garments from French houses such as Vionnet, Schiaparelli, and Mad Carpentier to American makers like Ann Lowe, Claire McCardell, and Isabel Toledo, along with contemporary designers such as Rei Kawakubo, Iris van Herpen, Simone Rocha, and Anifa Mvuemba. Situating the works within a larger social context, this overdue look at female-led design is essential reading for anyone interested in the history of fashion.
“An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.” —Virginia Woolf, Orlando: A Biography, 1928 About Time: Fashion and Duration traces the evolution of fashion, from 1870 to the present, through a linear timeline of iconic garments, each paired with an alternate design that jumps forward or backward in time. These unexpected pairings, which relate to one another through shape, motif, material, pattern, technique, or decoration, create a unique and disruptive fashion chronology that conflates notions of past, present, and future. Virginia Woolf serves as “ghost narrator”: excerpts from her novels reflect on the passage of time with each subsequent plate pairing. A new short story by Michael Cunningham, winner of the Pulitzer Prize for Fiction for The Hours, recounts a day in the life of a woman over a time span of 150 years through her changing fashions. Scholar Theodore Martin analyzes theoretical responses to the nature of time, underscoring that time is not simply a sequence of historical events. And fashion photographer Nicholas Alan Cope illustrates 120 fashions with sublime black and-white photography. This stunning book reveals fashion’s paradoxical connection to linear notions of time.
From two bestselling authors—the first in a deliciously bold new series that takes readers to the most dangerous edge of desire . . . Nikolai: I have been a contract killer since I was a boy. For years I savored the fear caused by my name, the trembling at the sight of my tattoos. The stars on my knees, the marks on my fingers, the dagger in my neck, all spoke of danger. If you saw my eyes, it was the last vision you’d have. I have ever been the hunter, never the prey. With her, I am the mark and I am ready to lie down and let her capture me. Opening my small, scarred heart to her brings out my enemies. I will carry out one last hit, but if they hurt her, I will bring the world down around their ears. Daisy: I’ve been sheltered from the outside world all my life. Home-schooled and farm-raised, I’m so naive that my best friend calls me Pollyanna. I like to believe the best about people. Nikolai is part of this new life, and he’s terrifying to me. Not because his eyes are cold or my friend warns me away from him, but because he’s the only man who has ever seen the real me beneath the awkwardness. With him, my heart is at risk . . . and also, my life.
Super-smart Shayla Thomas doesn't have time to explore a real relationship because she is too busy taking her autistic sister, Clara, to therapy and school. She lives hidden behind her novels and the red hair and freckles she was cursed with at birth. Not to mention the extra fifteen pounds that made her zaftig. Senior year is her last chance to lose the weight and get hottie Drew Evans to look at her. Things start to fall into place until Irish exchange student Conarie McBaine arrives.Charming and gorgeous, Conarie captivates the Thomas sisters. His presence unlocks a hidden power in Shayla that allows her to communicate with her sister in another realm where fairies and magic exist! When fairy-Clara forces Shay to realize she is more than what she seems, her life takes an unusual twist.Shay must learn to harness the power of her heartstone, wield fairy magic, pacify her mother's matchmaking attempts and fight her overwhelming craving to be with Conarie - because giving in to her desire could kill him.
International Relations has traditionally focused on conflict and war, but the effects of violence including dead bodies and memorialization practices have largely been considered beyond the purview of the field. Drawing on Jacques Derrida’s notion of hauntology to consider the politics of life and death, Auchter traces the story of how life and death and a clear division between the two is summoned in the project of statecraft. She argues that by letting ourselves be haunted, or looking for ghosts, it is possible to trace how statecraft relies on the construction of such a dichotomy. Three empirical cases offer fertile ground for complicating the picture often painted of memorialization: Rwandan genocide memorials, the underexplored case of undocumented immigrants who die crossing the US-Mexico border, and the body/ruins nexus in 9/11 memorialization. Focusing on the role of dead bodies and the construction of particular spaces as the appropriate sites for memory to be situated, it offers an alternative take on the new materialisms movement in international relations by asking after the questions that arise from an ethnographic approach to the subject: viewing things from the perspective of dead bodies, who occupy the shadowy world of post-conflict international politics. This work will be of great interest to students and scholars of critical international relations, security studies, statecraft and memory studies.
The theater of the 21st century, in many ways, is expanding to require new muscles of its actors, and so should their scene choices. Today, amid flourishing new play resources, it can be difficult to nail down contemporary scenes for two people. These scenes, all culled from plays written between 2000 and 2016, are useful to actors between the ages of 15 and 30. They range from about two to seven minutes' running time – appropriate for different classroom explorations – and are grouped by scenes for two males, two females, and one male and one female. Contemporary Scenes for Twentysomethings offers the opportunity for emerging actors to explore work by playwrights, both emerging and established, that is truly contemporary. Jessica Bashline, adjunct professor of acting at New York University, has assembled a comprehensive collection, featuring work written by Samuel D. Hunter, Liz Duffy Adams, Timothy Mason, Nina Raine, and many more. Every playwright in this book is currently writing. The characters included in this compilation come from a variety of backgrounds with different stories to tell, giving you the chance to explore those who are close to you and those who may come from someplace else. When perusing this book, look for scenes that instantly draw you. There is more than enough material to find something that speaks to you, and your passion for a piece will strengthen your final performance!
EINE BRAUT FÜR DADDY? von JESSICA GILMORE Hochzeitsplanerin Maddie versteht sich bestens mit ihrem attraktiven Boss Dante Falcone und seiner süßen Tochter. Um den reichen italienischen Adligen vor lästigen Avancen zu retten, gibt sie sich sogar als seine Freundin aus. Nur ein Spiel - bis ungeahnt heißes Verlangen erwacht ... DER TYCOON UND DIE NANNY von ALLISON LEIGH Heiraten, Kinder? Undenkbar für Unternehmer Garrett Cullum! Da erhält ausgerechnet er das Sorgerecht für seine verwaisten Nichten und Neffen. Zum Glück hilft ihm die hübsche Nanny Darby, zu der er sich überraschend immer stärker hingezogen fühlt. Doch was verbirgt sie vor ihm? EIN BABY, EIN KUSS - UND DANN? von MICHELLE DOUGLAS Auch wenn er sie mit einem leidenschaftlichen Kuss überrascht, fürchtet Olivia: Ihr Boss Sebastian Tyrell hat sie nur auf sein luxuriöses Anwesen eingeladen, damit sie sich vorübergehend um sein niedliches Findelbaby kümmert. Denn auf Dauer passt sie nicht in seine Welt der Reichen und Schönen! SÜßE ÜBERRASCHUNG FÜR DEN PLAYBOY-BOSS von KATRINA CUDMORE Eine betörende Nacht mit Playboy-Milliardär Lucien Duval hat ungeahnte Folgen für Charlotte. Als sie ihm gesteht, dass sie sein Kind unter dem Herzen trägt, drängt er darauf zu heiraten! Zum Wohl des Kindes sagt Charlotte Ja. Mit Liebe hat diese Ehe nichts zu tun. Oder etwa doch?
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