This book presents an extended account of the language of dystopia, exploring the creativity and style of dystopian narratives and mapping the development of the genre from its early origins through to contemporary practice. Drawing upon stylistic, cognitive-poetic and narratological approaches, the work proposes a stylistic profile of dystopia, arguing for a reader-led discussion of genre that takes into account reader subjectivity and personal conceptualisations of prototypicality. In examining and identifying those aspects of language that characterise dystopian narratives and the experience of reading dystopian fictions, the work discusses in particular the manipulation and construction of dystopian languages, the conceptualisation of dystopian worlds, the reading of dystopian minds, the projection of dystopian ethics, the unreliability of dystopian refraction, and the evolution and hybridity of the dystopian genre.
It is 1802, and when her beloved father dies, Lucy Mitchell's curiosity is fired by his last words, "the de Northbys owe you". Who are the de Northbys and why do they "owe" the Mitchells? Her mother says he was too sick and confused to make sense but Lucy undertakes some investigations of her own.
During the middle years of Queen Elizabeth’s reign, the number of books published with titles that described themselves as flowers, gardens, or forests more than tripled. During those same years, English printers turned out scores of instructional manuals on gardening and husbandry, retailing useful knowledge to a growing class of literate landowners and pleasure gardeners. Both trends, Jessica Rosenberg shows, reflected a distinctive style of early modern plant-thinking, one that understood both plants and poems as composites of small pieces—slips or seeds to be recirculated by readers and planters. Botanical Poetics brings together studies of ecology, science, literary form, and the material text to explore how these developments transformed early modern conceptions of nature, poetic language, and the printed book. Drawing on little-studied titles in horticulture and popular print alongside poetry by Shakespeare, Spenser, and others, Rosenberg reveals how early modern print used a botanical idiom to anticipate histories of its own reading and reception, whether through replanting, uprooting, or fantasies of common property and proliferation. While our conventional narratives of English literary culture in this period see reading as an increasingly private practice, and literary production as more and more of an authorial domain, Botanical Poetics uncovers an alternate tradition: of commonplaces and common ground, of slips of herbs and poetry circulated, shared, and multiplied.
If this book feels like it’s sounding the alarm on the state of American motherhood, well, that’s because it is." -- San Francisco Chronicle In this timely and necessary book, New York Times opinion writer Jessica Grose dismantles two hundred years of unrealistic parenting expectations and empowers today’s mothers to make choices that actually serve themselves, their children, and their communities Close your eyes and picture the perfect mother. She is usually blonde and thin. Her roots are never showing and she installed that gleaming kitchen backsplash herself (watch her TikTok for DIY tips). She seamlessly melds work, wellness and home; and during the depths of the pandemic, she also ran remote school and woke up at 5 a.m. to meditate. You may read this and think it’s bananas; you have probably internalized much of it. Journalist Jessica Grose sure had. After she failed to meet every one of her own expectations for her first pregnancy, she devoted her career to revealing how morally bankrupt so many of these ideas and pressures are. Now, in Screaming on the Inside, Grose weaves together her personal journey with scientific, historical, and contemporary reporting to be the voice for American parents she wishes she’d had a decade ago. The truth is that parenting cannot follow a recipe; there’s no foolproof set of rules that will result in a perfectly adjusted child. Every parent has different values, and we will have different ideas about how to pass those values along to our children. What successful parenting has in common, regardless of culture or community, is close observation of the kind of unique humans our children are. In thoughtful and revelatory chapters about pregnancy, identity, work, social media, and the crisis of the Covid-19 pandemic, Grose explains how we got to this moment, why the current state of expectations on mothers is wholly unsustainable, and how we can move towards something better.
Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works”Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas”DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.
First paperback issue of the most recent novel by the award-winning author whose previous book, TStories From the Warm Zone', was the 1987 TAge' Book of the Year. The novel explores the relationships between different generations of people in an era where there are no rules about the age, gender or faithfulness of lovers.
Blood-chilling horror from the author of Cradlesong and Dark Lullaby. Like many places, the Maine village of Stockton Springs has seen livelier days. But that changes the day ten-year-old Tiffany finds a human bone in the ancient Indian burial ground . . . and frees the ancient curse and the killings begin.
“An excellent mix of the practical and the inspirational . . . featuring the fantastic, Beardsley-like intricate arabesque designs of the author.” —The Papercraft Post Blog Learn how to separate the visual world into positive and negative shapes and design gorgeous images with pattern, texture and impact. A practical section shows step by step how to ‘draw with a knife’ safely and effectively. Then Jessica provides artistic insights into an inspiring selection of her paper artworks, including silhouettes, portraits, landscapes, fashion images, illustrations, life drawing and more. “Intermediate and advanced artists in search of a fresh technique will find this guide challenging and absorbing.” —Library Journal “Here she explains how to see the world through a paper cutter’s eyes. It’s all about seeing the positive and negative shapes in your subject, so the experience will stand you in good stead if you wish to improve your drawing skills.” —The Leisure Painter “Here are dozens of beautiful, inspiring papercuts.” —Machine Knitting Monthly
Bachelor Thesis from the year 2021 in the subject Business economics - Offline Marketing and Online Marketing, grade: 1, Vienna University of Economics and Business (Marketing and Consumer Research), language: English, abstract: Colour is everywhere. But how much influence does it have on consumers when evaluating product attributes of everyday low-involvement products? To add to the already large number of insights achieved through research a randomized mixed factorial experiment was conducted looking at the products milk and shower gel (within-subject factor) in two different packaging colours each which were manipulated between subjects (milk: dark blue vs. light blue; shower gel: orange vs. green). Marketing is like a never-ending competition of trying to somehow stand out from an enormous number of products. Hardly ever is this more obvious than when looking at a supermarket or drugstore shelf where products are placed one after another. And the big question here is why customers decide to buy exactly one brand when there are nearly uncountable others that do not show a clear point of differentiation that would make that choice comprehensible? Therefore, understanding one’s customers can be a big competitive advantage, but this is easier said than done.
Beautiful Kai Wyler, the world's most successful sex therapist, seeks to escape from a dark secret of the past in the arms of a series of remarkable lovers. Original.
Beauty tips from women of color around the world--Senegal, Mexico, India, Haiti, Brazil, Benin, Guyana, China, & the U.S. Many of the lotions & treatments involve simple make-it-yourself items using ordinary ingredients.
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