There are thousands of books that represent the Holocaust, but can, and should, the act of reading these works convey the events of genocide to those who did not experience it? In Textual Silence, literary scholar Jessica Lang asserts that language itself is a barrier between the author and the reader in Holocaust texts—and that this barrier is not a lack of substance, but a defining characteristic of the genre. Holocaust texts, which encompass works as diverse as memoirs, novels, poems, and diaries, are traditionally characterized by silences the authors place throughout the text, both deliberately and unconsciously. While a reader may have the desire and will to comprehend the Holocaust, the presence of “textual silence” is a force that removes the experience of genocide from the reader’s analysis and imaginative recourse. Lang defines silences as omissions that take many forms, including the use of italics and quotation marks, ellipses and blank pages in poetry, and the presence of unreliable narrators in fiction. While this limits the reader’s ability to read in any conventional sense, these silences are not flaws. They are instead a critical presence that forces readers to acknowledge how words and meaning can diverge in the face of events as unimaginable as those of the Holocaust.
This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation—the children of survivors—to a contemporary generation of grandchildren of survivors—those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected—essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers—show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.
Zeitlos ist eine Kurzgeschichtensammlung, deren Episoden jedoch alle über einen Gegenstand miteinander in Verbindung stehen, eine Taschenuhr. Seit ihrer Fertigung 1885 wird sie von einem Besitzer an den nächsten weitergegeben und wird so Teil ihrer Lebensgeschichten. Über die Jahre hinweg begegnet sie sowohl Liebe und Freude, als auch Schrecken und Tod.
Imagine you are accused of, not one but two, murders and you have no memory of what happened.Now imagine you are trialled by a new advanced justice system which uses computers and calculations to determine your guilt or innocence; a system designed to never be wrong.Patrick Marshall suddenly finds himself Locked In and quickly learns of a secret, the truth, about the new facility he is sent to which he must try and uncover.In the meantime Detective O'Neill continues to discover more evidence but his requests to have the case re-opened is denied.While Patrick wonders what his strange dreams mean and if they will reveal the reality of what happened, O'Neill battles to continue the investigation in secret.But who will reach the truth first? And is it already too late?
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