Focusing on three communities in North, Central, and South America, Earth Politics and Intangible Heritage layers archaeological research with local knowledge in its interpretations of these cultural landscapes. Using the perspective of Earth Politics, Christie demonstrates a way of reconciling the tension between Western scientific approaches to history and the more intangible heritage derived from Indigenous oral narratives and social memories. Jessica Christie presents case studies from Canyon de Chelly National Monument on the Navajo Reservation in Arizona, United States; the Yucatec Maya village of Coba in Quintana Roo, Mexico; and the Aymara town of Copacabana on Lake Titicaca, Bolivia. Each of these places is home to a longstanding community located near ancient archaeological sites, and in each case residents relate to the ruins and the land in ways that anchor their histories, memories, identities, and daily lives. Christie’s dual approach shows how these ancestral groups have confronted colonial power structures over time, as well as how the Christian religion has impacted traditional lifeways at each site. Based on extensive field experiences, Christie’s discussions offer productive strategies for scientific and Indigenous wisdoms to work in parallel directions rather than in conflict. The insights in this book will serve as building blocks for shaping a regenerative future—not only for these important heritage sites but also for many others across the globe. A volume in the series Cultural Heritage Studies, edited by Paul A. Shackel
Memory Landscapes of the Inka Carved Outcrops: From Past to Present presents a comprehensive analysis of the carved rocks the Inka created in the Andean highlands during the fifteenth and early sixteenth centuries. It provides an overview of Inka history, a detailed analysis of the techniques and styles of carving, and five comprehensive case studies. It opens in the Inka capital, Cusco, one of the two locations where the geometric style of Inka carving was authored by the ninth ruler Pachakuti Inka Yupanki. The following chapters move to the origin places on the Island of the Sun in Lake Titicaca and at Pumaurqu, southwest of Cusco, where the Inka constructed the emergence of the first members of their dynasty from sacred rock outcrops. The final case studies focus upon the royal estates of Machu Picchu and Chinchero. Machu Picchu is the second site where Pachakuti appears to have authored the geometric style. Chinchero was built by his son, Thupa Inka Yupanki, who adopted his father’s strategy of rock carving and associated political messages. The methodology used in this book reconstructs relational networks between the sculpted outcrops, the land and people and examines how such networks have changed over time. The primary focus documents the specific political context of Inka carved rocks expanded into the performance of a stone ideology, which set Inka stone cults decidedly apart from earlier and later agricultural as well as ritual uses of empowered stones. When the Inka state formed in the mid-fifteenth century, carved rocks were used to mark local territories in and around Cusco. In the process of imperial expansion, selected outcrops were sculpted in peripheral regions to map Inka presence and showcase the cultivated and ordered geography of the state.
Maya "palaces" have intrigued students of this ancient Mesoamerican culture since the early twentieth century, when scholars first applied the term "palace" to multi-room, gallery-like buildings set on low platforms in the centers of Maya cities. Who lived in these palaces? What types of ceremonial and residential activities took place there? How do the physical forms and spatial arrangement of the buildings embody Maya concepts of social organization and cosmology? This book brings together state-of-the-art data and analysis regarding the occupants, ritual and residential uses, and social and cosmological meanings of Maya palaces and elite residences. A multidisciplinary team of senior researchers reports on sites in Belize (Blue Creek), Western Honduras (Copan), the Peten (Tikal, Dos Pilas, Aguateca), and the Yucatan (Uxmal, Chichen-Itza, Dzibilchaltun, Yaxuna). Archaeologist contributors discuss the form of palace buildings and associated artifacts, their location within the city, and how some palaces related to landscape features. Their approach is complemented by art historical analyses of architectural sculpture, epigraphy, and ethnography. Jessica Joyce Christie concludes the volume by identifying patterns and commonalties that apply not only to the cited examples, but also to Maya architecture in general.
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