Susanne Thorne is an orphan of means, one reason why Bette Hollander carries the young English girl off to her home in far-away Scotland. Bette would be more than happy for Susanne to fall in love with her handsome, headstrong son Louis, for marriage to the little heiress would repay old debts and restore the Hollander family's fortunes. But love cannot be delivered to order and as Susanne grows up and proves to have a mind of her own, Bette's plans for a match made in heaven seem fated to end in disaster.
Addressing a gap in Shelley studies, Jessica K. Quillin explores the poet's lifelong interest in music. Quillin connects the trope of music with Shelley's larger formal aesthetic, political, and philosophical concerns, showing that music offers a new critical lens through which to view such familiar Shelleyan concerns as the status of the poetic, figural language, and the philosophical problem posed by idealism versus skepticism. Quillin's book uncovers the implications of Shelley's use of music by means of four musico-poetic concerns: the inherently interdisciplinary nature of musical imagery and figurative language; the rhythmic and sonoric dimensions of poetry; the extension of poetry into the performative realms of the theatre and drawing room through close links between most poetic genres and music; and the transformation of poetry into music through the setting and adaptation of poetic lyrics to music. Ultimately, Quillin argues, Shelley exhibits a fundamental recognition of an interdependence between music and poetry which is expressed in the form and content of his highly sonorous works. Equating music with love allows him to create a radical model in which poetry is the highest form of imaginative expression, one that can affect the mind and the senses at once and potentially bring about the perfectibility of mankind through a unique mode of visionary experience.
Master the fashion ideas that shape the world of style today. In a series of 50 accessible essays, Jessica Bumpus introduces and explains the central ideas, trends and inventions of fashion, from the genesis of style itself to the present day. From fast fashion and the invention of the high heel to streetwear and the impact of the 'influencer', 50 Fashion Ideas You Really Need to Know is complete introduction to the most important fashion concepts in history.
When one of her mystery books is turned into a Broadway play, Jessica hits the Big Apple to help out the production. But when dead bodies offstage start upstaging the performers onstage, it's up to Jess to drop the curtain on a killer!
Since the dawn of time, the Isle of Mull, off the Scottish coast, has had to fend off ferocious winds and a ravenous ocean intent on swallowing the island whole. Roughened by ceaseless storms and chill, Mull remained a quiet community, set in its ways, with almost no fodder for town gossip, as the nineteenth century drew to a close. Until, that is, new blood moved in, setting the local Campbell sisters, Innis and Biddy, against each other in all-out war for the love of the same newcomer, Michael Tarrant. But just as the passage of time changes slightly the cragged hills of Mull, so does it soften hearts to reconciliation: the two sisters realize their bond is too thick for a man to sever. For Innis, marriage to Michael Tarrant turned out far from idyllic: he fled to seek life outside Mull, leaving Innis to raise their children. Biddy, too, has married, but still yearns for the happiness that has always slipped through her fingers. Although it has taken sixteen years for life to return to a semblance of what it was before the Tarrants arrived, something is still amiss. Then a pregnant woman's arrival on the island turns any countryside serenity on its head. Loathed by some, loved by others, and feared as an ill omen by still others, this Fay Ludlow embodies the changes due to fall upon Mull. The winds of change at her back will bring with them ghosts of a past buried too soon in Jessica Stirling's The Strawberry Season.
Nebraska Book Award, Special Poetry recognition More in Time is a celebration and tribute to Ted Kooser, two-time U.S. Poet Laureate, winner of the Pulitzer Prize for Poetry, and Presidential Professor of the University of Nebraska. Through personal reflections, essays, and creative works both inspired by and dedicated to Kooser, this collection shines a light on the many ways the midwestern poet has affected others as a teacher, mentor, colleague, and friend, as well as a fellow writer and observer-of-the-world. The creative responses included in this volume are reflective of the impact Kooser has had in his connections to other writers, while also revealing glimpses of his distinct way of seeing.
Lyric Poetry and Social Identity in Archaic Greece examines how Greek men presented themselves and their social groups to one another. The author examines identity rhetoric in sympotic lyric: how Greek poets constructed images of self for their groups, focusing in turn on the construction of identity in martial-themed poetry, the protection of group identities in the face of political exile, and the negotiation between individual and group as seen in political lyric. By conducting a close reading of six poems and then a broad survey of martial lyric, exile poetry, political lyric, and sympotic lyric as a whole, Jessica Romney demonstrates that sympotic lyric focuses on the same basic behaviors and values to construct social identities regardless of the content or subgenre of the poems in question. The volume also argues that the performance of identity depends on the context as well as the material of performance. Furthermore, the book demonstrates that sympotic lyric overwhelmingly prefers to use identity rhetoric that insists on the inherent sameness of group members. All non-English text and quotes are translated, with the original languages given alongside the translation or in the endnotes.
Portraiture and Friendship in Enlightenment France examines how new and often contradictory ideas about friendship were enacted in the lives of artists in the eighteenth century. It demonstrates that portraits resulted from and generated new ideas about friendship by analyzing the creation, exchange, and display of portraits alongside discussions of friendship in philosophical and academic discourse, exhibition criticism, personal diaries, and correspondence. This study provides a deeper understanding of how artists took advantage of changing conceptions of social relationships and used portraiture to make visible new ideas about friendship that were driven by Enlightenment thought. Studies in Seventeenth- and Eighteenth-Century Art and Culture Distributed for the University of Delaware Press
In In Exile, Jessica Dubow situates exile in a new context in which it holds both critical capacity and political potential. She not only outlines the origin of the relationship between geography and philosophy in the Judaic intellectual tradition; but also makes secular claims out of Judaism's theological sources. Analysing key Jewish intellectual figures such as Walter Benjamin, Isaiah Berlin and Hannah Arendt, Dubow presents exile as a form of thought and action and reconsiders attachments of identity, history, time, and territory. In her unique combination of geography, philosophy and some of the key themes in Judaic thought, she has constructed more than a study of interdisciplinary fluidity. She delivers a striking case for understanding the critical imagination in spatial terms and traces this back to a fundamental – if forgotten – exilic pull at the heart of Judaic thought.
Written by well-known sociologists John D. DeLamater, Daniel J. Myers, and Jessica L. Collett, this fully revised and updated edition of Social Psychology is a highly accessible and engaging exploration of the question "what is it that makes us who we are?". With hundreds of real-world examples, figures, and photographs and grounded in the latest research, the text explores such topics as self, attitudes, social influence, emotions, interpersonal attraction and relationships, and collective behavior. The book also explains the methods that social psychologists use to investigate human behavior in a social context and the theoretical perspectives that ground the discipline. Each chapter is a self-contained unit for ease of use in any classroom.
Canadian Maternity and Pediatric Nursing prepares your students for safe and effective maternity and pediatric nursing practice. The content provides the student with essential information to care for women and their families, to assist them to make the right choices safely, intelligently, and with confidence.
This handy pocket guide is the perfect quick reference. Organized alphabetically for easy reference, this is a repository for all concepts, treatment options, drugs and dosages, which are difficult to remember and vitally important. A must-have for every midwife!
An elaborately illustrated A to Z of the face, from historical mugshots to Instagram posts. By turns alarming and awe-inspiring, Face offers up an elaborately illustrated A to Z—from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything from historical mugshots to Instagram posts, she examines how the face has been perceived and represented over time; how it has been instrumentalized by others; and how we have reclaimed it for our own purposes. From vintage advertisements for a “nose adjuster” to contemporary artists who reconsider the visual construction of race, Face delivers an intimate yet kaleidoscopic adventure while posing universal questions about identity.
Presents literary criticism on the works of nineteenth-century writers of all genres, nations, and cultures. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, broadsheets, pamphlets, and scholarly papers. Criticism includes early views from the author's lifetime as well as later views, including extensive collections of contemporary analysis.
Photos and accompanying text tell 70 stories of Catholic, Protestant, and Jewish congregations' ministries serving their immediate communities and the world beyond. Includes basic how-to help and a resource list of organizations and community funding sources.
In Medieval English Manuscripts and Literary Forms, Jessica Brantley offers an innovative introduction to manuscript culture that uses the artifacts themselves to open some of the most vital theoretical questions in medieval literary studies. With nearly 200 illustrations, many of them in color, the book offers both a broad survey of the physical forms and cultural histories of manuscripts and a dozen case studies of particularly significant literary witnesses, including the Beowulf manuscript, the St. Albans Psalter, the Ellesmere manuscript of the Canterbury Tales, and The Book of Margery Kempe. Practical discussions of parchment, scripts, decoration, illustration, and bindings mix with consideration of such conceptual categories as ownership, authorship, language, miscellaneity, geography, writing, editing, mediation, illustration, and performance—as well as of the status of the literary itself. Each case study includes an essay orienting the reader to particularly productive categories of analysis and a selected bibliography for further research. Because a high-quality digital surrogate exists for each of the selected manuscripts, fully and freely available online, readers can gain access to the artifacts in their entirety, enabling further individual exploration and facilitating the book’s classroom use. Medieval English Manuscripts and Literary Forms aims to inspire a broad group of readers with some of the excitement of literary manuscript studies in the twenty-first century. The interpretative frameworks surrounding each object will assist everyone in thinking through the implications of manuscript culture more generally, not only for the deeper study of the literature of the Middle Ages, but also for a better understanding of book cultures of any era, including our own.
When an unwed pregnant woman is pressured to get married by her boyfriend, parents, and the entire culture around her, she sees a feverish intensity emanating from the path to domesticity, a “paved path shaded by thick-trunked trees, lined with trim grass and manicured mansions, where miniature houses play mailboxes and animals play lawn ornaments and people play happiness.” Jessica Hollander’s debut collection exposes a culture that glorifies and disparages traditional domesticity, where people’s confusion, apathy, and anxiety about the institutions of marriage and family often drive them to self-destruction. The world in Hollander’s nineteen stories appears at once familiar and vividly unsettling, with undercurrents of anger and violence attached to everyday objects and spaces: a pink room is “a woman exploded,” home smells “of laundered clothes and gas from the grill,” and the sun “is so bright the sky fills with over-exposure, wilting the corners to orange, to red, to black.” Here people adopt extreme and erratic behavior: hack at furniture, have affairs with high school students, fantasize about sex with “monsters,” laden flower bouquets with messages of hate; but these self-destructive acts and fantasies feel strangely like a form of growth or enlightenment, or at least the only form that’s available to them. As characters become girlfriends, wives, husbands, and mothers, they struggle within their roles, either fighting to escape them or struggling to “play” them correctly, but always concerned with the loss of individuality, of being swallowed up by society’s expectations and becoming “a mother” or “a wife” instead of remaining themselves. “Hollander’s debut collection effectively fuses the common (childhood adventures, unhappy adults) with the bizarre (a grandmother obsessed with buttons, a gym full of people refusing to wear clothes) to create an intriguing volume. . . . The details in these stories ring true and are recognizable amid the insanity. A potent work from a strong new literary voice.”—Publishers Weekly starred review
Susanne Thorne is an orphan of means, one reason why Bette Hollander carries the young English girl off to her home in far-away Scotland. Bette would be more than happy for Susanne to fall in love with her handsome, headstrong son Louis, for marriage to the little heiress would repay old debts and restore the Hollander family's fortunes. But love cannot be delivered to order and as Susanne grows up and proves to have a mind of her own, Bette's plans for a match made in heaven seem fated to end in disaster.
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