The Blood Poems is one part bloodletting, one part healing, and one part sensuous celebration as Jessica Helen Lopez lays out what it means to be a strong brown woman, a single mother, and the kickass bard that the twenty-first century needs. Lopez openly faces a damaging childhood, sex, divorce, and racial injustice in these poems. She proves that love is as complicated as lovemaking—messy and lusty, raucous and powerful, capable of amazing highs and abysmal lows. She proves that when a woman learns to love herself, she will live a fierce and full life and teach her daughters to do the same.
Breathtakingly tender, playful, and generous one moment; sharp and unapologetically brutal the next, these poems by Lopez transport the reader into the complex landscape of feminine power with a dynamic but inarguable force. Honest to the marrow, Lopez never sugarcoats. And yet this work rings with a sweetness nonetheless: the kind it takes a warrior to earn. Jessica Helen Lopez knows what she's fighting for, what has been lost, and where to attack to set the wheels of justice in motion. Most importantly, she has the teeth for it. Read this book and she'll help you discover yours.
Capturing more than 70 voices from the current poetry evolution in New Mexico, this anthology gathers together the power and presence of both traditional page poetry and performance poetry, including poems from several young writers under the age of twenty in their first anthology publications! Activists. Performers. Witnesses to the tragic and the beautiful. With guest poets Jimmy Santiago Baca, Sandra Cisneros and Ana Castillo, this book throws the borders open; bringing an entire poetry community together in a powerful, unified voice. Listen up, the new Movement is here!
The Blood Poems is one part bloodletting, one part healing, and one part sensuous celebration as Jessica Helen Lopez lays out what it means to be a strong brown woman, a single mother, and the kickass bard that the twenty-first century needs. Lopez openly faces a damaging childhood, sex, divorce, and racial injustice in these poems. She proves that love is as complicated as lovemaking—messy and lusty, raucous and powerful, capable of amazing highs and abysmal lows. She proves that when a woman learns to love herself, she will live a fierce and full life and teach her daughters to do the same.
Presents literary criticism on the works of nineteenth-century writers of all genres, nations, and cultures. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, broadsheets, pamphlets, and scholarly papers. Criticism includes early views from the author's lifetime as well as later views, including extensive collections of contemporary analysis.
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