Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: very good, Ruhr-University of Bochum (FB Anglistics), 9 entries in the bibliography, language: English, abstract: In this paper I am going to analyse the influence of evil on the mainprotagonist of Shakespeare's tragedy "Macbeth". In order to do this it is necessary to point out the way of analysis I prefer. First I will present some needed background information about the author himself and the Elizabethan World Picture. The next part introduces the reader to the play "Macbeth" and its actions. This is in order to lead over to the proper analysis where I will try to identify the play's spirit of evil with its personifications in nature and other protagonists and special regard to its influence on Macbeth until he is finally destroyed by it. This analysis will be supported by further focus on the imagery and the language which Shakespeare has used. To understand and to be able to interpret Shakespeare it is necessary to know some important facts about the way of life and thoughts at Shakespeare's lifetime. The Elizabethan Era was characterised by hierarchy and thoughts of extreme order. People thought that everything in the universe had got its own specific position in their strict order. You can find this world of ideas in the assemblage of the universe as well. This cosmological constellation hasn't told only about the order and the position of the human being in this cosmos but also about the relations of the interconnected creation and the relation between cosmos and God (cf. picture 1 on p. 15) The ideas of this world picture can already be found in the antiquity but it was improved in all its details by the scholastic philosophy. In this chapter of my paper I am going to introduce you to one of the three main forms of the Elizabethan World Pictures: the chain of being. The whole universe is divided into a ladder. At its ground there are the non-living e
Containing a wealth of fresh information on the use of propaganda in the Cold War, the administrative structure of the U.S. occupation, Soviet-American conflicts, and Jewish biography, this book will be of interest to scholars of U.S. foreign relations, German history, occupation history, ethnicity, sociology, and culture."--BOOK JACKET.
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.
While Brian Hecht is falsely charged with the death of his lover, Lorraine Paul, the rest of the staff of Bel Air General try to help Hawk Archer, a popular actor who must have a kidney transplant in order to stay alive
Containing a wealth of fresh information on the use of propaganda in the Cold War, the administrative structure of the U.S. occupation, Soviet-American conflicts, and Jewish biography, this book will be of interest to scholars of U.S. foreign relations, German history, occupation history, ethnicity, sociology, and culture."--BOOK JACKET.
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.
The Amazon extends across nine countries, encompasses forty percent of South America, and hosts four European languages and more than three hundred Indigenous languages and cultures. Eyes on Amazonia is a fascinating exploration of how Latin American, European, and US intellectuals imagined and represented the Amazon region during the late nineteenth and early twentieth centuries. This multifaceted study, which draws on a range of literary and nonliterary texts and visual sources, examines the complex ways that race, gender, mobility, empire, modernity, and personal identity have indelibly shaped how the region was and is seen. In doing so, the book argues that representations of the Amazon as a region in need of the civilizing influence of colonialism and modernization served to legitimize and justify imperial control. Eyes on Amazonia operates in cultural geography, ecocriticism, and visual cultural analysis. The diverse and intriguing documents and images examined in this book capture the modernizing project of this region at a crucial juncture in its long history: the early twentieth-century rubber boom.
When a local art shop owner is murdered, Jessica Fletcher is surprised to once again be working alongside her old friend MI-6 agent Michael Haggerty to solve the case in the newest mystery in this USA Today bestselling series. When Nelson Penzell, co-owner of a local art and treasure store in Cabot Cove, is murdered, the nail tech from Jessica Fletcher's favorite beauty parlor is the main suspect. After all, she's the one who ran out of the store screaming, covered in blood, and holding the murder weapon. Jessica is positive that despite the circumstances, Coreen can't possibly be guilty, and is determined to prove it. When Michael Haggerty, handsome MI-6 agent and Jessica's old friend, is caught snooping around the victim’s home, it's quickly apparent to her that she was right. Nelson has always had a bit of a reputation for being a rake, but Haggerty is sure his sins go far beyond what anyone in town imagined. If she wants to clear Coreen's name, Jessica will have to work alongside Michael to find out who killed Nelson—and maybe help bust a crime ring in the process.
Foreword by Maurice Strong, Under-Secretary General of the United Nations Conference on Environment and Development Tackles one of the major debates in development - `bottom-up' development versus external aid UNRISD (United Nations Research Institute for Social Development) is highly prestigious organisation Contains comprehensive case studies from across the developing world Hb has sold 975 copies since publication in August 1992
Genes, which are carried on chromosomes, are the basic physical and functional units of heredity. Genes are specific sequences of bases that encode instructions on how to make proteins. Although genes get a lot of attention, it's the proteins that perform most life functions and even make up the majority of cellular structures. When genes are altered so that the encoded proteins are unable to carry out their normal functions, genetic disorders can result. Gene therapy is an experimental treatment that involves introducing genetic material into a person's cells to fight disease. Gene therapy is being studied in clinical trials for many different types of cancer and for numerous other diseases. This new book presents the latest research in the field from around the world.
Drug interactions have become a significant iatrogenic complication, with as many as 5% of hospitalizations and 7,000 deaths annually attributable to drug-drug interactions in the United States. There are several reasons these numbers have increased. First, many new medications have been brought to market in recent years. Second, advances in medical care have resulted in increased longevity and more elderly patients than ever before -- patients who are more likely to be following polypharmacy regimens. Population patterns in the U.S. have amplified this trend, with aging baby boomers swelling the patient pool and demanding treatment with medications advertised on television and in print. Fortunately, drug interactions can be prevented with access to current, comprehensive, reliable information, and the Clinical Manual of Drug Interaction Principles for Medical Practice provides just that in a user-friendly format psychiatry clinicians (including residents and nurses) and forensics experts will find indispensable. With this new edition, the book has evolved from "Concise Guide" to "Clinical Manual" and offers the expanded coverage and features healthcare providers need to keep up with this critical field. The book is well organized, with major sections on metabolism; cytochrome P450 enzymes; drug interactions by medical specialty; and practical matters, such as the medicolegal implications of drug-drug interactions and how to retrieve and review the literature. In the section on P450 enzymes, each chapter addresses what the individual enzyme does and where, its polymorphisms, and drugs that inhibit or induce activity. Each chapter also includes extensive references and study cases to help the reader understand and contextualize the information. A number of additional features enhance the book's scope and utility: The book boasts the very latest information in the area of drug metabolism, transport, and interaction. The chapter on P-glycoprotein (a drug transporter) was expanded from the last edition to include a broader array of transport mechanisms. The highest ethical standard was adhered to in the development of this volume, which was not supported in any way by pharmaceutical makers or distributors. All eight contributors to this excellent resource are experts in the fields they have addressed, and clinicians can trust that the information contained in the Manual reflects the very latest research. This exceptionally practical manual is essential to maintaining the highest standard of care.
Late in Claude Rains's distinguished career, a reverent film journalist wrote that Rains "was as much a cinematic institution as the medium itself." Given his childhood speech impediments and his origins in a destitute London neighborhood, the ascent of Claude Rains (1889–1967) to the stage and screen is remarkable. Rains's difficulties in his formative years provided reserves of gravitas and sensitivity, from which he drew inspiration for acclaimed performances in The Invisible Man (1933), Mr. Smith Goes to Washington (1939), Casablanca (1942), Notorious (1946), Lawrence of Arabia (1962), and other classic films. In Claude Rains: An Actor's Voice, noted Hollywood historian David J. Skal draws on more than thirty hours of newly released Rains interviews to create the first full-length biography of the actor who was nominated multiple times for an Academy Awards for Best Supporting Actor. Skal's portrait of the gifted actor also benefits from the insights of Jessica Rains, who provides firsthand accounts of the enigmatic man behind her father's refined screen presence and genteel public persona. As Skal shows, numerous contradictions informed the life and career of Claude Rains. He possessed an air of nobility and became an emblem of sophistication, but he never shed the insecurities that traced back to his upbringing in an abusive and poverty-stricken family. Though deeply self-conscious about his short stature, Rains drew notorious ardor from female fans and was married six times. His public displays of dry wit and good humor masked inner demons that drove Rains to alcoholism and its devastating consequences. Skal's layered depiction of Claude Rains reveals a complex, almost inscrutable man whose nuanced characterizations were, in no small way, based on the more shadowy parts of his psyche. With unprecedented access to episodes from Rains's private life, Skal tells the full story of the consummate character actor of his generation. Claude Rains: An Actor's Voice, gives voice to the struggles and innermost concerns that influenced Rains's performances and helped him become a universally respected Hollywood legend.
Carte Blanche burst onto the scene in 1988 as a genre never before seen on South African television: a trail-blazer, a blend of sociological awareness, sophistication and audacity. When pay channel M-Net came up with this different and daring weekly eye-opener that pushed the envelope, it brought promise of freedom and creativity and ended a period in South Africa's history in which television news and current affairs were limited to the state broadcaster. Twenty-five years on, the familiar Carte Blanche melody has become an institution, announcing the end of the weekend and the start of an hour that resists the mundane and stimulates debate. What's become a Sunday night ritual began in a make-shift studio with a small team of firebrands, led by an arrogant, fearless talent, a showman with scant respect for the conventions of the time: Bill Faure was the most dynamic director of his day, a visionary who shared his passionate love of television with the world. He set the stage for what has become South Africa's longest running investigative current affairs show and the most valuable real estate in broadcasting. Faure passed the baton on to an extraordinary generation of journalists that created a vault of diverse memories, brought into homes across the country and into Africa, stories of delight and daring, cheek and chutzpah, heartbreak and heroism, of the weird and whacky. It's said that his spirit still guides Carte Blanche into shaking complacency and bringing to the screen a social and ecological conscience, be it the cruelty meted out to the Tuli elephants, the selfless courage of Sally Trench, or blast off with Mark Shuttleworth. It's enabled us all to chase car thieves across our borders, catch out rogue mechanics and find out what security guards and plumbers do and don't do in our homes. It's brought to our screens a host of unforgettable characters from the transsexuals of Beaufort West to the shady directors of Aurora. Carte Blanche - The Stories behind the Stories dips into an era of quality journalism through the eyes of the producers and presenters who have so effectively measured the national mood and recognised defining moments. It's a show that has become part of our landscape and promises to survive another quarter of a century.
Details the possibilities and challenges of intergenerational activism and social movements Since 1976, the Peruvian movement of working children has fought to redefine age-based roles in society, including defending children’s right to work. In The Kids Are in Charge, Jessica K. Taft gives us an inside look at this groundbreaking, intergenerational social movement, showing that kids can—and should be—respected as equal partners in economic, social, and political life. Through participant observation, Taft explores how the movement has redefined relationships between kids and adults; how they put these ideas into practice within their organizations; and how they advocate for them in larger society. Ultimately, she encourages us to question the widely accepted beliefs that children should not work or participate in politics. The Kids Are in Charge is a provocative invitation to re-imagine childhood, power, and politics.
This book represents the first book-length, critical study of the art of Emile Gallé. It thus promises not only to revolutionize our understanding of his work but also to reframe the study of Art Nouveau by relocating the movement within the deeply politicized context in which it was created.
Cyn’s blackouts have deadly consequences in this sexy, suspenseful companion novel to the New York Times bestselling Hollow series. Cyn Hargrave is on the run, but she can’t escape her dark past. The brother of her murdered boyfriend is convinced she’s the killer—and now he’s tracked her down. Cyn has only one person to turn to, and she can’t stand him. Avian knows the evil that lives inside of Cyn, but he’s still compelled to help her. As the thirteenth Revenant, he’s scorned by Heaven and unwanted by Hell, so he understands what it’s like to be a part of two worlds and not fit into either. Together they will need to deal with the danger that follows her—and the danger inside of her—before one of them destroys her.
Although studies have suggested that mindfulness-based interventions might be effective in enhancing military readiness and resilience, this has not been rigorously evaluated. This report presents results from a systematic review and meta-analyses of research examining how mindfulness meditation affects 13 performance-related outcomes of interest to the U.S. Army and broader military. The authors supplemented the systematic review by examining how mindfulness meditation could support stress management and exploring characteristics of selected mindfulness programs. The goal was to develop recommendations for mindfulness meditation programs for soldiers, should the Army choose to implement such programs in the future. Findings suggest that mindfulness may improve some aspects of attention and emotion regulation, impulsivity, and work-related morale and social support. The available evidence does not suggest that mindfulness improves other outcomes of interest to the Army. Notably, mindfulness meditation programs reduce stress and may reduce parental stress, which could benefit Army families. Yet more research is needed to identify best practices for implementing mindfulness programs in the military. The authors recommend conducting high-quality evaluations of mindfulness meditation with soldiers and assessing the effect of mindfulness meditation on military families.
The first in-depth reference to the field that combines scientific knowledge with philosophical inquiry, this encyclopedia brings together a team of leading scholars to provide nearly 150 entries on the essential concepts in the philosophy of science. The areas covered include biology, chemistry, epistemology and metaphysics, physics, psychology and mind, the social sciences, and key figures in the combined studies of science and philosophy. (Midwest).
Eleanor Smith’s Hull House Songs: The Music of Protest and Hope in Jane Addams’s Chicago reprints Eleanor Smith’s 1916 folio of politically engaged songs, together with interdisciplinary critical commentary from sociology, history, and musicology.
A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.
You've done what you can: you've seen your doctor, made an appointment with a therapist, picked up the prescription for the antidepressant and swallowed that first strange pill. But it can take four to eight weeks for the meds to start to work, and it might take two or more tries before you and your doctor find the ones that work best for you. When you're in the midst of terrible depression, those weeks can feel like an eternity. You just want to feel better now. This book is for those who are in the long night of waiting. It does not promise healing or deliverance; it is not a guide to praying away the depression. It is simply an attempt to sit next to you in the dark while you wait for the light to emerge. Drawing on the wisdom of spiritual figures from the past and present--including Henri Nouwen, Thomas Merton, Barbara Brown Taylor, Bunmi Laditan, and many others--The Long Night is a comforting and inspirational companion for anyone in the midst of depression. Writer, editor, and minister Jessica Kantrowitz has been where you are. As a mentor and friend, she will walk with you on this journey toward life and light.
The Third Edition of Health Promotion and Disease Prevention in Clinical Practice reflects a clinically-focused, team-based approach to health promotion conversations. This practical reference incorporates the latest guidelines from major organizations, including the U.S. Preventive Services Task Force, and offers a complete overview of how to help patients adopt healthy behaviors and deliver recommended screening tests and immunizations. Packed with realistic strategies throughout, it offers expert guidance on counseling patients about exercise, nutrition, tobacco use, substance use, sexually transmitted infections, depression, and more.
While earlier studies have focused predominantly on artist François Boucher’s artistic style and identity, this book presents the first full-length interdisciplinary study of Boucher’s prolific collection of around 13,500 objects including paintings, sculpture, prints, drawings, porcelain, shells, minerals, and other imported curios. It discusses the types of objects he collected, the networks through which he acquired them, and their spectacular display in his custom-designed studio at the Louvre, where he lived and worked for nearly two decades. This book explores the role his collection played in the development of his art, his studio, his friendships, and the burgeoning market for luxury goods in mid-eighteenth-century France. In doing so, it sheds new light on the relationship between Boucher’s artistic and collecting practices, which attracted both praise and criticism from period observers. The book will appeal to scholars working in art history, museum studies, and French history.
With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronological progression of these musical productions and their subsequent revivals. Despite the abundance of writing on both musical theatre history and on the difficulties of Holocaust representation, history and theatre scholars alike have thus far ignored the intersections of these areas. The academy thereby risks excluding precisely those works that shed the most light on our culture's evolving response to the Shoah, an event that still helps to define American identity. This book redresses this lapse by focusing on the theatrical form seen by the greatest amount of people--musicals--which either trigger or reflect changing American mores.
This engaging text explores how everyday talk--the ordinary kinds of communicating that people do in schools, workplaces, and among family and friends--expresses who we are and who we want to be. The authors interweave rhetorical and cultural perspectives on the "little stuff" of conversation: what we say and how we say it, the terms used to refer to others, the content and style of stories we tell, and more. Numerous detailed examples show how talk is the vehicle through which people build relationships. Students gain skills for thinking more deeply about their own and others' communicative practices, and for understanding and managing interactional difficulties. New to This Edition *Updated throughout to incorporate the latest discourse analysis research. *Chapter on six specific speech genres (for example, organizational meetings and personal conversation). *Two extended case studies with transcripts and discussion questions. *Coverage of digital communication, texting, and social media. *Additional cross-cultural examples. Pedagogical Features *A preview and summary in every chapter. *Accessible explanations of core concepts. *End-of-book glossary. *Endnotes that identify key authors and suggest further reading.
A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed “making-of” accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: “Did the Academy get it right?” Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world.
With a focus on how to improve the effectiveness and cultural competence of clinical services and research, this authoritative volume synthesizes current knowledge on both the physical and psychological health of African Americans today. In chapters that follow a consistent format for easy reference, leading scholars from a broad range of disciplines review risk and protective factors for specific health conditions and identify what works, what doesn't work, and what might work (i.e., practices requiring further research) in clinical practice with African Americans. Historical, sociocultural, and economic factors that affect the quality and utilization of health care services in African American communities are examined in depth. Evidence-based ways to draw on individual, family, and community strengths in prevention and treatment are highlighted throughout. Winner--American Journal of Nursing Book of the Year Award
When a friend’s husband dies while Jessica Fletcher is in town visiting, Jessica’s vacation turns into a murder investigation in this latest entry in the long-running USA Today bestselling series. After traveling to Bethesda for a mystery writers’ conference, Jessica Fletcher decides she’s earned a vacation and takes a train to Columbia, South Carolina, to visit her old college friend Dolores, who has recently married her third husband, Willis Nickens, a wealthy and cutthroat businessman. They’ve moved into an opulent historic home with plenty of space for guests, and Jessica is ready for a week of shopping, gossiping, and relaxing at the grand estate. But the morning after she arrives, Jessica discovers Willis facedown in the koi pond, and despite what the police think, she’s sure foul play is involved. She hadn’t known Willis long, but it’s clear to her that he didn’t concern himself with making friends. The question isn’t if her friend’s husband was murdered but by whom.
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