In 1914, desperate for land after the Gold Rush brought a population explosion to San Francisco, the city exiled its cemeteries, barring burials within city limits and relocating its existing graveyards to the tiny town of Colma, just south of Daly City, spawning America's only necropolis, where the dead outnumber the living 1000 to 1. But there's more to the story of the Bay Area's cemeteries than this expulsion. Silent Cities San Francisco reveals the complex cultural makeup of the Bay Area, where diversity and history collide, pitting the dead against the living in a race for space and memorialization.
New Yorkers have always been pressed for space in life and in death. Central Park is synonymous with New York City. But without Green-Wood Cemetery, located in South Brooklyn, Central Park would have never existed. Founded in 1838, Green-Wood became the city’s most popular tourist attraction. The cemetery was so popular that urban planners challenged architects to come up with plans for a separate green-space for Manhattan. Hence, both Central Park, founded in 1857, and Brooklyn’s Prospect Park, in 1867, were born. Green-Wood presented not only a place to bury the dead but a meditative haven away from the hustle and bustle of the city. Other cemeteries followed in the park style, including Sleepy Hollow and Woodlawn. New York’s changing cultural landscape made Ferncliff Cemetery one of the most coveted places to spend eternity, with the rising popularity of Westchester County and suburban living. New Yorkers even secured a place for the four-legged members of the family with Hartsdale Pet Cemetery, now the largest and oldest pet cemetery in the United States. From the movers and shakers of New York society, to corrupt political bosses and mafiosi, Jazz legends, and a Brooklyn native son who returned to Green-Wood as one of the most famous artists of the 20th century, the stories of the permanent residents of these cemeteries are just as diverse and vibrant as the city itself. To travel through the cemeteries of New York is to travel through the hidden history of what some consider to be the greatest city in the world.
New Yorkers have always been pressed for space in life and in death. Central Park is synonymous with New York City. But without Green-Wood Cemetery, located in South Brooklyn, Central Park would have never existed. Founded in 1838, Green-Wood became the city’s most popular tourist attraction. The cemetery was so popular that urban planners challenged architects to come up with plans for a separate green-space for Manhattan. Hence, both Central Park, founded in 1857, and Brooklyn’s Prospect Park, in 1867, were born. Green-Wood presented not only a place to bury the dead but a meditative haven away from the hustle and bustle of the city. Other cemeteries followed in the park style, including Sleepy Hollow and Woodlawn. New York’s changing cultural landscape made Ferncliff Cemetery one of the most coveted places to spend eternity, with the rising popularity of Westchester County and suburban living. New Yorkers even secured a place for the four-legged members of the family with Hartsdale Pet Cemetery, now the largest and oldest pet cemetery in the United States. From the movers and shakers of New York society, to corrupt political bosses and mafiosi, Jazz legends, and a Brooklyn native son who returned to Green-Wood as one of the most famous artists of the 20th century, the stories of the permanent residents of these cemeteries are just as diverse and vibrant as the city itself. To travel through the cemeteries of New York is to travel through the hidden history of what some consider to be the greatest city in the world.
In 1914, desperate for land after the Gold Rush brought a population explosion to San Francisco, the city exiled its cemeteries, barring burials within city limits and relocating its existing graveyards to the tiny town of Colma, just south of Daly City, spawning America's only necropolis, where the dead outnumber the living 1000 to 1. But there's more to the story of the Bay Area's cemeteries than this expulsion. Silent Cities San Francisco reveals the complex cultural makeup of the Bay Area, where diversity and history collide, pitting the dead against the living in a race for space and memorialization.
Canadian Maternity and Pediatric Nursing prepares your students for safe and effective maternity and pediatric nursing practice. The content provides the student with essential information to care for women and their families, to assist them to make the right choices safely, intelligently, and with confidence.
A blueprint for managing people, not generations Unfairly Labeled challenges the very concept of "generational differences" as an unfair generalization, and offers a roadmap to intergenerational understanding. While acknowledging that generational stereotypes exist, author Jessica Kriegel argues that they are wrong—and that it's unreasonable to assume that the millions of people born in the same 20-year time span are motivated by the same things, attracted to the same things, and should be dealt with in the same way. Kriegel's experience as Organizational Developer at Oracle puts her squarely in the talent strategy realm, where she works to optimize leadership development, team effectiveness, and organizational design. Drawing upon her experiences with workers of all ages and types, she shows how behaviors know no generational boundaries and how to work with people based on their talents, strengths, and weaknesses rather than simply slapping on a generational label and fitting them into an arbitrary slot. There are 80 million Millenials in America, yet there are myriad books on "managing Millenials" and "working with Millenials" and "the problem with Millenials." This book shows that whether you're working with Millenials, Generation X, or Baby Boomers, age is not the issue—it's the interpersonal dynamics that matter most. Examine the concept of "generational issues" Explore the disparate reality of each 20-year generational span Learn to understand and work effectively with other generations Facilitate intergenerational understanding sessions The human mind craves categorization, so the tendency to lump people together is natural. It may, however, be holding your organization back. The members of each generation have only one thing in common—their age—and even that varies by two whole decades. Why assume that they should all be managed the same way? Unfairly Labeled shows you a better way, and provides a roadmap to a more effective organizational strategy.
Doctors, nurses, and other caregivers often know what people with Alzheimer's disease or Asperger's 'sound like' - that is they recognise patterns in people's discourse, from sounds and silences, to words, sentences and story structures. Such discourse patterns may inform their clinical judgements and affect the decisions they make. However, this knowledge is often tacit, like recognising a regional accent without knowing how to describe its features. This is the first book to present models for comprehensively describing discourse specifically in clinical contexts and to illustrate models with detailed analyses of discourse patterns associated with degenerative (Alzheimer's) and developmental (autism spectrum) disorders. The book is aimed not only at advanced students and researchers in linguistics, discourse analysis, speech pathology and clinical psychology but also at researchers, clinicians and caregivers for whom explicit knowledge of discourse patterns might be helpful.
In Mexico, during the presidency of Felipe Calderón (2006-2012) and as a direct result of his 'war' on drugs, at least 60,000 people were killed, tens of thousands were 'disappeared' and countless more were subjected to kidnapping and sexual violence. This book analyses how artists and filmmakers, alongside affected citizens, attempted to navigate, articulate and contend with this unparalleled escalation in brutality. In Mexico, during the presidency of Felipe Calderón (2006-2012) and as a direct result of his 'war' on drugs, at least 60,000 people were killed, tens of thousands were 'disappeared' and countless more were subjected to kidnapping and sexual violence. This book analyses how artists and filmmakers, alongside affected citizens, attempted to navigate, articulate and contend with this unparalleled escalation in brutality. The texts studied here provide a critical visual archive of this first phase in the drug war and show how artists including Pedro Pardo, Fernando Brito, Mónica González and Natalia Almada attempted to challenge official narratives, foster emerging nodes of resistance and seek justice for citizens. Bringing together works of photography, photojournalism, documentary and short fiction cinema, the book argues for the vital role of cultural production in documenting institutional corruption, human rights abuses and narco-related violence in Mexican society and providing a space to grieve and remember the victims. As Mexico's socio-political landscape continues to deteriorate, the book shows how its visual cultural legacy provides a means of understanding and responding to the violence.
The care of the brain in early Christianity is a history of the brain during late antiquity. Through close attention to ancient medical material and its transformation in Christian texts, Jessica Wright traces the roots of cerebral subjectivity--the identification of the individual self with the brain, a belief very much still with us today--to tensions within early Christianity over the brain's role in self-governance and its inherent vulnerability. Examining how early Christians appropriated medical ideas, Wright tracks how they used the vulnerability of the brain as a trope for teaching ascetic practices, therapeutics of the soul, and the path to salvation. Bringing a medical lens to the religous discourse, this text demonstrates that rather than rejecting medical traditions, early Christianity developed through creatively integrating them"--Publisher's website.
From antiquity through the Renaissance, Homer's epic poems the Iliad, theOdyssey, and the various mock-epics incorrectly ascribed to him served as a lens through which readers, translators, and writers interpreted contemporary conflicts. They looked to Homer for wisdom about the danger and the value of strife, embracing his works as a mythographic shorthand with which to describe and interpret the era's intellectual, political, and theological struggles. Homer and the Question of Strife from Erasmus to Hobbes elegantly exposes the ways in which writers and thinkers as varied as Erasmus, Rabelais, Spenser, Milton, and Hobbes presented Homer as a great champion of conflict or its most eloquent critic. Jessica Wolfe weaves together an exceptional range of sources, including manuscript commentaries, early modern marginalia, philosophical and political treatises, and the visual arts. Wolfe's transnational and multilingual study is a landmark work in the study of classical reception that has a great deal to offer to anyone examining the literary, political, and intellectual life of early modern Europe.
This book is the first study of popular theatre in France from left to right, exploring how theatre shapes political acts, ideals, and communities in the modern world. As the French found innovative ways of imagining culture and politics in the age of the masses, popular theatre became central to the republican project of using art to create citizens, using secular spaces for the experience of civic communion. But while state projects often faltered in finding playwrights, locations, and audiences, popular theatre flourished on the political and geographical peripheries. Drawing on extensive archival research, this book illuminates lost worlds of political conviviality, from anarchist communes and clandestine agit-prop drama to royalist street politics and right-wing mass spectacle. It reveals new connections between French initiatives and their European counterparts, and demonstrates the enduring strength of radical communities in shaping political ideals and engagement.
By the time the Roman poet Valerius Flaccus wrote in the first century CE, the tale of Jason and his famous ship the Argo had been retold so often it was a byword for poetic banality. Why, then, did Valerius construct his epic Argonautica? In this innovative analysis, Jessica Blum-Sorensen argues that it was precisely the myth's overplayed nature that appealed to Valerius, operating in and responding to a period of social and political upheaval. Seeking to comment obliquely on Roman reliance on mythic exempla to guide action and expected outcomes, there was no better vessel for his social and political message than the familiar Argo. Focusing especially on Hercules, Blum-Sorensen explores how Valerius' characters--and, by extension, their Roman audience--misinterpret exemplars of past achievement, or apply them to sad effect in changed circumstances. By reading such models as normative guides to epic triumph, Valerius' Argonauts find themselves enacting tragic outcomes: effectively, the characters impose their nostalgic longing for epic triumph on the events before them, even as Valerius and his audience anticipate the tragedy awaiting his heroes. Valerius thus questions Rome's reliance on the past as a guide to the present, allowing for doubt about the empire's success under the new Flavian regime. It is the literary tradition's exchange between triumphant epic and tragedy that makes the Argo's voyage a perfect vehicle for Valerius' exploration: the tensions between genres both raise and prohibit resolution of anxieties about how the new age--mythological or real--will turn out.
An unflinching and intimate memoir of recovery by Jessica Hoppe, Latinx writer, advocate, and creator of NuevaYorka. “A powerful thunderclap of a memoir.” —Lilliam Rivera, author of Dealing in Dreams A MOST ANTICIPATED BOOK OF 2024: Today.com, LupitaReads, Electric Literature, Esquire, Publishers Weekly In this deeply moving and lyrical memoir, Hoppe shares an intimate, courageous account of what it means to truly interrupt cycles of harm. For readers of The Recovering by Leslie Jamison, Somebody’s Daughter by Ashley C. Ford, and Heavy by Kiese Laymon. During the first year of quarantine, drug overdoses spiked, the highest ever recorded. And Hoppe’s cousin was one of them. “I never learned the true history of substance use disorder in my family,” Hoppe writes. “People just disappeared.” At the time of her cousin’s death, she’d been in recovery for nearly four years, but she hadn’t told anyone. In First in the Family, Hoppe shares her journey, the first in her family to do so, and takes the reader on a remarkable investigation of her family’s history, the American Dream, and the erasure of BIPOC from recovery institutions and narratives, leaving the reader with an urgent message of hope.
This second of a three-volume set documenting Emma Goldman's life and work in the United States covers the years from 1902 through the end of 1909, from the 1901 assassination of President McKinley by a Polish-American anarchist through Goldman's participation in a wider political sphere that began with her launch of the anarchist magazine Mother Earth.
Provides practical advice on planning a trip to Egypt; describes points of interest in each section of the country; and includes information on restaurants, nightspots, shops, and lodging.
The accreditation process for anesthesia in the United States is considered one of the most difficult in all medical specialties, with residents required to pass both an oral and written exam to gain certification. This book is specially designed for the American Board of Anesthesiology Oral Examination. The evidence-based approach is presented in a concise outline-oriented format, with an emphasis on test results and visual images. The Knockout Treatment Plan demonstrates the correct method of managing the case to the satisfaction of the examiners, while the Technical Knockout sections give additional tips for successfully passing the examination. The straightforward format of this book makes it suitable not only as an oral review book but also as an introduction to anesthesia rotations for medical students, medical interns, and nurse anesthetist students; furthermore, the book can be used as a technical study guide for anesthesia residents. More than 100 topics in this book have already been board-review tested by residents.
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