Following the intense, toxic friendship of two kindred spirits across their lifetimes, The Best Friend is a dark, suspenseful novel and first standalone from Jessica Fellowes, New York Times bestselling author of the Mitford Murders series and the companion Downton Abbey books. Bella and Kate. Kate and Bella. From childhood they were bosom friends, Bella sensible and cautious, Kate gregarious and just a little dangerous. Yet in spite of their intimacy, their trust is fragile. Men came into their lives and things changed: a black seed was set in the heart of their relationship. Over decades, acts of both cruelty and love ferment until one shocking event tests them more than ever. Neither will escape unscathed. Reminiscent of Elena Ferrante and Sally Rooney, and for readers of Leila Slimani’s The Perfect Nanny and Ashley Audrain’s The Push, The Best Friend explores the darkest corners of female friendship, a place where loyalty and betrayal intersect with deadly consequences.
The third book in the hit The Mitford Murders series sees maid Louisa Cannon accompany Diana Mitford in turbulent late 1920s Europe, where everything is on the line . . . even your life.The year is 1928, and after the death of a maid at a glamorous society party, fortune heir Bryan Guinness seizes life and proposes to eighteen-year-old Diana, most beautiful of the six Mitford sisters. The maid's death is ruled an accident, and the newlyweds put it behind them to begin a whirlwind life zipping between London's Mayfair, chic Paris and romantic Venice. Accompanying Diana as her lady's maid is Louisa Cannon, as well as a coterie of friends, family and hangers on, from Nancy Mitford to Evelyn Waugh.When a second victim is found in Paris in 1930, Louisa begins to see links with the death of the maid two years previously. Now she must convince the Mitford sisters that a murderer could be within their midst . . . all while shadows darken across Europe, and within the heart of Diana Mitford herself.PRAISE FOR THE MITFORD MURDERS SERIES'All the blissful escapism of a Sunday-night period drama in a book'THE POOLONTHE MITFORD MURDERS'An extraordinary meld of fact and fiction'GRAHAM NORTON'A lively, entertaining, well-written whodunit' THE TIMES (crime book of the month)'True and glorious indulgence. A dazzling example of a Golden Age mystery'DAISY GOODWIN'Exactly the sort of book you might enjoy with the fire blazing, the snow falling. The solution is neat and the writing always enjoyable'ANTHONY HOROWITZ (crime novels of the year)'A must-read series . . . exactly what we all need in these gloomy times. Inventive, glittering, clever, ingenious'SUSAN HILL'All the blissful escapism of a Sunday-night period drama in a book'THE POOL'Keeps the reader guessing to the very end. An accomplished crime debut and huge fun to read'EVENING STANDARD'This story is drenched in detail and feels both authentic and fun. Curl up in your favourite reading spot and enjoy'HEAT'Elegant, whipsmart and brilliantly twisty-turny, this Downton-style mystery had me hooked from the first page'VIV GROSKOP'Full of period pleasure'WOMAN & HOME'An audacious and glorious foray into the Golden Age of mystery fiction. Breathtaking'ALEX GRAY'A real murder, a real family and a brand new crime fiction heroine are woven together to make a fascinating, and highly enjoyable, read. I loved it'JULIAN FELLOWES'Jessica Fellowes' deliciously immersive, effort
A real murder, a real family and a brand new crime fiction heroine are woven together to make a fascinating, and highly enjoyable, read. I loved it." —Julian Fellowes, creator and writer of Downton Abbey and Belgravia The first in a series of thrilling Golden Age-style mysteries, set among the Mitford sisters, and based on a real unsolved murder, by Jessica Fellowes, author of the New York Times bestselling Downton Abbey books. It's 1920, and Louisa Cannon dreams of escaping her life of poverty in London. Louisa's salvation is a position within the Mitford household at Asthall Manor, in the Oxfordshire countryside. There she will become nursemaid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy, an acerbic, bright young woman in love with stories. But then a nurse—Florence Nightingale Shore, goddaughter of her famous namesake—is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret... Based on an unsolved crime and written by Jessica Fellowes, author of the New York Times bestselling Downton Abbey companion books, The Mitford Murders is the perfect new obsession for fans of classic murder mysteries.
True and glorious indulgence. A dazzling example of a golden age mystery." —Daisy Goodwin, author of Victoria and The American Heiress on The Mitford Murders Set amid the legendary Mitford household, Bright Young Dead is the second in the thrilling, Golden Age-style Mitford Murders series by Jessica Fellowes, author of the New York Times bestselling Downton Abbey books. Meet the Bright Young Things, the rabble-rousing hedonists of the 1920s whose treasure hunts were a media obsession. One such game takes place at the 18th birthday party of Pamela Mitford, but ends in tragedy as cruel, charismatic Adrian Curtis is pushed to his death from the church neighbouring the Mitford home. The police quickly identify the killer as a maid, Dulcie. But Louisa Cannon, chaperone to the Mitford girls and a former criminal herself, believes Dulcie to be innocent, and sets out to clear the girl's name . . . all while the real killer may only be steps away.
A mystery with the fascinating Mitford sisters at its heart, Jessica Fellowes’s The Mitford Secret is the sixth and final intriguing installment in the Mitford Murders series. It’s 1941, and the Mitford household is splintered by the vicissitudes of war. To bring the clan together—maybe for one last time, Deborah invites them to Chatsworth for Christmas, along with a selection of society’s most impressive and glamorous guests, as well as old family friend Louisa Cannon, a private detective. One night, a psychic arrives, and to liven things up Deborah agrees she may host a séance. But entertainment turns to dark mystery as the psychic reveals that a maid was murdered in this very same house—and she can prove it. Louisa steps forward to try to solve the cold case. But with a house full of people who want nothing more than to bury their secrets, will she be able to unmask the murderer? And how deep does the truth lie?
Since the moment we first entered Downton Abbey in 1912, we have been swept away by Julian Fellowes' evocative world of romance, intrigue, drama and tradition. Now, in 1925, as Downton Abbey prepares to close its doors for the final time, Jessica Fellowes leads us through the house and estate, reliving the iconic moments of the wonderfully aristocratic Crawley family and their servants as they navigate the emerging modern age. Travelling from Great Hall to servants' hall, bedroom to boot room, we glimpse as we go Matthew and Isobel Crawley arriving for the first time, the death of Kemal Pamuk, Cora's tragic miscarriage, Edith's affair with Michael Gregson, Mary's new haircut, Thomas and O'Brien's scheming, Anna and Bates's troubles with the law, and Carson's marriage to Mrs Hughes. Alongside this will be in-depth interviews with the cast who have worked on the show for six years and know it so well. Packed full of stunning location shots and stills from all six series of the show including exclusive behind-the-scenes photography, this celebratory book is the ultimate gift for Downton Abbey fans the world over.
A timeless murder mystery with the fascinating, glamorous Mitford sisters at its heart, The Mitford Trial is the fourth installment in the Mitford Murders series from Jessica Fellowes, inspired by a real-life murder in a story full of intrigue, affairs and betrayal... It's lady's maid Louisa Cannon's wedding day, but the fantasy is shattered shortly after when she is approached by a secretive man asking her to spy on Diana Mitford—who is having an affair with the infamous Oswald Mosley—and her sister Unity. Thus as summer 1933 dawns, Louisa finds herself accompanying the Mitfords on a glitzy cruise, full of the starriest members of Society. But the waters run red when a man is found attacked. Back in London, the case is taken by lawyer Tom Mitford, and Louisa finds herself caught between worlds: of a love lost, a family divided, and a country caught in conflict.
A mystery with the fascinating Mitford sisters at its heart, Jessica Fellowes's The Mitford Vanishing is the fifth installment in the Mitford Murders series, inspired by a real-life murder in a story full of intrigue... “Downton Abbey meets Agatha Christie in this witty and twisty mystery.” —In Touch Weekly on The Mitford Murders 1937. War with Germany is dawning, and a civil war already rages in Spain. Split across political lines, the six Mitford sisters are more divided than ever. Meanwhile their former maid Louisa Cannon is now a private detective, working with her policeman husband Guy Sullivan. Louisa and Guy are surprised when a call comes in from novelist Nancy Mitford requesting that they look into the disappearance of her Communist sister Jessica in Spain. But one case leads to another as they are also asked to investigate the mysterious vanishing of a soldier. As the two cases come together, Louisa and Guy discover that every marriage has its secrets—but some are more deadly than others. Suddenly home feels a long way away...
It's 1924 and there have been many changes in the world of Downton Abbey since we were first welcomed by the family and their servants twelve years ago. A generation of men has been tragically lost at the front, there are once again children breathing new life into the great house, a chauffeur now sits at the Grantham dinner table and hems are up by several inches. Yet despite all of this unsettling upheaval, it is a comfort to find that many things at Downton remain largely unchanged. There are still parties to be thrown, summer fetes to be organised, menus to be planned and farms to be run. Join us, then, as we explore the seasonal events and celebrations of the great estate - Christmas, Easter, the debutante season, the hunt and more - and peer with us through the prism of the house as we learn more about the lives of our favourite characters, the actors who play them, and those who create the world we love so much. Packed full of exclusive new photography and brimming with traditional British recipes for each calendar month, such as Eton mess and sloe gin, this beautiful book takes us on a fascinating journey through a year in the life of Downton Abbey.
In the third book in the Mitford Murders series, lady's maid Louisa Cannon accompanies Diana Mitford into a turbulent late 1920s Europe. The year is 1928, and after the death of a maid at a glamorous society party, fortune heir Bryan Guinness seizes life and proposes to eighteen-year-old Diana, most beautiful of the six Mitford sisters. The maid's death is ruled an accident, and the newlyweds put it behind them to begin a whirlwind life zipping between London's Mayfair, chic Paris and hedonistic Berlin. Accompanying Diana as her lady's maid is Louisa Cannon, as well as a coterie of friends, family and hangers on, from Nancy Mitford to Evelyn Waugh. When a second victim is found in Paris in 1931, Louisa begins to see links with the death of the maid. Now she must convince the Mitford sisters that a murderer could be within their midst . . . all while shadows darken across Europe, and within the heart of Diana Mitford herself.
A lavish look at the real world—both the secret history and the behind-the-scenes drama—of the beloved Emmy Award–winning Masterpiece TV series. April 1912. The sun is rising behind Downton Abbey, a great and splendid house in a great and splendid park. So secure does it appear that it seems as if the way of life it represents will last for another thousand years. It won’t. Millions of American viewers were enthralled by the world of Downton Abbey, the mesmerizing TV drama of the aristocratic Crawley family—and their servants—on the verge of dramatic change. This gorgeous book—illustrated with sketches and research from the production team, as well as on-set photographs from the first two seasons—takes us even deeper into that world, with fresh insights into the story and characters as well as the social history.
A lavish look at the real world—both the secret history and the behind-the-scenes drama—of the beloved Emmy Award–winning Masterpiece TV series. April 1912. The sun is rising behind Downton Abbey, a great and splendid house in a great and splendid park. So secure does it appear that it seems as if the way of life it represents will last for another thousand years. It won’t. Millions of American viewers were enthralled by the world of Downton Abbey, the mesmerizing TV drama of the aristocratic Crawley family—and their servants—on the verge of dramatic change. This gorgeous book—illustrated with sketches and research from the production team, as well as on-set photographs from the first two seasons—takes us even deeper into that world, with fresh insights into the story and characters as well as the social history.
The Chester Cycle in Context, 1555-1575 considers the implications of recent archival research which has profoundly changed our view of the continuation of performances of Chester's civic biblical play cycle into the reign of Elizabeth I. Scholars now view the decline and ultimate abandonment of civic religious drama as the result of a complex network of local pressures, heavily dependent upon individual civic and ecclesiastical authorities, rather than a result of a nation-wide policy of suppression, as had previously been assumed.
Wigging Out is a comprehensive visual history of wigs and hairpieces, covering thousands of years of hair worn by everyone from Cleopatra and Louis XIV to Naomi Campbell and Lady Gaga. Starting in ancient Egypt and ending on the red carpet of the Met Gala, Wigging Out features key historical moments in fashion set alongside spectacular images of real and synthetic wigs worn by everyone from Roman emperors and nineteenth-century Gibson Girls to twenty-first-century drag queens and London street punks. Including interviews with modern wigmakers, stylists, and braiders, Wigging Out takes readers on a joyful romp through fake-hair history.
Effective storytelling stems from many elements, the most crucial of which are unseen or blended in so unobtrusively that they are difficult to spot and analyze. Still, they are necessary to the wholeness and coherence of a story–to create a work that lingers and resonates in the reader's imagination.In Between the Lines, author and writing instructor Jessica Page Morrell shows you how to craft a unified and layered novel or short story by mastering subtle storytelling techniques, such as: • Using emotional bombshells, surprises, and interruptions to intensify cliffhangers • Enlarging your story world through the use of layered subplots • Building suspense one scene at a time to maximize the emotional payoff • Anchoring your premise to your protagonist's character arc • Transitioning into and out of flashbacks without interrupting the mood of your story Detailed instruction combined with examples from well-known authors turn seemingly complex topics like subtext, revelations, misdirection, and balance into comprehensible techniques that will elevate your writing to the next level.
This book argues that Walton's practice, in his Lives, was crucial in shaping modern expectations of biography: how it should be organised, how it should treat evidence, how seriously it should regard narrative coherence, and most particularly in the modern expectation of an intimaterelationship between author, reader, and subject. Dr Martin considers Walton's biographical ethics in relation to the tributary genres influencing him as they emerged from post-Reformation commendatory practice after 1546, most particularly classical funeral oratory and the emergent Protestantfuneral sermon, the Plutarchan parallel, the didactic Character, martyrological narrative, and finally Walton's direct model, the exemplary biographical commemoration of the conformist minister.Dr Martin considers how Walton develops his literary inheritance, arguing that his lay status required him to initiate a different kind of mediation between reader and subject from the straightforwardly imitative. Walton presents himself as a channel for the words and acts of an authoritativesubject, a preference implicitly followed both in his stress on personal connections with his subjects (which spectacularly particularizes his portraits) and in his very extensive use of their own writings. His Lives attempt posthumous autobiography. They are also considered as prominent andaccomplished examples of the many politically intended narratives which exploit a consensual interpretation of private virtue to support, without having to argue for, a sectarian interpretation of public rectitude.
Perfect book for the beach." --Library Journal World-renowned polo player and global face of Ralph Lauren, Nacho Figueras dives into the world of scandal and seduction with a new fiction series set in the glamorous, treacherous world of high-stakes polo competition. Georgia never wanted to be a jetsetter. A plain old country vet was fine for her. But one distress call from her best friend and the next thing she knows she's neck deep in the world of polo's most elite international players--complete with designer dresses, fine champagne and some of the most gorgeous thoroughbreds she's ever seen. Some of the most gorgeous men too... Alejandro Del Campo needs his team to win the season's biggest polo tournament or else he's not sure how much longer they're going to be in business. What he doesn't need is some sassy new vet telling him how to run his business--and distracting him at every turn. But as they come closer and closer to the championship match, it soon becomes clear that Alejandro wants to win Georgia just as much as the tourney trophy. But can he ever convince her his world is where she truly belongs?
World-renowned polo player and global face of Ralph Lauren, Nacho Figueras dives into the world of scandal and seduction with the Polo Season, set in the glamorous, treacherous world of high-stakes polo competition. Antonia Black has always known her place with the Del Campo family-a bastard daughter. And it will take a lot more than her skill with horses to truly belong within the wealthy polo dynasty. In fact, she's been shuttled around so much in her life, she doesn't even know what "home" means. Until one man shows her exactly how it feels to be safe, to be free, to be loved. Enzo Rivas knows Noni is way out of his league. After all, he's the stablemaster, and she's the boss's sister. But he can't see the hurt in her eyes and not want to protect her. And he can no longer deny the electric tension jumping between them. Yet just when he's ready to risk it all and change their relationship forever, a secret from her past makes him question everything he thought he knew about her...
Considering plays by Philip Massinger, Richard Brome, Ben Jonson, John Ford and James Shirley, this study addresses the political import of Caroline drama as it engages with contemporary struggles over authority between royal prerogative, common law and local custom in seventeenth-century England. How are these different aspects of law and government constructed and negotiated in plays of the period? What did these stagings mean in the increasingly unstable political context of Caroline England? Beginning each chapter with a summary of the legal and political debates relevant to the forms of authority contested in the plays of that chapter, Jessica Dyson responds to these kinds of questions, arguing that drama provides a medium whereby the political and legal debates of the period may be presented to, and debated by, a wider audience than the more technical contemporary discourses of law could permit. In so doing, this book transforms our understanding of the Caroline commercial theatre’s relationship with legal authority.
This book recasts one of the most well-studied and popularly-beloved eras in history: the tumultuous span from the 1485 accession of Henry VII to the 1603 death of Elizabeth I. Though many have gravitated toward this period for its high drama and national importance, the book offers a new narrative by focusing on another facet of the British past that has exercised an equally powerful grip on audiences: imperialism. It argues that the sixteenth century was pivotal to the making of both Britain and the British Empire. Unearthing over a century of theorizing about and probing into the world beyond England’s borders, Tudor Empire shows that foreign enterprise at once mirrored, responded to, and provoked domestic politics and culture, while decisively shaping the Atlantic World. Demonstrating that territorial expansion abroad and national consolidation and identity formation at home were concurrent, intertwined, and mutually reinforcing, the author examines some of the earliest ventures undertaken by the crown and its subjects in France, Scotland, Ireland, and the Americas. Tudor Empire is a thought-provoking, essential read for those interested in the Tudors and the British Empire that they helped create.
Phrase 1: A captivating story of Jewish women in North America and their use of the arts, the digital, and technology to reshape Orthodoxy. First translocal ethnography of the ultra-Orthodox female art scene in music, film, and dance across North America and on social media. Phrase 2: An in-depth look into a secluded religious and artistic world in North America"--
From the BESTSELLING Law Express revision series. Law Express Question and Answer: Employment Law is designed to ensure you get the most marks for every answer you write by improving your understanding of what examiners are looking for, helping you to focus in on the question being asked and showing you how to make even a strong answer stand out.
It is one thing to draw a line in the sand but another to enforce it. In this innovative new work, Jessica Lauren Taylor follows the Native peoples and the newcomers who built and crossed emerging boundaries surrounding Indigenous towns and developing English plantations in the seventeenth-century Chesapeake Bay. In a riverine landscape defined by connection, Algonquians had cultivated ties to one another and into the continent for centuries. As Taylor finds, their networks continued to define the watery Chesapeake landscape, even as Virginia and Maryland’s planters erected fences and forts, policed unfree laborers, and dispatched land surveyors. By chronicling English and Algonquian attempts to move along paths and rivers and to enforce boundaries, Taylor casts a new light on pivotal moments in Anglo-Indigenous relations, from the growth of the fur trade to Bacon’s Rebellion. Most important, Taylor traces the ways in which the peoples resisting colonial encroachment and subjugation used Native networks and Indigenous knowledge of the Bay to cross newly created English boundaries. She thereby illuminates alternate visions of power, freedom, and connection in the colonial Chesapeake.
This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the modern concept of technology, sixteenth- and early seventeenth-century writers recognized the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation.
Perfect book for the beach." --Library Journal World-renowned polo player and global face of Ralph Lauren, Nacho Figueras dives into the world of scandal and seduction with a new fiction series set in the glamorous, treacherous world of high-stakes polo competition. Georgia never wanted to be a jetsetter. A plain old country vet was fine for her. But one distress call from her best friend and the next thing she knows she's neck deep in the world of polo's most elite international players--complete with designer dresses, fine champagne and some of the most gorgeous thoroughbreds she's ever seen. Some of the most gorgeous men too... Alejandro Del Campo needs his team to win the season's biggest polo tournament or else he's not sure how much longer they're going to be in business. What he doesn't need is some sassy new vet telling him how to run his business--and distracting him at every turn. But as they come closer and closer to the championship match, it soon becomes clear that Alejandro wants to win Georgia just as much as the tourney trophy. But can he ever convince her his world is where she truly belongs? Polo Season series: High SeasonWild OneRide Free
This volume seeks to address the questions of poverty, charity, and public welfare, taking the nineteenth-century London Foundling Hospital as its focus. It delineates the social rules that constructed the gendered world of the Victorian age, and uses 'respectability' as a factor for analysis: the women who successfully petitioned the Foundling Hospital for admission of their infants were not East End prostitutes, but rather unmarried women, often domestic servants, determined to maintain social respectability. The administrators of the Foundling Hospital reviewed over two hundred petitions annually; deliberated on about one hundred cases; and accepted not more than 25 per cent of all cases. Using primary material from the Foundling Hospital's extensive archives, this study moves methodically from the broad social and geographical context of London and the Foundling Hospital itself, to the micro-historical case data of individual mothers and infants.
The Martindale sisters are about to embark on a reckless journey of deceit, rivalry and betrayal that reaches a thrilling and romantic climax as the Titanic sails for New York... At first, handsome, freewheeling Clive Cavendish does not appear to be an ideal catch for Julie. But when a whirlwind seduction leads to love and marriage and Clive's ambitious schemes begin to pay off Julie is more than happy to be the wife of an up-and-coming painter and the mother of his children. Anna's suitor, Howard Buskin, is rich, moody and reclusive. He prefers painting Dartmoor's brooding landscapes to courting the beautiful young woman his mother has chosen to be his bride and from the first their uneasy, loveless marriage totters on the brink of crisis. Only when American art collector Teddy Norris enters their lives with a proposal that Howard cannot ignore, and an easy-going charm that sweeps Anna into a tempestous affair, do the sisters begin to question their loyalty to their husbands and to each other. A loyalty that will be tested to the limit on the first, and last, Atlantic crossing of the White Star's new super-liner, the unsinkable Titanic - a voyage not all of them will survive.
Color illustrations accompany quotations from twenty-four Shakespearean dramas about twenty-seven flowers. Explains what each flower meant in Elizabethan times and Shakespeare's particular use of it in his plays.
It's 1924 and there have been many changes in the world of Downton Abbey since we were first welcomed by the family and their servants twelve years ago. A generation of men has been tragically lost at the front, there are once again children breathing new life into the great house, a chauffeur now sits at the Grantham dinner table and hems are up by several inches. Yet despite all of this unsettling upheaval, it is a comfort to find that many things at Downton remain largely unchanged. There are still parties to be thrown, summer fetes to be organised, menus to be planned and farms to be run. Join us, then, as we explore the seasonal events and celebrations of the great estate - Christmas, Easter, the debutante season, the hunt and more - and peer with us through the prism of the house as we learn more about the lives of our favourite characters, the actors who play them, and those who create the world we love so much. Packed full of exclusive new photography and brimming with traditional British recipes for each calendar month, such as Eton mess and sloe gin, this beautiful book takes us on a fascinating journey through a year in the life of Downton Abbey.
The Chronicles of Downtown Abbey: A New Era is a perfect gift book for fans of the Emmy Award-winning series and feature film, inviting readers inside the third season. The Great War has ended, but Downton Abbey is far from peaceful... "Americans can't get enough of Downton Abbey," said The Boston Globe. As Season 3 of the award-winning TV series opens, it is 1920 and Downton Abbey is waking up to a world changed forever by World War I. New characters arrive and new intrigues thrive as the old social order is challenged by new expectations. In this new era, different family members abound (including Cora's American mother, played by Shirley MacLaine) and changed dynamics need to be resolved: Which branch of the family tree will Lord Grantham's first grandchild belong to? What will become of the servants, both old and new? The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes us deeper into the story of every important member of the Downton estate. This lavish, entirely new book from Jessica Fellowes focuses on each character individually, examining their motivations, their actions, and the inspirations behind them. An evocative combination of story, history, and behind-the-scenes drama, it will bring fans even closer to the secret, beating heart of the house.
Since the moment we first entered Downton Abbey in 1912, we have been swept away by Julian Fellowes' evocative world of romance, intrigue, drama and tradition. Now, in 1925, as Downton Abbey prepares to close its doors for the final time, Jessica Fellowes leads us through the house and estate, reliving the iconic moments of the wonderfully aristocratic Crawley family and their servants as they navigate the emerging modern age. Travelling from Great Hall to servants' hall, bedroom to boot room, we glimpse as we go Matthew and Isobel Crawley arriving for the first time, the death of Kemal Pamuk, Cora's tragic miscarriage, Edith's affair with Michael Gregson, Mary's new haircut, Thomas and O'Brien's scheming, Anna and Bates's troubles with the law, and Carson's marriage to Mrs Hughes. Alongside this will be in-depth interviews with the cast who have worked on the show for six years and know it so well. Packed full of stunning location shots and stills from all six series of the show including exclusive behind-the-scenes photography, this celebratory book is the ultimate gift for Downton Abbey fans the world over.
Meet the Bright Young Things, the rabble-rousing hedonists of the 1920s whose treasure hunts are a media obsession. One such game takes place at the 18th birthday party of Pamela Mitford, but ends in tragedy as cruel, charismatic Adrian Curtis is pushed to his death from the church neighbouring the Mitford home. The police quickly identify the killer as a maid, Dulcie. But Louisa Cannon, chaperone to the Mitford girls and a former criminal herself, believes Dulcie to be innocent, and sets out to clear the girl's name... all while the real killer may only be steps away.
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